「Debut」に関連した英語例文の一覧と使い方(8ページ目) - Weblio英語例文検索

About 15,000 people including airline officials and representatives of airline parts manufacturers from around the world celebrated the 787's debut at a Boeing factory in Washington State, the United States. 例文帳に追加

世界中の航空会社の役員や航空機部品メーカーの代表者など，およそ１万5000人が米国ワシントン州にあるボーイング社の工場で787型機の初披露を祝った。 - 浜島書店 Catch a Wave

After one year, he dropped out of the army, then in 1934, he made his debut as a director with the short nonsense comedy, "Nukiashi Sashiashi Hijoji Shobai" (emergency business of a soft walker), starring the 10-year-old Hideko TAKAMINE, which was underestimated. 例文帳に追加

一年後に除隊し、1934年、当時10歳の高峰秀子が主役のナンセンス短編喜劇『ぬき足さし足・非常時商売』で監督デビューするが、評価は低かった。 - Wikipedia日英京都関連文書対訳コーパス

Motoya's first son Motokiyo IZUMI (real name Motokiyo YAMAWAKI, born in 2004) performed kyogen for the first time on June 30, 2008 at Motohide hono keiko (practice of dedication for Motohide), though his debut had been delayed due to the trouble of his parent's separation. 例文帳に追加

元彌の長男・和泉元聖（本名・山脇元聖　2004年生）は両親の別居騒動から初舞台が遅れていたが、2008.06.30　元秀奉納稽古で舞台に立った。 - Wikipedia日英京都関連文書対訳コーパス

At the age of 20 in 1924, he made a debut as a bit-part actor in "Dorobo Nikki " (the Thief's Journal) directed by Eiho MIYOSHI (Shojiro OGASAWARA) or in "Kaizokuto" (a pirate island) directed by Meiho Ogasawara, who is a brother of Eiho MIYOSHI (Shojiro OGASAWARA). 例文帳に追加

1924年、20歳のとき、三善英芳こと小笠原章二郎監督の『泥棒日記』、あるいはその兄・小笠原明峰監督の『海賊島』の端役でデビュー、とされる。 - Wikipedia日英京都関連文書対訳コーパス

Retired Emperor Toba agreed to Tadazane's request, allowing Taishi, who at 39 years old was not particularly young, to make her formal debut at the imperial court as an Imperial Consort on August 8, 1133. 例文帳に追加

鳥羽上皇は忠実の要望を容れ、泰子が三十九歳の高齢であったのにもかかわらず、長承2年（1133年）6月29日に彼女を入内させた。 - Wikipedia日英京都関連文書対訳コーパス

About that time, Ken KASUGAI, who was called the second-coming of Teika by Yukio MISHIMA, made his debut and pursued a pure form of expression, which included neither a sense of time (as in, era) nor any society's woes. 例文帳に追加

そんな中、三島由紀夫に定家の再来と言われてデビューした春日井建が、時代性や社会性の意識は見られない絶対なる美的表現を追求した。 - Wikipedia日英京都関連文書対訳コーパス

In the foregoing show, Suzuki made a statement that he had been developing his own style of aesthetics which later came to be referred to as the Seijun Aesthetics from the time of his directorial debut contradicting the generally accepted explanation back then that it suddenly blossomed with the film "Youth of the Beast." 例文帳に追加

当時一般的にいわれていた、清順美学は『野獣の青春』で突然開花したという定説を自ら覆し、デビュー作の頃から意識していたと発言した。 - Wikipedia日英京都関連文書対訳コーパス

The production of his first film, however, was greatly delayed partly due to the draft of some of the actors, and 2 years later, in 1939, it was finally released as Imai's debut film "Numazu Heigakko" (Numazu Military Academy). 例文帳に追加

しかし、処女作は出演俳優が兵役に取られるなどして完成が大幅に遅れ、やっと公開されたのが2年後の1939年、『沼津兵学校映画』が監督デビュー作となった。 - Wikipedia日英京都関連文書対訳コーパス

