「絶賛」に関連した英語例文の一覧と使い方(2ページ目) - Weblio英語例文検索

本像の特異な様式、謎に満ちた伝来などは、多くの人々の関心を呼び、随筆、短歌等でしばしば取り上げられ絶賛されている。例文帳に追加

The unique style of this statue as well as its mysterious introduction, among other factors, aroused the interest of many people; they are often used as the subject of essays and tanka (thirty-one syllables' poem) and the like, and are highly praised.  - Wikipedia日英京都関連文書対訳コーパス

「古今和歌集」序文において紀貫之は彼女の作風を、「万葉集」の頃の清純さを保ちながら、なよやかな王朝浪漫性を漂わせているとして絶賛した。例文帳に追加

In the preface of 'Kokinwakashu (Collection of Ancient and Modern Poetry),' KI no Tsurayuki praised her poems for their purity, which reminded him of the period of 'Manyoshu (Collection of Ten Thousand Leaves)' and delicate dynastic romanticism.  - Wikipedia日英京都関連文書対訳コーパス

ところが、下座にあった忠平を見て、相工はこれを指さして「神識才貌、全てが良い。長く朝廷に仕えて、栄貴を保つのはこの人であろう」と絶賛した。例文帳に追加

Then, seeing Tadahira at a lower seat, the physiognomist pointed him out and praised him highly, saying, 'Spirit, cleverness, knowledge, appearance: he is outstanding in them all; so, if there is anyone who will serve the court for a long time and maintain its glory and respect, this is him.'  - Wikipedia日英京都関連文書対訳コーパス

黒羽町で13泊、須賀川市では7泊して仙台藩に入ったが、出発の際に「松島の月まづ心にかかりて」と絶賛した松島では1句も詠まずに1泊して通過している。例文帳に追加

They entered the Sendai Domain after staying in Kurobane Town for 13 nights and Sukagawa City for 7 nights, but they stayed in Matsushima, which he praised highly as "I am most anxious to see the moon in Matsushima" on departure, for only one night and passed through without composing even one poem.  - Wikipedia日英京都関連文書対訳コーパス

善阿弥が造った山水画風の睡蔭軒の小庭は『蔭涼軒日録』にて絶賛されているが、室町時代の作庭技術の発達には山水河原者が多く関与している。例文帳に追加

Suiin-ken House's (literally, "Shaded eaves for Sleeping") small garden, that Zenami made with a landscape painting style, was praised highly in the "Inryo-ken House Diary", however, technical developments of garden designs during the Muromachi period were greatly attributed to landscape gardeners.  - Wikipedia日英京都関連文書対訳コーパス

昭和始めにドイツから亡命したブルーノ・タウトが「泣きたくなるほど美しい」と絶賛し、装飾を排した簡素な建築美はモダニズム建築の造形美にも通じるとして評価された。例文帳に追加

Bruno Taut, who defected from Germany in the early Showa period, mentioned about Katsura Rikyu, 'It makes me almost cry, it is so beautiful,' the simple beauty of the building without having any decorations was estimated to have the same value as the beauty seen in modern architectural modeling.  - Wikipedia日英京都関連文書対訳コーパス

滋子の美貌は『建礼門院右京大夫集』でも、「言ふ方なくめでたく、若くもおはします（言葉にできぬほど美しく、若々しい）」と絶賛しているので事実と思われる。例文帳に追加

It must have been true that Shigeko was exceptionally beautiful as she was praised highly and it was said in the "Kenreimonin ukyo no Daibu shu" (The poetic Memories of Lady Daibu), 'It is hard to describe how beautiful and young she is.'  - Wikipedia日英京都関連文書対訳コーパス

生涯を文人として貫き、その自由で奔放な画風は近代日本画に独自の地位を築き、梅原龍三郎や小林秀雄(批評家)らが絶賛。例文帳に追加

He considered himself a literati and his free and bold style has established him in his own position, gaining high praise from critics such as Ryuzaburo UMEHARA and Hideo KOBAYASHI (critic).  - Wikipedia日英京都関連文書対訳コーパス

『今鏡』でもその才能を絶賛する一方で、陰陽道の家の出でもないのに天文学に通じたがために災いを受けたのだと評されている。例文帳に追加

His outstanding intellect was highly praised in "Imakagami" (a collection of historical stories); on the other hand, he is said to have brought disaster by studying astronomy even though he was not from the family of Onmyodo, the way of Yin and Yang.  - Wikipedia日英京都関連文書対訳コーパス

