「The Kabuki」に関連した英語例文の一覧と使い方(28ページ目) - Weblio英語例文検索

This concept can normally be seen in the various Nihon bujutsu (Japanese martial arts) and the Yusoku kojitsu (traditional protocol of the imperial court and samurai families) or reishiki (etiquette) that are derived from the practices and manners observed by court nobles in the Edo period; it can also be seen in fields where skills are passed down from one generation to the next, ranging from performing arts such as Nohgaku, Kabuki, and Ningyo Joruri (traditional Japanese puppet theater), Hogaku (traditional Japanese music), Sado (tea ceremony), Kado (flower arrangement), Kodo (traditional incense-smelling ceremony), Shodo (calligraphy), Bontei (tray garden) to traditional handicrafts and classic gardening. 例文帳に追加

通常は、各種の武芸である日本武術、江戸期の公家家職に由来する有職故実・礼式、そのほか能楽、歌舞伎、人形浄瑠璃などの芸能、邦楽、茶道、華道、香道、書道、盆庭などをはじめとして、伝統工芸的な手工業、古典園芸など、ひろく技術を伝承する分野においてこうした観念が見られる。 - Wikipedia日英京都関連文書対訳コーパス

After the Noh style of Kabuki Buyo dance, that excluded romance and respected historical facts, was produced by the movement of improving the theater, Jusuke used his experience in collaborating on the Noh style of "Kanjincho," produced the masterpieces of Matsubamemono (Pine-backdrop Dance) one after another such as "Funa Benkei" with a playwright, Mokuami KAWATAKE, and a nagauta (long epic song with shamisen accompaniment) player, Shojiro OKEYA the second. 例文帳に追加

演劇改良運動によって、歌舞伎の荒唐無稽を廃し史実を尊重した、能形式の歌舞伎舞踊が生み出されると、壽輔はかつて同じく能形式の『勧進帳』制作に携わった経験を活かし、脚本家の河竹黙阿弥、長唄の杵屋正次郎(2代目)と組んで『船弁慶』などの松羽目物作品を次々と世に送り出す。 - Wikipedia日英京都関連文書対訳コーパス

There remains many unknown points about his life after leaving the castle town of Kochi-jo Castle and changing his name to Hirose by purchasing a name from a town doctor; yet it is known that he resorted his aunt and settled down in Akaoka town (present-day Konan City) from the Keio era, called himself by the name of 'Kinzo the painter for townspeople,' and left many paintings in the form of shibai-e (pictures of kabuki plays) or pictures for standing lanterns, ema (a votive horse tablet) or kites, whenever he was asked by local peasants or fishermen. 例文帳に追加

高知城下を離れて町医者から弘瀬姓を買い取った後の足取りには不明な点が多いが、慶応年間より叔母を頼って赤岡町（現・香南市）に定住し「町絵師・金蔵」を名乗り、地元の農民や漁民に頼まれるがままに芝居絵や台提灯絵、絵馬、凧絵などを数多く描いた。 - Wikipedia日英京都関連文書対訳コーパス

In the ninth section of Kanatehon, Chushingura (a program of Kabuki - Japanese classical drama titled "The treasury of Loyal Retainers"), there is a description that says; 'KO no Moronao, known as a prudent person, all shoji and fusuma of the residence had shirizashi (a kind of key for fitting, a wedge knocked in under rail) and amado (shutters) had aisen-aikuro (locked with the meeting edges made with a tongue and groove or with a lap joint), of which locks couldn't be broken open, and tearing them down with sledge hammers would make a sound and there wouldn't be time to say; how was it...' 例文帳に追加

歌舞伎の仮名手本忠臣蔵の九段目に、「用心厳しき高師直、障子・襖は皆尻ざし（建具の一種の錠で、框の下に楔を打ち込んだもの）、雨戸に合栓合框（錠の一種）、こじて外れず、大槌にて毀（こわ）たば音して用意せんか、それいかが・・・」とある。 - Wikipedia日英京都関連文書対訳コーパス

Basically they wear makeup called 'kuraihoshi' putting black or red circles on their faces and painting the bridges of their noses with white, but there are many variations of their makeup: the light makeup like just putting some lipstick, the makeup as thick as adult's formal makeup, stage makeup like an actor in the kabuki dance (very rarely, chigo stain their teeth black or paint eyebrows), thick makeup like a ballerina, and so on. 例文帳に追加

