actorを含む例文一覧と使い方
該当件数 : 1868件
In November 2005, he succeeded to the stage name, Tojuro SAKATA and became the fourth thereof, which is a great stage name in Kamigata-kabuki (the kabuki society in the Kansai region) when he played Yaegaki-hime, the princess of Jusshu-ko (10 kinds of incense), O-Hatsu of Sonezaki-shinju and Izaemon of Yuen-no-Tsuki in the all-actor show-up performance at the Minami-za theater in Kyoto (however, he didn't refer to himself as 'the fourth' in the New Year's performance at the Kabuki-za theater in 2006 but said the stage name was the one he had revived after its 231-year absence). 例文帳に追加
2005年11月 京都・南座顔見世にて十種香の八重垣姫、曽根崎心中のお初、由縁の月の伊左衛門で上方歌舞伎の大名跡・四代目坂田藤十郎を襲名(但し、2006年歌舞伎座の初春興行では「四代目」を名乗っておらず、231年ぶりに復活させた名跡であるとしている)。 - Wikipedia日英京都関連文書対訳コーパス
It was said that wishes of Tetsuji TAKECHI, his master, had strong influence on this succession, but during kojo (a ceremony to announce that an actor takes a new stage name), he received a remark 'He is essentially, not the person who should succeed to the family name of Takenojo', from the leader of troupe Uzaemon ICHIZAWA XVII, which may be taken as a severe criticism, and the discord with Tachibana head family was clearly brought to light. 例文帳に追加
この襲名には、師である武智鉄二の意向が強く働いていたと言われるが、襲名披露の口上の席で座頭である市村羽左衛門(17代目)より「本来ならば、竹之丞の名跡を継ぐべき人ではない」との強烈な批判ともとれる発言をされるなど、橘屋宗家との確執が浮き彫りになった。 - Wikipedia日英京都関連文書対訳コーパス
From the end of the Sengoku period (period of warring states) (Japan) to the Azuchi-Momoyama period, waki (supporting actors), which had until then been played by the secondary actor in the troupe and had not been differentiated from shite-kata (main roles) (usually, this was called as 'waki no shite' or 'waki no toryo' to be distinguished from the later waki-kata), was gradually differentiated from shite-kata as own official duties. 例文帳に追加
戦国時代(日本)末期から安土桃山時代にかけては、それまで座の第二位の役者が担当し、特にシテ方と区別されることのなかったワキの役(通常これを後世のワキ方と区別して「脇のシテ」「脇の棟梁」などと呼ぶ)が、徐々に独自の職掌としてシテ方から区分されるようになってきていた時期であった。 - Wikipedia日英京都関連文書対訳コーパス
A famous lighting technician who worked at the Shochiku Kyoto Studio named Shigeru MUTAGUCHI, known for his nickname 'Mutayan' (later known as Korema ARIMA), joined Nakane Productions under the name 'Shigeaki ARIMA,' bringing over Kenichi Enomoto (he referred to himself as 'Ken ENOMOTO' at the time), a chorus boy for the Asakusa Opera and Obeya-haiyu (an actor who played bit-parts to establish their career and lived together with other actors who had the same aims) from Toa Kinema Kyoto Studio (also known as Toji-in Studio). 例文帳に追加
中根プロには、松竹京都撮影所の名物照明マンだった「ムタやん」こと牟田口茂(のちの有馬是馬)が俳優に転向、「有馬茂明」を名乗り、浅草オペラのコーラスボーイ崩れで東亜キネマ京都撮影所(等持院撮影所)の大部屋俳優だった榎本健一(当時「榎本健」名義)を連れて参加した。 - Wikipedia日英京都関連文書対訳コーパス
The term 'terajima' referring to 'a temple in an island' is a pun for 'Kiyoshi TERASHIMA,' real name of Kikugoro the fifth, the term 'tottsuan' is a pun for 'Kikugoro ONOE the third' who was a grandfather of Kikugoro the fifth and was reputed to be a great actor in the Bunka Bunsei period, and the phrase 'na sae yukari' is a pun for 'Kikunosuke ONOE' who was a second son of Kikugoro the fifth. 例文帳に追加
