「shakuhachi」に関連した英語例文の一覧と使い方(3ページ目) - Weblio英語例文検索

Being influenced by Western music after the onset of the Meiji period, shakuhachi provided with seven, or even nine holes were developed. 例文帳に追加

明治時代以降の西洋音楽の影響により、七孔、九孔の尺八が開発された。 - Wikipedia日英京都関連文書対訳コーパス

Because it is generally not possible to obtain an accurate tuning in the older shakuhachi as mentioned above, the player must make adjustments for pitch irregularities while playing. 例文帳に追加

正確な音程が得られないため、奏者が音程の補正をする必要がある。 - Wikipedia日英京都関連文書対訳コーパス

As a full-scale survey of the number of shakuhachi players has not been carried out, the exact number is unknown. 例文帳に追加

尺八の吹奏人口についての本格的な調査はされておらず、正確な人口は不明である。 - Wikipedia日英京都関連文書対訳コーパス

The Tozan school honkyoku repertoire consists of pieces composed by Tozan NAKAO, as well as compositions for the shakuhachi for solo or multiple parts. 例文帳に追加

中尾都山らが作曲した現代曲、尺八独奏曲または尺八二重奏曲をさす。 - Wikipedia日英京都関連文書対訳コーパス

Starting from about the 1960s, the shakuhachi began to be adopted in compositions of modern classical music. 例文帳に追加

1960年代から尺八はクラシック音楽の現代音楽で使用されるようになった。 - Wikipedia日英京都関連文書対訳コーパス

Generally, kokyu and shakuhachi are interchangeable with each other, because both of them similarly serve as instruments to make continuous sounds. 例文帳に追加

通常、胡弓と尺八は持続音楽器として同じ働きをするので互換性が強い。 - Wikipedia日英京都関連文書対訳コーパス

The trio of koto, kokyu and shakuhachi is also possible, though it isn't common. 例文帳に追加

ただし、一般的ではないが箏、胡弓、尺八と言った組み合わせも可能である。 - Wikipedia日英京都関連文書対訳コーパス

When sankyoku gasso was orchestrated, ultimately it was the side of the shakuhachi that participated in Jiuta and Sokyoku. 例文帳に追加

三曲合奏に参入する時も結局尺八が地歌、箏曲に便乗する形になった。 - Wikipedia日英京都関連文書対訳コーパス

However, some records from the mid Edo period indicate that the combination of so, kokyu, and shakuhachi was called 'sankyoku.' 例文帳に追加

ただし江戸時代中期には箏、胡弓、尺八の合奏を「三曲」と呼んだ記録もある。 - Wikipedia日英京都関連文書対訳コーパス

Shakuhachi was not an instrument played by the Todo-za members, but it had close ties to kokyu from old days. 例文帳に追加

尺八は当道座外の楽器であるが、古くから胡弓と交流があった。 - Wikipedia日英京都関連文書対訳コーパス

Shamisen, shakuhachi, and kokyu used in minyo (a traditional folk song) and folk arts are not included in sankyoku. 例文帳に追加

民謡、民俗芸能の三味線、尺八、胡弓は三曲には含まれない。 - Wikipedia日英京都関連文書対訳コーパス

Examples are "Kumoi no Kyoku" for koto, "Ryukyu Gumi" for shamisen, "Tsuru no Sugomori" for kokyu, and "Shika no Tone" for Shakuhachi. 例文帳に追加

例えば箏の『雲井の曲』、三味線の『琉球組』、胡弓の『鶴の巣籠』、尺八の『鹿の遠音』など。 - Wikipedia日英京都関連文書対訳コーパス

Sanjugen, Shakuhach, Uta ninaru "Minamijima"' (Minamijima becoming 30-string Koto, Shakuhachi, and songs) composed by Shin MIYASHITA (1995, commissioned by the Agency for Cultural Affairs) 例文帳に追加

宮下伸作曲「三十絃・尺八・歌になる“南島”」1995・文化庁委嘱 - Wikipedia日英京都関連文書対訳コーパス

It is also called 'sankyoku,' and is used for playing music with jiuta, so (koto), kokyu, and shakuhachi (bamboo flute) as an ensemble. 例文帳に追加

「三曲」とも呼ばれ、地歌及び箏・胡弓・尺八との合奏に使用。 - Wikipedia日英京都関連文書対訳コーパス

It is categorized as a reed instrument such as the shakuhachi (Japanese end-blown flute) or the flute. 例文帳に追加

