Love-Inの部分一致の例文一覧と使い方
該当件数 : 2727件
As New Year's movies to be released on the New Year's Eve, the company distributed "Seishun no Hika"(Elegy of Adolescence) directed by Bansho KANAMORI to the Narukofuji-kan theater and also went as far as to distribute a double feature of "Gion Jowa Tsubomi no Mama"(Love story in Gion, a budding woman) also directed by Kanamori and "Otoko ga Tsuma wo Erabutoki" (When a man choose his wife) directed by Shusei GOTO to the 'Asakusa Opera-kan Theater' which had been built after reconstruction of Asakusa area. 例文帳に追加
年末12月31日公開の正月映画として、金森万象監督の『青春の悲歌』を「成子不二館」に、おなじく金森監督の『祇園情話蕾のまゝ』と後藤秋声監督の『男が妻を選ぶ時』の2本立て番組を復興後の浅草に建った「浅草オペラ館」にきっちり供給した。 - Wikipedia日英京都関連文書対訳コーパス
In addition to his love of fighting in the front line and his own fierce disposition, it is said he had no other way to make his name renowned around the country (it is also said that he didn't care about being injured in battle in order to avoid being envied by other vassals on account of him being treated as a senior vassal despite being so young, and to make the other vassals understand his efforts). 例文帳に追加
先陣で自ら戦うのを好む直政自身の激しい性癖によるところも大きいが、自分の存在を天下に轟かせるためには、こうするしかなかったとも言われている(直政は自分が若いにもかかわらず家康に重臣として扱われることで周囲からの嫉妬や妬みの対象にならないようにするために、戦で戦傷を負うのを厭わず、それによって自分の苦労を他の重臣達に理解してもらおうとしていたとも言われている)。 - Wikipedia日英京都関連文書対訳コーパス
Among the Yoshitsune legends, especially famous stories is the story of his encounter with Musashibo Benkei at Gojo-ohashi Bridge, the anecdote that he learned strategy by stealing ancient Chinese strategy books, "Rikuto" and "Sanraku" owned by Onmyoji (diviner) Hogen KIICHI, making use of a love affair with his daughter, and the legend of Musashibo Benkei's Standing Death in the Battle of Koromogawa, and they were extended widely through "Gikeiki," which is said to have been written in the early Muromachi period, 200 years after Yoshitsune's death. 例文帳に追加
義経伝説の中でも特に有名な武蔵坊弁慶との五条大橋での出会い、陰陽師鬼一法眼の娘と通じて伝家の兵書『六韜』『三略』を盗み出して学んだ話、衣川合戦での武蔵坊弁慶弁慶の立ち往生伝説などは、死後200年後の室町時代初期の頃に成立したといわれる『義経記』を通じて世上に広まった物語である。 - Wikipedia日英京都関連文書対訳コーパス
Specifically, IT is used to connect a wide range of regions and businesses, facilitating mutual ties through joint educational programs and a relationship in which the power of external enterprises (namely large-scale suburban-type shopping centers, traditionally the "enemy" of traditional shopping districts) is used in a beneficial manner. We Love Tenmonkan continue to promote the city center as a vital aspect of infrastructure that can be enjoyed by young and old alike. 例文帳に追加
具体的には、IT を用いて様々な地域や事業者をつなぎ、共同学習を通して相互交流を深め、従来は敵対するとされていた郊外型ショッピングセンターという外部事業者のパワーも地域内に取り込み、中心市街地という地域生活インフラをWeLove 天文館協議会が大人も子供も楽しめる街へと成長させる試みを続けている。 - 経済産業省