若年ながら世阿弥をして「子ながらも類なき達人」「観阿弥にも越えたる堪能」と絶賛され、「道の秘伝・奥義ことごとく記し伝へつる」「道の奥義を極め尽くす」最良の後継者であった。例文帳に追加

Although Motomasa was young, Zeami praised him profusely saying, 'he is a specialist although he is my son,' and 'he is more proficient than Kanami,' and Motomasa was the best successor who 'could record and hand down all inherited secret teachings and esoteric points' and 'perfectly mastered the esoteric points.'  - Wikipedia日英京都関連文書対訳コーパス

当初国内ではベストテン9位の評価だったが、ヴェネツィア国際映画祭に出品されるや海外の映画関係者から絶賛され、サンマルコ銀獅子賞を受賞。例文帳に追加

Initially, the film was ranked ninth in Japan, but when it was screened at the Venice Film Festival, it was highly praised by people in the film industry and won the Silver Lion.  - Wikipedia日英京都関連文書対訳コーパス

公開当時評価の低かった『ブルークリスマス』の場合、当時絶賛したのは星新一、都筑道夫、田中小実昌といった一騎当千の顔ぶれであった。例文帳に追加

In case of "Blood Type: Blue," which did not gain a good reputation at all, when it was released to the public for the first time, only a few mighty critics such as Shinichi HOSHI, Michio Tsuzuki, and Komimasa TANAKA expressed extremely good reactions.  - Wikipedia日英京都関連文書対訳コーパス

しかし、いわゆる本格派は嫌いで「異色作家短編集」のようなものを好み、SF映画では『バーバレラ』を手放しで絶賛、「故川島雄三先生に観てもらいたかった」と書いている（「映画芸術」昭和43年（1968年）11月号）。例文帳に追加

But he did not like what you call the authentic science fiction and favored those such as; 'the collection of short stories of unique writers,' and among the SF films he praised "Barbarella" highly and wrote that 'I wish the late Yuzo KAWASHIMA could have seen it' ('Film Art' issued on November in 1968).  - Wikipedia日英京都関連文書対訳コーパス

真田信繁は「日本一の兵（つわもの）」と敵味方関係なく絶賛されるほどの獅子奮迅ぶりを見せ、立ちふさがる徳川方を次々と蹴散らし、ついに家康本陣へ肉薄。例文帳に追加

Nobushige SANADA displayed a brave fight as praised by both sides as 'the best warrior in Japan' and drove out the troops on Tokugawa's side and approached very close to the headquarters of Ieyasu.  - Wikipedia日英京都関連文書対訳コーパス

1896年（明治29年）には「文芸倶楽部」に「たけくらべ」が一括掲載されると鴎外や露伴らから絶賛を受け、森鴎外は「めさまし草」で一葉を高く評価し、「文学界」同人も多く訪れるようになる。例文帳に追加

In 1896, when 'Takekurabe' was published in its entirety in 'Bungei Kurabu,' it won great acclaim from Ogai MORI, Rohan KODA and others; Ogai MORI praised Ichiyo very highly in 'Mezamashigusa,' and many members of 'Bungakukai' began to visit her.  - Wikipedia日英京都関連文書対訳コーパス

このほか秀吉の意を受け、水軍指揮と海外貿易の適地であった八代に麦島城を築城し（八代はルイス・フロイスが『フロイス日本史』で絶賛した土地であった）、重臣の小西行重を城代として配置した。例文帳に追加

In addition, at the request of Hideyoshi, he built the Mugishima-jo Castle in Yatsushiro which was suitable to command of the navy and overseas trading (and praised by Luis FROIS in "Frois's History of Japan"), and his senior vassal Yukishige KONISHI was appointed to the castle keeper.  - Wikipedia日英京都関連文書対訳コーパス

クロード・ドビュッシーやアンドレ・ジッド、パブロ・ピカソは彼女の演技を絶賛し、フランス政府はオフィシェ・ダ・アカデミー勲章を授与した。例文帳に追加

Claude Debussy, André Gide and Pablo Picasso expressed great admiration for her acting and the French Government awarded her オフィシェ・ダ・アカデミー勲章.  - Wikipedia日英京都関連文書対訳コーパス

しかし1957年、フランスから来日した前衛芸術の評論家ミシェル・タピエが蒼風の作品を絶賛し世界に紹介したことにより国際的な評価が高まるとともに日本でも認知されるようになる。例文帳に追加

However, when the French avante garde critic Michel Tapié visited Japan in 1957 he gave rave reviews about Sofu's creations and introduced them to a wider audience leading to increased interest from overseas and greater awareness of his work in Japan.  - Wikipedia日英京都関連文書対訳コーパス

