「Narrative」に関連した英語例文の一覧と使い方(9ページ目) - Weblio英語例文検索

However, they had gradually cooled down as Shamisen music and sokyoku (koto music) such as Jiuta (a genre of traditional songs with samisen accompaniment) and Joruri (dramatic narrative chanted to a samisen accompaniment) developed, and the Hatano-ryu was put to an end while the Maeda-ryu was restored by Kengyo OGINO in Nagoya in the middle of the Edo period, and only this school has been handed down to the present in Nagoya and Sendai. 例文帳に追加

しかし地歌や浄瑠璃などの三味線音楽や箏曲の発展と共に次第に下火となり、波多野流は断絶、前田流は江戸時代中期に名古屋の荻野検校によって中興し、この流派のみがこんにちまで名古屋と仙台に伝えられている。 - Wikipedia日英京都関連文書対訳コーパス

However, there are also some cases where the commoners in towns as such have an original awareness of kinagashi, and they treat it as a formal dress: for example, in Sado (Japanese tea ceremony) of the Sen Family line, they think that kinagashi with jittoku (a kind of haori) on is the utmost formal dress; and in the case of nagauta (long epic song with shamisen accompaniment) or joruri (dramatic narrative chanted to shamisen accompaniment), when they wear kamishimo (samurai costume, old ceremonial costume) they don't put on hakama but maedare (an apron). 例文帳に追加

ただし着流しに町方としての独自の意識を持ち、礼装として扱っている場合もあり、千家系統の茶道では十徳に着流しを最礼装とし、長唄や浄瑠璃では裃の際に袴ではなく前垂れを用いる。 - Wikipedia日英京都関連文書対訳コーパス

The Hanshichi series was adapted into a play by Kido and performed in 1926 starring Kikugoro ONOE the Sixth, and the old gossip stories which appeared in it were also used for the stages of narrative artists in the post-war period, such as Shozo HAYASHIYA and Ensho SANYUTEI the Sixth for Rakugo (comic story telling), Engyoku GODOKEN for Kodan (dramatic story telling), and Hiroshi TAKAHASHI and Kinsho KURATA for Monogatari (story telling). 例文帳に追加

半七ものは綺堂脚色によって1926年に尾上菊五郎(6代目)が演じたのを始め、これらの昔話の巷談は、戦後の話芸においても落語の林屋正蔵、三遊亭圓生(6代目)、講談の悟道軒園玉、物語の高橋博、倉田金昇などの高座で使われた。 - Wikipedia日英京都関連文書対訳コーパス

Sadaka floats the head of Hinagiku with Hina-ningyo (dolls and miniature instruments displayed at the Girls' Festival) in the river to send it to Daihanji, while gorgeous yet sad Joruri (dramatic narrative chanted to a shamisen accompaniment) is played on the musicians' stage; it chants, 'marriage furniture, food box, container, papier-mache dog, and many chests (these are all the instruments included in Hina-ningyo). If she was alive, they would have been real presents once in life, lined up for five or seven cho (distance unit; a cho is about 109 m).' 例文帳に追加

「嫁入り道具、行器、長持犬張子、小袖箪笥の幾さおも、命ながらへ居るならば、一世一度の送り物、五丁七丁続く程」の華やかにも悲しい床の浄瑠璃に合わせ、定高は雛鳥の首を雛人形とともに川に流し大判事に受け取らせる。 - Wikipedia日英京都関連文書対訳コーパス

The reason for the popularity of a bandit like him lies in the fact that he was used as a subject in joruri (dramatic narrative chanted to a samisen accompaniment) and kabuki (traditional drama performed by male actors) and he was gradually portrayed as a thief who stole from the rich and gave to the poor, and furthermore, the script in which he tries to kill the powerful ruler, Hideyoshi TOYOTOMI, won the hearts of the commoners. 例文帳に追加

盗賊の彼が人気を博した理由は、浄瑠璃や歌舞伎の演題としてとりあげられ、これらの創作の中で次第に義賊として扱われるようになったこと、また権力者豊臣秀吉の命を狙うという筋書きが庶民の心を捉えたことにもよるであろう。 - Wikipedia日英京都関連文書対訳コーパス