In 1964 he directed "Getsuyobi no Yuka" starring photogenic Mariko KAGA which recently became famous, "Ryojin Nikki" (The Hunter's Diary) which was based on the book written by Masako TOGAWA and in which Noboru NAKAYA was stared and played a middle age man who fell into sexual love, "Suna no ue no Shokubutsugun" (Plants in the sand) which was based on the book written by Junnosuke YOSHIYUKI and which was said to be impossible to be made into a film, and "Onna no uzu to fuchi to nagare" (Whirlpool of Women) starring Nakaya and Kazuko INANO one after another, which were experimental unique works illustrating his distinguished talent. 例文帳に追加
昭和39年(1964年)には近年特に有名となったフォトジェニックな加賀まりこの『月曜日のユカ』、性愛にのめり込んで行く中年男性を仲谷昇主演で描く戸川昌子原作『猟人日記』、映画化不可能とまでいわれた吉行淳之介原作『砂の上の植物郡』、同じ仲谷・稲野和子コンビの『おんなの渦と渕と流れ』と立て続けに撮った実験的異色作にも並々ならぬ才気を見せる。 - Wikipedia日英京都関連文書対訳コーパス
In those days, romance and marriage were allowed between half-sisters and brothers from different mothers but not between half-brothers and sisters from the same mother; however, in the comic story "Tenjo no niji (The Rainbow in the Sky)," by Machiko SATONAKA, it is described that there was a romance involving this kind of forbidden love; Hashihito no Himemiko was persuaded to marry with Karu no Miko (Emperor Kotoku), but she kept the relationship with Emperor Tenchi (Tenji), and Arima no Miko was furious after knowing this and became angry at Hashihito no Himemiko. 例文帳に追加
異母兄弟姉妹間での恋愛・婚姻は許されるが、同母兄弟姉妹間でのそれは許されなかったのが当時の人々の恋愛事情だったが、里中満智子作の天上の虹では実際に関係があった解釈がなされ、説得して伯父の軽大王(孝徳天皇)に嫁がせた後も関係を持った事をたまたま有間皇子に見られ、激怒した彼に叱責された場面等が見られる。 - Wikipedia日英京都関連文書対訳コーパス
Major hits included 'Ame no Bojo' (Longing in the Rain), 'Omae to Futari' (Together with You), 'Osaka Shigure,' 'Michinoku Hitoritabi' (Solitary Journey to Michinoku), 'Okuhida Bojo' (Longing in Okuhida), 'Sazanka no Yado,' 'Kyodai Bune,' 'Hisame' (Chilly Rain), 'Musume Yo,' 'Kitasakaba,' 'Yagiri no Watashi (Takashi HOSOKAWA)' (Yagiri Ferry), 'Nagaragawa Enka' (Nagara-gawa River Song), 'Tsugunai' (Compensation), 'Toki no Nagare ni Mi wo Makase' (Yielding Myself to the Flow of Time), 'Suzume no Namida' (Tears of Sparrow), 'Yume Onna' (Dreaming Woman), 'Yuki Guni' (Snow Country), 'Sake Yo,' 'Yuki Tsubaki' (Snow Camellia), 'Inochi Kurenai' (Crimson Life of Passion), 'Koi Uta Tsuzuri' (Writing a Love Song), 'Murasaki Ujo'(Purple Rain), 'Kokoro Zake' (Sake of the Heart), 'Yozakura Oshichi' (Oshichi under the Cherry Blossoms in the Night), 'Higurashi' (An Evening Cicada), 'Chindo Monogatari' (A Story of Jindo). 例文帳に追加
主なヒット曲には「雨の慕情」「おまえとふたり」「大阪しぐれ」「みちのくひとり旅」「奥飛騨慕情」「さざんかの宿」「兄弟船」「氷雨」「娘よ」「北酒場」「矢切の渡し(細川たかし)」「長良川艶歌」「つぐない」「時の流れに身をまかせ」「すずめの涙」「夢おんな」「雪國」「酒よ」「雪椿」「命くれない」「恋歌綴り」「むらさき雨情」「こころ酒」「夜桜お七」「蜩」「珍島物語」など。 - Wikipedia日英京都関連文書対訳コーパス
