「きぬ代」に関連した英語例文の一覧と使い方(3ページ目) - Weblio英語例文検索

永正年間（つまり現在の姫路城が出来る前）、姫路城第9代城主小寺則職の家臣青山鉄山が主家乗っ取りを企てていたが、これを衣笠元信なる忠臣が察知、自分の妾だったお菊という女性を鉄山の家の女中にし鉄山の計略を探らせた。例文帳に追加

During the Eisho era (that is, before the present Himeji-jo Castle was built), Tetsuzan AOYAMA, a vassal of Norimoto KODERA, the ninth lord of Himeji-jo Castle, was plotting to take over his master's castle, however, a loyal subject named Motonobu KINUGASA sensed it and sent his mistress Okiku into Tetsuzan's house as a maid to spy on his plot.  - Wikipedia日英京都関連文書対訳コーパス

息子藤原定家の『小倉百人一首』には皇太后宮大夫俊成として採られるが、彼とともに社会が政治・経済的矛盾が深まる中、武家が政権を奪取する中世へ移行する、時代の激動期を生き抜き、歌の家としての御子左家の名を確立した。例文帳に追加

In his son FUJIWARA no Teika's "Ogura Hyakunin Isshu" (Ogura's Sequence of One Hundred Poems by One Hundred Poets), Toshinari is engaged as Kotaigo gu no daibu, but with him there was an intensification of political/economic contradictions in society, a shift to the middle ages where the warrior families took back political control; the period was marked by upheaval and the Mikohidari family cemented its name as poets.  - Wikipedia日英京都関連文書対訳コーパス

雄略天皇の御代には、当時の国の内外の事情から、多数の渡来人があったことは事実で、とりわけ秦氏族は、先に見たように絹織物の技に秀でており、後の律令国家建設のために大いに役立ったと思われる。例文帳に追加

It is certain that in the era of Emperor Yuryaku, there was a large influx of Toraijin (people from overseas, especially from China and Korea, who settled in Japan) due to the situation in and outside Japan, and among them, the Hata clan, who had excellent skills in weaving silk fabrics, might have played an important role in building a nation under the Ritsuryo codes (criminal, administrative and civil codes).  - Wikipedia日英京都関連文書対訳コーパス

大江匡（おおえただす）設計の建物は、京都の町家のモチーフをとりいれた現代建築で、地下2階から地上3階まで吹き抜けとなった中庭、カフェ・レストラン、屋上庭園、茶室などが憩いの空間を形成している。例文帳に追加

The building, designed by Tadasu OE, is in a modern style of architecture using a motif of the traditional Kyoto machiya, and its internal atmosphere is very comfortable with a courtyard surrounded by buildings with two stories below and three above ground, a coffee shop, a restaurant, a tearoom, and a rooftop garden.  - Wikipedia日英京都関連文書対訳コーパス

布の含浸に使用された代表的には液体又は樹脂である物質により、布を硬化し且つ剛性にし、ドラムヘッドをドラムスティック又は同様の硬い物体で叩いたとき、布が、振動している合成プラスチック層と協調して協働振動できるようにする。例文帳に追加

The cloth is made hard and rigid by the material which is representatively liquid or resin used for the impregnation of the cloth so that, when the drum head is struck by a drum stick or similar hard object, the cloth can make cooperative vibration cooperatively with the vibrating synthetic plastic layers. - 特許庁

また、復調方法および復調装置は、チャネルビット列”００００００”および”０００００００００”が現れた場合に、これを代替前のチャネルビット列に変換した上で、前記主変換テーブルおよび副変換テーブルの対応付けに基づいて復調する。例文帳に追加

In the demodulation method and a demodulator, in the case that the channel bit streams "000000" and "000000000" appear, after converting them to the channel bit streams before substitution, they are demodulated on the basis of the correspondence of the main conversion table and the sub conversion table. - 特許庁

設立第1作は、行友李風の新国劇ヒットナンバー『月形半平太』を「双ヶ丘撮影所」で製作、監督には山口がマキノで主演した『仇討殉情録』の脚本を書いた印南弘をマキノから引き抜き、撮影技師には東亜キネマ京都撮影所の大塚周一を起用、共演には「市川小文治歌舞伎映画プロダクション」（歌舞伎映画プロ）を立ち上げた市川小文治、奈良の市川右太衛門プロダクションあやめ池撮影所（右太プロ）から来て小文治の「歌舞伎映画プロ」の第1作『野崎村』に出演した市川芳之助（のちの沢田清）、マキノから引き抜いた藤井民次、東亜キネマ京都撮影所から引き抜いた高田篤と都さくら、衣笠映画連盟からマキノに出演した千代田綾子、阪東妻三郎プロダクション太秦撮影所に映画に出演していた一色勝代を起用した。例文帳に追加