「寺島」は五代目菊五郎の本名「寺島清」を「島の中にある寺」に、「祖父さん」は五代目菊五郎の祖父にあたる化政期に名優と謳われた「尾上菊五郎_(3代目)」に、「名せえ由縁」は五代目菊五郎の次男が「尾上菊之助」であることにそれぞれ掛けている。これが「くすぐり伝統芸能のくすぐり」である。 - Wikipedia日英京都関連文書対訳コーパス
It is to consider figuratively the successive Danjuro ICHIKAWA (during Danjuro's absence, it would be one of the family heads of soke, Ebizo ICHIKAWA, Shinnosuke ICHIKAWA, or Sansho ICHIKAWA) as the soke of kabuki, on the respect of being a special actor who represents kabuki, and especially as the founder and successor of their "oiegei" (the specialty of a family or a school of the performing arts), "aragoto" (dynamic performance of kabuki, featuring exaggerated posture, makeup, and costume) (Refer to 'Ichikawa-ryu'). 例文帳に追加
代々の市川團十郎(團十郎が不在のときは宗家当主の海老蔵・新之助・三升のいずれか)が歌舞伎を代表する特別な役者であり、特にそのお家芸である荒事の創始者・継承者であることを尊重して、比喩的にこれを歌舞伎の宗家とみなすこと→「市川流」を参照。 - Wikipedia日英京都関連文書対訳コーパス
Because of that his foster parents trained him more strictly, and one day when he, having a bad headache, tried to skip a stage, his foster father forced him to appear on the stage, saying in a stern tone, "You are an actor, an actor's stage is the same as a samurai's battlefield, go to the stage and die" (Seitan KAWAJIRI "Commentaries of Danjuro ICHIKAWA [the ninth]".) 例文帳に追加
そのため養父母の教育はさらに厳しいものになり、ある日ひどい頭痛で舞台を休もうとしていたところ、養父が「貴様は何だ、役者ではないか。役者が舞台へ出るのは、武士が戦場へ行くのと同じことだ。舞台へ行って死んでこい」と叱責されて無理矢理舞台に出されたこともあった(川尻清潭『九代目市川團十郎回想録』)。 - Wikipedia日英京都関連文書対訳コーパス
Yoshinaga HIGASHIBOJO, a son of Tadanaga HIGASHIBOJO who was the Director of the Bureau of Education, a Viscount, and a member of the House of Lords, had a daughter, Takako IRIE (born Hideko HIGASHIBOJO, the eldest daughter) who was a prewar movie actress establishing a production company "Irie Production" at the age of 20, and a son, Yasunaga HIGASHIBOJO (the third son) who was a movie actor, a scriptwriter, and a movie director working actively for the Nikkatsu Studio in the prewar period. 例文帳に追加
大学頭東坊城任長の子、位階勲等子爵、貴族院議員東坊城徳長は、20歳にして製作会社「入江ぷろだくしょん」を設立した戦前の映画女優入江たか子(出生名東坊城英子、長女)、戦前の日活撮影所等で活躍した映画俳優・脚本家・映画監督の東坊城恭長(三男)兄妹の父、 - Wikipedia日英京都関連文書対訳コーパス
Basically they wear makeup called 'kuraihoshi' putting black or red circles on their faces and painting the bridges of their noses with white, but there are many variations of their makeup: the light makeup like just putting some lipstick, the makeup as thick as adult's formal makeup, stage makeup like an actor in the kabuki dance (very rarely, chigo stain their teeth black or paint eyebrows), thick makeup like a ballerina, and so on. 例文帳に追加
化粧は額に「位星(くらいほし)」と呼ばれる丸を黒、または赤で入れ、鼻筋を白く塗るのが基本だが、それ以外は、殆ど素顔、口紅を塗るだけの場合から、大人のフォーマルと同様の厚化粧、歌舞伎舞踊と同様の舞台化粧(極稀にお歯黒を付ける場合や引眉する場合がある)、バレエと同様な洋風の厚化粧、と結構様々である。 - Wikipedia日英京都関連文書対訳コーパス
Chiezo KATAOKA was the first to quit the company, Chozaburo ARASHI, who went back to using his acting name after quitting Makino and called himself Kanjuro ARASHI, Toshio YAMAGUCHI (New School Actor), Ryutaro NAKANE, Kobunji ICHIKAWA, Reizaburo YAMAMOTO, Ryuzo TAKEI, and Umetaro NAKAMURA (sending back to using his acting name 'Makino Umetaro'), and approximately fifty popular actors quit Makino Productions. 例文帳に追加
