「曲江」に関連した英語例文の一覧と使い方(2ページ目) - Weblio英語例文検索

八橋検校以降、江戸時代中期の特に重要な箏曲家としては、生田検校と山田検校が挙げられる。例文帳に追加

After Yatsuhashi Kengyo's death, Ikuta Kengyo and Yamada Kengyo were prominent Soh musicians during the middle of the Edo period.  - Wikipedia日英京都関連文書対訳コーパス

これらの盲僧たちはそれぞれの組織を持ち、室町時代から江戸時代にかけ、平曲の盲人演奏家の組織である当道座と対立した。例文帳に追加

These blind priests belonged to their own guild and had a conflict with Todo-za, an organization of blind musicians of Heikyoku, from the Muromachi period to the Edo period.  - Wikipedia日英京都関連文書対訳コーパス

江戸時代には「木崎ヶ原合戦」などの合戦を叙した曲が作られて次第に盛んになり、やがて武士だけでなく町民にも広まった。例文帳に追加

These biwas gradually became popular in the Edo period as songs derived from fights such as 'Kizakigahara gassen' were composed, and they spread through not only samurai but also townspeople.  - Wikipedia日英京都関連文書対訳コーパス

江戸時代初期には色々な楽器が合奏されていたようだが、まだ「三曲」と呼ばれた記録は見つかっていない。例文帳に追加

Although various music instruments were played in concert in the early Edo period, there is no evidence to show that any combination of music instruments was called 'sankyoku.'  - Wikipedia日英京都関連文書対訳コーパス

箏曲のうち筑紫箏、八橋流は江戸初期、前期の音楽をほとんどそのまま伝えており他楽器との合奏を行わない。例文帳に追加

Among so-kyoku, the Tsukushi-goto (a school of so-kyoku) and the Yatsuhashi school do not play in concert with other instruments since they retain the music of the beginning of the Edo period and the early Edo period almost in tact even today.  - Wikipedia日英京都関連文書対訳コーパス

江戸時代には曲尺で六尺の長さ（約180cm）で、前垂れを出し（三角に畳む場合も多い）、後で結ぶ場合が多かった。例文帳に追加

In the Edo period, rokushaku fundoshi were 6 shaku according to a carpenter's square, which totals to about 180 cm, and were often worn by tying it behind the wearer's back, with a maedare hanging down (often folded into a triangle).  - Wikipedia日英京都関連文書対訳コーパス

なお、弓矢立合は江戸時代に幕府の謡初式でかならず演じられた由緒ある曲である。例文帳に追加

Furthermore, Yumiya no Tachiai is a Noh song with a long and honorable history that was certainly played in the Utaizome-shiki (a New Year's ceremony for the first Noh singing of the year in the home of a shogun) of the Bakufu (the Japanese feudal government headed by a shogun) during the Edo Period.  - Wikipedia日英京都関連文書対訳コーパス

「江戸上り」では、元服前の男児が、楽師から楽曲を仕込まれて、「楽童子」(がくどうじ)として御座楽を演奏した。例文帳に追加

For 'Edo nobori (the missions to Edo),' boys were trained in musical repertoire by music teachers before attaining manhood and, participated in Uzagaku ensembles as 'Gakudoji (lit. child musicians).'  - Wikipedia日英京都関連文書対訳コーパス

八世福王盛有は文筆に優れ、謡曲を新作するほか「江戸洪水記」などをあらわした。例文帳に追加

Moriari FUKUO the eighth excelled in literary work; he not only composed new pieces of Yokyoku, but also wrote 'Edo kozuiki' (a document about a flood in the Edo period).  - Wikipedia日英京都関連文書対訳コーパス

南総里見八犬伝（なんそうさとみはっけんでん、南總里見八犬傳）は、江戸時代後期に曲亭馬琴（滝沢馬琴）によって著された読本。例文帳に追加

Nanso Satomi Hakkenden is Yomihon (copy for reading) written by Bakin KYOKUTEI (Bakin TAKIZAWA) during the late Edo period.  - Wikipedia日英京都関連文書対訳コーパス