After making his directorial debut with "Kabocha Sodoki" (literally, pumpkin fuss), he released renowned works in a number of genres including "Jonetsu no Fuchin" (Rise and Fall of Love), "Orishan no kyoji" (The Gallant Child of Orishan), "Kankanmushi wa Utau" (lit. "The Rust Chipper Sings"), "Kono Haha wo Miyo" (Behold This Mother), and "Haru to Musume" (Spring and A Girl). 例文帳に追加

『かぼちゃ騒動記』で監督デビュー後、『情熱の浮沈』、『阿里山の侠児』、『かんかん虫は唄う』、『この母を見よ』、『春と娘』など、様々なジャンルの佳作を発表する。 - Wikipedia日英京都関連文書対訳コーパス

He was adopted by Shikan NAKAMURA (the forth) in 1875, and two years later, as Kotaro NAKAMURA (the first) he made his stage debut at Mitsui-za Theater of Kofu in 1877, playing the role of Aburaya-Musuko (son of the oil seller) in "Ise Ondo." 例文帳に追加

1875年（明治8年）中村芝翫(4代目)の養子となり、初代中村児太郎として二年後の1877年（明治10年）甲府三井座で『伊勢音頭』の油屋息子役で初舞台。 - Wikipedia日英京都関連文書対訳コーパス

JERO whose debut song 'Umiyuki' (Ocean Snow) became a hit in 2008 attracted attention as a first black enka singer and his enka singing in a Japanese hip-hop 2008-style fashion attracts interest and becomes a hit. 例文帳に追加

また、2008年にデビュー曲「海雪」がヒットしたジェロは初の黒人演歌歌手として注目され、日本のヒップホップ2008年スタイルのファッションでの演歌歌唱も話題となりヒットとなっている。 - Wikipedia日英京都関連文書対訳コーパス

It is known for Makino seriously embarking on the road to independent-style film, for being bustled with young people like Tomu UCHIDA from Taikatsu (Taisho Katsuei film studio) in Yokohama, and for having Teinosuke KINUGASA debut as a director. 例文帳に追加

牧野が本格的にインディペンデントに足を踏み出し、内田吐夢ら横浜の大活出身の若者たちで賑わい、衣笠貞之助を監督としてデビューさせたことで知られる。 - Wikipedia日英京都関連文書対訳コーパス

Katsumi recognized Hotta's talents, adapting one of his original stories into a film in March of 1928 and having him debut as a scriptwriter in November of the same year. 例文帳に追加

勝見は彼の才能を見抜き、翌1928年（昭和3年）3月、八田のオリジナルストーリーを採用して勝見が脚本を執筆して映画化、同年11月には、八田を脚本家としてデビューさせた。 - Wikipedia日英京都関連文書対訳コーパス

From the middle of the 1950s to the beginning of the 1960s a string of famous actors and actresses of Toei modern drama, such as Shinjiro EHARA, Hitomi NAKAHARA, Ken TAKAKURA, Yoshiko SAKUMA, Tatsuo UMEMIYA, Yoshiko MITA, JJ Sonny CHIBA and Reiko OHARA, made their debut. 例文帳に追加

一方、東映現代劇からは1950年代半ばから1960年代前半にかけ江原真二郎、中原ひとみ、高倉健、佐久間良子、梅宮辰夫、三田佳子、JJサニー千葉、大原麗子らがデビューしている。 - Wikipedia日英京都関連文書対訳コーパス

In the month following the establishment of Makino Film Productions in 1923, Makino made Susukita debut as a scriptwriter in "Murasaki Zukin Ukiyoe-shi" (The Purple Hood: Woodblock Artist) starring Hataya ICHIKAWA and co-directed by Makino and Kanamori.. 例文帳に追加

翌年の「マキノ映画製作所」設立の翌月には、牧野・金森共同監督による市川幡谷主演作品『紫頭巾浮世絵師』で、牧野は寿々喜多を脚本家としてデビューさせた。 - Wikipedia日英京都関連文書対訳コーパス

After working under Yasujiro SHIMAZU, Kozaburo YOSHIMURA, Yasujiro OZU, Hiromasa NOMURA, Keisuke KINOSHITA and others as an assistant director, in 1944 he passed the promotion examination to director at the top, and made his debut as a film director with "Kaette kita otoko" (A man who returned) based on the original work by Sakunosuke ODA. 例文帳に追加

