「shakuhachi」に関連した英語例文の一覧と使い方(4ページ目) - Weblio英語例文検索

The tones of shamisen and kokyu are changed by adjusting the tension of the strings, while the tones of shinobue and shakuhachi bamboo flutes cannot be adjusted on the instrument itself. 例文帳に追加

三味線・胡弓の場合は弦の張力を調節すれば良いが、篠笛・尺八の場合は楽器自体では調節できない。 - Wikipedia日英京都関連文書対訳コーパス

The tsutsune and ryoon tones have a bamboo-like, warm and soft timbre, and their range somewhat resembles that of the shakuhachi bamboo flute. 例文帳に追加

「筒音」および「呂音」は竹らしく暖かみのある柔らかい音色で、尺八との共通点も感じられる音域である。 - Wikipedia日英京都関連文書対訳コーパス

Lowering the scale is called 'meri' (the technique of lowering the chin in conjunction with fingering and breath technique), while slightly raising the scale is called 'kari' (the technique of raising the chin in conjunction with fingering and breath technique) (refer to the 'Playing' section of 'Shakuhachi'). 例文帳に追加

音程を下げることを「メリ」、微妙に音程を上げることを「カリ」と呼ぶ（「尺八」の奏法も参照されたい）。 - Wikipedia日英京都関連文書対訳コーパス

His wife Funamushi, while mourning her husband's rampageous behavior, gave Kobungo hitoyogiri (one-jointed bamboo musical instrument), a kind of Shakuhachi bamboo flute, as a token of good faith. 例文帳に追加

並四郎の妻、船虫は夫の狼藉を悲しみながらも、せめてもの侘びにと一節切の尺八を小文吾に渡す。 - Wikipedia日英京都関連文書対訳コーパス

In addition, she was excellent at all arts, including shamisen (a three-stringed Japanese banjo), koto (a long Japanese zither with thirteen strings), kokyu (a Chinese fiddle), shakuhachi (a vertical bamboo flute), kouta (a short song accompanied with shamisen), sado (tea ceremony), waka (Japanese poetry), haikai (seventeen-syllable verse) and renga (linked verse). 例文帳に追加

また三味線、琴、胡弓、尺八、小歌、茶道、和歌、俳諧、連歌、全てに秀でていた。 - Wikipedia日英京都関連文書対訳コーパス

Other Japanese artists such as Nakamura Akikazu, a shakuhachi player, and Miyavi, a singer-songwriter and guitarist, also participated in the event.例文帳に追加

その他にも尺(しゃく)八(はち)奏者の中村明(あき)一(かず)さん，シンガーソングライターでギタリストの雅-MIYAVI-などの日本人アーティストも出演した。 - 浜島書店 Catch a Wave

CD OR MD OR TAPE AND THE LIKE RECORDED WITH PRACTICE METHOD AND THE LIKE OF MUSICAL INSTRUMENT, SUCH AS SHAKUHACHI FLUTE OR PIPE AND THE LIKE例文帳に追加

尺八または笛などの楽器等の音出しの練習方法等を録音したＣＤまたはＭＤまたはテープ等 - 特許庁

[Photo 2] From above, concert flute (C), shakuhachi bamboo flute (isshaku hassun (the full name for the standard length of shakuhachi) (D), woodwind seven- hole), seven-hole flute for songs (from above, sanbon-joshi scale (G), roppon-joshi scale (Bb), happon-joshi scale (C), six-hole flute for musical accompaniment (played on traditional Japanese instruments) (roppon-joshi scale), soprano recorder (C), piccolo (D). 例文帳に追加

【写真２】上からコンサートフルート（C）、尺八（一尺八寸、D、木管７孔）、七孔・唄用篠笛（上から三本調子G、六本調子Bb、八本調子C）、六孔・囃子用篠笛（六本調子）、ソプラノリコーダー（C）、ピッコロ（D）。 - Wikipedia日英京都関連文書対訳コーパス

