「Maiden--」に関連した英語例文の一覧と使い方(6ページ目) - Weblio英語例文検索

Sainokami-jo is a place where the belief in material benefits like Shamanism is carried on, and miko (shrine maiden or male attendant) holds a ceremony dedicated to gods or Buddha to pray for devotees' benefits of this world. 例文帳に追加

賽神場は、朝鮮においてクッ（賽神）と称されるシャーマニズム的現世信仰が行われる場所であり、諸神および諸仏に巫女（男も存在する）が信者の現世における利益をかなえさせる儀式が行われる。 - Wikipedia日英京都関連文書対訳コーパス

Turf course races of 1,400 meters and 1,600 meters for two-year-old (three-year-old) new horses, maiden horses and horses whose earning money is below 5 million yen are held using the inner course and other races are held using the outer course. 例文帳に追加

芝1,400m、1,600mは2歳（3歳）新馬・未勝利・500万下条件戦では内回りコースを、それ以外の上級条件戦では外回りコースを使用する。 - Wikipedia日英京都関連文書対訳コーパス

The old sober maiden, who had for years and years moved quietly round and round in a dull circle, was now, in death, rattled over stock and stone on the public highway. 例文帳に追加

落ち着いたおばあさんは、何年も何年もきまった場所をしずかに行き来していたのに、死んだ今になって街道の木や石でガタガタさわがしくしているわけです。 - Hans Christian Andersen『絵のない絵本』

or when they were sitting over the fire in the evening, for it was cold, and the maiden ladies had gone and the fishing man, and the waiter only came if you rang the bell for him, she let her fancy play with the story of the Lappin tribe. 例文帳に追加

あるいは、肌寒さゆえに暖炉にあたりながら椅子に腰掛け、メイドの姿も釣り人の姿も見えず、ただウェイターだけがベルを鳴らしさえすればくるといった夕べには、彼女はラピン族の物語の空想に遊んだ。 - Virginia Woolf『ラピンとラピノヴァ』

The next morning, after breakfast, the green maiden came to fetch Dorothy, and she dressed her in one of the prettiest gowns, made of green brocaded satin. 例文帳に追加

翌朝、朝ごはんの後で、緑の女中がドロシーを迎えにきまして、すばらしくきれいなガウンを着せてくれました——緑のひだつきサテンでできているのです。 - L. Frank Baum『オズの魔法使い』

These deities have various appearances and nature including male deities (Bishamonten (Vaisravana), Daikokuten (Mahakala), and so on), female deities (Kisshoten (Laksmi), Benzaiten (Sarasvati, Buddhist goddess of music, learning, eloquence, wealth, longevity, and protection from natural disasters), and so on), type of kishin (nobles) (Bonten (Brahma, a major Hindu deity thought to be responsible for creating the world)), type of tennyo (a heavenly maiden) (Kisshoten), type of rikishi (strong men) Kongo Rikishi (protector deities) and type of busho (Japanese military commander) (Juni Shinsho (the twelve protective deities)), and so on. 例文帳に追加

そのうちには、男性神（毘沙門天、大黒天など）、女性神（吉祥天、弁才天など）、貴紳形（梵天）、天女形（吉祥天）、力士形（金剛力士）、武将形（十二神将）など、さまざまな形態や性格のものを含む。 - Wikipedia日英京都関連文書対訳コーパス

During the eras of Bunka and Bunsei (1804-1829), the representative subjects of Otsu-e painting called 'Ten kinds of Otsu-e' were decided, meanwhile its effectiveness as a charm came to be advocated; ('Fujimusume' (wisteria maiden) is effective for helping find a good match, 'Ogre's reciting Buddhist invocations in midwinter' is to help babies crying at night, and 'raijin (the god of thunder) sugata katachi (form)' will prevent being struck by lightning, etc.) 例文帳に追加

文化(元号)・文政期（1804年-1829年）には「大津絵十種」と呼ばれる代表的画題が確定し、一方でお守りとしての効能も唱えられるようになった（「藤娘」は良縁、「鬼の寒念仏」は子供の夜泣き、「雷神姿かたち」は雷除けなど）。 - Wikipedia日英京都関連文書対訳コーパス