化粧は額に「位星（くらいほし）」と呼ばれる丸を黒、または赤で入れ、鼻筋を白く塗るのが基本だが、それ以外は、殆ど素顔、口紅を塗るだけの場合から、大人のフォーマルと同様の厚化粧、歌舞伎舞踊と同様の舞台化粧（極稀にお歯黒を付ける場合や引眉する場合がある）、バレエと同様な洋風の厚化粧、と結構様々である。 - Wikipedia日英京都関連文書対訳コーパス

The film was released in theaters such as the 'Kikusuikan' on July 1, 1928 as a dual feature with "Nozaki-mura Village" produced by 'Ichikawa Kobunji Kabuki Eiga Productions,' "Sukedachi Shobai" (The Business of Backing Up Somebody) produced by 'Nakane Ryutaro Comedy Productions' (Nakane Pro) and "Battleship Kinugasa" by 'Morimoto Torao Productions,' a writer-led independent production by Torao MORIMOTO, who had separated from Teikoku Kinema Engei Kabushiki Gaisha (Imperial Cinema Entertainment Co., Ltd.) apart from the aforementioned movement. 例文帳に追加

同作は、「市川小文治歌舞伎映画プロダクション」製作の『野崎村』、「中根龍太郎喜劇プロダクション」（中根プロ）製作の『助太刀商売』、この流れとは別に帝国キネマから独立した森本登良男の作家系インディペンデント・プロダクション「森本登良男プロダクション」の『戦鑑三笠』と4本まとめて、同年7月1日に「菊水館」を中心に公開された。 - Wikipedia日英京都関連文書対訳コーパス

The 'Kumadori' of kabuki assumed the human face shape and generally used only for humans ('kaen-guma' (makeup like flames) of Genkuro Gitsune that appeared in Yoshitsune Senbonzakura (Yoshitsune and One Thousand Cherry Trees) represented not animal but spiritual power), but there were several kumadori that assumed the animal role starting with the Kumadori of Goku SON in 'renpu' of Chinese opera. 例文帳に追加

歌舞伎の「隈取」は人間の顔かたちを想定したものなので基本的には人間にしか用いない（義経千本桜に登場する源九郎狐の「火炎隈」などもあるが動物の隈取というより神秘的な力を現す隈取）が、京劇の「瞼譜」は有名な孫悟空の隈取をはじめ動物役を想定した隈取が何種類も存在する。 - Wikipedia日英京都関連文書対訳コーパス

Other kabuki or ningyo joruri plays based on the Ako Incident that existed before this program include "Higashiyama eiga no butai" (Edo Yamamura-za theater) and "Akemono Soga yauchi" (Edo Nakamura-za theater) performed from 1902 and 1703, shortly after the incident, "Taiheiki Sazareishi" and "Onikage Musashiabumi" performed in 1710, and "Goban Taiheiki" written by Monzaemon CHIKAMATSU; their stories vary from 'Oguri Hoganmono' (Oguri Hogan-style), 'Soga monogatari' (the tale of Soga) to 'Taiheikimono' (Taiheiki-style). 例文帳に追加

本作以前にこの赤穂事件を扱った歌舞伎や人形浄瑠璃の演目としては、事件後間もない元禄十四〜五年（1702–03年）の『東山榮華舞台』（江戸山村座）、『曙曽我夜討』（江戸中村座）や、宝永六年（1710年）の、『太平記さざれ石』、『鬼鹿毛無佐志鐙』、そして近松門左衛門作の『碁盤太平記』などがあり、その世界も「小栗判官物」、「曽我物語」、「太平記物」などさまざまだった。 - Wikipedia日英京都関連文書対訳コーパス

In the world of kabuki such individuals exist: Danjuro ICHIKAWA (head family of Ichikawa), Utaemon NAKAMURA (Narikoma-ya family), Bunji KATSURA (Katsura school), Ensho SANYUTEI (Sanyu-tei school/Tachibana-ya school line (Sanyu school)), Ryukyo SHUNPUTEI, Ryushi SHUNPUTEI and Kosan YANAGIYA (of the Shunpu-tei school/Yanagi-ya school line (Yanagi school)) and Shozo HAYASHIYA of the Hayashi-ya school line. 例文帳に追加

例えば、歌舞伎市川宗家・市川団十郎、成駒屋における中村歌右衛門、桂派における桂文治、三遊亭・橘家系統（三遊派）における三遊亭圓生、春風亭・柳家系統（柳派）における春風亭柳橋、春風亭柳枝、柳家小さん、林家系統における林家正蔵などである。 - Wikipedia日英京都関連文書対訳コーパス

They didn't wear "exclusive" costume, but appropriately dressed for the situation (in the town, dressed like townspeople and when they broke into a residence, dressed like a servant), and there is a theory that people believed that ninja was wearing black costume because ninja in kabuki was described as "invisible presence" like kuroko (stage assistants dressed in black). 例文帳に追加

