いしまくらちょうしんめいの英語

当初、こうした政策は元寇などによって混乱する社会秩序の回復を図りたい鎌倉幕府の政策と軌を一にするもの（安達泰盛による幕政改革も「弘安徳政」と呼ばれている）であったが、やがて徳政の本格化とともに朝廷の威信回復の考えが旧体制（鎌倉幕府以前への）復帰を模索する動きに結び付けられるようになると、鎌倉幕府は皇位継承における両統迭立政策を名目とした政治介入を行い、亀山・伏見両上皇の院政停止を行った事から朝幕間に緊張状態を生み、やがて後醍醐天皇の親政に至ってついに鎌倉幕府に対する討幕運動へと転化することになったのである。例文帳に追加

Initially, these reforms were in agreement with the Kamakura bakufu's policies to recover public order after confusion due to Mongolian attempts to invade Japan, etc. (the bakufu reforms by Yasumori ADACHI are also called 'Koan-Tokusei'), but when the scale of tokusei was enlarged and consideration of reversion to the old system (before the Kamakura bakufu) became linked with the idea of recovering the authority of the Imperial Court, the Kamakura bakufu used Ryoto tetsuritsu policies for the Imperial succession as a reason to intervene politically and terminated the cloistered governments of Retired Emperors Kameyama and Fushimi, causing tension between the bakufu and the Imperial Court, leading to Emperor Godaigo's direct governance, which eventually transformed into the movement to overthrow the Kamakura bakufu.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

だが、鎌倉幕府成立以後、武士階層が次第に政治力と自信をつけてくるにつれて朝廷や貴族による支配を拒絶する態度をより明確にするようになり、その中核をなした御家人などからは極端な官位昇進などを朝廷重視の姿勢の現れであると見なされ、後の暗殺事件への伏線になったとの説もある。例文帳に追加

However, after the Kamakura bakufu was established, as the samurai class gradually became influential in policies and confident, they clearly refused control by the Imperial Court and the nobility, and the main constituent gokenin considered the extreme promotion as an attitude favoring the Imperial Court, and this lead to the later assassination, according to one theory.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

通季の曾孫西園寺公経のとき、源頼朝の姪を妻としていたことから承久の乱に際して鎌倉幕府の縁者として警戒されて朝廷に幽閉され、かえって乱後に幕府の信任を受けて関東申次として朝廷の実権を握り、太政大臣にまでのぼって家格を高めた。例文帳に追加

Kintsune SAIONJI, who was a great grandson of Michisue, was confined by the imperial court during the Jokyu-no-ran War because, having married the niece of MINAMOTO no Yoritomo, he was being watched over as a relative of the Kamakura bakufu (Japanese feudal government headed by a shogun); after the war, however, Kintsune gained the confidence of the shogunate, wielded the real power in the imperial court through holding the office of Kanto Moshitsugi, and rose to the position of Daijo daijin (grand minister of state), raising the social standing of the Saionji Family.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

恰幅のいい体つきと、明るく豪放磊落な仁で、『勧進帳』の弁慶、『暫』鎌倉権五郎、『毛抜』の粂寺弾正のような荒事や、『義経千本桜』の権太、『髪結新三』、『盲長屋梅加賀鳶』、『魚屋宗五郎』といった世話物、『仮名手本忠臣蔵』の大星由良助、寺岡平右衛門、『熊谷陣屋』の熊谷直実、『義経千本桜』の知盛、狐忠信などの時代物にも定評があった。例文帳に追加

With his imposing stature and bright and open hearted benevolence, he won acclaim in roles in domestic dramas including Benkei in "Kanjincho," Gongoro KAMAKURA in "Shibaraku," aragoto style such as Kumedera Danjo in "Kenuki," Gonta in "Yoshitsune Senbon-zakura," "Kamiyuishinzo," "Mekuranagaya-umega-kagatobi," "Sakana Sogoro," and historical plays including Yuranosuke OBOSHI in "Kanadehon Chushingura," Heiemon TERAOKA and Naozane KUMAGAI in "Kumagai Jinya," Tomomori and Tadanobu KITSUNE in "Yoshitsune Senbon-zakura."発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

『京鹿子娘道成寺』の白拍子花子、『本朝廿四孝・十種香』の濡衣・八重垣姫、『一條大蔵譚』の常盤御前、『鎌倉三代記・絹川村閑居』の時姫、『祇園祭礼信仰記・金閣寺』の雪姫、『刺青奇遇』のお仲、『一本刀土俵入』のお蔦などが評価が高い。例文帳に追加

He is highly rated in the plays of Shirabyoshi dancer, Hanako in "Kyoganoko Musume Dojoji" (Maiden at Dojo-ji Temple), Nureginu and Princess Yaegaki in "Jusshuko, Honcho Nijushi Ko" (Incense Burning, from 24 Episodes of Great Children in the Country), Tokiwa Gozen in "Ichijo Okura Monogatari" (The Mad Aristocrat), Princess Toki in "Kamakura Sandaiki, Kinugawa-mura Kankyo" (Living in seclusion in Kinugawa Village, Three Generations of the Kamakura Shogunate), Princess Yuki of "Gion Sairei Shinkoki" (Kinkaku-ji Temple, The Gion Festival Chronicle of Faith), Onaka in "Irezumi Chohan" (Tattooed Hantaro) and Otsuta in "Ippongatana Dohyoiri" (Into the Sumo Ring with a Sword).発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