Afterwards, shrine maidens traveled on foot to propagate religion and performed the dance, then it changed gradually to the performing arts of prostitutes who were influenced by the tradition of a shrine maiden disguising as a man, who excelled in dancing like a man were generally called shirabyoshi. 例文帳に追加

このうち、巫女が布教の行脚中において舞を披露していく中で、次第に芸能を主としていく遊女へと転化していき、そのうちに遊女が巫以来の伝統の影響を受けて男装し、男舞に長けた者を一般に白拍子とも言うようになった。 - Wikipedia日英京都関連文書対訳コーパス

It has been used for a twig of sakaki (a tree used for shrine rituals) which miko (a shrine maiden) in the service of a shrine who performs a dance before the gods has or for igushi (a branch of a sacred tree) using a young bamboo and bamboo grass which are offered to the gods, and for a symbol of the boundary indicating the holy area decorated on shime-nawa (a thick rope used as a ceremonial implement of shrines which indicates the boundary between the holy area and the everyday area) as shide. 例文帳に追加

神前で舞う巫女の持つ榊の小枝や、神に捧げる若竹や篠などを用いた斎串に付けたり、しめ縄に垂（四手）として飾り、神聖な領域を示す結界の象徴として用いてきた。 - Wikipedia日英京都関連文書対訳コーパス

In many matsuri, although there are exceptions due to a difference of tradition, shrine parishioners often participate in the rites and festivals by putting on an artful and beautiful costume, and makeup or heavy makeup, as chigo (beautifully dressed children parading at festivals), miko (a shrine maiden), performers of tekomai (float leading dance), dancers, performers of festival music, participants in the parade and so on. 例文帳に追加

また、伝統などの違いにより例外もあるが、多くの祭りにおいては工夫を凝らした美しい衣装や化粧、厚化粧を施して稚児、巫女、手古舞、踊り子、祭囃子、行列等により氏子が祭礼に参加することも多い。 - Wikipedia日英京都関連文書対訳コーパス

Tomijuro declared publicly that he would make Takanosuke, who is referred to as "Mame tennojiya" to succeed the family name when he turned 20 years-old, and Tomijuro's latest goal is to vie with Takanosuke in "Musume Dojoji" (The maiden at Dojoji Temple) at the Kyogen where he will make an announcement of his succession. 例文帳に追加

「豆天王寺屋」と呼ばれている鷹之資には20歳になった時に、富十郎の名跡を襲名させることを公言しているが、その襲名披露狂言には『娘道成寺』で競演するのが近頃の富十郎の目標であると言われている。 - Wikipedia日英京都関連文書対訳コーパス

In 1918, he and members of 'Toha-sha' joined Eiga Geijutsu Kyokai which had been established by Norimasa KAERIYAMA through Shingeki group's member, and he starred in "Sei no Kagayaki" (The Shining Life) and "Miyama no Otome" (The Maiden of Deep Mountain) (directed by Norimasa KAERIYAMA) with Harumi HANAYAGI as a lead actress, who was thought to be 'the first cinema actress in Japan.' 例文帳に追加

1918年、新劇仲間の紹介で帰山教正の「映画芸術協会」に「踏路社」の仲間と参加し、『生の輝き』・『深山の乙女』（帰山教正監督）に「日本最初の映画女優」とされる花柳はるみと共に主演する。 - Wikipedia日英京都関連文書対訳コーパス

At the enthronement of new emperor Masakado, it supposed that Hachiman (God of War), deity of shinbutsu-shugo and Imperial Family's soshin (ancestor honored as god), granted the throne, SUGAWARA no Michizane wrote the Iki (court rank diploma), and a shrine maiden of Jingi belief had an oracle to play Buddhistic music at the ceremony. 例文帳に追加

将門の新皇即位は、神仏習合の神であり天皇家の祖神でもある八幡神がその位を授け、位記（辞令）を菅原道真が書いたとし、仏教音楽により儀式を行うようにと神祇信仰の巫女が託宣したものである。 - Wikipedia日英京都関連文書対訳コーパス