祭礼の雰囲気にみちた江戸前の曲と、賑やかで派手な振りの舞が特色で、これが『お祭』の通称の由来ともなっている。例文帳に追加

It is characterized by the Edomae (Tokyo style) song full of the atmosphere of rites and festivals, and by dance with the lively and dramatic choreography, and the common name, "omatsuri," came from those.  - Wikipedia日英京都関連文書対訳コーパス

備考：この上演から河東節を使うようになり、このときの「出端の唄」の曲名が「所縁江戸櫻」（ゆかりのえどざくら）だった。例文帳に追加

Notes: Katobushi has been used from this performance, and the title of the 'Deha no Uta' in this performance was 'Yukari no Edozakura.'  - Wikipedia日英京都関連文書対訳コーパス

これが歴代の市村羽左衛門にも継承され、河東節「所縁江戸櫻」は70年以上にわたって羽左衛門占有の曲となった。例文帳に追加

This was succeeded to successive Uzaemon ICHIMURA, and Katobushi 'Yukari no edozakura' began the song dedicated to Uzaemon for over seventy years  - Wikipedia日英京都関連文書対訳コーパス

「明治節」（作詞：堀沢周安、作曲：杉江秀）：昭和3年（1928年）「祝日大祭日唱歌」として制定。例文帳に追加

The song named 'Meiji-setsu' (lyrics by Shuan HORIZAWA, music by Shu SUGIE) was designated as one of the school songs for public holidays in 1928.  - Wikipedia日英京都関連文書対訳コーパス

大江山の酒呑童子退治や、神楽（謡曲）「土蜘蛛」「子持山姥」「滝夜叉姫」に登場することで有名。例文帳に追加

He is famous for the elimination of Shuten Doji of Oeyama (Mt. Oe) and his appearance in kagura (sacred music and dancing performed at shrine) (Noh song) 'Tsuchigumo,' 'Komochi Yamanba' and 'Takiyasha Hime.'  - Wikipedia日英京都関連文書対訳コーパス

吉沢検校は江戸時代の平曲の大流派の一つである波多野流を荻野検校に学び、門弟たちに伝えた。例文帳に追加

Kengyo YOSHIZAWA learned the style of the Hatano School, one of the great schools of Heikyoku in the Edo period, from Kengyo OGINO, and he introduced it to his disciples.  - Wikipedia日英京都関連文書対訳コーパス

1931年（昭和6年）10月14日蒲生（現在の京橋）～守口（現在の守口市）間（通称『野江の七曲がり』）を直線化し専用軌道化。例文帳に追加

October 14, 1931: The section (known as "the seven curves of Noe") between Gamo Station (current Kyobashi Station) and Moriguchi Station (current Moriguchishi Station) was straightened and equipped with an exclusive track.  - Wikipedia日英京都関連文書対訳コーパス

曲亭馬琴らによる江戸時代の奇談集『兎園会』では窮鬼（きゅうき）と題し、以下のような話がある。例文帳に追加

In "Toenkai," a collection of strange stories from the Edo period by Bakin KYOKUTEI, etc., there is a story described below titled Kyuki.  - Wikipedia日英京都関連文書対訳コーパス

江戸城内曲輪は、本城(本丸、二の丸、三の丸)、西丸、紅葉山、吹上御庭、西丸下で構成されていた。例文帳に追加

Edo-jo castle was build up with Honjo (the keep of castle) consisting of Honmaru (inner citadel), Ninomaru (second citadel) and Sannomaru (third citadel), Nishinomaru palace, Momiji-yama Mountain, Fukiage garden, Nishinomarushita (西丸下) (residence of the Matsudaira clans).  - Wikipedia日英京都関連文書対訳コーパス

福知山音頭は江戸時代に出来上がった盆踊りの曲で、「ドッコイセ～、ドッコイセ～｣という特徴的なフレーズがある。例文帳に追加

Fukuchiyama Ondo, established during the Edo period, is a Bon Festival Dance with a unique phrase 'Dokkoi-see, Dokkoi-see.'  - Wikipedia日英京都関連文書対訳コーパス

茅葺屋根の曲家で江戸時代前期（17世紀半ば）の建築ではないかと考えられているが、明確な建築年代を示す史料は残っていない。例文帳に追加

It is a magariya (bent house) with a thatched roof supposedly constructed in the early Edo period (mid-seventeenth century), but there are no extant materials that indicate the exact period of the construction.  - Wikipedia日英京都関連文書対訳コーパス