Saiichi MARUYA deepened this supposition in a conversation with Sususmu ONO, and argued the following two points:(1) Group b is centered on Utsusemi, Yugao, Suetsumuhana and Tamakazura, and it has a commonality in that these chapters depict the failure of Genji's love;(2) Its writing style is more sophisticated than that of group a, and it has more deepened descriptions, which means after the first part of the group a gained a reputation, group b was written this time to describe the human touch of Hikaru Genji, who was like a perfect hero in the fairy tale (Genji in group a was described as such). 例文帳に追加
丸谷才一は大野晋との対談でこの説をさらに深め、(1)b系は空蝉、夕顔、末摘花、玉鬘を中心に源氏の恋の失敗を描いた帖であることが共通している事、(2)筆がa系よりもこなれており叙述に深みがある事などの点から、a系第一部の評価が高くなったのちに、今度は御伽噺の主人公のように完璧な光源氏(実際にa系の源氏はそう描かれている)の人間味を描くために書かれたのがb系ではないかと述べている。 - Wikipedia日英京都関連文書対訳コーパス
However, while the 'sui' of Kamigata refers to the cultural pattern that crystallizes after love, decorations, and so on have been thoroughly thought through (resulting in things such as a lovers' suicide or a luxurious kimono) and is literally the 'sui' of junsui (purity), the 'iki' of Edo is said to be the result of constantly getting closer, without becoming detached or attached, in order to keep the above-described sexual tension alive. 例文帳に追加
しかし、上方の「粋(すい)」が恋愛や装飾などにおいて突き詰めた末に結晶される文化様式(結果としての、心中や絢爛豪華な振袖の着物など)、字のごとく純粋の「粋(すい)」であるのに対し、江戸における「いき」とは突き詰めない、上記で解説した異性間での緊張を常に緊張としておくために、突き放さず突き詰めず、常に距離を接近せしめることによって生まれると言われる。 - Wikipedia日英京都関連文書対訳コーパス
In a SAW device with interdigital electrodes 5-7 formed on a piezoelectric substrate, a main component of electrode materials forming the interdigital electrodes 5-7 is copper, the piezoelectric substrate is an approximate 15° rotary Y-axis cut X-direction propagation LiNbO_3 substrate, and a SAW propagation mode is a Love-wave mode.例文帳に追加
圧電基板上にすだれ状電極5〜7が形成された弾性表面波装置において、前記すだれ状電極5〜7を形成する電極材料の主成分が銅であり、かつ前記圧電基板が略15°回転Y軸カット−X方向伝搬LiNbO_3基板であり、かつ弾性表面波の伝搬モードがラブ波モードであることを特徴とする。 - 特許庁
Director Masaki Ueda, who is responsible for the company’s outlet development, says “One lesson we really learned from opening shops in Hong Kong is the importance of stopping and resolving problems as quickly as possible. In the high-risk business of opening shops overseas, it is also important to set a time limit for withdrawal beforehand, and judge the business feasibility.” With this understanding, ab-out is expanding worldwide. While dealing with the government regulations, business customs and other barriers in each country, they are seeking and educating reliable local partners who truly love Santouka Ramen. 例文帳に追加
同社の店舗開発の責任者である植田昌紀取締役は、「香港出店の教訓として、いかに問題を早く食い止め解決するかが重要と痛感した。リスクの高い海外展開は、撤退の期限を区切り、事業の継続性を見極めることも必要だ。」との考えで、現地政府の規制や商慣習等の壁に直面しながらも、世界各国を飛び回り、「山頭火」ラーメンが心から好きで信頼できるパートナーの発掘と育成に取り組んでいる。 - 経済産業省
And then Gratiano, who loved to copy what his lord did, thought he must make a speech like Bassanio's, and he said, in Nerissa's hearing, who was writing in her clerk's dress by the side of Portia, "I have a wife, whom I protest I love; I wish she were in heaven, if she could but entreat some power there to change the cruel temper of this currish Jew. 例文帳に追加
