「Toei」に関連した英語例文の一覧と使い方(4ページ目) - Weblio英語例文検索

In the boom of ninkyo (men of chivalry) films which became the new mainstream at Toei after the late 1960s, he produced several yakuza (Japanese gangster) films including "Nippon Ankokushi, Chi no Koso" (Japanese dark history, bloody conflicts, 1967) and "Nippon Ankokushi, Nasakemuyo" (Japanese dark history, relentless fight, 1968). 例文帳に追加

60年代後半から東映の新たな主流路線となった任侠ものでも、『日本暗黒史・血の抗争』（1967年）、『日本暗黒史・情無用』（1968年）のやくざ映画を手がけた。 - Wikipedia日英京都関連文書対訳コーパス

Some students were well-known, such as Nobuhiro SATO from Dewa Province, Naofuru SHIBASAKI from Suruga Province, Michio SHINJO from Suruga, Yoshika MUTOBE from Yamashiro Province, Yorozu IKUTA from Kozuke Province, Yasuo MIYAOI from Shimousa Province, Yoshinaga MIYAUCHI, Toei ASHIZAWA and Kanetane HIRATA from Iyo Province. 例文帳に追加

中でも羽州の佐藤信淵駿府の柴崎直古・同郷の新庄道雄山城国の六人部是香上州の生田萬下総国の宮負定雄同郷の宮内嘉長芦澤洞栄そして平田鐵胤など。 - Wikipedia日英京都関連文書対訳コーパス

As to the matter of Ryoo's petition in the previous year, the new Rinoji-No-Miya, Shuzen Hosshinno (later, he called himself as Tenshin Hosshinno [Cloistered Imperial Prince Tenshin]), and the prefectural governor of Toei-zan Ryoo, each gave their consent to Ryoo. 例文帳に追加

先年より了翁が願い出ていた件については、新しく輪王寺宮となった守全法親王（のち天真法親王を名乗る）と東叡山両知事の了解を得た。 - Wikipedia日英京都関連文書対訳コーパス

Hanazono Station is more convenient than Uzumasa Station for those who want to go to Toei Movie Land when the back door of Movie Land is closed, because the entrance to the entertainment facility is nearer to Hanazono Station than to Uzumasa Station and consequently the entrance is easier to find when one goes from Hanazono Station than from Uzumasa Station. 例文帳に追加

映画村の入口は当駅寄りにあり、分かり易いため、裏門が開いていないときは太秦駅よりも当駅の方が便利である。 - Wikipedia日英京都関連文書対訳コーパス

Tourists use the station by associating the name of Uzumasa with 'Toei Movie Land (Kyoto Uzumasa Eigamura)'; moreover, houses and other buildings stand around the station, so the number of passengers is relatively large in comparison to the station. 例文帳に追加

「映画村の太秦」の印象で利用する観光客の他にも、近辺に住宅などが建ち並んでいるということもあって、駅規模の割に利用客は比較的多い。 - Wikipedia日英京都関連文書対訳コーパス

The "sango" (A name bestowed to each temple.) for Kanei-ji Temple was Toei-zan, which meant the Mt. Hiei of the east; and its "jigo" (temple name) was the era in which the temple was erected-- akin to Enryaku-ji Temple (in Mt. Hiei) which was built in the Enryaku era. 例文帳に追加

寛永寺の山号は東叡山、すなわち東の比叡山を意味しており、寺号は延暦寺と同じように建立時の年号から取られている。 - Wikipedia日英京都関連文書対訳コーパス

It is also famous for being a major shareholder of TV Asahi Corporation (it was the largest shareholder but is currently the second largest with a 16% share) while TV Asahi is Toei's top shareholder with an 11% share. 例文帳に追加

テレビ朝日の大株主（かつては筆頭株主、現在は第2位。テレ朝株の16%を保有している）としても有名であり、同時に（テレビ朝日が）同社の筆頭株主にもなっている（東映株の11%を保有）。 - Wikipedia日英京都関連文書対訳コーパス

From the middle of the 1950s to the beginning of the 1960s a string of famous actors and actresses of Toei modern drama, such as Shinjiro EHARA, Hitomi NAKAHARA, Ken TAKAKURA, Yoshiko SAKUMA, Tatsuo UMEMIYA, Yoshiko MITA, JJ Sonny CHIBA and Reiko OHARA, made their debut. 例文帳に追加