「重訂解体新書」を越えるベストセラーになり「解体新書」、「重訂解体新書」と並ぶ日本初期解剖学史を代表する訳書として絶賛された。例文帳に追加

The book became a bestseller, which exceeded the sales of the revised edition of Kaitai Shinsho, and, together with the Kaitai Shinsho and its revised edition, the book was highly acclaimed as a leading translation work in the early stage of anatomical history in Japan.  - Wikipedia日英京都関連文書対訳コーパス

夕霧の生真面目な性格から父源氏のような過ちは起こらなかったものの、紫の上臨終後に再び垣間見た際には、その死に顔すら類なく美しいと絶賛し（「御法」）、源氏亡き後まで彼女が存命であればと惜しんでいる（「匂宮」）。例文帳に追加

Due to Yugiri's very honest personality, he does not commit the same sin his father Genji did, but when he catches a glimpse of Murasaki no ue on her deathbed, he expresses great admiration for her beauty even in death ('Minori' (The Rites)), wishing that she would have lived longer after Genji died. ('Nioumiya')  - Wikipedia日英京都関連文書対訳コーパス

しかし、桃山時代には茶の湯が興隆したため、初代、奥村次郎衛門藤作が太閤豊臣秀吉より絶賛され、陶作と名を改めたというエピソードも残っていることから、当時から朝日焼は高い評判を得ていたことになる。例文帳に追加

But, Asahi yaki seems to have been highly appreciated since the Momoyama period when tea ceremony had arisen and prospered, and Jirouemon Tosaku OKUMURA, originator of Asahi yaki, was praised by Taiko (father of the Imperial adviser) Hideyoshi TOYOTOMI and then changed the letters of his name from 藤作 (literally, grower of wisteria) to 陶作 (creator of pottery) both of which remain unchanged in pronunciation.  - Wikipedia日英京都関連文書対訳コーパス

この作品が映画評論家岸松雄の目にとまり大絶賛されたことで注目が集まり、その結果、処女作にしてその年のベストテンに名を連ねるなど、山中は22歳の若さで日本映画界の巨匠の仲間入りをした。例文帳に追加

The film caught the attention of the film critic Matsuo KISHI, and the high praised that he gave the production led to it receiving widespread attention, resulting in the picture being ranked among the top ten directorial debuts of the year and Yamanaka taking his place among the masters of Japanese Cinema at the young age of 22.  - Wikipedia日英京都関連文書対訳コーパス

同年の『太陽の季節』（古川卓己監督）のヒットを受け、わずか17日間で撮影された二作目の『狂った果実』がスピーディーなテンポ、斬新なカッティング、センセーショナルな題材とで、フランソワ・トリュフォーらヌーヴェルヴァーグの作家たちに絶賛された。例文帳に追加

His second film "Kurutta Kajitsu" which was shot in only 17 days after the hit film of "Taiyo no Kisetsu" (Season of the Sun) (directed by Takumi FURUKAWA) in 1956, was highly praised for its up-tempo storyline, fresh cutting, sensational subject by the writers of Nouvelle Vague such as Francois Truffaut.  - Wikipedia日英京都関連文書対訳コーパス

その芸は連歌師心敬に「今の世の最一の上手といへる音阿弥」と評されたのを初め、同時代の諸書に「当道の名人」「希代の上手、当道に無双」などと絶賛され、役者としては世阿弥以上の達人であったと推測されている。例文帳に追加

His performance was highly regarded; 'Onami who could be said to be the best of the present day' described by a renga poet (linked-verse poet) Shinkei of the same period, and many manuscripts of that time called him 'skilled in his path' or 'a skilled performer unlike others'; Onami could be interpreted as the expert who surpassed Zeami.  - Wikipedia日英京都関連文書対訳コーパス

1952年に黒澤脚本の『決闘鍵屋の辻』、成瀬巳喜男監督の『おかあさん』での明朗できびきびとした演技が批評家から絶賛され、1952年度の毎日映画コンクール、ブルーリボン賞(映画)の男優助演賞を受賞する。例文帳に追加

In 1952, he won the highest praise from critics for his brisk and cheerful performance in the movies "Ketto Kagiya no Tsuji" (The Duel at the Key-Maker's Corner) scripted by Kurosawa and "Okasan" (Mother) directed by Mikio NARUSE, and in 1952, he was awarded the best supporting actor prize of Mainichi Film Contest as well as that of Blue Ribbon Prize (movie).  - Wikipedia日英京都関連文書対訳コーパス