実際、江戸時代末期からそこに尺八が参入したので、現在三曲と呼ぶ場合は地歌・箏曲・胡弓楽・尺八楽を総合する名称と言え、邦楽分類上不可分な一ジャンルの呼称となっている。例文帳に追加

In fact, shakuhachi participated in the ensemble from the end of the Edo period, so sankyoku today can be thought of as the general term for Jiuta, Sokyoku, Kokyu-gaku and Shakuhachi-gaku (shakuhachi music), which becomes the name of an inseparable genre in Japanese music.  - Wikipedia日英京都関連文書対訳コーパス

ただし江戸時代初期には、大衆的な曲では色々な合奏が行なわれていたことが絵画などで知られるが、そのような曲は現在ほとんど伝えられていない。例文帳に追加

Some pictures and other historical materials show us that various ensembles of popular tunes were performed in the early Edo period, but few have been handed down to the present day.  - Wikipedia日英京都関連文書対訳コーパス

特に平曲は鎌倉時代以来、当道座の表芸であったが、江戸時代には次第に沈静化し、代わって地歌、箏曲を専門とする者が一般化した。例文帳に追加

Especially, heikyoku which had been the typical profession in todoza since the Kamakura period became less popular among the blind, but the popularity subsided in the Edo period and instead the blind specialized in jiuta and so music was more common.  - Wikipedia日英京都関連文書対訳コーパス

江戸時代には幕府の保護のもと、平曲（平家琵琶）、三曲（地歌三味線、箏（こと）、胡弓楽）の専門音楽家として活躍したり、また人によっては鍼灸、按摩を専業とした。例文帳に追加

In Edo period, they actively worked as professional musicians of Heikyoku (the music played on Heike biwa as accompaniment for the recitation of Heike monogatari), and sankyoku (jiuta shamisen [traditional Japanese shamisen music], koto, and Kokyu [Chinese fiddle] music) or engaged in acupuncture and massage, under protection by bakufu (Japanese feudal government headed by a shogun).  - Wikipedia日英京都関連文書対訳コーパス

江戸初期の手法を取り入れたり、『七小町』や『三津山』など能に取材した曲もあり、また作品の一つ『五段砧』はきわめて複雑精緻に作られた箏の高低二重奏曲である。例文帳に追加

He incorporated the technique of the early Edo period, composed "Nanakomachi" (Seven Komachi) or "Mitsuyama" by researching noh and one of his works called "Godanginuda koto music" is extremely complicated, elaborate, high-low koto duet.  - Wikipedia日英京都関連文書対訳コーパス

江戸期謡曲「千歳楽」が現在の倉敷市連島で創作され流行、太鼓台を担ぐ際謡曲「千歳楽」を唄うことがこの界隈で普遍化し太鼓台自体を「千歳楽」と呼ぶようになったとする説が有力。例文帳に追加

A predominant theory suggests that the derivation of 'senzairaku' from taikodai lie on the fact that a newly created Noh song 'senzairaku' during the Edo period in now Tsurajima, Kurashiki City became so popular that people generally chanted the song in shouldering the taikodai in their neighborhoods, which led to call the taikodai itself 'senzairaku.'  - Wikipedia日英京都関連文書対訳コーパス

ちなみに「かんかんのう」は江戸から明治にかけて流行した曲で、「法界節」は明治の自由民権の壮士たちが月琴を弾きながら唱った曲である。例文帳に追加

Incidentally, 'Kankan no' was a popular tune from the Edo period to the Meiji period, and 'Hokaibushi' was the tune that Freedom and People's Rights Movement's desperadoes and others in the Meiji period sang to accompany their gekkin.  - Wikipedia日英京都関連文書対訳コーパス

清楽の代表的な曲には、「算命曲」「九連環（右上の写真の楽譜参照)」「茉莉花(民謡)」「四季」「紗窓」「売脚魚」「哈哈調」「満江紅」「将軍令」などがある。例文帳に追加