島津保次郎、吉村公三郎、小津安二郎、野村弘将、木下惠介らの助監督を経て、1944年、監督昇進試験主席合格ののち織田作之助原作の『還って来た男』で監督デビュー。 - Wikipedia日英京都関連文書対訳コーパス

When the lessee and lesser makes the rent contract, the guarantee rank of the lessee is decided, and a guarantor contract with the lessee and a debut guarantee contract with the lesser are made under contract conditions corresponding to the decision result.例文帳に追加

賃貸人と賃借人との賃貸借契約において、賃借人の保証ランクを判定し、判定結果に応じた契約条件で、賃借人と身元保証契約を締結すると共に、賃貸人と債務保証契約を締結する。 - 特許庁

At the beginning of 1940, at the age of 17, she retired from the Takarazuka revue and entered Nikkatsu Corporation, in which she was selected for the role 'Otsu' in "Miyamoto Musashi" with Chiezo Kataoka in the title role directed by Hiroshi INAGAKI to make her movie debut; the movie was released on March 31in the same year. 例文帳に追加

1940年（昭和15年）初めに17歳で退団、日活に入社、稲垣浩監督、片岡千恵蔵主演の『宮本武蔵』の「お通」役に抜擢されて華々しくスクリーンデビュー、同作は同年3月31日に公開された。 - Wikipedia日英京都関連文書対訳コーパス

A supporter optionally reads information on a person to be supported being a talent candidate, and the person to be supported is registered as a talent who can debut when the number of registered specific supporters of the person to be supported reaches a prescribed number.例文帳に追加

タレント候補者である被支援者についての情報を、支援者が任意に閲覧し、当該被支援者の特定支援者の登録数が所定数に至った段階で、デビュー可能なタレントとして登録する構成を有している。 - 特許庁

Therefore, even through HONDA joined the company before YAMAMOTO's two other apprentices, Kurosawa (who debuted as a movie director with "Sugata Sanshiro" in 1943) and Taniguchi (who debuted as a movie director with "Ginrei no hate" in 1947), his debut as director and promotion to full director was significantly later with "Aoi Shinju" (The Blue Pearl) in 1952. 例文帳に追加

そのため、本来は山本門下の3人のうち最も先輩だったにもかかわらず黒澤（1943年『姿三四郎(映画)』で初監督）、谷口（1947年『銀嶺の果て』）に対して1952年、『青い真珠』で初監督と監督昇進が大幅に遅れた。 - Wikipedia日英京都関連文書対訳コーパス

He left Nikkatsu after making "Watashi ga suteta onna" (The Girl I Abandoned), an attempt at experimental direction based on Shusaku ENDO's novel, and he directed "Seishun no mon" (The Gate of Youth) as Shinobu OTAKE'S debut, "Seishun no mon: Jiritsu hen" (The Gate of Youth Part 2) and TV drama "Kiga kaikyo" (Straits of Hunger). 例文帳に追加

遠藤周作の原作をもとに実験的演出を試みた『わたしが・棄てた・女』を撮ったのち日活を離れ、大竹しのぶのデビュー作となった『青春の門』、『青春の門・自立篇』、テレビドラマ『飢餓海峡』などを演出する。 - Wikipedia日英京都関連文書対訳コーパス

Originally the mai of "Shojo" was to be a chu-no-mai, however, at present, the performer usually dances the mai of 'midare' (an intense style of mai) except a stage debut of a young performer, and the title of the performance is changed to "Shojo Midare" or "Midare." 例文帳に追加

舞は中之舞が常であるが、実際にはこれで演じられることは少年の初シテなどの特殊な場合をのぞけばほとんどなく、乱の小書つきに変る（その場合、曲名を「猩々乱乱特有の囃子と舞」もしくは「乱」とする）。 - Wikipedia日英京都関連文書対訳コーパス

HONDA was a movie director who was consistently involved with cinematography and the use of "special effects" to create image effects and examples start from his frequent use of underwater filming in his debut movie, "Aoi Shinju," and the introduction of Hi-Vision synthesizing in KUROSAWA's movies, "Dreams" and "Rhapsody in August,"which HONDA worked as an assistant producer. 例文帳に追加

