「Tale」に関連した英語例文の一覧と使い方(44ページ目) - Weblio英語例文検索

He gained a reputation for roles such as Okaru, Enya hangan and Oishi of "Kanadehon Chushingura," Shizuka Gozen of "Yoshitsune Senbonzakura" (Yoshitsune and One Thousand Cherry Trees), Omiwa of "Imoseyama (Mt. Imose) Onna Teikin" (An Exemplary Tale of Womanly Virtue), Omitsu of "Shinpan Utazaimon" (The Love of Osome and Hisamatsu) (Nozaki Village), Tamate-Gozen of "Sesshu Gappo ga Tsuji" (A Kabuki Drama of Unfettered Evil) (Gappo Anjitsu [hermitage of Gappo]), Sakuramaru of "Sugawara Denju Tenarai Kagami" (Sugawara's secrets of calligraphy) and Yoshitsune of "Kanjincho" (The Subscription List) and "Jinya KUMAGAI, Ichi no Tani Futabagunki" (Chronicle of the Battle of Ichinotani) in the area of maruhonmono (Kabuki drama of joruri [puppet-play] origin). 例文帳に追加

丸本物では『仮名手本忠臣蔵』のお軽、塩冶判官、お石、『義経千本櫻』の静御前、『妹背山婦女庭訓』お三輪、『新版歌祭文』（野崎村）のお光、『攝州合邦辻』（合邦庵室）の玉手御前、『菅原伝授手習鑑』の桜丸、『勧進帳』や『一谷嫩軍記・熊谷陣屋』の義経などが当たり役であった。 - Wikipedia日英京都関連文書対訳コーパス

Therefore, Kikan IKEDA considers the folklore to be an untruth, as 'a bizarre rumor that doesn't deserve to be taken seriously'; however, Tetsuro WATSUJI states, 'The Tale of Genji has mysterious parts that readers can't understand until they have noticed the existence of some other tales on Hikaru Genji, which the present readers don't know about but once existed,' adding, 'This is not a supposition that should be immediately rejected.' 例文帳に追加

そのため池田亀鑑などはこの伝承を「とりあげるに足りない奇怪な説」に過ぎないとして事実ではないとしているが、和辻哲郎は、「現在の源氏物語には読者が現在知られていない光源氏についての何らかの周知の物語が存在することを前提として初めて理解できる部分が存在する。」として「これはいきなり斥くべき説ではなかろうと思う」と述べている。 - Wikipedia日英京都関連文書対訳コーパス

According to "Murasaki Shikibu Diary," when the author was writing the original text there existed certain lines of manuscript such as Sokobon (draft) and Seishobon (clean copy), and each of these was brought into circulation, which includes an unexpected case of Michinaga's taking the Sokobon (which the author had) without permission; therefore, the text of "The Tale of Genji" was passed down through a complicated process from the beginning. 例文帳に追加

『紫式部日記』の記述によると、そもそも作者の自筆の原本の段階で草稿本、清書本など複数の系統の本が存在し、作者の手元にあった草稿本が道長の手によって勝手に持ち出されるといった意図しないケースを含めてそれぞれが外部に流出するなど、『源氏物語』の本文は当初から非常に複雑な伝幡経路をたどっていたことが分かる。 - Wikipedia日英京都関連文書対訳コーパス

For example, even if the source used for a tale begins with 'Once upon a time, there was an old man and an old woman,' and the exact names are unknown, when that source is included in "The Collection of Tales of Times Now Past," it is written 'At a time now past, there was a man named [BLANK] from the country of [BLANK],' so that if in the future the information becomes clear, it can be added immediately. 例文帳に追加

例えば、典拠となった文献で「昔々、あるところにおじいさんとおばあさんがいました」という書き出しから始まる説話があり、その人名が具体的には伝わっていない場合であっても、その話を『今昔物語集』に収録する際には「今ハ昔、　ノ国ニ　トイフ人アリケリ」との形で記述され、後日それらの情報が明らかになった場合には直ちに加筆できる仕様になっている。 - Wikipedia日英京都関連文書対訳コーパス