尺八やフルートと同じく「リード(楽器)エアリード楽器」に分類される。 - Wikipedia日英京都関連文書対訳コーパス

The most widely accepted theory of the origins of the shakuhachi accords with the a depiction found in the aforementioned 'Biography of Lucun' of the Tang dynasty document "Jiu Tang Shu," which records that Lucun (呂才, Japanese: Ryosai; 600 - 665) designed the shakuhachi in the first stage Jogan era (Tang dynasty China) (627 - 649). 例文帳に追加

尺八の起源として有力な説は、前述した『旧唐書』列伝の「呂才伝」の記事によるもので、唐初期の貞観(唐)年間（627年-649年）に呂才(600年-665年）が考案したというものである。 - Wikipedia日英京都関連文書対訳コーパス

In former times the shakuhachi was fashioned from a single piece of bamboo (referred to as a "nobekan"); however, at present the most widely used type of shakuhachi is made by cutting the length of bamboo into upper and lower halves, and providing a joint between the two halves. 例文帳に追加

古くは一本の竹を切断せずに延管（のべかん）を作っていたが、現在では一本の竹を中間部で上下に切断してジョイントできるように加工したものが主流である。 - Wikipedia日英京都関連文書対訳コーパス

The primary material from which shakuhachi are fashioned is still madake bamboo; however, inexpensive shakuhachi made from wood, plastic and other synthetic materials such as plastic have been developed, and are primarily aimed at improving accessibility to the instrument and targeted at beginning students. 例文帳に追加

材質は真竹であるが、木製の木管尺八やプラスチックなどの合成樹脂でできた安価な尺八が開発され、おもに初心者の普及用などの用途で使用されている。 - Wikipedia日英京都関連文書対訳コーパス

It is said that he was a samurai retainer of Kuroda domain, whose name was originally Kohachi, who, having become a ronin (a masterless samurai), eventually made his way to Edo, where he came to be engaged in teaching the shakuhachi at the fukiawase-dokoro ("fukiawase" refers to a Zen related mode of instruction that is generally one-to-one, and in the case of shakuhachi involves the teacher and student playing a piece together while seated facing each other across sheet music, and "dokoro" simply means "place") of Ichigetsu-ji Temple and Reiho-ji Temple. 例文帳に追加

初代は俗名を幸八といい黒田藩の藩士であったが浪人となり、江戸へ出て一月寺、鈴法寺の吹合指南役となった。 - Wikipedia日英京都関連文書対訳コーパス

By collaborating with Michio MIYAGI and coming to hold the exclusive rights to publishing shakuhachi notation for MIYAGI's compositions, introducing a council system and the like, Tozan NAKANO established a centralized organization that grew to become the largest organization in the shakuhachi world. 例文帳に追加

宮城道雄と提携し、宮城作曲の尺八譜の公刊を独占したこと、評議員制の導入など中央集権的な組織作りを行ったことなど都山流は尺八界最大の組織となった。 - Wikipedia日英京都関連文書対訳コーパス

The term honkyoku originally referred to the pieces that were practiced by adherents to the Fuke sect; however, following the abolition of the Fuke sect in 1871, the scope of meaning of the term expanded to include solo musical compositions unrelated to religion that were played on the shakuhachi, and even compositions consisting of more than one part for the shakuhachi came to be called honkyoku. 例文帳に追加

もともとの本曲は、普化宗で吹禅に使われた曲を指していたが、1871年の普化宗廃止後は宗教音楽とは無縁な尺八のみの独奏曲や重奏曲も本曲と呼ばれるようになった。 - Wikipedia日英京都関連文書対訳コーパス

It can be imagined that there were instances of collaborative performances between the shakuhachi and koto or shamisen even during the Edo period, however, it was not until after the abolition of Fuke sect that shakuhachi went out of hands of Fuke sect and the ensemble was permitted. 例文帳に追加

江戸時代にも尺八と箏や三味線の合奏は行われていたと考えられるが、尺八が普化宗の手から離れ合奏が解禁となったのは普化宗廃止後のことである。 - Wikipedia日英京都関連文書対訳コーパス

In his representative piece 'Haru no umi,' he used harmonic accompaniment, which was rarely used in heterophony ensemble of traditional Japanese music, in the ensemble with shakuhachi (to be exact, an instrument which is shorter than shakuhachi called isshaku-rokusun). 例文帳に追加