The story situated during the Sengoku period (period of warring states) with two women who were mourning for young warriors that died in battle happened to meet each other, and its gazoku-setchu style, i.e. the mixture of dialogue in common language and narrative in elegant literary style received favorable reviews as the symbol of new style of contemporary literature, so Koyo suddenly became famous as a popular writer. 例文帳に追加

戦国時代に材をとり、戦で死んだ若武者を弔う二人の女性の邂逅というストーリーと、会話を口語体にしながら、地の文は流麗な文語文という雅俗折衷の文体とが、当時の新しい文学のあらわれとして好評を博し、紅葉は一躍流行作家として世間に迎えられた。 - Wikipedia日英京都関連文書対訳コーパス

And that at the end of Kamakura period, so-called kakeobi type mo, with kogoshi loosely tied at the waist was put on the shoulder in order to make it easy to put on and take off of it became easy, was already established is known from historical materials and pictures such as statues of Fugen Bosatsu (universal god) and ju-rasetsunyo (the ten demonesses), possessed by the Nara National Museum and illustrated narrative scrolls of waka competitions of a different time. 例文帳に追加

そして鎌倉後期には、着脱が容易なように腰で結ぶ小腰をゆるく結んで肩にかける、いわゆる掛帯（懸帯）式の裳が成立していたことが絵画史料から知られる（奈良国立博物館蔵普賢菩薩十羅刹女像・時代不同歌合絵巻ほか）。 - Wikipedia日英京都関連文書対訳コーパス

Evolution, by contrast, encourages us to trace (or construct) a narrative history of material change which links this new species with other known species, thus providing a material explanation for its existence, which becomes the basis for certain predictions which we can test with our observations. 例文帳に追加

進化論は、その反対に、この新しい種とこれまで知られている他の種とをつなぐ物質的変化の語られる歴史を跡づける(あるいは組み立てる)よう、ぼくらに促し、そうやって、その種の存在についての物質的説明を与えるが、これは観察で検証できる予測にたいする基礎となるものなのだ。 - Ian Johnston『科学のカリキュラムで創造説？』

It was common that popular music like joruri (dramatic narrative chanted to a shamisen accompaniment), which contained narration or songs with a distinct melody played by shamisen, composed of up-tempo tunes and slow-tempo tunes, was used for traditional performing arts that became popular during the Edo period such as kabuki (traditional drama performed by male actors), bunraku (Japanese puppet theater), and classical Japanese dance, especially for performances for the common people in a theater or on an outdoor stage. 例文帳に追加

歌舞伎・文楽・日本舞踊等、江戸時代に盛んになった伝統芸能、特に庶民階級を対象にして劇場や屋外の舞台で演じられたものには、「浄瑠璃」（じょうるり）のような「語り」あるいは「唄」と三味線によって、旋律と緩急がはっきりした大衆的な音楽をつけることが一般的であった。 - Wikipedia日英京都関連文書対訳コーパス

The Shaku byoshi was used to keep the beat using Shaku (a plate shaped like a scepter) in ancient gagaku (ancient Japanese court dance and music), and as evidenced by the fact that old Joruri (dramatic narrative chanted in accompaniment to a samisen) also had the same kind of Ogi byoshi (fan rhythm), slapping the palm with a handheld instrument was the most widely and easily used way to use an instrument to keep rhythm before early-modern times in Japan. 例文帳に追加

古く雅楽において笏によって拍子をとる笏拍子なる役掌が見られ、古浄瑠璃にも同様の扇拍子と呼ばれるものがあったことを見てもわかるように、拍子楽器として近世以前の日本でもっとも広くかつ簡便に用いられたのは、手に持つ道具によって手のひらを打つことであった。 - Wikipedia日英京都関連文書対訳コーパス

Although 'Juko-ryu kikigaki (dictation of oral narrative, or interview report about the Juko school)' shows the family tree whose founder was Kogyoku Ichijuan, one of the disciples of Juko, written by Dogen NOMOTO, who was a sadoyaku (a tea-server sustaining Japanese tea ceremony of bakufu and domains) during the Genroku period, 'Sado Juko-ryu Keifu (family tree of the Juko school of tea ceremony)' written by Bichoan SUZUKI, the tea master of almost the same period as Dogen NOMOTO, reads that the founder of the Juko school was Juko MURATA and the seventh-generation head of the school was Bichoan SUZUKI. 例文帳に追加