According to Kikan IKEDA, an advocator of this term, 'it is wrong to call Beppon 'Beppon line' just like calling Aobyoshi-bon and Kawachi-bon 'Aobyoshi-bon line' and 'Kawachibon-line' respectively, and the name and characteristics of Beppon should be restudied, classified, and organized after the text study of The Tale of Genji is advanced and the distinction of Aobyoshi-bon and Kawachi-bon are revealed.' 例文帳に追加

この術語を提唱した池田亀鑑によれば、「青表紙本や河内本が「青表紙本系統」や「河内本系統」と呼ばれたりするのと同様に別本を「別本系統」と呼ぶのは誤りであり、別本という呼称やその性格は源氏物語の本文の研究が進んで青表紙本や河内本の性格が明らかになった後で改めて検討され、分類・整理されるべきものである」としていた。 - Wikipedia日英京都関連文書対訳コーパス

The Tale of the Heike describes, 'It's a human but not a human, a bird but not a bird, a dog but not a dog, and it has human arms and legs, a dog's head and a pair of wings, and it flies'; moreover, in the Kamakura period Tendai monks flaunting miraculous efficacy made it an objective to prove the transcendence of Buddhism, and some books, including "Zegaibo Emaki," mention stories that Tengu challenged a Tendai monk to a fight and was defeated miserably. 例文帳に追加

『平家物語』では、「人にて人ならず、鳥にて鳥ならず、犬にて犬ならず、足手は人、かしらは犬、左右に羽根はえ、飛び歩くもの」とあり、鎌倉時代になると、験力を誇示する天台僧らに、仏教の超越性を証明する為の標的とされ、『是害坊絵巻』を始めとする書物に、天台の僧に戦いを挑み、無残に敗退する天狗の物語が伝えられるようになる。 - Wikipedia日英京都関連文書対訳コーパス

Other kabuki or ningyo joruri plays based on the Ako Incident that existed before this program include "Higashiyama eiga no butai" (Edo Yamamura-za theater) and "Akemono Soga yauchi" (Edo Nakamura-za theater) performed from 1902 and 1703, shortly after the incident, "Taiheiki Sazareishi" and "Onikage Musashiabumi" performed in 1710, and "Goban Taiheiki" written by Monzaemon CHIKAMATSU; their stories vary from 'Oguri Hoganmono' (Oguri Hogan-style), 'Soga monogatari' (the tale of Soga) to 'Taiheikimono' (Taiheiki-style). 例文帳に追加

本作以前にこの赤穂事件を扱った歌舞伎や人形浄瑠璃の演目としては、事件後間もない元禄十四〜五年（1702–03年）の『東山榮華舞台』（江戸山村座）、『曙曽我夜討』（江戸中村座）や、宝永六年（1710年）の、『太平記さざれ石』、『鬼鹿毛無佐志鐙』、そして近松門左衛門作の『碁盤太平記』などがあり、その世界も「小栗判官物」、「曽我物語」、「太平記物」などさまざまだった。 - Wikipedia日英京都関連文書対訳コーパス

To the criticism that says Yoshitsune won the battle by employing mean tactics, there are those who oppose to this criticism advocating that in the first place there were no established battle rules at that time (strictly speaking, "Konjaku Monogatari" (The Tale of Times Now Past) and other documents confirm that some rules including the place of battle for one-on-one fight and collective battle was established in several cases, such as when warriors (samurai) had a private reason or a problem concerning their territories or honor and both parties whished to solve the problems by themselves by way of a duel. 例文帳に追加