そのときグレイシアーノは、主人のやることをまねるのが好きなたちだったから、自分もバサーニオがやったような演説をしなければいけないと考えた。そして、ポーシャのそばで書記の格好をして記録を取っているネリッサが聞いているところでこう言った。「私には妻がおります。妻を愛していると誓います。ですが、妻がこの卑劣なユダヤ人の残酷な性質を変えるだけの力を乞い求めることができないのなら、妻には天国にいっていただきたいものです。」 - Shakespeare『ヴェニスの商人』
The surface acoustic wave device is constituted by arranging IDT electrodes on the main surface of rotary Y-cut X-propagation lithium niobate (LiNbO_3) in the propagation direction of a Love wave, and the metal material of the IDT electrodes is an alloy which is principally comprised of Ag and contains 0.1 to 3.0 wt.% Pd and 0.1 to 3.0 wt.% Cu.例文帳に追加
回転YカットX伝搬ニオブ酸リチウム(LiNbO_3)の主表面上にラブ波の伝搬方向に沿ってIDT電極を配置して構成した弾性表面波デバイスであって、IDT電極の金属材料をAgを主成分とし、0.1wt%〜3.0wt%のPdと、0.1wt%〜3.0wt%のCuとを含有した合金とした弾性表面波デバイス。 - 特許庁
This development made Motohiro KONOE and the Bakufu in Edo realize that the true motive underlying Emperor Reigen's insistence on succession by Shinomiya had not only been love of his own son but part of his long-cherished scheme to assume the virtual reins of the court as retired emperor and exercising ruling authority without allowing interference by the Sekkanke or the Bakufu, to whom handing over the imperial throne to the older Ichinomiya, who would soon become of age, would have been a disadvantage. 例文帳に追加
ここに至って近衛基熙や江戸幕府は、霊元天皇による四宮擁立の真意が皇子可愛さだけではなく、院政を開始して摂家や幕府の干渉を排して思いのままの政治を行うための長期計画の一環であり、すぐに成人を迎えてしまう年長の一宮に皇位を譲る事が不都合であったからであった事に気付くのである。 - Wikipedia日英京都関連文書対訳コーパス
However, unlike "Genji Monogatari" which begins 'in a certain era,' "Sagoromo Monogatari" begins with 'The springtime of youth does not stop, for it is already around the 20th day of the third month' (Yuhodo Bunko), which is based on a Chinese poem and a famous poem from "Kokin Wakashu" (A Collection of Ancient and Modern Japanese Poetry) and depicts Sagoromo's anguish caused by his unrequited love for his younger female cousin Genji no Miya while being true to reality. 例文帳に追加
しかし、「いずれの御時にか」で始まる『源氏物語』と違い、「少年の春は惜しめども留まらぬものなりければ、弥生の二十日余になりぬ」(有朋堂文庫)と始まる書き出しは、白居易の漢詩や『古今和歌集』の名歌を踏まえ、従妹源氏の宮への遂げられぬ恋に起因する狭衣の煩悶を描き、現実を意識したものとなっている。 - Wikipedia日英京都関連文書対訳コーパス
He gained a reputation for roles such as Okaru, Enya hangan and Oishi of "Kanadehon Chushingura," Shizuka Gozen of "Yoshitsune Senbonzakura" (Yoshitsune and One Thousand Cherry Trees), Omiwa of "Imoseyama (Mt. Imose) Onna Teikin" (An Exemplary Tale of Womanly Virtue), Omitsu of "Shinpan Utazaimon" (The Love of Osome and Hisamatsu) (Nozaki Village), Tamate-Gozen of "Sesshu Gappo ga Tsuji" (A Kabuki Drama of Unfettered Evil) (Gappo Anjitsu [hermitage of Gappo]), Sakuramaru of "Sugawara Denju Tenarai Kagami" (Sugawara's secrets of calligraphy) and Yoshitsune of "Kanjincho" (The Subscription List) and "Jinya KUMAGAI, Ichi no Tani Futabagunki" (Chronicle of the Battle of Ichinotani) in the area of maruhonmono (Kabuki drama of joruri [puppet-play] origin). 例文帳に追加