On the other hand, he was presented with "Shinkei Sozu Teikin" by Kensai INAWASHIRO, a renga (linked-verse) poet, and with "Kokoro no Fumi" (Letter from the Heart) by Juko MURATA, a chajin (master of the tea ceremony), was good at Utai (the chanting of Noh text) and at playing the shakuhachi bamboo flute, and was also famous as man of literature. 例文帳に追加

一方で連歌師猪苗代兼載から『心敬僧都庭訓』を、茶人村田珠光から『心の文』をうけ、また謡（うたい）・尺八にも優れ、文人としても有名であった。 - Wikipedia日英京都関連文書対訳コーパス

While many Wagakki, such as the "Gagaku Biwa" (a Japanese lute traditionally used for ceremonial court music), have retained their original forms (and these forms can no longer be found in mainland Asian), other instruments, such as the Shamisen (a three-stringed musical instrument), the Shakuhachi (a five-holed traverse bamboo flute), the Nohkan (a traverse flute used in Noh), and the Ko-tsuzumi and O-tsuzumi (small and large drums, respectively, that are used in Noh), have developed in a unique fashion in Japan. 例文帳に追加

「雅楽の琵琶」(楽琵琶)のように、大陸では失われてしまった古い姿を残している楽器も多いが、「三味線」「尺八」「能囃子」「能囃子・能囃子」のように独特な進化を遂げたものもある。 - Wikipedia日英京都関連文書対訳コーパス

Later years in China saw this type of vertical flute with the blowing edge formed cut outward from the uppermost end of the bamboo disappear, and the shakuhachi also ceased to be used as a gagaku instrument in Japan. 例文帳に追加

その後中国では、歌口の傾斜が管の外側にあるタイプの縦笛は断絶し、日本でも雅楽の楽器としての尺八は使われなくなった。 - Wikipedia日英京都関連文書対訳コーパス

Present day shakuhachi are fabricated by removing all traces of the joints from the inside of the bamboo to produce a relatively smooth bore, and then coating the bore with layers of urushi-ji (a kind of workable plaster medium containing natural lacquer) to finely tune the bore. 例文帳に追加

現行の尺八の管の内部は、管の内側に残った節を削り取り、漆の地（じ）を塗り重ねることで管の内径を精密に調整する。 - Wikipedia日英京都関連文書対訳コーパス

In the same manner as with the flute, the shape into which a player forms his or her mouth (mouthpiece (instrument) embouchure) must be used to adjust to the speed of the air stream blown into the shakuhachi. 例文帳に追加

尺八はフルートと同じく、奏者が自らの口形（マウスピース(楽器)アンブシュア）によって吹き込む空気の束を調整しなければならない。 - Wikipedia日英京都関連文書対訳コーパス

The recorder (a so-called 'vertical flute') has a structure (instrument) constructed in the form of a fipple, block, which enables a beginner to produce a sound easily; however, to produce a sound on a shakuhachi, it generally takes intensive practice. 例文帳に追加

リコーダー(いわゆる「縦笛」)はマウスピース(楽器)の構造（フィップル、ブロック）によって初心者でも簡単に音が出せるが、尺八・フルートで音を出すには熟練が必要である。 - Wikipedia日英京都関連文書対訳コーパス

Because the shakuhachi has only five tone holes (finger holes), in order to play the Miyako-bushi scale (a Japanese scale), a seven-tone scale or a twelve-tone scale, it is necessary to use techniques referred to as "meri" and "kari," involving the covering half of a tone hole and the adjusting of the angle of ones embouchure, to produce sharp or flat tones. 例文帳に追加

尺八は音孔（指孔）が5個しか存在しないため、都節音階、7音音階や12半音を出すために手孔を半開したり、メリ、カリと呼ばれる技法を多用する。 - Wikipedia日英京都関連文書対訳コーパス

With respect to the movements of the player, if the player pulls back and down (withdraws) the point on which the shakuhachi rests (point on the lower jaw between the chin and lower lip), a meri effect is produced, and if the player extends the lower jaw, a kari effect is produced. 例文帳に追加

奏者の動作としては楽器と下顎（下唇よりやや下）との接点を支点にして顎を引く（沈める）と「メリ」になり、顎を浮かせると「カリ」になる。 - Wikipedia日英京都関連文書対訳コーパス