特に代表作「春の海」は、尺八（正確には一尺六寸という、尺八より小さい同属楽器）との合奏において、それまでのヘテロフォニーな邦楽の合奏には見られなかった和声的伴奏を駆使した。 - Wikipedia日英京都関連文書対訳コーパス

Though it seemed the ensemble of shakuhachi and other instruments was officially prohibited by law, a picture in those days shows us that in fact the shakuhachi was already participating in sankyoku gasso at the end of the 18th century. 例文帳に追加

しかし他の楽器との演奏は法令により表向き禁止されていたらしいが、実際にはすでに18世紀末に尺八が加わった三曲合奏図が見られる。 - Wikipedia日英京都関連文書対訳コーパス

Ryuko is the Minteki (a flute in Ming) in which thin Tekimaku (cloth for a fue flute) is placed over the holes, and Chosho is a dongxiao (a Chinese bamboo flute similar to a shakuhachi) that is longer and more slender than a Shakuhachi bamboo flute. 例文帳に追加

龍笛は薄い笛幕(てきまく)を穴に張ったいわゆる明笛(みんてき)で、長簫は日本の尺八を細く長くしたような形の洞簫である。 - Wikipedia日英京都関連文書対訳コーパス

The templating rod 1 for the inner diameter of the shakuhachi made of silicone rubber molded in accordance with the ideal structure of the inner diameter of the shakuhachi is made and super gypsum 29 is used for the molding material.例文帳に追加

尺八の内径の理想構造に基づいて成形した、シリコーンゴム製の尺八内径型取り棒１を製作し、成型材に超石膏２９を用いる。 - 特許庁

The distances among the node parts 31a to 31d are determined based upon ideal Shakuhachi lengths for internal diameters of the Shakuhachi equal to external diameters of the nodes 31a to 31d.例文帳に追加

節部３１ａ〜３１ｄ間の距離は、節部３１ａ〜３１ｄの外径寸法と同等の尺八の内径寸法に対する理想尺八長さに基づき、定められている。 - 特許庁

To provide a technique of ideally molding the inside of a tube of a shakuhachi (five-holed vertical bamboo flute) by simplifying the difficult working process step of the traditional shakuhachi making technique and solving the problem of the tube making technique by combination of molding materials and working rods.例文帳に追加

伝統的な尺八製造技術の、難関な作業工程を簡略化する事、さらに成形材と加工棒の組み合わせによる製管技術の問題点を解決し、尺八の管内を理想的に成型する技術を提供する。 - 特許庁

A Komuso was considered to be an itinerant priest who 'traveled around the provinces while collecting alms by playing the Shakuhachi (bamboo flute) and, did not have a shaved head.' 例文帳に追加

虚無僧の様相については、「尺八を吹き喜捨を請いながら諸国を行脚修行した有髪の僧」とされている。 - Wikipedia日英京都関連文書対訳コーパス

When soliciting alms, Komuso monks wore plain indigo blue or grey clothing which was secured by a men's obi (sash) tied in the front and a bag containing a spare Shakuhachi (bamboo flute) was worn at the hip. 例文帳に追加

托鉢の際には藍色または鼠色の無紋の服に、男帯をまえに結び、腰に袋にいれた予備の尺八をつける。 - Wikipedia日英京都関連文書対訳コーパス

It hardly had any doctrine or religious inside substance, but treated shakuhachi as a ritual apparatus and played it to practice Zen or to do takuhatsu (a traditional form of begging, common to Buddhist monks in Japan). 例文帳に追加

教義や信仰上の内実はほとんどなく、尺八を法器と称して禅の修行や托鉢のために吹奏した。 - Wikipedia日英京都関連文書対訳コーパス

The tegoto mono (central music for shamisen, koto and shakuhachi) of jiuta composed by Kengyo MATSURA, who was a blind musician who performed in Kyoto, during the Bunka and Bunsei era. 例文帳に追加

文化文政の頃、京都で活躍した盲人音楽家、松浦検校が作曲した手事（てごと）もの地歌曲。 - Wikipedia日英京都関連文書対訳コーパス

Once the period of the spread of exclusively Western culture was over, jiuta, along with sokyoku and shakuhachi (Japanese bamboo flute), spread throughout Japan to become home music, and they became popular. 例文帳に追加

やがて西洋一辺倒の時期が過ぎると、地歌は箏曲、尺八とともに全国に普及した家庭音楽となり、広く愛好されるようになった。 - Wikipedia日英京都関連文書対訳コーパス