そもそも当時の合戦にルールは存在せず（厳密に言うならば、武士が私的な理由、所領問題や名誉に関わる問題で、自力・当事者間で解決しようとして合戦に及ぶ場合には一騎打ちや合戦を行う場所の指定などがあったことが『今昔物語集』などで確認できる）、義経の勝因を当時としては卑怯な戦法にある、と非難することに対する反論もある。 - Wikipedia日英京都関連文書対訳コーパス

In the "Heiji monogatari" (The tale of the Heiji), which recorded the above story, described that Muneko (Ike no Zenni) desperately beg for Yoritomo's life because he was the living image of her son Iemori, who had died young; but in fact, it was assumed that it was caused by the approaches of the Imperial Princess Muneko (a daughter of Taikenmonin, a maternal older half-sister of Goshirakawa) and the Atsuta-guji family (the family of Yoritomo's mother), which was the family of a trusted vassal of the Taikenmonin (Yasuo MOTOKI, "Hogen Heiji no ran o yominaosu"(Rereading the Hogen and Heiji Disturbances)). 例文帳に追加

上記内容を記している『平治物語』では、頼朝が早世した我が子家盛に生き写しだったことから宗子が助命に奔走したとするが、実際には頼朝が仕えていた統子内親王（待賢門院の娘、後白河の同母姉）や同じ待賢門院近臣家の熱田宮司家（頼朝の母方の親族）の働きかけによるものと推測される(元木泰雄『保元・平治の乱を読み直す』)。 - Wikipedia日英京都関連文書対訳コーパス

To provide a tape cassette having a tape unit stored in a cassette case main body replaceably, capable of effectively utilizing a cassette case by simultaneously replacing the tape unit and a tape judging member at the time of replacing a tape unit, disposing the tape unit and the tape judging member in the cassette case main body without a combination mistake, and achieving an appropriate printing control corresponding to a printing tale of the judged tape width.例文帳に追加

カセットケース本体に収納されるテープユニットを交換可能にし、また、テープユニットの交換に際してテープユニットとテープ判別部材とを同時に交換することにより、カセットケースの有効利用を図るとともにテープユニットとテープ判別部材との組み合せを間違うことなくカセットケース本体に配設することができ、しかも、判別されたテープ幅の印字テープに対応した適切な印字制御を可能とさせるテープカセットを提供すること。 - 特許庁

When FUJIWARA no Kanshi (Hiroko), a daughter of Yorimichi, made her bridal entry into the court in later times, "Eiga monogatari" (Tale of Flowering Fortunes) described that the Princess said she would continue to be the second consort of an emperor, but it was because she saw the situation where Princess Teishi (Yoshiko/Sadako - maternal cousin of Imperial Princess Shoshi (Akiko)), the second consort of the former Emperor Gosuzaku at the inner palace, was forced to become an empress by the order from FUJIWARA no Genshi, adopted daughter of Yorimichi, and barely entered the Imperial Court. 例文帳に追加

後に頼通の娘藤原寛子入内に際して、内親王がこのまま中宮でよいと言ったという話が『栄花物語』に見えるが、これは先帝後朱雀天皇の後宮で同じく中宮であった禎子内親王（章子内親王には母方の従姉妹にあたる）が頼通の養女藤原嫄子の立后で皇后に押し上げられ、宮中入りもままならなかった状況を見ていたためでもあるだろう。 - Wikipedia日英京都関連文書対訳コーパス

From the standpoint of negative capital, on the actual condition of 'Transfer of the capital to Fukuhara' talked in the literary work such as "the Tale of Heike," some insist that the Taira clan government set Angu (tentative capital) in Fukuhara only for the purposes of transfering the captial toward Wada (Kobe City), and since Heian-Kyo did not lose any function as a traditional capital, Fukuhara ended up being the sub-capital to complement Kyoto in military and trade functions. 例文帳に追加