一方、東映現代劇からは1950年代半ばから1960年代前半にかけ江原真二郎、中原ひとみ、高倉健、佐久間良子、梅宮辰夫、三田佳子、JJサニー千葉、大原麗子らがデビューしている。 - Wikipedia日英京都関連文書対訳コーパス

Additionally, Toei took the initiative at the beginning of the coming TV era: it made an investment in Nihon Educational Television (now called TV Asahi Corporation) to start broadcasting in 1959 and became a major source of programs for the TV station. 例文帳に追加

また、1959年開局の日本教育テレビ（現在のテレビ朝日）に資本参加し同局番組の有力な供給源となるなど、来るべきテレビ時代に先手を打った。 - Wikipedia日英京都関連文書対訳コーパス

However, unlike Toho which practically stopped in-house production, Toei has long engaged in original work including TV programs and animation, and it is seen as having great potential to become one of the largest video-content companies in the world. 例文帳に追加

しかし、早々に自社製作を事実上中止した同社とは対照的にTV、アニメを含め徹底した自社製作を貫いてきた歴史が長く、世界最大級の映像コンテンツ企業としてポテンシャルが注目を浴びている。 - Wikipedia日英京都関連文書対訳コーパス

With regards to production policy, both Toei and its affiliates basically prioritize quantity over quality; projects are carried out without detailed examination of their feasibility, along the lines of the proverb 'He that oft shoots at last shall hit the mark.' 例文帳に追加

系列会社にも当てはまるが、東映の作品は基本的に中身より量をメインとしており、「数打てば当たる」のごとく企画などは常に見切り発車の状態で実行されている。 - Wikipedia日英京都関連文書対訳コーパス

Toei's strategy is to make the biggest possible profit from a smaller budget than those of rivals Toho and Shochiku, and this translated into success at the box office from the 1950s to the 1970s. 例文帳に追加

東宝や松竹よりも低予算で最大限の効果を得ることを旨とし、実際に50年代から70年代にかけて興行成績において勝利している。 - Wikipedia日英京都関連文書対訳コーパス

During the heyday of Toei's yakuza films in 1970s, despite the company making enormous box-office profits it was reluctant to pay its staff and performers well and forced them to accept difficult commissions. 例文帳に追加

ちなみに1970年代のヤクザ映画全盛期には、莫大な興行収入を得ながらもスタッフやキャストへの金払いが悪かった事、強引なブッキングを強いた事などがあった。 - Wikipedia日英京都関連文書対訳コーパス

Even so, Toru HIRAYAMA, a producer in charge of character series at that time, later looked back and commented in the magazine 'Uchusen' that by the middle of the 1960s Toei was regarded as an NET-affiliated production company within the industry. 例文帳に追加

それでも60年代半ばまでは業界的にはNET系のプロダクションと見られていたと、キャラクター作品担当のプロデューサーだった平山亨は後日雑誌「宇宙船」で回顧している。 - Wikipedia日英京都関連文書対訳コーパス

In addition, one episode from a children's TV program or a new film is incorporated in the 'Toei Manga Festival,' a seasonal program aimed at children played at movie theaters within Japan. 例文帳に追加

また子供向け作品においては季ごとにプログラムピクチャーとして映画館で上映される「東映まんがまつり」にテレビからのエピソード一本または新作映画としてエントリーされた。 - Wikipedia日英京都関連文書対訳コーパス

It is not connected with the movie theater of the same name (the present Kyogeki bowling alley) which was on Kawaramachi Sanjo in Nakagyo Ward and was the first movie theater run by Toei until around 2000. 例文帳に追加

2000年頃まで中京区河原町三条に東映封切館として存在していた同名の映画館（現在の京劇ボウル）とは無関係である。 - Wikipedia日英京都関連文書対訳コーパス

However, it operated as a movie theater for one year from October 1969 during which Kyoto Theater, a theater for new films of Toei, was temporarily closed for renovation. 例文帳に追加

しかし、1969年10月から1年間は東映封切館であった京都劇場が改築工事のため一時閉館したことに伴い、その代替劇場として復活していた。 - Wikipedia日英京都関連文書対訳コーパス

Yoshinaga was also the grandfather of IRIE's eldest daughter, Wakaba IRIE (born Wakaba TAMURA, fathered by Michiyoshi TAMURA a former actor), who became known appearing in movies produced by the Toei Movie Studios and later in work by Nobuhiko OBAYASHI.. 例文帳に追加

