「舞夜」に関連した英語例文の一覧と使い方(2ページ目) - Weblio英語例文検索

水引の新しい用い方による表現で、夜空に舞い上がる色鮮やかな花火を再現する花火絵すなわち立体水引花火絵の製作方法に関する。例文帳に追加

To provide a manufacturing method for a three-dimensional ceremonial paper cord firework picture by which a colorful firework flying up in the night sky is reproduced by an expression by a new using way of ceremonial paper cord. - 特許庁

ぼくらが冬の夜に引き出され、本物の雪、ぼくらの雪が、車両の窓の外をきらきらと舞うようになり、小さなウィスコンシン駅のぼやけた光も遠ざかると、鋭い野性的な緊迫感がとつぜん空気に入り混じるようになる。例文帳に追加

When we pulled out into the winter night and the real snow, our snow, began to stretch out beside us and twinkle against the windows, and the dim lights of small Wisconsin stations moved by, a sharp wild brace came suddenly into the air.  - F. Scott Fitzgerald『グレイト・ギャツビー』

霜月神楽の方法はそれぞれの地域・神社によって差異はあるものの基本的には儀式に先立って特定の川や滝から汲んだ水を釜で沸かした湯を神前に供えて、祈祷の湯立を行った後に参加者に振り掛けることで祓禊となし、招待神の名前が書かれた神名帳を読上げるところから始まり、前夜の素面による採物舞の神招き、神讃めの願上、夜半の招待神の神送り、直会（なおらい）、後夜の鬼や翁などの面形舞の神遊び、祝福の式の順序で行われる。例文帳に追加

Though the style of Shimotsuki kagura varies from one region or shrine to another, it is basically conducted in the following order: prior to the ceremony, water drawn from a specific river or waterfall is boiled in a large pot and offered before the gods; after the yudate prayer, participants are splashed with hot water purify them; the kagura then begins with the reading of a list of invited deities; before midnight, the unmasked Torimonomai (dance of symbolic offerings) is performed; prayers are offered in praise of the deities; the invited gods are seen off at midnight; a naorai (feast) is held; after midnight is the Kamiasobi (kagura), with the dancers wearing Oni (demon) or Okina (old man) masks; a blessing ceremony is held.  - Wikipedia日英京都関連文書対訳コーパス

本作以前にこの赤穂事件を扱った歌舞伎や人形浄瑠璃の演目としては、事件後間もない元禄十四〜五年（1702–03年）の『東山榮華舞台』（江戸山村座）、『曙曽我夜討』（江戸中村座）や、宝永六年（1710年）の、『太平記さざれ石』、『鬼鹿毛無佐志鐙』、そして近松門左衛門作の『碁盤太平記』などがあり、その世界も「小栗判官物」、「曽我物語」、「太平記物」などさまざまだった。例文帳に追加

Other kabuki or ningyo joruri plays based on the Ako Incident that existed before this program include "Higashiyama eiga no butai" (Edo Yamamura-za theater) and "Akemono Soga yauchi" (Edo Nakamura-za theater) performed from 1902 and 1703, shortly after the incident, "Taiheiki Sazareishi" and "Onikage Musashiabumi" performed in 1710, and "Goban Taiheiki" written by Monzaemon CHIKAMATSU; their stories vary from 'Oguri Hoganmono' (Oguri Hogan-style), 'Soga monogatari' (the tale of Soga) to 'Taiheikimono' (Taiheiki-style).  - Wikipedia日英京都関連文書対訳コーパス

この松明は上堂の松明といわれ、本来は、初夜の行を始めるために練行衆が登り廊を登るときに道明かりとして焚かれるもので、一人の童子が松明をかざして、後に一人の練行衆が続き、入堂された後に、その松明を舞台(欄干）に回り、火を振り回すのである。例文帳に追加

This Taimatsu torch is called the Taimatsu torch of jodo (to enter into a hall of temple) and originally it is lighted up as a street light when Rengyoshu go up Noboriro to begin gyoho of shoya, where one of Doji holds up the Taimatsu torch and one of Rengyoshu follows him and after they go in, they bring the torch on the stage (parapet) and brandish the fire.  - Wikipedia日英京都関連文書対訳コーパス

あるとき、逢引の舞台として寂れた某院（なにがしのいん、源融の旧邸六条河原院がモデルとされる）に夕顔を連れ込んだ源氏であったが、深夜に女性の霊（六条御息所とも言われるが不明）が現れて恨み言を言う怪異にあう。例文帳に追加

One day, when Genji took Yugao to the lonely residence (called Nanigashi no In, said to have been modeled after MINAMOTO no Toru's old residence Rokujo Kawara no In) for a secret meeting, but he saw a spirit of a woman (some people claim that the spirit was Rokujo no Miyasudokoro, but it is not certain) complaining about him.  - Wikipedia日英京都関連文書対訳コーパス

祭りや市や縁日が立つ寺社の参道や境内、門前町・鳥居前町・遊郭で出店や夜店として大規模な楊弓店、から小さな矢場といわれる小店があり、弓矢を使い的に当て、的の位置や種類により、商品や賞金が振舞われた。例文帳に追加

It ranged from large-sized Yokyu shops opened at festivals, sando (an approach to a temple) or precincts of a shrine on the days of festivities, Monzen-machi (a temple town), Toriimae-machi (town in front of torii - Shinto shrine gateway) and yukaku (red-light district) to small shops called yaba, where Yumiya was used to hit a target and prizes or money was given in accordance with the positions or types targets.  - Wikipedia日英京都関連文書対訳コーパス