丸本物では『仮名手本忠臣蔵』のお軽、塩冶判官、お石、『義経千本櫻』の静御前、『妹背山婦女庭訓』お三輪、『新版歌祭文』(野崎村)のお光、『攝州合邦辻』(合邦庵室)の玉手御前、『菅原伝授手習鑑』の桜丸、『勧進帳』や『一谷嫩軍記・熊谷陣屋』の義経などが当たり役であった。 - Wikipedia日英京都関連文書対訳コーパス
She composed numerous excellent seasonal poems and a great many love poems that ranged in theme from melancholic poems that seemed to close herself off from the outside world, poems that recalled the unclear or emotional state that exists between reality and dream, and poems that expressed a strong resolution to protect her weak self from fate; various assumptions have been made about her life and relationships based on the content of these poems but little about her is known for certain. 例文帳に追加
季の歌と特に恋歌に秀作が多く、自らを内に閉じこめるような深沈とした憂愁のさまや、夢と現実との狭間にある曖昧な様子や感傷的な追憶を好んで詠むこと、運命に対して弱い自分を守ろうとする凛乎とした強さが歌のうちにあることなどから、その生涯や恋愛についてさまざまな推測が成されるが、いずれも憶測の域を出ていない。 - Wikipedia日英京都関連文書対訳コーパス
So it happened that, when Virginia St. Clair assisted Mrs. Miriam Steuvisant at her midwinter reception, this same Samuel Walcott fell deeply and hopelessly and utterly in love, and it was so apparent to the beaten generals present, that Mrs. Miriam Steuvisant applauded herself, so to speak, with encore after encore. 例文帳に追加
そしてまさしく、ヴァージニア・セント・クレアが、ミリアム・ステュヴィサント夫人が冬のさなかに開いたレセプションにおいて介添え役を務めていたのを見て、サミュエル・ウォルコットはこれ以上ないほどに深く、そして一途に首っ丈となってしまった。その場にいた他の招待者はたちまちのうちに敗者となった。ミリアム・ステュヴィサント夫人は内心|快哉《かいさい》を叫び、いわば自分自身に何度もアンコールの拍手を浴びせているようだった。 - Melville Davisson Post『罪体』
Bassanio was so overpowered with gratitude and wonder at the gracious manner in which the rich and noble Portia accepted of a man of his humble fortunes, that he could not express his joy and reverence to the dear lady who so honoured him by any thing but broken words of love and thankfulness: and taking the ring, he vowed never to part with it. 例文帳に追加
バサーニオは驚きと感謝のあまり感極まった。そんなに優雅な態度で、金持ちにして気品あるポーシャが、自分のようなほとんど財産を持たない男を受け入れてくれたのだから、当然であろう。そして、バサーニオをとても尊敬してくれた女性に対して、喜びと尊敬の言葉を言えなくなり、ただ愛と感謝とをとぎれとぎれにつぶやくばかりだった。バサーニオは指輪を受け取り、二度と手放さないことを誓った - Shakespeare『ヴェニスの商人』
Portia hearing this, though the kind-hearted lady was not at all\\offended with her husband for expressing the love he owed to so\\true a friend as Anthonio in these strong terms, yet could not helpanswering, "Your wife would give you little thanks, if she were present, to hear you make this offer." 例文帳に追加
ポーシャはこれを聞いて、とても優しい心を持つ女性だったから、夫がアントニオという真実の友だちに対して抱いている愛を表現するために、こういった強い言葉を使ったことに対して少しも怒ってはいなかったけれども、それでもこう答えざるを得なかった。「あなたの奥さんはあまりありがたいとは思わないでしょう、奥さんがここにいて、あなたがそんなことを言うのを聞いていたらどうするんですか。」 - Shakespeare『ヴェニスの商人』