劇映画の処女作『青い真珠(映画)』における水中撮影の多用から、黒澤明の演出補という形で参加した『夢(映画)』、『八月の狂詩曲』のハイビジョン合成の導入に至るまで、一貫して撮影技術、映画効果としての“特撮”に関わり続けた映画監督である。 - Wikipedia日英京都関連文書対訳コーパス

When Norihiko OBAYASHI made his debut in commercial films with the Toho movie, "House (movie)," Obayashi, who did not have any experience as an assistant director, was met by backlash from some of the persons working in the studio, and therefore, Okamoto walked around to persuade these persons, saying 'let's study what to study accepting a new wind.' 例文帳に追加

また、大林宣彦が東宝映画『ハウス(映画)』で商業映画デビューすることになったとき、撮影所内部から助監督経験のない大林に対する反発が強まったが、それらの人々に「新しい風を迎えて学ぶべきは学ぼう」と説得して回ったのが岡本だったという。 - Wikipedia日英京都関連文書対訳コーパス

Then, useless investment before a debut can be eliminated by making the number of registered specific supporters needed to register the person to be supported as a talent to be a number (such as a number that makes it possible to expect the number of sold CDs being equal to or more than a prescribed number) when the person to be supported formally debuts.例文帳に追加

従って、タレントとして登録するのに必要な特定支援者の登録数を、正式にデビューした場合に、所定レベル以上の人気を期待できる（例えば、所定以上のＣＤの売り上げ枚数が期待できる等）数とすることにより、デビュー前の無駄な投資をなくすことができる。 - 特許庁

After entering Makino Productions in March of 1927, Kanjuro ARASHI changed his name from Wakadayu ARASHI to 'Chozaburo ARASHI,' given to him by Shozo MAKINO, and made a flamboyant film debut with the life-long role of 'Kurama Tengu' (a humanoid monster with a long nose and crow wings that lived on Mt. Kurama) in "Kuramatengu-ibun Kakubeejishi." 例文帳に追加

1927年（昭和2年）3月、マキノ・プロダクションに入社し、牧野省三の命名によって嵐和歌太夫から「嵐長三郎」に改名した嵐寛寿郎は、生涯の当たり役となる「鞍馬天狗」の役で『鞍馬天狗異聞角兵衛獅子』をもって華々しい映画デビューとなった。 - Wikipedia日英京都関連文書対訳コーパス

That same year, Inagaki made his directorial debut on the film 'Tenka Taiheiki' (Record of the Great Peace Under Heaven), which starred Chiezo and whose screenplay was written by Itami; thereafter, he made a great number of cheerful period dramas showing Chiezo's merrier side, including 'Hoto zanmai' (Drowning in the Three Pleasures), 'Genji kozo' (The Young Priest Genji), 'Ehon musha shugyo' (Picture Book of a Warrior Traveling to Hone His Martial Skills), and 'Genroku Ju-san nen' (Year Thirteen of the Genroku Era (about the year 1700)), leading to Inagaki and Itami being called the 'two supporting pillars' of Chiezo Productions. 例文帳に追加

同年千恵蔵主演、伊丹脚本の「天下太平記」で監督としてデビューし、以後、「放蕩三昧」「源氏小僧」「絵本武者修行」「元禄十三年」といった千恵蔵主演の明朗にして陽気な時代劇を多数手がけ、伊丹と共に千恵蔵プロの二本柱と呼ばれた。 - Wikipedia日英京都関連文書対訳コーパス

To provide an examination method for an audience participation audition in which success after debut can be estimated by taking in opinions of general audiences for an applicant (application), cost for implementing the audition can be reduced by allowing the general audience participate in the examination with charge on condition that they are rewarded.例文帳に追加

応募者（応募作品）に対する一般視聴者の意見を採り入れることによりデビュー後の成功度を推測することができるようにするとともに、一般視聴者をオーディションの審査に見返りを与えることを条件に有料で参加させることにより、オーディション実施費用を軽減することのできる視聴者参加型オーディション審査方法を提供する。 - 特許庁