As head instructor at the fukiawase-dokoro, Kinko KUROSAWA set the pieces he had gathered to notation and established an order in which the repertoire of honkyoku was to be studied, as well as laid the foundation enabling the Kinko school to later adapt the shakuhachi to secular music. 例文帳に追加

吹合所の指南役であった初代琴古は、これらの曲の譜字のや習曲順の整理を行い、宗教音楽をはなれた琴古流の基礎を築いた。 - Wikipedia日英京都関連文書対訳コーパス

Sankyoku compositions of this sort, which have been adapted to include a single shakuhachi player, along with Meiji shinkyoku, which are a type of music composed in Japan after the Meiji period reflecting the influence of classical western composition, and including Shin Nihon compositions, such as Haru-no-umi, by Michio MIYAGI, form the genre of music commonly referred to as modern Japanese music. 例文帳に追加

こうした三曲の一員としての尺八は、西洋音楽の影響を受けた明治新曲や、春の海で知られる宮城道雄などの新日本音楽を経て、現代邦楽と呼ばれるジャンルを形成するに至った。 - Wikipedia日英京都関連文書対訳コーパス

Shakuhachi player Katsuya YOKOYAMA appeared with the New York Philharmonic in 1964 to high acclaim, performing a piece called "November Steps," which was composed by Toru TAKEMITSU for biwa player Kinshi TSURUTA of the Tsuruta-school lineage, a lineage influenced by the Satsuma style of biwa playing. 例文帳に追加

1964年にニューヨーク・フィルハーモニックと尺八の横山勝也、薩摩琵琶の流れをくむ鶴田流の琵琶奏者鶴田錦史のために作曲された武満徹のノヴェンバー・ステップスは反響を呼んだ。 - Wikipedia日英京都関連文書対訳コーパス

He also used Soh, instead of shakuhachi, for playing the melody in order to make the most of the instruments property, and this piece is regarded today as an excellent piece of music that represents the musical instrument Soh. 例文帳に追加

さらに尺八と交代して主旋律も奏でるといった、邦楽の語法として新しく楽器の性能も十分に駆使した書法により、現在でも箏という楽器を代表する名曲の位置を占める。 - Wikipedia日英京都関連文書対訳コーパス

Even when one and the same jiuta is sung, its accompaniment melody of koto, kokyu and shakuhachi often varies from school to school, and the performance style varies from school to school, ranging from a unison-like ensemble to polyphonic one. 例文帳に追加

また例えば地歌のある曲でも、流派によって違う箏の手、胡弓の手、尺八の手がつけられていることが多く、それもユニゾンに近いものから多音的なものまで、流派によっても傾向が異なっている。 - Wikipedia日英京都関連文書対訳コーパス

Occasionally, kokyu music, which was influenced mainly by the music of the shakuhachi and other Japanese flutes, further influenced the music of the shamisen (Jiuta), but from the later Edo period kokyu music also had a tendency to participate in Jiuta. 例文帳に追加

特に尺八や笛から影響を受けた曲が生まれ、それが更に三味線(地歌)に取り入れられたりすることもあったが、江戸時代後期に入るとやはり地歌に便乗する面が強くなったといえる。 - Wikipedia日英京都関連文書対訳コーパス

Originally, the shakuhachi was exclusively owned by "komuso" (a mendicant Zen priest of the Fuke sect), and its performance was deemed part of religious activities instead of entertainment, but in the middle of the Edo period Kinko KUROSAWA changed it from an instrument for religious music to one for secular music. 例文帳に追加

尺八は本来虚無僧の占有楽器であり、娯楽よりは宗教行為のひとつとして演奏されてきたが、江戸時代中期に黒沢琴古が出て、宗教音楽から世俗音楽への道が開かれた。 - Wikipedia日英京都関連文書対訳コーパス

This kind of participation was particularly accelerated when shakuhachi performers actively entered the sankyoku world for their workplace after losing their occupations as komuso, owing to the government's abolition of the Fuke sect in the Meiji period. 例文帳に追加