首都否定論の立場からは、『平家物語』などの文学作品に語られる「福原遷都」の実態については、平氏政権が和田（神戸市）方面への遷都を目的として福原に行宮を置いたに過ぎず、それによって平安京が従来の首都機能を失った様子も特に見られないことから、建前はどうあれ、福原は京都の機能を軍事・貿易面で補完する事実上の副都に留まった、とする主張がある。 - Wikipedia日英京都関連文書対訳コーパス

As depicted in the Tale of Genji set in the Heian period, the initial form was thought to be the shrine visits that the nobility made, which further transformed into Junrei to wish for a peaceful death through Jodo Shinko (belief of a pure land after death) such as the Kumano Sanzan (three shrines in Kumano) visits of the Cloistered Emperor Goshirakawa due to the spread of pessimism in a decadent age, and in the middle ages, Junrei were done by the ordinary public during the age of war and poverty. 例文帳に追加

平安時代の源氏物語に見られるような、貴族階級による願掛けを中心とした神社参詣がその初期形態ではないかとされ、その後仏教の末法思想の流行により、後白河法皇の熊野三山詣でなど浄土信仰を背景とした極楽往生を願う巡礼へと変化し、中世に入ると、戦乱や貧困の中で一般階級による巡礼も行なわれるようになった。 - Wikipedia日英京都関連文書対訳コーパス

The purpose of the Academy of Murasaki Shikibu is to promote classical literature as represented by "The Tale of Genji"; the academy was established on June 4, 1932 by Tsukuru FUJIMURA (president), who was the head of the Department of Japanese Literature, Faculty of Letters at Tokyo Imperial University; Senichi HISAMATSU (vice-president), a professor of Japanese literature at Tokyo Imperial University; and Kikan IKEDA (chairperson), a junior assistant of the Japanese literature study room at Tokyo Imperial University. 例文帳に追加

紫式部学会とは、1932年（昭和7年）6月4日に、東京帝国大学文学部国文学科主任教授であった藤村作（会長）、東京帝国大学文学部国文学科教授であった久松潜一（副会長）、東京帝国大学文学部国文学研究室副手であった池田亀鑑（理事長）らによって源氏物語に代表される古典文学の啓蒙を目的として設立された学会である。 - Wikipedia日英京都関連文書対訳コーパス

In 1956 he moved to Toei Kyoto Movie Studios, directing many masterpieces featuring Toei star Kinnosuke YOROZUYA, such as "Kaze to onna to tabigarasu" (The Wind, a Woman and a Traveling Crow), in which the main characters daringly appeared with no makeup on in an age when stars generally wore white Shironuri makeup; "Mabuta no haha" (Mother of My Dreams), a reworking of Shin HASEGAWA's novel; and the unique "Sanada fuunroku" (Tale of the Sanada Family), a highly regarded example of the 'New Wave of Toei Jidaigeki,' which encompassed musicals, science fiction and social criticism. 例文帳に追加

1956年、東映京都撮影所に移籍し、白塗りのスターが活躍するのが主流だった時代に、あえて主要キャストがノーメイクで出演する『風と女と旅鴉』、長谷川伸の名作を甦らせた『瞼の母』、そしてミュージカルやSF、リアルタイムの時代批判などさまざまな要素を詰め込んで「東映時代劇のヌーヴェルヴァーグ」と絶賛された異色作『真田風雲録』など、東映の看板スターだった萬屋錦之介と組んで数々の傑作を監督する。 - Wikipedia日英京都関連文書対訳コーパス

According to "Heike Monogatari" (The tale of the Taira clan), Yoshimori said 'Even if my father dies and my descendants die, nothing makes me happier than seeing Lord Yoritomo. Please pursue your original dream and take the country. When it happens, please appoint me as the Samurai-dokoro betto. After FUJIWARA no Tadakiyo who used to be the Kazusa no suke (Assistant Governor of Kazusa Province) was appointed to the Samurai-dokoro betto for eight provinces by the Taira family, I envied his power and I have always prayed to the Hachiman Daibosatsu (Great Bodhisattava Hachiman) that one day I would like to become one'. 例文帳に追加