The influence of folk beliefs in the Edo period can be seen in this program such as the line of 'a story for the night of koshin,' which compares the three robbers to the three wise monkeys of 'Mizaru' (see no evils) 'Iwazaru' (hear no evil) and 'Kikazaru' (hear no evil) (monkeys that defer the Buddha of koshin, Shomen Kongo), since the Oriental zodiac of the year of the debut performance was koshin/kanoe saru which comes around only once in 60 years. 例文帳に追加

本作には、初演された年の干支干支による紀年が60年に一度巡ってくる庚申（こうしん、かのえさる）であることから、3人の盗賊を、「見ざる」「言わざる」「聞かざる」の三猿（庚申の仏、青面金剛に従う猿）にたとえ、セリフのなかに「庚申の夜の話草」があるなど、江戸時代の民間信仰の影響が見られる。 - Wikipedia日英京都関連文書対訳コーパス

When Toshiro MIFUNE, Shin SABURI, and Chiezo KATAOKA performed together in the same scene of the yakuza film 'Nihon no Don,' they greeted each other in the following fashion: first, Mifune (born in 1920 and who made his debut after the Second World War) said hello deferentially to the two seniors, then Saburi (born in 1909 and debuting in 1931) introduced himself to Kataoka with the words 'I'm Saburi, sir,' and lastly Kataoka (born in 1903 and debuting in 1927) said to the two juniors, 'Hello, guys.' 例文帳に追加

なお「日本の首領」で三船敏郎、佐分利信、片岡千恵蔵が同じ場面で競演した際には、挨拶の順は1)三船（1920生、戦後デビュー）が二人に挨拶し、2)次に佐分利（1909生、1931デビュー）が片岡に「佐分利でございます」と挨拶して3)最後に千恵蔵（1903生、1927デビュー）が「おう」と返事を済ませて大物同士の挨拶が済んだとされる。 - Wikipedia日英京都関連文書対訳コーパス

The company hired Sadao YAMANAKA, who was a member of 'Kinpachi KAJIWARA', which was a group of script writers that proved their ability in talkie scripts, and Yamanaka shot "Soshun KOCHIYAMA" with Nikkatsu, and his disciple assistant director Ryo HAGIWARA (film director) gained and adapted the original script of Yamanaka to make a debut as a director in "Ochazuke Samurai" (literally, "rice soup samurai"), starring Minoru TAKASE. 例文帳に追加

1936年（昭和11年）には、トーキー脚本に力を見せた脚本家グループ「梶原金八」のメンバーである山中貞雄を起用、山中が『河内山宗俊』を日活との提携で撮り、また、その弟子の助監督・萩原遼(映画監督)が、山中の原作を得て自ら脚色し、高勢実乗を主演にした『お茶づけ侍』で監督としてデビューした。 - Wikipedia日英京都関連文書対訳コーパス

Kobunji ICHIKAWA joined Toa Kinema Tojiin Studio at the end of 1924, making his debut in a film in 1925 and although he stayed with Toa when Shozo MAKINO established Makino Productions in June of 1925, he joined Makino in August of 1926 and then established 'Ichikawa Kobunji Kabuki Eiga Productions' (Kabuki Eiga Pro) in June of 1928 after leaving Makino. 例文帳に追加

1924年（大正13年）末の東亜キネマ等持院撮影所入社、翌1925年（大正14年）に映画デビュー、同年6月の牧野省三によるマキノ・プロダクション設立のさいには東亜に残ったが、1年後の1926年（大正15年）8月にはマキノに合流した市川小文治が、1928年（昭和2年）6月にマキノを退社して設立したのが、この「市川小文治歌舞伎映画プロダクション」（歌舞伎映画プロ）である。 - Wikipedia日英京都関連文書対訳コーパス

Ryuzo TAKEI, having joined Makino Eiga Seisaku-jo Tojiin Studio in 1924 before the merger with Toa Kinema and moving to Makino Productions' Omuro Movie Studio, which was newly established after the merger in July 1924 and Shozo MAKINO's separation from the merged company in June 1925, made his debut in September that year when he was selected as the leading character in all three episodes of "Kiketsu Onikage"(Great Onikage) directed by Bansho KANAMORI and based on the original screenplay written by Rokuhei SUSUKITA. 例文帳に追加