入江の長女で、東映京都撮影所作品、のちに大林宣彦作品で知られる女優入江若葉（出生名田村若葉、父は元俳優田村道美）の祖父に当たる。 - Wikipedia日英京都関連文書対訳コーパス

Upon the passing of Tenkai in 1643, Kokai, residing at Kanei-ji Temple on Mt. Toei, carried on Tenkai's dharma and by placing under his control Mt. Hiei the Grand Head Temple of the Tendai Sect as well as Mt. Nikko where the Nikko Toshogu Shrine dedicated to Ieyasu TOKUGAWA was located, took the helm of the entire Tendai Sect. 例文帳に追加

1643年（寛永20年）に天海が没するとその法をついで東叡山寛永寺に住し、天台宗の総本山である比叡山・徳川家康を祀る日光東照宮のある日光山を管理下に置いて天台宗一宗を管領するようになった。 - Wikipedia日英京都関連文書対訳コーパス

Koryu-ji Temple is located in Uzumasa, which is famous for Kyoto Uzumasa Eigamura (Toei Movie Land), but it is unknown whether it has always stood on this site since the time of its founding and there is a likely theory that it was built somewhere else during the first half of the 7th century and moved to its current location around the time of the relocation of the capital to Heiankyo. 例文帳に追加

広隆寺は、東映太秦映画村で有名な太秦に所在するが、創建当初からこの地にあったものかどうかは未詳で、7世紀前半に別の場所に創建され、平安遷都前後に現在地に移転したという説が有力である。 - Wikipedia日英京都関連文書対訳コーパス

In June 1867, he traveled down to Edo and entered Kanei-ji Temple in Ueno, then succeeded to Sanzan Kanryo no miya (also called Toei Daio and serve as chief priest of Kanei-ji Temple, Nikko Rinno-ji Temple Monzeki (head priest), Tendai-zasu (head priest of the Tendai sect) (to be precise, zasu (temple's head priest)of Enryaku-ji Temple on Mt. Hiei) at the same time) along with the retirement of Imperial Prince and Monk Jisho in the same month. 例文帳に追加

慶応3年（1867年）5月、江戸に下って上野の寛永寺に入り、同月慈性入道親王の隠退に伴って三山管領宮（寛永寺貫主・日光輪王寺門跡・天台座主（正確には比叡山延暦寺座主）を兼ね、東叡大王ともいう）を継承した。 - Wikipedia日英京都関連文書対訳コーパス

Although a late starter among the leading motion picture companies in Japan, Daiei was regarded a respected, longstanding company because it mainly inherited Nikkatsu Corporation's prewar film-making organization including the production division of Shinko Cinema (formerly known as the Teikoku Cinema) which was merged at the time of establishment and was split in the postwar period to become a parent organization of Toei Company, Ltd. 例文帳に追加

会社自体は大手の中では後発だが、戦前の日活の製作機構を主に引き継いでいる（発足時に合併で得た新興＝帝キネの製作部門は戦後に分離し東映の母体となる）ため伝統ある老舗として語られることが多い。 - Wikipedia日英京都関連文書対訳コーパス

After the film industry experienced a marked decline from the middle of 1960s, Shigeru OKADA, who became the second president of Toei in 1971, tried to attract audiences with yakuza films and oversaw the production of jitsuroku-ninkyo films and films with sexual or violent content targeting people who didn't watch TV. 例文帳に追加

1960年代半ばから映画の斜陽化が顕著になると、ヤクザ映画で観客動員を保つ一方で、1971年二代目社長に就任した岡田茂は、テレビに取り込まれない客層を狙い実録任侠ものやエログロものを量産。 - Wikipedia日英京都関連文書対訳コーパス

In addition, Teruo ISHII, who was not originally hired by Toei but transferred from Shintoho before becoming a hit maker in the 1960s, left education after graduating from junior high school under the old system of education, while Kinji FUKASAKU, one of the best directors of the 1970s, was from Nihon University College of Art but belonged to Department of Literature rather than the Department of Cinema. 例文帳に追加

また、東映採用ではないが新東宝から移籍し60年代東映きってのヒットメーカーとなった石井輝男は旧制中学卒であり、70年代のエース深作欣二は日大芸術学部ではあるが映画学科ではなく文芸学科の卒業。 - Wikipedia日英京都関連文書対訳コーパス

When Akira KUROSAWA made the Japan-US joint production 'Tora! Tora! Tora!' he used the Toei Kyoto Movie Studio for the first time, but on the first day of filming he got angry at the fact that one of the curtains on the set had a crease in it and immediately ceased production; the conflict between Kurosawa and the staff of the studio is said to be one of the reasons he abandoned the movie halfway through. 例文帳に追加