『平家物語』によれば、この時、義盛は「父が死に、子孫が死んでも、頼朝公のお姿を見ればこれに過ぎる悦びはない。どうか本懐を遂げて天下をお取りください。その暁には私を侍所の別当に任じてください。上総国だった藤原忠清が平家から八カ国の侍所別当に任じられ、その威勢をうらやましく思い、いつか自分もと八幡大菩薩に祈願いたしたのです」と願ったという。 - Wikipedia日英京都関連文書対訳コーパス

A common dream of the Himegimi (daughters of persons of high rank) in those days was to enter the Kokyu (a section of the Imperial Palace where the Imperial family and court ladies lived) and gain the love of the Mikado (Emperor), thus being elevated to Empress; accordingly, "The Tale of Genji" satisfied such ladies as it had as its protagonist a member of the Genji clan who was a direct descendant of the emperor that lived in a kind of pseudo-Kokyu and loved all women without distinction. The work was also welcomed by court nobles as an appealing work that offered a close observation of human psychology, love, and aesthetics. 例文帳に追加

当時の一般的な上流貴族の姫君の夢は、後宮に入り帝の寵愛を受け皇后の位に上ることであったが、『源氏物語』は、帝直系の源氏の者を主人公にし彼の住まいを擬似後宮にしたて女君たちを分け隔てなく寵愛するという内容で彼女たちを満足させ、あるいは人間の心理や恋愛、美意識に対する深い観察や情趣を書きこんだ作品として貴族たちにもてはやされたのである。 - Wikipedia日英京都関連文書対訳コーパス

Then, he changed his plan again into one for making a variorum which could be used for academic study as a first step of his work because there was no full-scale variorum of The Tale of Genji in those days and also because he thought that 'it is nonsense to simply compare old annotations which were made for the different texts, so I need to make it clear the differences among the annotated texts first in order to make a collection of old annotations.' 例文帳に追加

そして、「それぞれ異なった本文に対して注釈を加えているそれぞれの古注のそれだけをただ集め並べても比較することは出来ない。古注集成を作るためには先に注釈の対象となっている本文の異同を明らかにする必要がある。」として、当時まだ源氏物語の本格的な校本がなかったこともあり、再度計画を変更し、第1段階の作業として源氏物語の学術研究に耐えうる校本を作ることになった。 - Wikipedia日英京都関連文書対訳コーパス

This is a theory advocated by Akio ABE that Aobyoshi-bon could be included in the Beppon group, so the texts of The Tale of Genji are divided into two groups, Kawachi-bon and Beppon lines, which was based on the idea that 'if Aobyoshi-bon had been a manuscript faithfully transcribed from the manuscript (one of the Beppon of the old traditional line in those days) which had been right in front of FUJIWARA no Teika, the Aobyoshi-bon, in fact, would be one of the Beppon of the old traditional line.' 例文帳に追加

阿部秋生により唱えられたもので、「もし青表紙本が藤原定家の目の前にあったある写本（当然これは古伝本系の別本の一つである）の中の一つを忠実に写し取ったものであるならば、青表紙本とは実は古伝本系別本の一つであるということになる。」という考え方をもとに、青表紙本を別本に含めて考えることにより、源氏物語の本文を河内本と別本の二系統に分類する考え方である。 - Wikipedia日英京都関連文書対訳コーパス

"Ryori Monogatari" (tale of food) records that 'Irizake is made by putting 15-20 umeboshi, 2 sho (approx. 1.8 liters) of old sake, a little water, and a little tamari (rich soy sauce) into 1 sho of dried bonito before reducing it down to 1 sho, filtering it and cooling it, while there are some people who add 2 sho of sake and 1 sho of water before reducing it down to 2 sho; Nidashizake (extracted sake) is made by adding a little salt to dried bonito and boiling it for a while with new sake, filtering it and cooling it; and shojin irizake is made by putting chopped umeboshi and hoshi kabura (dried turnips) into grilled tofu with size of dengaku, and boiling it with old sake.' 例文帳に追加