Most of the recensions which were made after this were not based on the Oshima-bon, but on the Meiyurinmo-bon, a copy book which REIZEI Meiyu faithfully transcribed from the manuscripts in Teika's own hand, from arrangement of letters to even letterforms, as long as the Meiyurinmo-bon manuscripts existed; the volumes based on the Meiyurinmo-bon were Kiritsubo, Hahakigi (The Broom Tree), Hana no En (The Festival of the Cherry Blossoms), Wakana (Spring Shoots) I and II, Hashihime (The Maiden of the Bridge), and Ukifune. 例文帳に追加

また、これ以後に作られた校訂本では冷泉明融により藤原定家の自筆本を文字の配列や字形に至るまで忠実に写し取った臨模本とされる明融臨模本が存在する巻（桐壺、帚木、花宴、若菜(源氏物語)上下、橋姫(源氏物語)、浮舟）については大島本よりもそちらを底本にすることが多い。 - Wikipedia日英京都関連文書対訳コーパス

People today have a dark and negative image on courtesans who lived during in the Edo Period as ruined women, but in days prior to the Muromachi Period, courtesans were rather intelligent women who were strictly trained in singing and dancing by a female controller called Choja, and some of them acquired some culture, so they were sometimes regarded as sacred women and played the role of miko (shrine maiden). 例文帳に追加

現代人は遊女というと江戸時代の零落した女性が行き着く暗くマイナスなイメージを強く持つが、室町時代以前の遊女はむしろ知識人であり歌舞などの技芸を厳しく長者と言われる元締めのような存在の女性から躾けられ、時には教養も身につけた女性たちで、神聖な存在として巫女の代わりをするようなこともあった。 - Wikipedia日英京都関連文書対訳コーパス

They appear not only in the shrine festivals accompanied by a shrine maiden and a historic pageant, but also in a flower festival at a temple (birthday ceremony, kanbutsue (the Buddha's birthday festival), Shakyamuni's birthday ceremony), days consecrated to the Bodhisattva of Compassion and Fudo Myoo, the anniversary of the death (memorial service) of the founders, such as Honen and Nichiren, grand Buddhist memorial services held once in decades or hundreds of years such as a celebration of completion of a main hall or the inauguration ceremony for the head priest of a temple. 例文帳に追加

お寺の花まつり（誕生会、灌仏会、釈尊の誕生日）や観世音菩薩、不動明王、等の縁日、法然、日蓮、等の宗祖の命日（お会式）、本堂落慶法要や晋山式といった、数十年～数百年に一度の大法会に行われる他、神社の祭りにも巫女と共に登場、また、時代行列の中で登場する場合もある。 - Wikipedia日英京都関連文書対訳コーパス

According to the "Shin-sarugoki" (a textbook written about lives and cultures of the people of Kyoto in the Heian period) by FUJIWARA no Akihira in the late Heian period, the four elements shrine maidens were required to master were the abilities of uranai (fortune-telling,) kami-asobi (playing music and dancing in front of gods,) yotsura (beating out strings of Japanese bows as a ritual to ward off evil spirits) and kuchiyose (mediumship or technique to communicate with spirits), and in this book Akihira described his actual experience of witnessing a shrine maiden playing kami-asobi (Kagura), which to him appeared as if an immortal mountain wizard was enjoying dancing with a god. 例文帳に追加

平安時代末期の藤原明衡の著である『新猿楽記』には、巫女に必要な4要素として「占い・神遊・寄絃・口寄」が挙げられており、彼が実際に目撃したという巫女の神遊（神楽）はまさしく神と舞い遊ぶ仙人のようだったと、記している。 - Wikipedia日英京都関連文書対訳コーパス