黒澤明は、日米合作「トラ!トラ!トラ!」の撮影に際して初めて東映京都撮影所を使用し、そのスタッフとの軋轢が降板の一因となったと言われるが、初日にセットのカーテンの折り皺に激怒し即撮影中止となったエピソードが伝えられている。 - Wikipedia日英京都関連文書対訳コーパス

His creative activities reached a peak from 1967 to 1970; he directed the masterpiece "Oryu sanjo" (The Appearance of Oryu), part of the "Hibotanbakuto" series, starring Junko FUJI; made successful action movies such as "By a Man's Face Shall You Know Him" and "The Eighteen-year Sentence" which starred Noboru ANDO; and directed "Showa onna bakuto" (A Showa Lady Gambler), a revenge story featuring a strange curse in which Kyoko ENAMI, a star of yakuza films who had moved from Daiei to Toei, played the lead. 例文帳に追加

その創作活動は1967年から1970年にピークを迎え、藤純子主演の『緋牡丹博徒』ではシリーズ中屈指の傑作である『お竜参上』を監督し、安藤昇を主演に迎え『男の顔は履歴書』や『懲役十八年』などのアクション映画を成功させ、大映の任侠スターだった江波杏子を東映に迎えて一種異様な怨念に彩られた復讐物語『昭和おんな博徒』を手掛けた。 - Wikipedia日英京都関連文書対訳コーパス

Also in Toei, Imai created a series of social films: in 1957, the two movies, "Kome" (The Rice People), his first color film depicting poverty in a farming village set in Kasumigaura, and "Junai monogatari" (The Story of Pure Love), a story of love between a girl suffering from radiation sickness and a delinquent boy, became popular; in 1961, "Arega minato no hi da" (That Is the Port Light), a film depicting through young Korean fishermen in Japan the deteriorated relationship between Japan and Korea caused by the dispute of the Syngman Rhee Line, became a hit. 例文帳に追加

東映においても社会派映画を次々と製作、1957年、霞ヶ浦を舞台に農村の貧困を描いた、今井の初のカラー作品『米(映画)』や、原爆症の少女と不良少年の恋を描く『純愛物語』、1961年、李承晩ラインをめぐる日韓関係の悪化を、在日朝鮮人の若い漁師を通して描く『あれが港の灯だ』など話題を呼んだ。 - Wikipedia日英京都関連文書対訳コーパス

Later it merged with Oizumi Films, which had achieved success in the film production industry, and Toyoko Film Company (founded in 1938) which had run movie theaters in Shibuya, Tokyo and Yokohama City in order to develop the areas along the Tokyu Toyoko line, but after World War Two it rented the former Shinko Cinema Kyoto Studio from Daiei Motion Picture Company to start film production and changed its name to Toei. 例文帳に追加

やがて映画製作に進出した太泉映画（おおいずみえいが）と1938年設立の東横映画（とうよこえいが）（東急東横線の沿線開発を目的に、東京の渋谷や横浜市で映画館を経営していたが、戦後大映(映画)より京都第2撮影所（旧新興キネマ京都撮影所）を賃借して映画製作に進出。）を吸収合併、社名を東映と改めて出発した。 - Wikipedia日英京都関連文書対訳コーパス

During a period in which Toei shifted from mass vendetta period dramas to yakuza films, Kato directed "Kutsukake Tokijiro yukyo ippiki," his masterpiece whose title became a byword for Tai KATO; "Brutal Tales from the End of the Edo Period" a realistic period drama about internal conflict in the Shinsengumi (a special police force at the end of the Tokugawa Shogunate); and "Meiji kyokakuden sandaime shumei" (The Story of a Meiji Knight, the Third Generation), which presented life in the Japanese Mafia with a unique sense of beauty and lyricism and greatly influenced later yakuza films. 例文帳に追加

東映が集団抗争時代劇から任侠路線へと移行する時期には、タイトルが加藤泰自身の代名詞ともなる最高傑作『沓掛時次郎遊侠一匹』をものにし、新選組内部の抗争を描いたリアリズム時代劇『幕末残酷物語』などを撮り、そして、やくざの生きざまを独特の美意識と叙情で描いてその後の任侠映画に多大な影響を与えた『明治侠客伝三代目襲名』を監督する。 - Wikipedia日英京都関連文書対訳コーパス