1924年（大正13年）に東亜キネマとの合併前のマキノ映画製作所等持院撮影所に入社、同年7月の合併を経て、翌1925年（大正14年）6月の牧野省三の再独立にあたって、新設のマキノ・プロダクション御室撮影所に移った武井龍三は、同年9月、金森万象監督・寿々喜多呂九平オリジナル脚本の『奇傑鬼鹿毛』全3篇の主役に抜擢されてデビューした。 - Wikipedia日英京都関連文書対訳コーパス

Later, he worked as an assistant director with Shimazu, and Shimazu's students such as Heinosuke GOSHO, Shiro TOYODA and Mikio NARUSE and was finally promoted as director to make his actual debut as a director with "Onna koso iewo mamore" (It is women who guard the home)" in 1939, and the next film, "Danryu" (warm current), based on a novel with the same name by Kunio KISHIDA and originally scheduled to be directed by Yasujiro SHIMAZU, which was a popular and fabulous production that was way beyond what was expected from his youth and was selected as seventh place in the ten best films. 例文帳に追加

以降は島津をはじめ、同じく島津門下生の五所平之助、豊田四郎や成瀬巳喜男の助監督を務めて、ついに監督昇進の命が下り、1939年に『女こそ家を守れ』で本格的に監督デビュー、続いて東宝に移った島津保次郎が撮る予定だった岸田國士原作の『暖流(小説)』を撮り、新人離れした見事な演出でベスト・テン7位に選ばれるなど好評を博した。 - Wikipedia日英京都関連文書対訳コーパス

He selected many of his characters from people who were not performers or new actors nearly equal to amateurs, such as Keiko SAKURAI ("Double Suicide: Japanese Summer," she had been been a job-hopper before the film experience), Ichiro ARAKI ("Sing a Song of Sex"(A Treatise on Japanese Bawdy Songs)), The Folk Crusaders ("Three Ressurected Drunkards"), Tadanori YOKOO ("Diary of a Shinjuku Thief"), Hiromi KURITA ("Dear Summer Sister," which was her film debut where she played a central role) and Ryuichi SAKAMOTO ("Merry Christmas, Mr. Lawrence"), making a great success in exploiting their abilities in the works. 例文帳に追加

桜井啓子(俳優)（『無理心中日本の夏』映画出演前はフーテン族だった）、荒木一郎（『日本春歌考』）、ザ・フォーク・クルセダーズ（『帰ってきたヨッパライ』）、横尾忠則（『新宿泥棒日記』）、栗田ひろみ（『夏の妹』本作が映画デビュー作で主演）、坂本龍一（『戦場のメリークリスマス』）など、俳優を本業としない人物や素人に近い新人俳優を多く抜擢し、作品においても彼らの生のままの素材を活かすことに成功している。 - Wikipedia日英京都関連文書対訳コーパス

On the other hand, in 1979, concurrently with Kusumi Shuzo considering the revival of Kameno-o brand sake, another brewer Kazuyoshi SATO of Koikawa Shuzo, a brewery at Amarume-machi, Higashi-Tagawa County, Yamagata Prefecture, made up his mind to restore Kameno-o brand, since he believed that his predecessor Junichi SATO had kept an ardent wish to revive Kameno-o that was born in this Amarume-machi in the Meiji Period and to manufacture incomparable sake using the Kameno-o rice, although he has not seen the light of day yet because he had delayed one year before the debut of his newly brewed sake. 例文帳に追加

一方では、製成酒が世に出るのが一年遅れたために日の目を得ていないが、久須美酒造が亀の尾の復活を考えていたのとまさに同時期に、山形県東田川郡余目町（あまるめまち）の酒造家である鯉川酒造の蔵元佐藤一良は、明治時代に地元余目町で誕生した亀の尾の復活と、それを使って誰にも負けない酒を造ることが先代の蔵元佐藤淳一の悲願であったことを受けて、1979年（昭和54年）に亀の尾の復活を決心した。 - Wikipedia日英京都関連文書対訳コーパス