Nensho geigi is characterized by the typical style which emphasizes their young age; they wear kimono with long, trailing sleeves, that are removed the tucks at the shoulders and hemmed up, and haneri (neckpiece on a kimono), that is embroidered in red or reddish color, and pokkuri-geta (lacquered tall clogs), and their hair is done in the Japanese coiffure style for girls (such as momoware [literally, split peach; a hairstyle that the bun is split and a red fabric woven in the center], tojinmage [maiden hairstyle around Meiji period, characterized by separating the upper knots from the lower, decorated with fabric], yuiwata [hair style like cotton wrapped up], wareshinobu [a hairstyle characterized by a bagel-shaped, rolled knot worn high on her head, decorated with ribbons, ornaments and silk flowers], and ofuku [female hair style in kimono that the bun is split and a red fabric woven in the bottom]) using hana kanzashi (flower kanzashi [a decorative hair-pin]). 例文帳に追加

肩揚げ、袖揚げをした振袖の着物に紅系統の刺繍の半衿、ぽっくり下駄、少女向きの日本髪（桃割れ、唐人髷、結綿、割れしのぶ、おふく、といったもの）、花かんざしといったいかにも幼さを強調したいでたちであるのが特徴である。 - Wikipedia日英京都関連文書対訳コーパス

He is highly rated in the plays of Shirabyoshi dancer, Hanako in "Kyoganoko Musume Dojoji" (Maiden at Dojo-ji Temple), Nureginu and Princess Yaegaki in "Jusshuko, Honcho Nijushi Ko" (Incense Burning, from 24 Episodes of Great Children in the Country), Tokiwa Gozen in "Ichijo Okura Monogatari" (The Mad Aristocrat), Princess Toki in "Kamakura Sandaiki, Kinugawa-mura Kankyo" (Living in seclusion in Kinugawa Village, Three Generations of the Kamakura Shogunate), Princess Yuki of "Gion Sairei Shinkoki" (Kinkaku-ji Temple, The Gion Festival Chronicle of Faith), Onaka in "Irezumi Chohan" (Tattooed Hantaro) and Otsuta in "Ippongatana Dohyoiri" (Into the Sumo Ring with a Sword). 例文帳に追加

『京鹿子娘道成寺』の白拍子花子、『本朝廿四孝・十種香』の濡衣・八重垣姫、『一條大蔵譚』の常盤御前、『鎌倉三代記・絹川村閑居』の時姫、『祇園祭礼信仰記・金閣寺』の雪姫、『刺青奇遇』のお仲、『一本刀土俵入』のお蔦などが評価が高い。 - Wikipedia日英京都関連文書対訳コーパス

In Joseon Dynasty, hakucho was called Pekuchon or Petchon and the term for victim of discrimination placed in the lowest rank of the following people of the lower classes (unfree people): Shichihankosen (the following seven kinds of government-owned humble or lowly people: kannuhi [government-owned slave], kisaeng [female entertainers], court lady, Rizoku [lower ranked local government official], ekisotsu [guards], Gokusotsu ogre, criminal fugitive) and Hachihanshisen (the following eight kinds of privately-owned humble or lowly people: miko [a shrine maiden], a craftsman of leather footwear, shirei [musicians of court music], Buddhist monk, saijin [an entertainer], syado [a group which earned a living by singing or dancing, traveling around], kyoshi [people singing, dancing or performing with girls], hakucho). 例文帳に追加

李氏朝鮮においては「」（ペクチョン/ペッチョン）と呼び、七般公賤（官奴婢、妓生、官女、吏族、駅卒、獄卒、犯罪逃亡者）八般私賤（巫女、革履物の職人、使令：宮中音楽の演奏家、僧侶、才人：芸人、社堂：旅をしながら歌や踊りで生計をたてるグループ、挙史：女連れで歌・踊り・芸をする人、白丁）と言われた賤民（非自由民）のなかで最下位に位置する被差別民を指す言葉である。 - Wikipedia日英京都関連文書対訳コーパス

However, because the maiden taken by the Emperor as Empress was unable to provide a son and, due to conflicts such as the Toi Invasion, the TAIRA no Tadatsune Rebellion and the Zenkunen War, the absolute power of the Fujiwara clan in the inner circles of the imperial court was eroded at home and abroad and rocked to its political foundations time and again; in its final years, the Fujiwara clan, who kept the position of Sessho and Kanpaku, saw the unrelated Emperor Gosanjo enthroned and as such, and headed towards decline; in time, there was a transition to a period of cloistered government and the ascendance of samurai warriors.例文帳に追加