また、「専用の」装束などは着用せず、その状況に合った服装（町中では町人の格好、屋敷などに侵入する場合には使用人の格好）を用いており、黒装束については、歌舞伎などに登場させる際に黒子のように観客に対して「見えない存在であること」を表現したものが後に、現実にもそのような格好で活動していたと誤認されたとする説もある。 - Wikipedia日英京都関連文書対訳コーパス

It was common that popular music like joruri (dramatic narrative chanted to a shamisen accompaniment), which contained narration or songs with a distinct melody played by shamisen, composed of up-tempo tunes and slow-tempo tunes, was used for traditional performing arts that became popular during the Edo period such as kabuki (traditional drama performed by male actors), bunraku (Japanese puppet theater), and classical Japanese dance, especially for performances for the common people in a theater or on an outdoor stage. 例文帳に追加

歌舞伎・文楽・日本舞踊等、江戸時代に盛んになった伝統芸能、特に庶民階級を対象にして劇場や屋外の舞台で演じられたものには、「浄瑠璃」（じょうるり）のような「語り」あるいは「唄」と三味線によって、旋律と緩急がはっきりした大衆的な音楽をつけることが一般的であった。 - Wikipedia日英京都関連文書対訳コーパス

Concurrently with KATAOKA, Kanjuro ARASHI, Ryutaro NAKANE, Toshio YAMAGUCHI (an actor belonging to Shinpa-Geki) and Reizaburo YAMAMOTO establishing their own productions, the 'Japan Movie Production Federation' was formed with Kobunji's 'Kabuki Eiga Pro' and started to supply YAMAZAKI's 'Kanshu Renmei with films that were shot using the rentable Narabigaoka Studio operated by KAWAI and TANAKA. 例文帳に追加

片岡と同時期に嵐寛寿郎、中根龍太郎、山口俊雄(新派俳優)、山本礼三郎らはそれぞれ自らのプロダクションを設立、小文治の「歌舞伎映画プロ」とともに「日本映画プロダクション連盟」を結成し、河合・田中の「双ヶ丘撮影所」をレンタル使用して、山崎らの「館主連盟」に作品の供給を開始する。 - Wikipedia日英京都関連文書対訳コーパス

Concurrently with KATAOKA, Kanjuro ARASHI, Ryutaro NAKANE, Toshio YAMAGUCHI (an actor belonging to Shinpa-Geki) and Reizaburo YAMAMOTO establishing their own productions, they formed the 'Japan Movie Production Federation' with Kobunji's "Kabuki Eiga Pro" and started to supply YAMAZAKI's 'Kanshu Renmei' with films that were shot using the rentable 'Narabigaoka Studio' operated by KAWAI and TANAKA. 例文帳に追加

片岡と同時期に嵐寛寿郎、中根龍太郎、山口俊雄(新派俳優)、市川小文治らはそれぞれ自らのプロダクションを設立、山本の「山本プロ」とともに「日本映画プロダクション連盟」を結成し、河合・田中の「双ヶ丘撮影所」をレンタル使用して製作、山崎らの「館主連盟」に対する作品供給を開始した。 - Wikipedia日英京都関連文書対訳コーパス

For example, a Kabuki actor who plays the role of a young girl or young man in love will wash their face, rub bintsukeabura (hair oil) onto their whole face, cover their eyebrows with hard bintsukeabura, rub face powder paste on their chest, their neck and nape and then spread it with a sponge; then they rub face powder paste on their face and spread it with a sponge, put on red nose shadow, eye shadow, and blusher, apply crimson to the ends of their eyes, paint their eyebrows first with red and then with black, and paint the shape of their lips clearly with a bright red lipstick. 例文帳に追加

娘役や、同年代の恋する男性の役の場合は、洗顔の後、鬢付け油を顔全体にすり込む、眉を硬い鬢付け油で塗りつぶす、胸、首、襟足に練りおしろいを塗り、スポンジで伸ばす、顔に練りおしろいを塗り、スポンジで伸ばす、赤でノーズシャドー、アイシャドー、ほほ紅を差す、目じりに紅を差す、眉を、先ず赤で、続けて黒で描く、真っ赤な口紅を、輪郭をはっきり描く、という具合。 - Wikipedia日英京都関連文書対訳コーパス