For the first film, Yamaguchi Pro shot "Hanpeita TSUKIGATA," the hit shinkoku-geki (realistic period-drama) written by Rifu YUKITOMO, at 'Narabigaoka Studio' by recruiting Makino's Hiroshi INNAMI, who had written the screenplay of "Adauchi Junjo Roku" starring YAMAGUCHI, and appointed him as a director; Shuichi OTSUKA of Toa Kinema Kyoto Studio was selected as a cameraman; costars included Kobunji ICHIKAWA, who had set up 'Ichikawa Kobunji Kabuki Eiga Productions' (Kabuki Eiga Pro); Yoshinosuke ICHIKAWA (later known as Kiyoshi SAWADA), who had come from Ichikawa Utakemon Productions' (Uta Pro) Ayameike Studio in Nara and acted in "Nozaki-mura village," the first movie produced by Kobunji's "Kabuki Eiga Pro"; Tamiji FUJII, who had been recruited away from Makino; Atsushi TAKADA and Sakura MIYAKO, who had been recruited away from Toa Kinema Kyoto Studio; Ayako CHIYODA, who acted for Makino while belonging to Kinugasa Eiga Renmei; and Katsuyo ISSHIKI, who had acted in films in Bando Tsumasaburo Productions' Uzumasa movie studio.  - Wikipedia日英京都関連文書対訳コーパス

南北朝時代(日本)から室町初期に完成した『庭訓往来』には、「城下に招き居えべき輩」として多くの商人、職人の名を列挙しており、襖障子に関係するものとして唐紙師、経師、紙漉き、塗師、金銀細工師などが挙げられており、襖建具が分業化された職人を必要とするほどに、武士階級に相当普及していた事とが知れる。例文帳に追加

In the "Teikin-orai" (Epistolary for Home Instruction) completed from the period of the Northern and Southern Courts (Japan) to the Muromachi period, many names of merchants and workmen are described as 'people who should stay in the castle town' including masters of fusuma-shoji such as kami-shi, kyo-ji, paper making, craftsmen of lacquer ware and handiworks, and craftsmen of gold and silver handiworks, which shows that fusuma-shoji was widespread in the samurai class and they required specialized craftsmen.  - Wikipedia日英京都関連文書対訳コーパス

『京鹿子娘道成寺』の白拍子花子、『本朝廿四孝・十種香』の濡衣・八重垣姫、『一條大蔵譚』の常盤御前、『鎌倉三代記・絹川村閑居』の時姫、『祇園祭礼信仰記・金閣寺』の雪姫、『刺青奇遇』のお仲、『一本刀土俵入』のお蔦などが評価が高い。例文帳に追加

He is highly rated in the plays of Shirabyoshi dancer, Hanako in "Kyoganoko Musume Dojoji" (Maiden at Dojo-ji Temple), Nureginu and Princess Yaegaki in "Jusshuko, Honcho Nijushi Ko" (Incense Burning, from 24 Episodes of Great Children in the Country), Tokiwa Gozen in "Ichijo Okura Monogatari" (The Mad Aristocrat), Princess Toki in "Kamakura Sandaiki, Kinugawa-mura Kankyo" (Living in seclusion in Kinugawa Village, Three Generations of the Kamakura Shogunate), Princess Yuki of "Gion Sairei Shinkoki" (Kinkaku-ji Temple, The Gion Festival Chronicle of Faith), Onaka in "Irezumi Chohan" (Tattooed Hantaro) and Otsuta in "Ippongatana Dohyoiri" (Into the Sumo Ring with a Sword).  - Wikipedia日英京都関連文書対訳コーパス

これは隋の煬帝により禁圧されて散逸した讖緯説の書（緯書）の逸文である『易緯』の鄭玄の注に、干支が一周する60年を1元（げん）といい、21元を1蔀（ぼう）として算出される1260年（＝60×21）の辛酉（しんゆう）年に、国家的革命（王朝交代）が行われる（辛酉革命）という事に因む。例文帳に追加

This is related to the note by Jo Gen in "Yi wei", the surviving fragment of a book on Shinisetsu (isho) which was banned by Emperor Yodai of Sui and got scattered and lost, where 60 years, one cycle of the Oriental zodiac, were defined as 1 gen and 21gen as 1 bou, and it was suggested that, in a specified zodiac year every 1260 years (= 60 ' 21) thus calculated, a national-scale revolution (change of dynasty) would be carried out.  - Wikipedia日英京都関連文書対訳コーパス