同時期、片岡千恵蔵が先陣を切って退社し、嵐長三郎が牧野にかつて命名された名を返上して退社して嵐寛寿郎を名乗り、また山口俊雄(新派俳優)、中根龍太郎、市川小文治、山本礼三郎、武井龍三、中村梅太郎(「マキノ梅太郎」名返上)ら50数名のスターを中心とした俳優が大挙してマキノ・プロダクションを退社した。 - Wikipedia日英京都関連文書対訳コーパス
There are three widely held explanations regarding the origin of the name of Ichimatsu ningyo; the name came from Ichimatsu SANOGAWA, a kabuki actor in the mid- Edo period, who resembles the doll in its face, the name carries the connotation of the doll for kids whose prevailing name at that time was 'Ichimatsu,' and it was named so because it was sold with a checkered pattern costume. 例文帳に追加
市松人形の名前の由来としては、顔立ちが江戸時代中期の歌舞伎役者、佐野川市松に似ていたため市松人形と名付けられたと言う説、当時「市松」と言う子供が多かったので、子供の人形と言う意味合いで市松人形と呼ばれたと言う説、市松模様の衣装を着せて売られていたため、市松人形と名付けられたと言う説がある。 - Wikipedia日英京都関連文書対訳コーパス
Article 145 In the case where a representative of a juridical person, or an agent of a juridical person or of a person, or an employee has acted to violate Article 138, Article 139, Article 141, paragraph (1), Article 143 or item (i) or item (ii) of the preceding Article with respect to the activities or the property of the juridical person or the person, the actor shall be punished and in addition, the juridical person or the person shall be sentenced to the fine of the Article concerned. 例文帳に追加
第百四十五条 法人の代表者又は法人若しくは人の代理人、使用人その他の従業者が、その法人又は人の業務又は財産に関して、第百三十八条、第百三十九条、第百四十一条、第百四十三条第一項又は前条第一号若しくは第二号の違反行為をしたときは、行為者を罰する外、その法人又は人に対し、各本条の罰金刑を科する。 - 日本法令外国語訳データベースシステム
For example, a Kabuki actor who plays the role of a young girl or young man in love will wash their face, rub bintsukeabura (hair oil) onto their whole face, cover their eyebrows with hard bintsukeabura, rub face powder paste on their chest, their neck and nape and then spread it with a sponge; then they rub face powder paste on their face and spread it with a sponge, put on red nose shadow, eye shadow, and blusher, apply crimson to the ends of their eyes, paint their eyebrows first with red and then with black, and paint the shape of their lips clearly with a bright red lipstick. 例文帳に追加
娘役や、同年代の恋する男性の役の場合は、洗顔の後、鬢付け油を顔全体にすり込む、眉を硬い鬢付け油で塗りつぶす、胸、首、襟足に練りおしろいを塗り、スポンジで伸ばす、顔に練りおしろいを塗り、スポンジで伸ばす、赤でノーズシャドー、アイシャドー、ほほ紅を差す、目じりに紅を差す、眉を、先ず赤で、続けて黒で描く、真っ赤な口紅を、輪郭をはっきり描く、という具合。 - Wikipedia日英京都関連文書対訳コーパス
After that, he played an active role in TV in the early 70's and again started producing movies, since he had experience directing Sayuri YOSHINAGA's movie at Horipro, Inc. (former chairman was Takao HORI), he had an opportunity to remake "Dancing Girls of Izu" having a famous actress and actor, Momoe YAMAGUCHI and Tomokazu MIURA, they were called the golden combination, and also directed remakes of "Shiosai," "Zessho," "Eden no umi," and he is well known for remaking movies and has a fresh and original technique for directing so his movies remain in the history of Japanese movies. 例文帳に追加
TV界に進出した70年代前半を経て東宝映画にて映画界に戻り、ホリプロ(元会長堀威夫氏)に吉永小百合作品を監督した経験から、山口百恵・三浦友和のゴールデンコンビで『伊豆の踊子』をリメイクする事になり、その後、『潮騒』『絶唱』『エデンの海』とリメイク作品の監督をし、その新鮮さと斬新な監督技法は日本映画界の中でも歴史に残る作品であり、代表作にリメイク作品が多いというのも特色である。 - Wikipedia日英京都関連文書対訳コーパス