The remaining successors to Kansai Kabuki at this time were Ganjiro NAKAMURA II (nidaime), Gato KATAOKA IV (later, Nizaemon KATAOKA XIII (jusandaime)), Jukai ICHIKAWA III (sandaime), Jusaburo BANDO III (sandaime), Tomijuro NAKAMURA IV (yondaime), Minosuke BANDO VI (rokudaime) (later, Mitsugoro BANDO VIII (hachidaime)), Mataichiro HAYASHI II, Roen KATAOKA V (later, Gado KATAOKA XII; after his death, posthumously conferred Nizaemon XIV), Fukusuke NAKAMURA V (Takasagoya), Enjiro JITSUKAWA II (later, Enjaku JITSUKAWA III (sandaime)) and Naritaro NAKAMURA II. 例文帳に追加

この時点で残された関西歌舞伎の後継者は、二代目中村鴈治郎(2代目)・四代目片岡我當（のち十三代目片岡仁左衛門(13代目)）・三代目市川壽海(3代目)・三代目阪東寿三郎(3代目)・四代目中村富十郎(4代目)・六代目坂東蓑助（のち八代目坂東三津五郎(8代目)）・二代目林又一郎・五代目片岡芦燕（のち十二代目片岡我童、死後十四代目仁左衛門追贈）・五代目中村福助（高砂屋）・二代目実川延二郎（のちの三代目實川延若(3代目)）・二代目中村成太郎。 - Wikipedia日英京都関連文書対訳コーパス

Utaemon performed many successful characters in his lifetime, and those were Shirabyoshi (women who play Shirabyoshi (Japanese traditional dance)) Hanako of "Kyo Kanokomusume Dojoji" (The maiden at Dojo Temple), Yatsuhashi of "Kago Tsurube Satono Eizame" (Basket bucket in red-light district), Yukihime of "Gion Sairei Shinkoki" (The Gion Festival Chronicle of Faith)(Kinkaku-ji Temple), Tokihime of "Kamakura Sandaiki, Kinugawa-mura" (Three Generations of the Kamakura Shogunate in Kinugawa Village), Yaegaki-hime of "Honcho Niju-shi ko, Jusshuko" (24 Paragons of Filial Piety of our Country, Incense Burning), "Oiwa of "Tokaido Yotsuya Kaidan" (Tokaido Yotsuya Ghost Stories), Sadaka and Omiwa of "Imoseyama Onna Teikin" (An Exemplary Tale of Womanly Virtue in Mt. Imose), Yodogimi of "Hototogisu Kojo no Rakugetsu" (The Sinking Moon over the Lonely Castle Where the Cuckoo Cries), Tonase of "Kanadehon Chushingura, Kudanme" (The Treasury of Loyal Retainers, 9th act), Komachi and Sumizome of "Tsumoru Koiyuki no Seki no To" (The Barrier Gate), Umegawa of "Koibikyaku Yamato Orai, Ninokuchi-mura" (The Amorous Courier on the Yamato Highway, Ninokuchi Village), Tamate-Gozen of "Gappo Anjitsu (hermitage of Gappo), Sesshu Gappo ga Tsuji (A Kabuki Drama of Unfettered Evil)," Masaoka of "Meiboku Sendai Hagi" (The trouble in the Date Clan), Onoue of "Kagamiyama Kokyo no Nishikie" (old brocade pictures of Mt. Kagami), Hanjo of "Sumida-gawa Gonichi no Omokage" (Latter-day Reflections of the Sumida-gawa River), and he acted many types of female roles, such as a daughter, princess, Katahazushi (female role of nyobo (a court lady) of a samurai family or goten jochu (palace maid)), and keisei (courtesans with high dignity and literacy). 例文帳に追加

歌右衛門生涯の当たり役は非常に多く、『京鹿子娘道成寺』の白拍子花子、『籠釣瓶花街酔醒（籠釣瓶）』の八つ橋、『祗園祭礼信仰記（金閣寺）』の雪姫、『鎌倉三代記・絹川村』の時姫、『本朝廿四孝・十種香』の八重垣姫、『東海道四谷怪談』のお岩、『妹背山婦女庭訓（妹背山）』の定高、お三輪、『沓手鳥孤城落月（孤城落月）』の淀君、『仮名手本忠臣蔵・九段目』の戸無瀬、『積恋雪関扉（関の扉）』の小町と墨染、『恋飛脚大和往来・新口村』の梅川、『攝州合邦辻・合邦庵室』の玉手御前、『伽羅先代萩』の政岡、『鏡山旧錦絵（鏡山）』の尾上、『隅田川続俤（隅田川）』の班女など、娘形から姫、片はずし、傾城に至るまで、あらゆる女形の領域をこなした。 - Wikipedia日英京都関連文書対訳コーパス