Typical Shingaku songs are 'Sanminkyo,' 'Kyurenkan' (cf. the upper right photograph of the score), 'Matsurika' (folk song), 'Shiki', 'Saso,' 'Baikyakugyo,' 'Hahacho,' 'Man Jiang Hong' and 'Jiang Jun Ling.'  - Wikipedia日英京都関連文書対訳コーパス

しかし、江戸時代には当道座の表芸たる平曲は下火になり、代わって地歌三弦や箏曲、鍼灸が検校の実質的な職業となった。例文帳に追加

Later in the Edo period, however, heikyoku, which had been the exemplary accomplishment of Todo-za, had lost its popularity, and jiuta sangen, sokyoku and acupuncture became the practical skills required to become a Kengyo professional instead.  - Wikipedia日英京都関連文書対訳コーパス

江戸時代には地歌三弦、箏曲、胡弓楽、平曲のプロフェッショナルとして、三都を中心に優れた音楽家となる検校が多く、近世邦楽大発展の大きな原動力となった。例文帳に追加

During the Edo period, there were many Kengyo who became excellent musicians in the three capital cities as professionals of jiuta sangen, sokyoku, kokyu (Chinese fiddle) music and heikyoku, which lead to them having an important role as a driving power in the development of Japanese music in the modern ages.  - Wikipedia日英京都関連文書対訳コーパス

郡山城(大和国)本丸に属する「常盤曲輪」は、一庵がここに屋敷を与えられたので、「本丸法印曲輪」といわれていたが、江戸時代に柳沢氏が藩主になった時に改称された。例文帳に追加

The 'Tokiwa Kuruwa' (walls of a castle) abutting the main keep of Koriyama-jo Castle(Yamato Province) were said to have been called 'Honmaru Hoin Kuruma,' sinceIchian was given a yashiki (mansion of a feudal lord) here, but they were renamed when the Yanagisawa clan took control of the domain in the Edo period.  - Wikipedia日英京都関連文書対訳コーパス

江戸時代中期の地歌は長歌物、そして端歌物が中心で、ことに端歌は大阪の藤永検校、鶴山勾当、政島検校をはじめとする作曲家たちにより、厖大な数の曲が作られ、端歌物全盛時代であった。例文帳に追加

Jiuta during the middle of the Edo period was mainly choka or hauta (short song) and especially enormous numbers of hauta were composed by kengyo FUJINAGA, koto (the title of the official ranks within the Todo-za (the traditional guild for the blind)) TSURUYAMA, kengyo MASASHIMA and so on and hauta was at its zenith.  - Wikipedia日英京都関連文書対訳コーパス

一方、三曲界内部においては、明治維新以来の西洋音楽の導入に伴って、その器楽的部分に影響を受け、江戸時代を通じて器楽的に発達していた「手事物」に注目されることも多い。例文帳に追加

Meanwhile, within the world of sankyoku focus is placed on 'tegotomono,' in which the instrumental aspect developed during the Edo period and which was also influenced by the Western music that was introduced since the Meiji Restoration.  - Wikipedia日英京都関連文書対訳コーパス

特に、江戸時代中期以降は地歌が盛んでなかった東京をはじめとする東日本に、生田流系箏曲とともに地歌が再び広まる機会ともなった。例文帳に追加

Particularly, along with the Ikuta school of sokyoku, it was an opportunity for jiuta to spread again to Tokyo and eastern Japan, where jiuta had lost popularity since the middle Edo period.  - Wikipedia日英京都関連文書対訳コーパス

江戸時代中期以降、大阪の峰崎勾当、三ツ橋勾当らにより器楽部分である手事を重要視した地歌の楽曲形式「手事物」が完成される。例文帳に追加

The mid Edo period and onward saw the completion, by Koto MINEZAKI and Koto MITSUHASHI, of a jiuta musical style called 'tegotomono' in which importance was placed on the instrumental part between songs.  - Wikipedia日英京都関連文書対訳コーパス

前述の筑紫箏を基本として、楽器としての箏および箏曲の基礎を大成させたのが、江戸時代初期に活躍した八橋検校（やつはし・けんぎょう、1614年-1685年）であった。例文帳に追加

Based on the above-mentioned Tsukusigoto, Yatsuhashi Kengyo (1614 - 1685), who was active during the early Edo period, established the basis of the musical instrument Soh as well as Soh music.  - Wikipedia日英京都関連文書対訳コーパス