『料理物語』によれば、「熬酒は鰹一升に梅干十五乃至二十、古酒二升、水少々、溜り少々を入れて一升に煎じ、漉し冷してよし、また酒二升、水一升入れて二升に煎じ使ふ人もある。煮出酒は、鰹に塩少々加へ、新酒で一泡二泡煎じ、漉し冷してよろし、精進の熬酒は、豆腐を田楽ほどに切り、炙つて、梅干、干蕪など刻み入れ、古酒で煎じてよし」という。 - Wikipedia日英京都関連文書対訳コーパス

Saiichi MARUYA deepened this supposition in a conversation with Sususmu ONO, and argued the following two points:(1) Group b is centered on Utsusemi, Yugao, Suetsumuhana and Tamakazura, and it has a commonality in that these chapters depict the failure of Genji's love;(2) Its writing style is more sophisticated than that of group a, and it has more deepened descriptions, which means after the first part of the group a gained a reputation, group b was written this time to describe the human touch of Hikaru Genji, who was like a perfect hero in the fairy tale (Genji in group a was described as such). 例文帳に追加

丸谷才一は大野晋との対談でこの説をさらに深め、(1)b系は空蝉、夕顔、末摘花、玉鬘を中心に源氏の恋の失敗を描いた帖であることが共通している事、(2)筆がa系よりもこなれており叙述に深みがある事などの点から、a系第一部の評価が高くなったのちに、今度は御伽噺の主人公のように完璧な光源氏（実際にa系の源氏はそう描かれている）の人間味を描くために書かれたのがb系ではないかと述べている。 - Wikipedia日英京都関連文書対訳コーパス

After the death of Kikan IKEDA in December, 1956, various materials concerning Heian literature such as the manuscripts for The Tale of Genji, "Ise monogatari" (The Tales of Ise), "Tosa Nikki" (Tosa Diary), and so on which he purchased in the process of making this book were preserved and looked after in almost the same condition as he used in his lifetime by Kikan's second son, Kenji IKEDA and others at Kikan's private residence for a while (it is said that there was a two-story concrete library adjoined his residence, and the books were preserved in order). 例文帳に追加

本書を作る過程で池田亀鑑が購入した源氏物語の写本をはじめとする『伊勢物語』、『土佐日記』等の王朝文学に関する様々な資料は、1956年（昭和31年）12月の同人の没後もしばらくの間同人の私邸において亀鑑の次男である池田研二らによって生前に利用されていたほぼそのままの状態で保存管理されていた（同人の住居に付随してコンクリート二階建の書庫があり、そこで整然と保存されていたとされている）。 - Wikipedia日英京都関連文書対訳コーパス

In the military epic "The Tale of Hogen", Bifukumon-in was reported to have encouraged the Cloistered Emperor Toba to have Imperial Prince Masahito assume the throne, and this story is quite popular; however, other records of that date as well as history books, including "Gukansho" and "Imakagami," indicate that succession to the imperial throne of Emperor Konoe was decided mainly by the Cloistered Emperor Toba and FUJIWARA no Tadamichi; therefore, although such records suggest that the imperial succession was pursued in consideration of her grief, there is no evidence that supports the idea that she was directly involved in the decision of the imperial succession. 例文帳に追加

軍記物語である『保元物語』においては、美福門院は鳥羽法皇に働きかけて雅仁親王即位に至ったと書かれており、この話が広く知られているが、当時の記録類や『愚管抄』・『今鏡』などの歴史書では、近衛天皇の次の皇位継承は専ら鳥羽法皇と藤原忠通が主導して決定したと記述されており、彼女の悲嘆を配慮に入れた皇位継承が行われた事が想像されるものの、彼女が直接皇位継承に関与したとする史料的裏付けは存在しない。 - Wikipedia日英京都関連文書対訳コーパス