1936年二・二六事件当日、「五社協定」の桎梏からの解放、映画監督の主体性と権利の確立のため、神田駿河台の駿台荘で集まった劇映画監督東西代表（村田、牛原虚彦、衣笠貞之助、伊藤大輔、伊丹万作）の間に「日本映画監督協会」設立の同意が成立した。例文帳に追加

On the day in 1936 when the February 26th Incident occurred, east and west representatives (Murata, Kiyohiko USHIHARA, Teinosuke KINUGASA, Daisuke ITO and Mansaku ITAMI) of theater movie directors got together at Sundai-so in Kanda Surugadai and reached an agreement on establishing the 'Directors Guild of Japan' in an attempt to relieve themselves from 'Five Company Agreement' as a fetter and secure movie director's independence and rights.  - Wikipedia日英京都関連文書対訳コーパス

そのために遅くても11世紀中期には公田を賃租・請作した場合の地子に基づいて、1段＝3斗（段別三斗）を「見米」と称して租に替わる基本的な賦課とし、それに庸・調・出挙・雑搖などに替わる地税賦課を「准米」と呼ばれる代物納（一部は絹・布・油などの手工業品を含む）の形で上乗せすることという基本が確立されることになった。例文帳に追加

Therefore, in the middle of the eleventh century at the latest, a basic foundation was established based on Jishi (land rent) of Koden that was leased and determined "Genmai" of 3 to per dan (Dan betsu san to) as the basic tax instead of So, and on top of that, a property tax instead of Yo, Cho, Suiko, or Zoyo called "Junmai" that was collected in kind (some included manufactured items such as silk, cloth, oil).  - Wikipedia日英京都関連文書対訳コーパス

1945年の終戦後、一時連合軍に接収された際に、白木仕上げの内外装が不潔であるとして、米兵によって全館ペンキ塗り潰しにされかかったが、当時の支配人の必死の説得で欄干など直接手が触れる部分のみ朱塗りとすることで本体を守った、というエピソードがあり、1960年代末までは内装の間取りの変更はあったものの、概ね創建当時の姿を保っていた。例文帳に追加

There is an episode when it was temporarily taken over by the allied forces after the war in 1945, U.S. soldiers tried to paint out the interior and exterior design considering them unclean, but the main part were protected while only a part where hands directly touched was painted vermilion-lacquered by the desperate persuasion of the hotel manager in those days; until the end of 1960s it kept the original form almost the same as the opening days, while the room arrangement of the interior design was changed.  - Wikipedia日英京都関連文書対訳コーパス

本発明では、キヌレニン経路におけるトリプトファンの代謝産物であるキノリン酸が、ＮＭＤＡ受容体の過度の活性化を引き起こして脳神経細胞を傷害し、これが原因となって種々の疲労を引き起こすというメカニズムを確認し、またＮＭＤＡ受容体拮抗物質が疲労軽減作用を有することを見出した。例文帳に追加

The pharmaceutical composition and food/drink containing an NMDA(N-methyl-D-aspartic acid) receptor antagonist is provided based on the findings that such a mechanism that quinolinic acid as a metabolite of tryptophan in kynurenine path damages cerebral neurocytes by causing the excessive activation of an NMDA receptor, leading to cause various fatigues, has been confirmed, and the NMDA receptor antagonist has the effect of mitigating fatigue. - 特許庁

本発明は、ポリオレフィンに代表される熱可塑性樹脂からなる微多孔膜の片面又は両面に、湿式塗工法にて、芳香族アラミド等の耐熱性高分子からなる耐熱性多孔質層を形成して非水電解質電池セパレータを得るに際し、耐熱性高分子の加工性や多孔質層の形成性に優れると共に、耐熱性およびシャットダウン機能に優れたセパレータを提供することを目的とする。例文帳に追加

To provide a separator, obtained by forming a heat resistant porous layer made of heat resistant polymers such as aromatic aramid by wet coating method on one side or both sides of a fine porous film made of thermoplastic resins represented by polyolefin, excellent in processablity of the heat resistant polymers, formation of the porous layer, as well as its heat resistance and shutdown properties. - 特許庁

補助カバー６０は、第１の係合点Ｘ１に電線からの引き抜き方向の負荷が作用したとき、空いた方のレバー係止部１３Ｒと第２の係合点Ｘ２で係合する係合突起６４に対して、レバー係止部１３Ｒとの係合代を増やす方向の変位をもたらすリンク機構として機能する。例文帳に追加