Birds are on the wing, Over the Asuka River, Whose upper rapids Were spanned with a stone bridge, Whose lower rapids Were spanned with a wooden bridge; Towards the stone bridge, Fine and green water-weeds grow, And then withering, Soon prosper exuberantly; Toward the wooden bridge River-weeds grow up waving, And then withering, Soon prosper exuberantly; Like those water-weeds As soon as the Prince arose, The Princess rose, too, Waving like the water-weeds; When the Prince lay, The Princess after him lay, Toward him waving; Why could she forget the Prince By whose side she stood, In the Palace where he passed His mornings and evenings? Why did she leave it vacant? When she was alive, when she was well and happy, In the springtide She decked her hair with flowers, And in the autumn Adorned it with yellow leaves; She intermingled Her sleeves with the Prince's sleeves, And she watched the moon Full and clear as a mirror With admiration, With love and deep affection, Standing by his side; On another occasion She went out with him To the Palace of Kinoe, Where delicacies Were graciously offered to them; This part of Kinoe As her everlasting place, The Princess departed; And we can't see nor speak with her; Be that as it may (or Yet, nevertheless,) Swollen with the deep sorrow, Like the fairy bird, Longing for the departed, Line the morning bird, The Prince did come and go, Like the summer grass Pining and withering away, Like the evening star Going and sinking in grief; Like a swaying ship, The Prince's heart kept wavering; As this I know not How to comfort his sorrow; So I know no way And simply wish to retain The tone of her voice, Only to remember her name For ever and ever, As long as heaven and earth, Her beloved name Committing to memory, And love on her name By the Asuka River For generations As the precious memento Of the dear, deceased Princess (Manyoshu, Volume 2 -196). 例文帳に追加
飛ぶ鳥の 明日香の河の 上つ瀬に 石橋渡し 下つ瀬に 打橋渡す 石橋に 生ひ靡ける 玉藻もぞ 絶ゆれば生ふる 打橋に 生ひをれる 川藻もぞ 枯るれば生ゆる 何しかも わが王の 立たせば 玉藻のもころ 臥せば 川藻のごとく 靡かひし 宜しき君の 朝宮を 忘れたまふや 夕宮を 背きたまふや うつそみと 念ひし時 春べは 花折りかざし 秋立てば 黄葉かざし しきたへの 袖たづさはり 鏡なす 見れども飽かず 三五月の いやめづらしみ 念ほしし 君と時時 幸して 遊びたまひし 御食向ふ きのえの宮を 常宮と 定めたまひて あぢさはふ 目言も絶えぬ しかれかも あやにかなしみ ぬえ鳥の 片恋嬬 朝鳥の 往来はす君が 夏草の 念ひ萎えて 夕星の か往きかく去き 大船の たゆたふ見れば なぐさむる 情もあらず そこゆゑに せむすべ知れや 音のみも 名もみも絶えず 天地の いや遠長く 偲び行かむ み名に懸かせる 明日香河 万世までに はしきやし わが王の 形見かここを巻2-196 - Wikipedia日英京都関連文書対訳コーパス
For example, a Kabuki actor who plays the role of a young girl or young man in love will wash their face, rub bintsukeabura (hair oil) onto their whole face, cover their eyebrows with hard bintsukeabura, rub face powder paste on their chest, their neck and nape and then spread it with a sponge; then they rub face powder paste on their face and spread it with a sponge, put on red nose shadow, eye shadow, and blusher, apply crimson to the ends of their eyes, paint their eyebrows first with red and then with black, and paint the shape of their lips clearly with a bright red lipstick. 例文帳に追加