According to Hyoe ENOKI, an excellent supporting actor who had often appeared in Nakahira's films because of his performance laying his life on the line and his unique appearance, for example, the part of a killer who did a desperate stunt to become a fireball with gasoline in "Wakakute Warukute Sugoi Koitsura" (Young, evil, and excellent gays), Nakahira, who had been a dandy as a stylist since he was an assistant director, had a long face and got really mad when he was called a 'horse face' by Yasushi SUZUKI and Hyoe ENOKI at the time of shooting of "Yaro ni Kokkyo wa nai." 例文帳に追加
『若くて悪くて凄いこいつら』の殺し屋役で、ガソリンを浴びて火だるまになる決死のスタントを自ら行う等、その体を張った演技と特異な風貌で中平にも度々起用されていた名バイプレーヤー・榎木兵衛の話によると、助監督時代からスタイリストとしてダンディーな中平であったが、面長な顔だったため、『野郎に国境はない』の時に鈴木ヤスシと榎木兵衛から「馬ヅラ」と言われて本気で怒ったそうである。 - Wikipedia日英京都関連文書対訳コーパス
He also wrote, however, that "If I gave up Kamigata in its present state, I would not have any excuse not only to the ancestors of the Kataoka family but also to my predecessors who had built up shibai (drama) in Kamigata up until now. By all means, I had to protect Kamigata Kabuki shibai." ("Yakusha nanajunen (literally, seventy years as an actor)" by Nizaemon KATAOKA; published by The Asahi Shimbun Company), and his heart-felt sorrow for kabuki and his thoughts for his ancestors instilled in him the tragic but brave thought that "If failed, I will die with kabuki."(ibid.). 例文帳に追加
だが「現在この有様上方を捨てては、片岡家の先祖は言うに及ばず、何代かかって上方の芝居をここまで築き上げてきた先輩たちにこれほど申し訳ないことはないではないか。何としても上方の灯は守らなければ。」(片岡仁左衛門著「役者七十年」1976年朝日新聞社)とあるように、切実な関西歌舞伎の愛惜と先祖への思いとが「それでも駄目なら歌舞伎と心中しよう。」(同上)という悲壮な決心に向かったのである。 - Wikipedia日英京都関連文書対訳コーパス
Under this agreement, according to Tachibana, Universal was obliged to provide filming and lighting, development and special filming equipment equivalent to two-hundred thousand dollars at the time, as well as dispatch three to four technical staff members, while Bantsuma Puro obtained the right to dispatch an actor and an actress every year to Universal City (California), have them appear in films if necessary and distribute films produced at Uzumasa Studio through Universal. 例文帳に追加
この契約により、ユニヴァーサル社からは撮影・照明等の機材、現像機材、特殊撮影機材等、当時の金額で20万ドルに相当する供与を受け、また半年交代で3-4名の技術スタッフ派遣を受け、阪妻プロからは毎年男女優1名ずつをユニヴァーサル・シティ(カリフォルニア州)に派遣、見学および必要に応じては出演も可能、太秦撮影所製作の映画をユニヴァーサル社が世界配給も可能、という壮大な計画を立花は発表した。 - Wikipedia日英京都関連文書対訳コーパス
Therefore, his/her name and image takes on, separately from the moral rights referred to in (1) above, a sort of economic interests (which should of course be protected by the tort law). Consequently, even where the actor etc. does not suffer mental damages due to the unauthorized utilization of his/her name or image, he/she is likely to be entitled to certain legal remedies on the ground of infringement of aforementioned economic interests." In conclusion, the judgment further held that the celebrities should have exclusive economic interests to grant the right to utilize his/her name and image to third parties. 例文帳に追加
ここでは、氏名や肖像が、(一)で述べたような人格的利益とは異質の、独立した経済的利益を有することになり(右利益は、当然に不法行為法によって保護されるべき利益である。)、俳優等は、その氏名や肖像の権限なき使用によって精神的苦痛を被らない場合でも、右経済的利益の侵害を理由として法的救済を受けられる場合が多いといわなければならない。」とし、原則として、著名人の自己の肖像・氏名の使用許諾について経済的利益を独占する権利を認めた。 - 経済産業省
| ※この記事は「日本法令外国語訳データベースシステム」の2010年9月現在の情報を転載しております。 |
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