The auxiliary cover 60 acts as a link mechanism that provides displacement in a direction in which an engagement allowance of a lever locking part 13R and the engaging projection 64 engaged with an empty lever locking part 13R increases, when a load in a pull-out direction from an electrical line is applied to the first engaging point X1. - 特許庁

前記主光源２７に代わって前記補助光源３２が点灯したときは、前記電子カメラ１６は前記所定周期よりも長い周期で撮像および撮像信号出力を繰り返す長時間シャッタ動作し、前記映像系処理手段は前記撮像手段が出力した撮像信号を前記第１のゲインよりも高い第２のゲインで増幅して処理する。例文帳に追加

When the auxiliary light source 32 is lit instead of the main light source 27, the electronic camera 16 performs a long time shutter operation of the repetition of the imaging and the image signal output in a cycle longer than the above prescribed cycle, and the video system processing means amplifies the image signals outputted by the imaging means by a second gain higher than the first gain and processes them. - 特許庁

正規位置に組み付けられたリテーナ４０は、がた詰め部５３によって前方への位置ずれが抑えられ、係止片５０とリテーナ開口部３６の後縁部３６Ａとの係止代が小さくなることが回避されるから、雌端子金具１１に作用する強い引き抜き力によって、リテーナ４０がリテーナ装着溝３４から浮き上がることを防止できる。例文帳に追加

The frontward displacement of a retainer 40 attached at a regular position is restrained by a looseness filling part 53, and decrease of a lock margin between a lock piece 50 and a rear end part 36A of a retainer opening 36 is prevented, the retainer 40 is prevented from being lifted from a retainer mounting groove 34 by strong pulling force acting on a female terminal fitting 11. - 特許庁

鎌倉末期から南北朝時代における安東氏の支配領域は、安藤宗季（上記の季久とする説が有力）による譲り状や安藤師季に対する北畠顕家安堵状によると、陸奥国鼻和郡絹家島、尻引郷、行野辺郷、蝦夷の沙汰、糠部郡宇曾利郷、中浜御牧、湊、津軽西浜以下の地頭御代官職となっており、現在の青森県地方のうち八戸近辺を除く沿岸部のほとんどと推定されている。例文帳に追加

It is supposed that, the Ando clan's territory during the late Kamakura period to the period of the Northern and Southern Courts consisted of the major part of the coastal regions except for the vicinity of current Hachinohe, Aomori Prefecture, according to the documents such as a letter of concession by Munenori ANDO (the widely-accepted theory is that it was the same person as the above mentioned Suehisa) and Akiie KITABATAKE's certificate for the land directed to Morosue ANDO, in which it is mentioned that the clan was in charge of Jitoondaikan (deputy military governor) in Kinuka-jima, Shirihiki-go and Ikunobe-go, Ezo no sata of Hanawa County, Mutsu Province and in Usori-go, Nakahama-mimaki and Minato Tsugaru-nishihama of Nukabe County, Mutsu Province, and others.  - Wikipedia日英京都関連文書対訳コーパス

三善清行による「革命勘文」（『群書類従』　第貮拾六輯雜部　所収）で引用された『易緯』での鄭玄の注「天道不遠三五而反六甲爲一元四六二六交相乗七元有三變　三七相乗廿一元爲一蔀合千三百廿年」から一元60年、二十一元1260年を一蔀とし、そのはじめの辛酉の年に王朝交代という革命が起こるとするいわゆる緯書での辛酉革命の思想によるという。例文帳に追加

It is said that it was based on the idea of Shinyu kakumei (a prediction of revolution in Kanototori of the Chinese astrological calendar) in isho (Chinese books which describe predictions and others), that is, a revolution to change the dynasty would occur in the first Kanototori year considering 60 years as one cycle (元) and 1260 years of 21 cycles as one period (蔀), in accordance with the note from Zheng Xuan, '天道不遠 三五而反 六甲爲一元 四六二六交相乗 七元有三變 三七相乗 廿一元爲一蔀 合千三百廿年,' in "Yi wei" which was cited in 'kakumeikanmon' (in zatsubu (overall section) in the 26th section of "Gunsho ruiju"(Collection of historical documents compiled by Hokiichi HANAWA)) by Kiyoyuki MIYOSHI.  - Wikipedia日英京都関連文書対訳コーパス