In this writing, Akinari took "The Tale of Genji" by Murasaki Shikibu and "Water Margin" by Lo Kuan-chung as examples of authors who wrote masterpieces that were true to life and then fell into a dreadful realm (a tradition saying that Murasaki Shikibu went to Hell was recorded in both "Hobutsushu" written by TAIRA no Yasuyori during the Jisho era and "The Tales of Ima," considered to have been written by FUJIWARA no Nobuzane after the Eno period, while the traditional story that Lo Kuan-chung's offspring over three generations became dumb was according to "Seiko Yuran Shiyo" (edited by Josei DEN in Ming) and "Hsu wen-hsien t'ung-k'ao"). 例文帳に追加

この文中で秋成は、『源氏物語』を書いた紫式部と『水滸伝』を書いた羅貫中を例にあげ、ふたりが現実と見紛うばかりの傑作を書いたばかりにひどい目にあったという伝説をあげている（紫式部が一旦地獄に堕ちた、というのは、治承年間、平康頼によって書かれた『宝物集』や延応以降の、藤原信実によって書かれたとされる『今物語』に、羅貫中の子孫三代が唖になった、というのは、明、田汝成編の『西湖遊覧志余』や『続文献通考』によっている）。 - Wikipedia日英京都関連文書対訳コーパス

This work contains very different elements of story: a story of Princess Kaguya's being born from a bamboo (a story of extraordinary birth); a story of sudden growth as Kaguya's becoming grown-up in three months; a story of becoming a rich man as Taketori no Okina's flourishing due to miracles created by Princess Kaguya; a story of suitors and difficult tasks as her giving difficult tasks to the suitors to fail in solving them; a story of Emperor's marriage proposal as her refusing Emperor's courtship; a story of rising to heaven (a story of a robe of feathers) as Princess Kaguya's returning to the moon; a story of an origin of the name of the place as the name of Mt. Fuji being revealed at the end of the tale. 例文帳に追加

この作品には、かぐや姫が竹の中から生まれたという竹中生誕説話（異常出生説話）、かぐやが3ヶ月で大きくなったという急成長説話、かぐや姫の神異によって竹取の翁が富み栄えたという致富長者説話、複数の求婚者へ難題を課していずれも失敗する求婚難題説話、帝の求婚を拒否する帝求婚説話、かぐや姫が月へ戻るという昇天説話（羽衣説話）、最後に富士山の地名由来を説き明かす地名起源説話など、非常に多様な要素が含まれている。 - Wikipedia日英京都関連文書対訳コーパス

Foremost classical stories include the following: among those without point are long continuous stories such as "Botan Doro (A Tale of the Peony Lamp" (this is usually regarded as Kaidan-banashi), "The Story of Tasuke SHIOBARA", "The Spine-Chiller in Kasanegafuchi", "The Story of Soza ANNAKA", "Futatsu Chocho (literally, two butterflies): Chobe and Chokichi", "Chikiri Iseya", "Bunji NARIHARA", "The Vendetta under a Nursing Hackberry Tree", "Otomi Yosaburo"; short stories such as "Bunshichi's Motoyui Shop", "Mitsui's Daikoku"; stories with points include "Dream of a Leather Wallet", "Parting with Son" (and "Children Hold a Marriage Together" is the latter part), "A Dyer and Courtesan Takao", "The Pumpkin Vendor", "Onaoshi (Extension Surcharge", "Rat Hole", "Kyuzo's Lottery", "Kaji Musuko (My Son is a Firefighter)", "Kakunoshin YANAGIDA", "Kajikazawa Precipice", "Dying Incense". 例文帳に追加