幕末、ヨーロッパの万国博覧会に出展した幕府や各藩の工芸品や美術品はすぐれた装飾品として絶賛され、日本の工芸へのヨーロッパからの関心が高まり、外貨を稼ぐ輸出品となる可能性が開かれた。例文帳に追加

In the last days of the Tokugawa shogunate, the shogunate and some domains put handicrafts and art works in international European exhibitions, and they were highly praised as excellent decorations, so that Japanese crafts attracted the attention of European people, and their export enabled Japanese to gain foreign currency.  - Wikipedia日英京都関連文書対訳コーパス

否な豊臣の末期から、徳川の初期にかけて、かかる快文字は、ほとんどその比類がない」と絶賛したが、一九八〇年代には桑田忠親は「後世の好事家の偽作にすぎない」、二木謙一は「『直江状』と称する古文書までが偽作された」と唱えた。例文帳に追加

Such a magnificent composition was almost unparalleled from the end of Toyotomi period to the beginning of the Tokugawa period', but Tadachika KUWATA refuted this saying that 'It was just a forgery by a dilettante in a later period' and Kenichi NIKI added in the 1980s, 'Even the old document called "Naoejo" was forged.'  - Wikipedia日英京都関連文書対訳コーパス

続いて小泉八雲の原作をオムニバス方式で映画化した初のカラー作品「怪談」は3時間の大作で、この世のものとは思えぬ幻想的な世界を作り上げ、二度目のカンヌ国際映画祭審査員特別賞を受けた他、アカデミー賞外国語映画賞にノミネートされ、日本映画史上屈指の名作と絶賛された。例文帳に追加

Next, his first color motion picture, 'Kaidan,' which was based on Yakumo KOIZUMI's novel and adapted to film in an omnibus style, was a huge film of three hours that created an unearthly fantasy world, received another Jury Special Prize from the Cannes International Film Festival, and was then nominated for the Academy Awards, Best Foreign Film, and highly praised as one of the best Japanese films ever.  - Wikipedia日英京都関連文書対訳コーパス

1956年、東映京都撮影所に移籍し、白塗りのスターが活躍するのが主流だった時代に、あえて主要キャストがノーメイクで出演する『風と女と旅鴉』、長谷川伸の名作を甦らせた『瞼の母』、そしてミュージカルやSF、リアルタイムの時代批判などさまざまな要素を詰め込んで「東映時代劇のヌーヴェルヴァーグ」と絶賛された異色作『真田風雲録』など、東映の看板スターだった萬屋錦之介と組んで数々の傑作を監督する。例文帳に追加

In 1956 he moved to Toei Kyoto Movie Studios, directing many masterpieces featuring Toei star Kinnosuke YOROZUYA, such as "Kaze to onna to tabigarasu" (The Wind, a Woman and a Traveling Crow), in which the main characters daringly appeared with no makeup on in an age when stars generally wore white Shironuri makeup; "Mabuta no haha" (Mother of My Dreams), a reworking of Shin HASEGAWA's novel; and the unique "Sanada fuunroku" (Tale of the Sanada Family), a highly regarded example of the 'New Wave of Toei Jidaigeki,' which encompassed musicals, science fiction and social criticism.  - Wikipedia日英京都関連文書対訳コーパス

「刃中の働きは元から切っ先までむらなく”匂い口が締まってサーッと消え入りそうに刃先に向かう”のが最大の特徴であり、匂い口を締て刃中を働かせていいることなど古刀期ならではの技量であり、地鉄の良さが平安・鎌倉（”二流工”の意味）をも凌ぐと武家目利の興趣は絶賛しており、兼定に始まって兼定に終わるとさえ云われている、孫六兼元のような”変化の激しさ”とは対照的に”静寂”な作風である、之定銘の作は素人受けする派手な刃紋が多い、銘は自身銘であり、銘切師には一切切らせておらず”奥義”のある銘振りである。例文帳に追加

The effect of the blade is even from the base to the tip, and "Nioi-kuchi (small particles of Martensite) is tight and turns into the blade tip like it's disappearing quickly" as the greatest characteristic, and tightening Nioi-kuchi and having an effect of the blade feature are typical techniques of the Koto (Old Swords) period, and Kyoshu, a samurai connoisseur highly praised its fine steel for surpassing Heian and Kamakura (they are supposed to be second-class craftsmen), and it is even said that it all comes down to Kanesada; Contrary to the "wide change" seen in Magoroku Kanemoto, it has a "serene" work style; most of the works with the inscription of Nosada have fancy blade patterns which amateurs like; the inscription is done by himself, without an inscriber, which makes the inscription "deep."  - Wikipedia日英京都関連文書対訳コーパス