「刃中の働きは元から切っ先までむらなく”匂い口が締まってサーッと消え入りそうに刃先に向かう”のが最大の特徴であり、匂い口を締て刃中を働かせていいることなど古刀期ならではの技量であり、地鉄の良さが平安・鎌倉（”二流工”の意味）をも凌ぐと武家目利の興趣は絶賛しており、兼定に始まって兼定に終わるとさえ云われている、孫六兼元のような”変化の激しさ”とは対照的に”静寂”な作風である、之定銘の作は素人受けする派手な刃紋が多い、銘は自身銘であり、銘切師には一切切らせておらず”奥義”のある銘振りである。例文帳に追加

The effect of the blade is even from the base to the tip, and "Nioi-kuchi (small particles of Martensite) is tight and turns into the blade tip like it's disappearing quickly" as the greatest characteristic, and tightening Nioi-kuchi and having an effect of the blade feature are typical techniques of the Koto (Old Swords) period, and Kyoshu, a samurai connoisseur highly praised its fine steel for surpassing Heian and Kamakura (they are supposed to be second-class craftsmen), and it is even said that it all comes down to Kanesada; Contrary to the "wide change" seen in Magoroku Kanemoto, it has a "serene" work style; most of the works with the inscription of Nosada have fancy blade patterns which amateurs like; the inscription is done by himself, without an inscriber, which makes the inscription "deep."発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

歌右衛門生涯の当たり役は非常に多く、『京鹿子娘道成寺』の白拍子花子、『籠釣瓶花街酔醒（籠釣瓶）』の八つ橋、『祗園祭礼信仰記（金閣寺）』の雪姫、『鎌倉三代記・絹川村』の時姫、『本朝廿四孝・十種香』の八重垣姫、『東海道四谷怪談』のお岩、『妹背山婦女庭訓（妹背山）』の定高、お三輪、『沓手鳥孤城落月（孤城落月）』の淀君、『仮名手本忠臣蔵・九段目』の戸無瀬、『積恋雪関扉（関の扉）』の小町と墨染、『恋飛脚大和往来・新口村』の梅川、『攝州合邦辻・合邦庵室』の玉手御前、『伽羅先代萩』の政岡、『鏡山旧錦絵（鏡山）』の尾上、『隅田川続俤（隅田川）』の班女など、娘形から姫、片はずし、傾城に至るまで、あらゆる女形の領域をこなした。例文帳に追加

Utaemon performed many successful characters in his lifetime, and those were Shirabyoshi (women who play Shirabyoshi (Japanese traditional dance)) Hanako of "Kyo Kanokomusume Dojoji" (The maiden at Dojo Temple), Yatsuhashi of "Kago Tsurube Satono Eizame" (Basket bucket in red-light district), Yukihime of "Gion Sairei Shinkoki" (The Gion Festival Chronicle of Faith)(Kinkaku-ji Temple), Tokihime of "Kamakura Sandaiki, Kinugawa-mura" (Three Generations of the Kamakura Shogunate in Kinugawa Village), Yaegaki-hime of "Honcho Niju-shi ko, Jusshuko" (24 Paragons of Filial Piety of our Country, Incense Burning), "Oiwa of "Tokaido Yotsuya Kaidan" (Tokaido Yotsuya Ghost Stories), Sadaka and Omiwa of "Imoseyama Onna Teikin" (An Exemplary Tale of Womanly Virtue in Mt. Imose), Yodogimi of "Hototogisu Kojo no Rakugetsu" (The Sinking Moon over the Lonely Castle Where the Cuckoo Cries), Tonase of "Kanadehon Chushingura, Kudanme" (The Treasury of Loyal Retainers, 9th act), Komachi and Sumizome of "Tsumoru Koiyuki no Seki no To" (The Barrier Gate), Umegawa of "Koibikyaku Yamato Orai, Ninokuchi-mura" (The Amorous Courier on the Yamato Highway, Ninokuchi Village), Tamate-Gozen of "Gappo Anjitsu (hermitage of Gappo), Sesshu Gappo ga Tsuji (A Kabuki Drama of Unfettered Evil)," Masaoka of "Meiboku Sendai Hagi" (The trouble in the Date Clan), Onoue of "Kagamiyama Kokyo no Nishikie" (old brocade pictures of Mt. Kagami), Hanjo of "Sumida-gawa Gonichi no Omokage" (Latter-day Reflections of the Sumida-gawa River), and he acted many types of female roles, such as a daughter, princess, Katahazushi (female role of nyobo (a court lady) of a samurai family or goten jochu (palace maid)), and keisei (courtesans with high dignity and literacy).発音を聞く  - Wikipedia日英京都関連文書対訳コーパス