-祭り矢・祭り弓を起源とし、江戸時代には市や縁日が立つ参道や境内、門前町で出店や夜店として、弓矢を使い的に当て、的の位置や種類により、商品や賞金が振舞われ、庶民はこれを縁起担ぎとして楽しんだ。例文帳に追加

It originates from matsuriya and matsuriyumi, for in the Edo period common people enjoyed, as superstition, aiming at targets with a bow and arrows and were given prizes and prize money according to the position and type of targets on an approach to the temple where a fair or festival was held and at stands and yomise (night stall) in temple grounds and Monzen-machi.  - Wikipedia日英京都関連文書対訳コーパス

夜の山中の祠を舞台に、奇抜な扮装と化粧を施した怪人物たちが、山賊実は平将門、巡礼実は藤原純友などといった役で登場し、神楽などのゆっくりとした伴奏に乗せて、大きな動きで宝物を巡って無言で争う様式が普通である。例文帳に追加

The performance is usually played in the following way: In a night scene at a hokora (a small shrine) on a mountain, suspicious people in a bizarre costumes and makeup appea on stage as bandits (for example, TAIRA no Masakado), or as pilgrims (for example, FUJIWARA no Sumitomo), and fight each other silently for a treasure in exagerrated movements, accompanied by the slow rhythm of Kagura (sacred music and dancing performed at shrine).  - Wikipedia日英京都関連文書対訳コーパス

明治以降も、「霜夜鐘十時辻占」（1879）・「天衣粉上野初花」（通称　河内山と直侍）（1881）・「島鵆月白浪」（通称　島ちどり）（1881）・「四千両小判梅葉」（1885）・「盲長屋梅加賀鳶」（1886）などの作品が作られ、いずれも今日の歌舞伎における重要な演目となっている。例文帳に追加

In the Meiji period onward, the following plays were composed and are today counted among major kabuki plays: 'Shimoyonokane jujino tsujiura' (1879), 'Kumoni magou uenono hatsuhana' (commonly called Kochiyama to Naozamurai) (1881), 'Shimachidori tsukino shiranami' (commonly called 'Shimachidori') (1881), 'Shisenryo kobanno umenoha' (1885), 'Mekuranagaya umegakagatobi' (1886).  - Wikipedia日英京都関連文書対訳コーパス

パーネルは死んだ残忍な偽善者どもの手にかかり僕らの無冠の王は死んだ嘆く、嘆く、悲しみのエリン泥沼から引き上げてやった臆病な犬どもに彼は殺されたエリンの希望もエリンの夢もその君主の積みまきの上に滅びた御殿にあろうとも、小屋にあろうとも悲しみにひしがれるアイルランドの心その運命をもたらすはずの彼が逝ってしまったから彼あらば世界にエリンの名を知らしめ栄光の緑の旗をはためかせ政治家たち、詩人たち、戦士たちの立ち上がったものを彼は自由を夢見た悲しいかな、夢にすぎなかった偶像をつかもうとしたその時裏切りが彼と愛するものを引き離した恥を知れ、臆病者彼らの君主を襲い媚を売る聖職者衆に売り渡した卑劣漢ども永遠の恥辱よ、焼き尽くせ誇りをもって彼らをはねつけた人の高貴の名を汚し傷つけた者どもの記憶を最後まで気高く屈せずに倒れた強き人死が彼を今は亡きエリンの英雄たちと一つにした彼の眠りを乱す争いはなし！静かに彼は休む彼を栄光へと駆り立てる人としての苦悩も大望も今はない彼らは思い通り彼を殺したしかしエリンは望む、彼の魂よ炎から不死鳥のように舞い上がれとその日の夜の明ける時自由の御代が僕らにもたらされるその日、エリンよ、挙げよ喜びの杯を悲しみのためにパーネルの思い出のために例文帳に追加

O, Erin, mourn with grief and woeFor he lies dead whom the fell gangOf modern hypocrites laid low.He lies slain by the coward houndsHe raised to glory from the mire;And Erin's hopes and Erin's dreamsPerish upon her monarch's pyre.In palace, cabin or in cotThe Irish heart where'er it beIs bowed with woe--for he is goneWho would have wrought her destiny.He would have had his Erin famed,The green flag gloriously unfurled,Her statesmen, bards and warriors raisedBefore the nations of the World.He dreamed (alas, 'twas but a dream!)Of Liberty: but as he stroveTo clutch that idol, treacherySundered him from the thing he loved.Shame on the coward, caitiff handsThat smote their Lord or with a kissBetrayed him to the rabble-routOf fawning priests--no friends of his.May everlasting shame consumeThe memory of those who triedTo befoul and smear the exalted nameOf one who spurned them in his pride.He fell as fall the mighty ones,Nobly undaunted to the last,And death has now united himWith Erin's heroes of the past.No sound of strife disturb his sleep!Calmly he rests: no human painOr high ambition spurs him nowThe peaks of glory to attain.They had their way: they laid him low.But Erin, list, his spirit mayRise, like the Phoenix from the flames,When breaks the dawning of the day,The day that brings us Freedom's reign.And on that day may Erin wellPledge in the cup she lifts to JoyOne grief--the memory of Parnell.  - James Joyce『アイビーデイの委員会室』