特に尺八や笛から影響を受けた曲が生まれ、それが更に三味線(地歌)に取り入れられたりすることもあったが、江戸時代後期に入るとやはり地歌に便乗する面が強くなったといえる。例文帳に追加

Occasionally, kokyu music, which was influenced mainly by the music of the shakuhachi and other Japanese flutes, further influenced the music of the shamisen (Jiuta), but from the later Edo period kokyu music also had a tendency to participate in Jiuta.  - Wikipedia日英京都関連文書対訳コーパス

江戸では、18世紀中頃に藤植検校により藤植流胡弓が成立していたが、山田検校により山田流箏曲が興ると、それに加わり合奏されるようになった。例文帳に追加

In Edo, the Fujiue school of kokyu music was founded by Fujiue Kengyo around the middle of the 18th century, and when the Yamada school of koto music was founded by Yamada Kengyo, Fujiue's kokyu music participated in Yamada's koto music and they began to play tunes together.  - Wikipedia日英京都関連文書対訳コーパス

しかし総じて、このような盲人への保護政策により三味線音楽や近世箏曲、胡弓楽の成立発展、管鍼法の確立など、江戸時代の音楽や鍼灸医学の発展が促進されたことは重要である。例文帳に追加

In general, however, it should be noted that by the welfare system for the blind, the development of music and the medicine of acupuncture and moxibustion in the Edo period was advanced, including the formation and development of shamisen music, modern koto music and Chinese fiddle as well as the establishment of the acupuncture needle tube method.  - Wikipedia日英京都関連文書対訳コーパス

そのため光崎検校同様、複雑煩瑣に発達した当時の地歌音楽とは対極ともいえる、江戸前期の箏曲の形式である組歌の整合的構成、シンプルな技巧、気品高く雅びな雰囲気などを取り入れた。例文帳に追加

Therefore, like Mitsuzaki Kengyo, he also employed a consistent composition, a simple technique, and a noble and classic atmosphere of kumiuta, which was a form of sokyoku in the early Edo period, and an extreme opposite of jiuta music developed into complication at the time.  - Wikipedia日英京都関連文書対訳コーパス

その間、新たな方向をさまざまに模索、そのひとつとして、江戸時代初期の音楽である三味線組歌や箏組歌、段物をよく研究し、自らの曲にも取り入れた。例文帳に追加

Meanwhile, he sought for various new ways, for example, he studied well shamisen kumiuta (song cycles accompanied by koto or shamisen), koto kumiuta (koto suites of songs) or danmono (most important type in shirabemono (the koto solo instrumental music)) and incorporated them into his own works.  - Wikipedia日英京都関連文書対訳コーパス

なお長唄でも地歌の影響を受けて、江戸時代末期になると楽式的には地歌の手事物とほぼ同じ構造で、長い「合方」を聴かせる曲がいくつか作られた。例文帳に追加

Influenced by jiuta, some chokas, which had almost the same structure as the tegoto of jiuta in terms of musical structure and had long 'aikata' (partner) songs, were composed in the end of the Edo period.  - Wikipedia日英京都関連文書対訳コーパス

ただし、特に江戸時代後半となると、胡弓楽と地歌、箏曲は交流が著しくほとんど一体化してしまっているので、胡弓楽という言葉はあまり使われない。例文帳に追加

However, after entering the latter half of the Edo period in particular, Kokyu-gaku, Jiuta songs, and So music were intermingled considerably to the extent that they were almost integrated, and the term of Kokyu-gaku almost ceased to be used.  - Wikipedia日英京都関連文書対訳コーパス

江戸期に付祝言として半能形式で上演されることが多かったため、現在では観世流などいくつかの流儀において、半能形式の後場だけで一曲となっている。例文帳に追加

In the Edo period, only a half of the whole performance of "Shojo" had been often performed as tsuke-shugen (additional performance at the end of a day's performance), therefore, at present, some schools including the famous Kanze School perform only 'nochi-ba' (the scene after the naka-iri; the scene before the naka-iri is called 'mae-ba') as the complete performance of "Shojo."  - Wikipedia日英京都関連文書対訳コーパス