また、元々頒暦が官庁に備え付ける暦であり、貴族や僧侶は自らの日記を執筆するために用いる具注暦をそれぞれが暦博士や暦生に依頼して制作もしくや書写の便宜を受けるのが慣例となっていた（藤原実資は予め（陰陽寮職員である）陰陽師に料紙を支給して暦を注文を行い、完成後に代金として絹1疋を支払っていたことが知られ（『中右記』長和3年10月2日条）、摂関家に至っては暦博士側から具注暦を献上してくることが慣例化していた（『後二条師通記』・『殿暦』・『玉葉』）。例文帳に追加

Hanreki was originally a calendar to be distributed to government offices, nobles and monks made it a practice to ask rekihakase or rekisei to make or transcribe guchureki in order to write their own diary (on this point, it is known that FUJIWARA no Sanesuke ordered calendars to an onmyoji (practionner in the Onmyoryo) by paying for paper and paid one hiki of silk when the calendar was completed (according to the article of "Chuyuki" (diary written by FUJIWARA no Munetada) dated on October 2nd, 1014) and the line of regents and advisers made it rule that rekihakase presented guchureki to them (according to "Gonijo Moromichi ki" (The Diary of FUJIWARA no Moromichi), "Denryaku" (The Diary of FUJIWARA no Tadazane) and ''Gyokuyo" (The Diary of Kanezane KUJO)).  - Wikipedia日英京都関連文書対訳コーパス

歌右衛門生涯の当たり役は非常に多く、『京鹿子娘道成寺』の白拍子花子、『籠釣瓶花街酔醒（籠釣瓶）』の八つ橋、『祗園祭礼信仰記（金閣寺）』の雪姫、『鎌倉三代記・絹川村』の時姫、『本朝廿四孝・十種香』の八重垣姫、『東海道四谷怪談』のお岩、『妹背山婦女庭訓（妹背山）』の定高、お三輪、『沓手鳥孤城落月（孤城落月）』の淀君、『仮名手本忠臣蔵・九段目』の戸無瀬、『積恋雪関扉（関の扉）』の小町と墨染、『恋飛脚大和往来・新口村』の梅川、『攝州合邦辻・合邦庵室』の玉手御前、『伽羅先代萩』の政岡、『鏡山旧錦絵（鏡山）』の尾上、『隅田川続俤（隅田川）』の班女など、娘形から姫、片はずし、傾城に至るまで、あらゆる女形の領域をこなした。例文帳に追加

Utaemon performed many successful characters in his lifetime, and those were Shirabyoshi (women who play Shirabyoshi (Japanese traditional dance)) Hanako of "Kyo Kanokomusume Dojoji" (The maiden at Dojo Temple), Yatsuhashi of "Kago Tsurube Satono Eizame" (Basket bucket in red-light district), Yukihime of "Gion Sairei Shinkoki" (The Gion Festival Chronicle of Faith)(Kinkaku-ji Temple), Tokihime of "Kamakura Sandaiki, Kinugawa-mura" (Three Generations of the Kamakura Shogunate in Kinugawa Village), Yaegaki-hime of "Honcho Niju-shi ko, Jusshuko" (24 Paragons of Filial Piety of our Country, Incense Burning), "Oiwa of "Tokaido Yotsuya Kaidan" (Tokaido Yotsuya Ghost Stories), Sadaka and Omiwa of "Imoseyama Onna Teikin" (An Exemplary Tale of Womanly Virtue in Mt. Imose), Yodogimi of "Hototogisu Kojo no Rakugetsu" (The Sinking Moon over the Lonely Castle Where the Cuckoo Cries), Tonase of "Kanadehon Chushingura, Kudanme" (The Treasury of Loyal Retainers, 9th act), Komachi and Sumizome of "Tsumoru Koiyuki no Seki no To" (The Barrier Gate), Umegawa of "Koibikyaku Yamato Orai, Ninokuchi-mura" (The Amorous Courier on the Yamato Highway, Ninokuchi Village), Tamate-Gozen of "Gappo Anjitsu (hermitage of Gappo), Sesshu Gappo ga Tsuji (A Kabuki Drama of Unfettered Evil)," Masaoka of "Meiboku Sendai Hagi" (The trouble in the Date Clan), Onoue of "Kagamiyama Kokyo no Nishikie" (old brocade pictures of Mt. Kagami), Hanjo of "Sumida-gawa Gonichi no Omokage" (Latter-day Reflections of the Sumida-gawa River), and he acted many types of female roles, such as a daughter, princess, Katahazushi (female role of nyobo (a court lady) of a samurai family or goten jochu (palace maid)), and keisei (courtesans with high dignity and literacy).  - Wikipedia日英京都関連文書対訳コーパス