娘役や、同年代の恋する男性の役の場合は、洗顔の後、鬢付け油を顔全体にすり込む、眉を硬い鬢付け油で塗りつぶす、胸、首、襟足に練りおしろいを塗り、スポンジで伸ばす、顔に練りおしろいを塗り、スポンジで伸ばす、赤でノーズシャドー、アイシャドー、ほほ紅を差す、目じりに紅を差す、眉を、先ず赤で、続けて黒で描く、真っ赤な口紅を、輪郭をはっきり描く、という具合。 - Wikipedia日英京都関連文書対訳コーパス
This is same man (Suketomo Kyo), who was once taking shelter from the rain in the gate of To-ji Temple, where there were gathered together many cripples with twisted arms and distorted legs bent backwards. Noting their various peculiar deformities he thought, 'These are all very strange freaks, and are certainly well worth preserving.' But, when he looked at them more closely, he soon lost all pleasure in them and, regarding them as ugly and vile, thought, 'Surely there can be nothing better than the unusual upright form.' So on his return home, his well-loved little trees, which he had collected and carefully trained into queer shapes to make his eyes glad, from that time forth no longer gave him any pleasure; for he felt that to love them was like loving those cripples. Accordingly, he dug up and threw away all his dwarf trees that he had cultivated in little pots. 例文帳に追加
この人、東寺の門に雨宿りせられたりけるに、かたは者どもの集まりゐたるが、手も足もねぢゆがみ、うちかへりて、いづくも不具に異様なるを見て、とりどりにたぐひなき曲者なり、もつとも愛するに足れりと思ひて、まもり給ひけるほどに、やがてその興つきて、見にくく、いぶせく覚えければ、ただすなほに珍しからぬ物にはしかずと思ひて、帰りて後、この間、植木を好みて、異様に曲折あるを求めて目を喜ばしめつるは、かのかたはを愛するなりけりと、興なく覚えければ、鉢に植ゑられける木ども、皆掘り捨てられにけり。 - Wikipedia日英京都関連文書対訳コーパス
When Bassanio read Anthonio's letter, Portia feared it was to tell him of the death of some dear friend, he looked sopale; and enquiring what was the news which had so distressed him, he said, "O sweet Portia, here are a few of the unpleasantest words thatever blotted paper: gentle lady, when I first imparted my love to you, I freely told you all the wealth I had ran in my veins; but I should have told you that I had less than nothing, being in debt." 例文帳に追加
バサーニオがアントニオからの手紙を読んでいるとき、ポーシャは親しい友だちの死のことが書いてあるのかと心配した。それくらいバサーニオの顔が青白くなっていたからである。そしてポーシャが、あなたをそんなに苦しめたお知らせはなんですかと聞くと、バサーニオはこう言った。「おお、かわいいポーシャよ、ここには今まで紙に書かれたこともないくらいにひどすぎる言葉が並んでいるんだ。やさしい姫よ、私が最初にあなたに愛を告げたとき、ぼくは率直に、貴い家柄を除けば財産は何もないと話しましたね。でもぼくはあなたに、無一文であるばかりか借金をしていることをお話すべきでした。」 - Shakespeare『ヴェニスの商人』
This seemingly kind offer greatly surprised Anthonio; and then Shylock still pretending kindness, and that all he did was to gain Anthonio's love, again said he would lend him the three thousand ducats, and take no interest for his money; only Anthonio should go with him to a lawyer, and there sign in merry sport a bond, that if he did not repay the money by a certain day, he would forfeit a pound of flesh, to be cut off from any part of his body that Shylock pleased. 例文帳に追加
この一見親切な申し出はアントニオをおおいに驚かせた。シャイロックはさらに、なおも親切そうな感じで、これはみんなアントニオの好意を得たいがためだと言い、こうつけ加えた。3000ドュカートお貸ししましょう、利子は頂かなくてけっこうです。ただ、アントニオが金貸しと一緒に公証人[#注3]のところへ行って、しゃれとして“もし期限までにお金を返さなかったら、アントニオは自分の体から、シャイロックの希望する部位の肉を1ポンド[#注4]切り取って与えなければならない”という証文に署名していただきたいのです。 - Shakespeare『ヴェニスの商人』