Examples include 'changes of tuning (modulation)' in the course of a piece in the case of the So and Shamisen (see Jiuta), or 'half-open finger holes' and 'changes of holding style' in the case of the Shakuhachi and Shinobue. 例文帳に追加

例：箏・三味線における「楽曲途中での調弦変更（『転調』）地歌を参照」)や、尺八・篠笛の「指穴半開」、「持ち替え」 - Wikipedia日英京都関連文書対訳コーパス

During the period of history in which there is no record of the shakuhachi, a vertical flute called the hitoyogiri (literally, "one node cut") appeared in the Kamakura period. 例文帳に追加

歴史上の空白期間ののち、鎌倉時代になると一節切（ひとよぎり）と呼ばれる縦笛があらわれた。 - Wikipedia日英京都関連文書対訳コーパス

With the onset of the Meiji period, the Fuke sect was abolished, and from that point onward the shakuhachi was permitted to be played by people who were not komuso. 例文帳に追加

明治時代以降には、普化宗が廃止されたことにより虚無僧以外の者も演奏するようになった。 - Wikipedia日英京都関連文書対訳コーパス

According to scientific theory, the tone of the shakuhachi should not be dependent upon the material from which the instrument is made; however, there are people who disagree with that, and insist that the material does effect the tonal characteristics of the instrument. 例文帳に追加

尺八の音色と材質は科学的には無関係とされているが、関係があるとする論争もあった。 - Wikipedia日英京都関連文書対訳コーパス

Although the Ueda school eventually abandoned five-line Western notation, the seven-hole shakuhachi developed by the Ueda school continues to be used. 例文帳に追加

五線譜の採用は途中で断念したものの、7孔尺八に関しては上田創案のものが現在でも使用されている。 - Wikipedia日英京都関連文書対訳コーパス

The most emphasis on distinguishing types of music played with the shakuhachi falls on the genres called "honkyoku" and "gaikyoku," which occupy opposite ends of the conceptual field. 例文帳に追加

尺八の楽曲分類で大きなウエイトを占めるのは、本曲と外曲という対概念である。 - Wikipedia日英京都関連文書対訳コーパス

However, the usage of the name wasn't strict, and the ensemble of koto, kokyu and shakuhachi was also called 'sankyoku' in a record from the late 18th century. 例文帳に追加

しかし厳密なものではなく、18世紀後半には箏、胡弓に尺八が加わった合奏を「三曲」と呼んだ記録もある。 - Wikipedia日英京都関連文書対訳コーパス

The common instrumental trio was sangen (shamisen), koto and kokyu, but occasionally it was koto, kokyu and shakuhachi. 例文帳に追加

楽器編成は古くは三弦、箏、胡弓の組み合わせが一般的であったが、箏、胡弓、尺八といった組み合わせの三曲合奏も行なわれた。 - Wikipedia日英京都関連文書対訳コーパス

Sankyoku gasso is sometimes likened to a human body, such as the bone for shamisen, the flesh for koto, and the skin for kokyu and shakuhachi. 例文帳に追加

三曲合奏を人体になぞらえて、三味線は骨、箏は肉、胡弓、尺八は皮にたとえられることがある。 - Wikipedia日英京都関連文書対訳コーパス

The shakuhachi parts of some tunes, having been added by a school descendent of Kinko KUROSAWA, still exist today, and the part was arranged by the school musicians, including Iccho YOSHIDA and Kodo ARAKI, in the very early Meiji period. 例文帳に追加

今日伝えられている琴古流系尺八のパートは、明治のごく初期に吉田一調、荒木古童らによって手付けされた。 - Wikipedia日英京都関連文書対訳コーパス

This could mean that any combination of three instruments were simply called 'sankyoku' (in fact, the Todo-za members did not play shakuhachi). 例文帳に追加

単に三種の楽器の組み合わせを漠然と「三曲」と呼んだ可能性もある(尺八は当道座の楽器ではない)。 - Wikipedia日英京都関連文書対訳コーパス

In addition, shakuhachi came to be played in concert often with the shamisen and so from around the mid Edo period, and it fully joined them after the Meiji period. 例文帳に追加

また江戸時代中期頃からしばしば三味線、箏との合奏に加わるようになり、明治以降本格的に参入した。 - Wikipedia日英京都関連文書対訳コーパス