特に明治になって、普化宗廃止により虚無僧という生業を断たれた尺八奏者たちが、新たな仕事の場として積極的に進出したのが大きなきっかけである。 - Wikipedia日英京都関連文書対訳コーパス

It was Michio MIYAGI who composed not only the koto part but also the shakuhachi part of a tune for the first time in history, and he introduced the ensemble method of Western music into his tunes. 例文帳に追加

はじめて同一曲内において尺八のパートまで作曲したのは宮城道雄であり、西洋音楽の合奏法を取り入れて作曲されている。 - Wikipedia日英京都関連文書対訳コーパス

Also, ginei is basically unaccompanied, but is sometimes accompanied by koto (a long Japanese zither with thirteen strings) or shakuhachi bamboo flute and during the early 21st century the accompaniment by the recorded compact disc was also widely used. 例文帳に追加

また、無伴奏が基本であるが、琴や尺八による伴奏を付けることもあり、21世紀初頭には、あらかじめ録音されたコンパクトディスクによる伴奏も普及した。 - Wikipedia日英京都関連文書対訳コーパス

Therefore, four types of music, jiuta, so-kyoku, kokyu-gaku, and shakuhachi-gaku, are collectively called 'sankyoku', and the word 'sankyoku' has been used to distinguish itself from other traditional Japanese music such as nagauta (long epic song with shamisen accompaniment), gidayu-bushi (musical narrative with shamisen accompaniment), kiyomoto-bushi (musical narrative with shamisen accompaniment), biwa-gaku (biwa music), and nogaku (the art of Noh). 例文帳に追加

そこで、これら地歌、箏曲、胡弓楽、尺八楽の四種の音楽を総称して「三曲」と呼び、他の邦楽種目、例えば長唄や義太夫節、清元、琵琶楽、能楽などと区別するために使われる。 - Wikipedia日英京都関連文書対訳コーパス

However, the tune of shakuhachi is rather similar to that of koto to be played rather in unison and totally different from the original tune of kokyu, which may not be different from the sound intended by the composer. 例文帳に追加

ただし、その旋律は各派いずれも比較的箏の旋律に沿ったユニゾン（同音）に近いものであり、原曲の胡弓の旋律とはまったく違っているので、作曲者が目指した本来の姿とは必ずしも言えない。 - Wikipedia日英京都関連文書対訳コーパス

Some pieces of music for Kokyu, for example, "Tsuru-no-Sugomori" (a song depicting various aspects of the life cycle of the crane), were composed through playing for Shakuhachi bamboo flute music, and there are also pieces of music provided strongly with features of duets for Kokyu and So, for example, "Chidori no kyoku" described above. 例文帳に追加

曲によっては『鶴の巣籠』のように尺八楽との交流によって生まれたものもあるし、先の『千鳥の曲』のように箏との二重奏曲的性格の強いものもある。 - Wikipedia日英京都関連文書対訳コーパス

In the Nara and Heian periods, the term fue mainly referred to wind instruments for gagaku (ancient Japanese court dance and music), including the ryuteki (literally, dragon flute), sho (笙, a traditional Japanese wind instrument), hichiriki (doubled-reed wind instrument), komabue (a flute imported from ancient Korea) and kagurabue (a six-holed horizontal flute) which are still used today, as well as the shakuhachi (vertical bamboo flute) and sho (簫, Chinese end-blown flute). 例文帳に追加

奈良時代・平安時代において笛というと主に雅楽の管楽器であり、現在の龍笛（竜笛）、笙、篳篥、高麗笛、神楽笛のほか尺八、簫（しょう）なども用いられていた。 - Wikipedia日英京都関連文書対訳コーパス

Various fue also appear in Genji Monogatari (The Tale of Genji), but the word fue usually refers to ryuteki when used alone and others are specifically called 'sakuhachi no fue' (shakuhachi), 'sau no fue' (sho [笙]) or 'komabue.' 例文帳に追加

源氏物語にも種々の笛が登場するが、単に笛という場合は龍笛（竜笛）を指すことが多く、そのほかは「さくはちのふえ」（尺八）、「さうのふえ」（笙）、「こまぶえ」（高麗笛）などのように限定している。 - Wikipedia日英京都関連文書対訳コーパス