Cruelty of disposition; malice and ill-nature; that most anti-social and odious of all passions, envy; dissimulation and insincerity, irascibility on insufficient cause, and resentment disproportioned to the provocation; the love of domineering over others; the desire to engross more than one's share of advantages (the of the Greeks); the pride which derives gratification from the abasement of others; the egotism which thinks self and its concerns more important than everything else, and decides all doubtful questions in its own favour;—these are moral vices, and constitute a bad and odious moral character: 例文帳に追加
残忍な気質、敵意と恨み、あらゆる情念のなかでも一番反社会的で忌まわしいものである嫉妬、偽善と不誠実、不適当な原因での激怒と挑発にそぐわない憤怒、他人に威張りたがること、利益の自分の分け前以上に独占しようとする欲望(ギリシア語のπλεονεξια貪欲)、他人を貶めることから満足を得る傲慢、自分と自分に関することを他のなにより重視し、自分に都合よくあらる不確かな問題を決定する自己中心癖、こうしたものは道徳的悪行であり、悪しき嫌悪すべき性格を作るのです。 - John Stuart Mill『自由について』
Bassanio then told Portia what has been here related, of his borrowing the money of Anthonio, and of Anthonio's procuring it of Shylock the Jew,and of the bond by which Anthonio had engaged to forfeit a pound of flesh, if it was not repaid by a certain day; and then Bassanio read Anthonio's letter, the words of which were, "_Sweet Bassanio, my ships are all lost, my bond to the Jew is forfeited, and since in paying it, it is impossible I should live, I could wish to see you at my death; notwithstanding use your pleasure; if your love for me do not persuade you to come, let not my letter. 例文帳に追加
そしてバサーニオはポーシャに、これまですでに述べてきたことを話した。彼はアントニオからお金を借りていること、そのお金をアントニオはユダヤ人であるシャイロックに借りたこと、そのお金が一定の期日までに支払われない場合にはアントニオが1ポンドの肉を失うことを約束したあの証文のことを話した。それからバサーニオはアントニオの手紙を読んだ。その言葉はこうであった。愛するバサーニオよ、私の船はみな難破した。ユダヤ人に約束した抵当は没収されるのだ。そしてそれを支払えば、私は生きていられないのだ。死ぬときには君に会いたいと願っているけれども、君の好きなようにしてくれたまえ。もし私への君の愛が、ぼくに会いたいと思うほどではなかったら、手紙のことは忘れてくれ。 - Shakespeare『ヴェニスの商人』
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原題:”On Liberty” 邦題:『自由について』 | This work has been released into the public domain by the copyright holder. This applies worldwide. Copyright on Japanese Translation (C) 2004 Ryoichi Nagae 永江良一 本翻訳は、この著作権表示を付すかぎりにおいて、訳者および著者に一切断ることなく、商業利用を含むあらゆる形で自由に利用し複製し配布することを許諾します。 改変を行うことも許諾しますが、その場合は、この著作権表示を付すほか、著作権表示に改変者を付加し改変を行ったことを明示してください。 |
原題:”THEMERCHANT OF VENICE” 邦題:『ヴェニスの商人』 | This work has been released into the public domain by the copyright holder. This applies worldwide. SOGO_e-text_library責任編集。Copyright(C)2001 by SOGO_e-text_library この版権表示を残すかぎりにおいて、商業利用を含む複製・再配布が自由に認められる。プロジェクト杉田玄白正式参加(予定)テキスト。 |
原題:”The Corpus Delicti” 邦題:『罪体』 | This work has been released into the public domain by the copyright holder. This applies worldwide. SOGO_e-text_library責任編集。Copyright(C)2006 by SOGO_e-text_library この版権表示を残すかぎりにおいて、商業利用を含む複製・再配布が自由に認められます。プロジェクト杉田玄白正式参加テキスト。 |
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