代表的な演目には、サゲのないものでは、続き物の長編が『牡丹灯籠』（一般には怪談噺に位置付けられる）、『塩原多助一代記』、『真景累ヶ淵』、『安中草三』、『双蝶々』、『ちきり伊勢屋』、『業平文治』、『怪談乳房榎』、『お富与三郎』、一席物は『文七元結』、『三井の大黒』、サゲのあるものでは『芝浜』、『子別れ』（『子は鎹』はその後編）、『紺屋高尾』、『唐茄子屋政談』（上方の『南京屋政談』）、『お直し』、『鼠穴』、『富久』、『火事息子』、『柳田格之進』、『鰍沢』、『立ち切れ線香』などがある。 - Wikipedia日英京都関連文書対訳コーパス

Utaemon performed many successful characters in his lifetime, and those were Shirabyoshi (women who play Shirabyoshi (Japanese traditional dance)) Hanako of "Kyo Kanokomusume Dojoji" (The maiden at Dojo Temple), Yatsuhashi of "Kago Tsurube Satono Eizame" (Basket bucket in red-light district), Yukihime of "Gion Sairei Shinkoki" (The Gion Festival Chronicle of Faith)(Kinkaku-ji Temple), Tokihime of "Kamakura Sandaiki, Kinugawa-mura" (Three Generations of the Kamakura Shogunate in Kinugawa Village), Yaegaki-hime of "Honcho Niju-shi ko, Jusshuko" (24 Paragons of Filial Piety of our Country, Incense Burning), "Oiwa of "Tokaido Yotsuya Kaidan" (Tokaido Yotsuya Ghost Stories), Sadaka and Omiwa of "Imoseyama Onna Teikin" (An Exemplary Tale of Womanly Virtue in Mt. Imose), Yodogimi of "Hototogisu Kojo no Rakugetsu" (The Sinking Moon over the Lonely Castle Where the Cuckoo Cries), Tonase of "Kanadehon Chushingura, Kudanme" (The Treasury of Loyal Retainers, 9th act), Komachi and Sumizome of "Tsumoru Koiyuki no Seki no To" (The Barrier Gate), Umegawa of "Koibikyaku Yamato Orai, Ninokuchi-mura" (The Amorous Courier on the Yamato Highway, Ninokuchi Village), Tamate-Gozen of "Gappo Anjitsu (hermitage of Gappo), Sesshu Gappo ga Tsuji (A Kabuki Drama of Unfettered Evil)," Masaoka of "Meiboku Sendai Hagi" (The trouble in the Date Clan), Onoue of "Kagamiyama Kokyo no Nishikie" (old brocade pictures of Mt. Kagami), Hanjo of "Sumida-gawa Gonichi no Omokage" (Latter-day Reflections of the Sumida-gawa River), and he acted many types of female roles, such as a daughter, princess, Katahazushi (female role of nyobo (a court lady) of a samurai family or goten jochu (palace maid)), and keisei (courtesans with high dignity and literacy). 例文帳に追加

歌右衛門生涯の当たり役は非常に多く、『京鹿子娘道成寺』の白拍子花子、『籠釣瓶花街酔醒（籠釣瓶）』の八つ橋、『祗園祭礼信仰記（金閣寺）』の雪姫、『鎌倉三代記・絹川村』の時姫、『本朝廿四孝・十種香』の八重垣姫、『東海道四谷怪談』のお岩、『妹背山婦女庭訓（妹背山）』の定高、お三輪、『沓手鳥孤城落月（孤城落月）』の淀君、『仮名手本忠臣蔵・九段目』の戸無瀬、『積恋雪関扉（関の扉）』の小町と墨染、『恋飛脚大和往来・新口村』の梅川、『攝州合邦辻・合邦庵室』の玉手御前、『伽羅先代萩』の政岡、『鏡山旧錦絵（鏡山）』の尾上、『隅田川続俤（隅田川）』の班女など、娘形から姫、片はずし、傾城に至るまで、あらゆる女形の領域をこなした。 - Wikipedia日英京都関連文書対訳コーパス