元禄期津軽藩の茶道役野本道玄の「珠光流聞書」には珠光の弟子である一樹庵光玉を流祖とする系図が示されているが、ほぼ同時期の宗匠である鈴木備長庵による「茶道珠光流系譜」によれば流祖は村田珠光であり備長庵は7代にあたるとされる。 - Wikipedia日英京都関連文書対訳コーパス

16. (1) An application shall include publication particulars, on Form D8,which shall include a brief statement of the features of the design, to the satisfaction of the registrar, but which shall not be used to interpret the scope of the definitive statement. The brief statement of features shall be in narrative form and generally limited to a single paragraph of not more than 150 words. The statement shall refer to the article or articles to which the design is to be applied. The publication particulars shall be published in the journal.例文帳に追加

規則16 (1) 出願は，様式D8により公表事項を含むものとし，これには登録官に満足の行くように意匠の特徴に係る簡潔な陳述を含めるものとするが，定義陳述書の範囲を判断するために使用してはならない。特徴の簡潔な陳述は，説明的な形によるものとし，通常150語を超えない1段落に限定される。この陳述は，意匠が用いられる物品に言及するものとする。公表事項は，公報において公告される。 - 特許庁

(Procedure for the preparation of the Intellectual Capital Statement) Needless to say, the "Intellectual Capital Statement" with the consistent relationships among the four steps, like Figure 2.1.40, cannot be prepared immediately.In particular, as the "Knowledge narrative" part contains some essential questions about what constitutes intellectual assets of companies, the Guideline advises that it may not necessarily be advisable to prepare the "Intellectual Capital Statement" by following the order of above-described steps in actually preparing the statement.例文帳に追加

（「知的資本報告書」の作成の手順）もっとも、第2-1-40図のモデルのように、４つのステップが首尾一貫した関係にある「知的資本報告書」は直ちに作成できるものではなく、特に、「知的資産経営の理念」の部分は企業の知的資産が何であるのかという本質的な問いの部分を含んでいるので、実際の作業の段階で上記のステップの順番どおりに「知的資本報告書」の作成を行うことは必ずしも適切でないと、ガイドラインはしている。 - 経済産業省

Not only can the story of how God created the world and everything in it never be observed (in that respect it is even more deficient than the theory of evolution), but the Genesis narrative generates virtually no testable predictions, other than one which has been so repeatedly falsified that it has no scientific validity whatsoever (namely, that if all the species were formed at the same time, we should find all types at all levels of the fossilized strata). 例文帳に追加

神が世界とそのうちにある万物をどのように創造されたかという物語は、けっして観察できない(この点では、それは進化論よりもずっと大きな欠点がある)だけでなく、創世記の物語は、それがまったく科学的な妥当性を持っていない(つまり、もしあらゆる種が同時に形成されたのなら、化石を産出する地層のどの層にもあらゆる型の種が見つかるはずだ)ということを繰り返し偽ってきたもの以外には、実質上、検証可能な予測をなにも生み出していない。 - Ian Johnston『科学のカリキュラムで創造説？』

In order to organize a broad array of individual and concrete "Initiatives" and ultimately lead these to "Knowledge narrative" as a consistent story, the Guideline points out that companies need to sort out the "Initiatives" by answering the following three questions: (i) what are the contents and purposes of the existing "Initiatives"?; (ii) what effects are the "Initiatives" expected to bring about?; and (iii) what are "Initiatives" that are thought necessary to enhance the existing level of intellectual assets in the future? By preparing responses to these specific questions, companies will be able to sort out the concept of their own "Initiatives" currently in place, according to the Guideline.例文帳に追加

このように多岐にわたる個別具体的な「具体的行動計画」を整理していき、最終的には「知的資産経営の理念」へと首尾一貫したストーリーとしてつなげていくためにも、企業は、次の３つの質問に対して答えていく形で「具体的行動計画」を整理していくことが必要であるとガイドラインは指摘している。すなわち、①現在ある「具体的行動計画」の内容及びその目的は何か、②「具体的行動計画」はどのような効果があるのか及び③現在の知的資産のレベルを今後高めていくために必要な「具体的行動計画」は何か、という３つの質問に対する解答を作成していく中で、企業は現在行っている自社の「具体的行動計画」の概念を整理していくことができるとしている。 - 経済産業省