An okura-aulos is a metal-made tatebue, which was invented in 1935 by the flute player Hirabayashi in response to a request by Kihachiro OKURA, that consists of a flute pipe and a shakuhachi mouth. 例文帳に追加

1935年に大倉喜七郎の希望により、フルート奏者平林が開発した楽器で、フルートの管体に尺八の吹口をつけた金属製の縦笛である。 - Wikipedia日英京都関連文書対訳コーパス

In the Edo period, warriors were not allowed to play "shamisen" (a three-stringed Japanese banjo), which was the instrument for ordinary people, and peasants and merchants were not allowed to play "shakuhachi" (a vertical bamboo flute), which was a Buddhist ritual vessel of "komuso" (a mendicant Zen priest of the Fuke sect). 例文帳に追加

庶民の楽器であった三味線を武士が弾いたり、虚無僧の法器とされた尺八を百姓町人が吹くことは、江戸時代には許されなかった。 - Wikipedia日英京都関連文書対訳コーパス

In the Meiji period, instruction books were issued about "minteki" (Ming flute), shakuhachi, accordion and harmonica, and these books often include the Japanese songs at that time as well as the Shingaku songs, such as 'Kyurenkan,' 'Sanminkyo' and 'Matsurika.' 例文帳に追加

明治に刊行された明笛や尺八、手風琴(アコーディオン)、ハーモニカなどの教則本には、当時の日本の曲に混じって、「九連環」「算明曲」「茉莉花」なども収録されていることが多い。 - Wikipedia日英京都関連文書対訳コーパス

In "Zenpo Zatsudan," special aspects of Zenpo's theory of Nohgaku include references to the words or statements made by masters in other categories of art, including Juko MURATA in Japanese tea ceremony, Sozei in Renga (linked verse), Senjun IKENOBO in flower arrangement, and Monami (聞阿弥) as a musician of Shakuhachi bamboo flute. 例文帳に追加

また『禅鳳雑談』で見られる、茶道の村田珠光、連歌の宗砌、華道の池坊専順、尺八の聞阿弥など当時の他の諸芸の名人たちの言葉への言及も、禅鳳能楽論の特徴である。 - Wikipedia日英京都関連文書対訳コーパス

Although the type of flute cannot be indentified, it could be a transverse flute or an end-blown flute such as Shakuhachi bamboo flute which can shift the scale by using several holes on it because the certificate refers to a music scale. 例文帳に追加

笛の種類は特定できないが、音階があることから、複数の穴を配して音階を変えることの出来る横笛か、尺八のような縦笛であったのだろう。 - Wikipedia日英京都関連文書対訳コーパス

To provide a shakuhachi flute which is formed in such a manner that primary and middle schools, etc., can easily purchase it and students themselves can purchase and practice it without much burden and cab make learning endearingly.例文帳に追加

小中学校等が気軽に購入でき、また生徒達本人もさほど負担せずに購入,練習できる構成にし、親しみをもって習えるようにした尺八を提供する。 - 特許庁

To provide a matrix which need not be rotated to see a target note of Shakuhachi (bamboo flute), whose main body is small and easy to see, and which is easy to manufacture.例文帳に追加

尺八の音符を、目的の音符を見るために回転させる必要が無く、本体が小さくても見やすく、更に製造が簡単な早見表を提供する。 - 特許庁

To enable user to easily experience a Shakuhachi (five-holed Japanese clarinet) as a Japanese musical instrument and flutes all over the world of its headstreams by using the instruments for education so as to understand the making methods of many kind of flutes.例文帳に追加

高価な尺八を簡易にしかもいろいろな長さの笛を作り吹くことができるようにし、個人はもちろん、教育分野でも利用できるものとする。 - 特許庁

Therefore, despite the number "three" being embedded in the name "sankyoku," various kinds of performances are possible, such as an ensemble of just shamisen and shakuhachi, an ensemble of just koto and kokyu, an ensemble of just shamisen and koto, an ensemble of just the leading shamisen and the second shamisen, a solo performance or even an ensemble of four instruments; however, these performances aren't called sankyoku gasso. 例文帳に追加