しかし、天皇の后にした娘が男子に恵まれなかった事や刀伊の入寇・平忠常の乱・前九年の役など戦乱が相次ぎ、朝廷内部での絶対的な権勢とは裏腹に内外においてはその政治的基盤を揺るがせる事態が相次ぎ、晩年には藤原氏と縁のない後三条天皇が即位して、摂関家は衰退へ向かい、やがて院政と武士の台頭の時代へと移ることになる。 - Wikipedia日英京都関連文書対訳コーパス

Utaemon performed many successful characters in his lifetime, and those were Shirabyoshi (women who play Shirabyoshi (Japanese traditional dance)) Hanako of "Kyo Kanokomusume Dojoji" (The maiden at Dojo Temple), Yatsuhashi of "Kago Tsurube Satono Eizame" (Basket bucket in red-light district), Yukihime of "Gion Sairei Shinkoki" (The Gion Festival Chronicle of Faith)(Kinkaku-ji Temple), Tokihime of "Kamakura Sandaiki, Kinugawa-mura" (Three Generations of the Kamakura Shogunate in Kinugawa Village), Yaegaki-hime of "Honcho Niju-shi ko, Jusshuko" (24 Paragons of Filial Piety of our Country, Incense Burning), "Oiwa of "Tokaido Yotsuya Kaidan" (Tokaido Yotsuya Ghost Stories), Sadaka and Omiwa of "Imoseyama Onna Teikin" (An Exemplary Tale of Womanly Virtue in Mt. Imose), Yodogimi of "Hototogisu Kojo no Rakugetsu" (The Sinking Moon over the Lonely Castle Where the Cuckoo Cries), Tonase of "Kanadehon Chushingura, Kudanme" (The Treasury of Loyal Retainers, 9th act), Komachi and Sumizome of "Tsumoru Koiyuki no Seki no To" (The Barrier Gate), Umegawa of "Koibikyaku Yamato Orai, Ninokuchi-mura" (The Amorous Courier on the Yamato Highway, Ninokuchi Village), Tamate-Gozen of "Gappo Anjitsu (hermitage of Gappo), Sesshu Gappo ga Tsuji (A Kabuki Drama of Unfettered Evil)," Masaoka of "Meiboku Sendai Hagi" (The trouble in the Date Clan), Onoue of "Kagamiyama Kokyo no Nishikie" (old brocade pictures of Mt. Kagami), Hanjo of "Sumida-gawa Gonichi no Omokage" (Latter-day Reflections of the Sumida-gawa River), and he acted many types of female roles, such as a daughter, princess, Katahazushi (female role of nyobo (a court lady) of a samurai family or goten jochu (palace maid)), and keisei (courtesans with high dignity and literacy). 例文帳に追加

歌右衛門生涯の当たり役は非常に多く、『京鹿子娘道成寺』の白拍子花子、『籠釣瓶花街酔醒（籠釣瓶）』の八つ橋、『祗園祭礼信仰記（金閣寺）』の雪姫、『鎌倉三代記・絹川村』の時姫、『本朝廿四孝・十種香』の八重垣姫、『東海道四谷怪談』のお岩、『妹背山婦女庭訓（妹背山）』の定高、お三輪、『沓手鳥孤城落月（孤城落月）』の淀君、『仮名手本忠臣蔵・九段目』の戸無瀬、『積恋雪関扉（関の扉）』の小町と墨染、『恋飛脚大和往来・新口村』の梅川、『攝州合邦辻・合邦庵室』の玉手御前、『伽羅先代萩』の政岡、『鏡山旧錦絵（鏡山）』の尾上、『隅田川続俤（隅田川）』の班女など、娘形から姫、片はずし、傾城に至るまで、あらゆる女形の領域をこなした。 - Wikipedia日英京都関連文書対訳コーパス