それゆえ、三という数にこだわらず、たとえば三味線と尺八だけ、箏と胡弓だけ、三味線と箏、あるいは三味線の本手と替手だけといった編成での演奏も行なわれるし、独奏や四種の楽器での合奏すら可能である（ただしそれらのような場合は三曲合奏とは言わない）。 - Wikipedia日英京都関連文書対訳コーパス

And kengyo YAEZAKI put the so (or koto) parts to these works or made kaede (accompanying melody) for shamisen and they were played in various ensembles such as danawase (type of ensemble method), jiawase (type of ensemble method), instrumental trio (shamisen (three-stringed Japanese guitar), so (thirteen-stringed Japanese zither), and shakuhachi (bamboo flute)) ensemble and so on and dramatically developed as ensemble music. 例文帳に追加

またこれらの曲に八重崎検校らが箏のパートを付け、あるいは三味線の替手が付けられたり、段合わせや地合わせ、三曲合奏など、さまざまな合奏形態で演奏され、合奏音楽としての発展も著しかった。 - Wikipedia日英京都関連文書対訳コーパス

The character '笨' is used instead of '本' in the notation of 'nanbon-joshi' in some schools (there is the practice of specifying the fundamental tone using nanbon-joshi even in shamisen music, sokyoku (koto music), sankyoku (music performed by a shamisen (three-stringed Japanese guitar), so (thirteen-stringed Japanese zither), and shakuhachi (bamboo flute) trio), and biwa (Japanese flute) music, but attention is required because the actual tones vary according to the instrument). 例文帳に追加

「何本調子」の表記に「笨」の字を用いる流派もある（なお、三味線音楽、箏曲・三曲、琵琶においても「何本調子」で基本音を定める慣習があるが、分野によって実際の音の高さは異なっているので注意が必要である）。 - Wikipedia日英京都関連文書対訳コーパス

The shakuhachi flute is formed by making an upper joint A and a lower joint 3 separable and connecting both, in which the upper joint A is further bisected and is made separable to a mouthpiece side short joint 1 and an upper joint remaining segment 2 and the mouthpiece side short joint 1 is made freely attachably and detachably connectable to the upper joint remaining segment 2.例文帳に追加

上管Ａと下管３とを分離可能にし、両者が連結してなる尺八において、さらに前記上管Ａが二分され、歌口側短管１と上管残り部分２とに分離可能にして、該歌口側短管１が上管残り部分２に着脱自在に連結できるようにした。 - 特許庁

Around the outer periphery of the body 2 of, for example, a shakuhachi(five-holed vertical bamboo flute) as a musical instrument which is made of a nonmetallic material, concretely, a synthetic resin material and radiates air vibration, a hard layer 7 is formed which has higher hardness than the body 2.例文帳に追加

非金属製材料、具体的には合成樹脂製材料で形成され、空気振動を放出する楽器、例えば尺八１の胴体２の外周囲に、当該胴体２の硬度よりも硬度の高い硬質層７を形成するようにした。 - 特許庁

The most widely accepted theory of the etymological origin of the word itself traces its appearance to the text in 'Biography of Lucun' in the series of "Jiu Tang Shu" (Old Tang History), which describes that Lucun, a Tang musician who lived in the early seventh century, created a vertical flute tuned to a 12 tone scale, with the Oshikicho tone being the Tang standard tone (according to the 12-tone Japanese scale, the equivalent of the tone D on the scale of the West); the dimension at which this tonic was obtained is said to have been one shaku and eight sun, thus the name 'shakuhachi.' 例文帳に追加

語源に関する有力な説は、『旧唐書』列伝の「呂才伝」の記事によるもので、7世紀はじめの唐の楽人である呂才が、筒音を十二律にあわせた立笛を作った際、中国の標準音の黄鐘（日本の十二律では壱越西洋音階のD）の音を出すものが一尺八寸であったためと伝えられている。 - Wikipedia日英京都関連文書対訳コーパス