「a Tale」に関連した英語例文の一覧と使い方(23ページ目) - Weblio英語例文検索

First, draw five vertical lines, then draw a horizontal line so as to connect all vertical lines applicable to the incense judged to be the same (for example, 'Miotsukushi (name of the 14th roll of the Tale of Genji)' in the third column from the right on the second line on the right chart shows that the incense listened to first, second, and fourth time are the same, and the incense listened to third and fifth are independent, respectively). 例文帳に追加

まず5本の縦線を書き、右から、同じ香りであったと思うものを横線でつないでいく（たとえば、右図の2段目右から3番目の「澪標」は、1,2,4番目に聞いた香が同じ香りで、3番目、5番目に聞いた香はそれぞれ独立した香りであるという意味）。 - Wikipedia日英京都関連文書対訳コーパス

There is an episode in "Makurano soshi" (the Pillow Book) that informally dressed and relaxed court ladies were surprised at the sudden appearance of the Emperor Ichijo and quickly slipped on karaginu or mo, and also there is a scene at the chapter 'Wakana (New Herbs), Part One' in "Genji Monogatari" (the Tale of Genji) that Akashi no onkata (Lady Akashi) appeared alone wearing mo in respect to the other wives of Genji. 例文帳に追加

『枕草子』では急な一条天皇のお出ましに略装でくつろいでいた女房が慌てて唐衣や裳を着用するというエピソードがあり、『源氏物語』「若菜上」では明石の御方が他の源氏の妻達に遠慮して唯一裳をまとって登場したと言うシーンがある。 - Wikipedia日英京都関連文書対訳コーパス

The most important works of Shin Kabuki are "Kiri Hitoha" (A Single Paulownia Leaf) & "Hototogisu Kojo no Rakugetsu" (The Sinking Moon Over the Lonely Castle Where the Cuckoo Cries) both by "Shoyo TSUBOUCHI," "Musuko" (Son) by "Kaoru OSANAI," "Shuzenji Monogatari" (The Tale of Shuzen-ji Temple) & "Toribeyama Shinju" (Love Suicides on Mt. Toribe) both by "Kido OKAMOTO," "Imayo Satsuma Uta" (Modern Style Satsuma Songs) by Onitaro OKA, "Genroku Chusingura" (The 47 Ronin) by Seika MAYAMA, "Saigo to Buta Hime" (Saigo and His Favorite Fat Woman) by Daigo IKEDA. 例文帳に追加

代表作には坪内逍遥の『桐一葉』『沓手鳥孤城落月』、小山内薫の『息子』、岡本綺堂の『修善寺物語』『鳥辺山心中』、岡鬼太郎の『今様薩摩歌』、真山青果の『元禄忠臣蔵』、池田大伍の『西郷と豚姫』などがある。 - Wikipedia日英京都関連文書対訳コーパス

Hyakumonogatari (roughly "100 Stories"), Sarayashiki (The Dish Mansion) (Banshu Sarayashiki (The Dish Mansion in Banshu), Ban-cho Sarayashiki (The Dish Mansion in Ban-cho)), Yotsuya Kaidan (Yotsuya Ghost Stories) (Tokaido Yotsuya Kaidan (Tokaido Yotsuya Ghost Stories)), and ghost stories contained in "Kaidan" written by Yakumo KOIZUMI such as Azukitogi (The Azuki Bean Grinding), Miminashi Hoichi (Hoichi the Earless), Yuki Onna (The Snow Woman), Botan Doro (A Tale of the Peony Lamp), Oitekebori, Hattanbo and Nabeshimahan-no-Bakeneko Sodo (The Monster Cat Riot at Nabeshima Domain) 例文帳に追加

百物語、皿屋敷（播州皿屋敷、番町皿屋敷など）、四谷怪談（東海道四谷怪談など）、小泉八雲『怪談』所蔵：小豆とぎ・耳無し芳一・雪女、牡丹灯籠（灯篭）、おいてけ堀、八反坊、鍋島藩の化け猫騒動 - Wikipedia日英京都関連文書対訳コーパス

Before then, various works such as those found in ukiyoe, that are in the motif of women, were categorized as 'bijin-e' (paintings of beautiful women) and 'onna-e' (women pictures); but the latter term, for example, also included symbolic paintings of women with hikime-kagihana (drawn-line eyes and a hook-shaped nose) such as those found in "Genji Monogatari Emaki" (the Illustrated Handscroll of the Tale of Genji). 例文帳に追加

それ以前は、女性をモチーフとした例えば浮世絵に見られる諸作品は「美人絵（びじんえ）」や「女絵（おんなえ）」として分類されていたが、特に後者の呼称では源氏物語絵巻にあるような引目鉤鼻の記号的な女性図をも含んでいた。 - Wikipedia日英京都関連文書対訳コーパス

This work contains very different elements of story: a story of Princess Kaguya's being born from a bamboo (a story of extraordinary birth); a story of sudden growth as Kaguya's becoming grown-up in three months; a story of becoming a rich man as Taketori no Okina's flourishing due to miracles created by Princess Kaguya; a story of suitors and difficult tasks as her giving difficult tasks to the suitors to fail in solving them; a story of Emperor's marriage proposal as her refusing Emperor's courtship; a story of rising to heaven (a story of a robe of feathers) as Princess Kaguya's returning to the moon; a story of an origin of the name of the place as the name of Mt. Fuji being revealed at the end of the tale. 例文帳に追加

この作品には、かぐや姫が竹の中から生まれたという竹中生誕説話（異常出生説話）、かぐやが3ヶ月で大きくなったという急成長説話、かぐや姫の神異によって竹取の翁が富み栄えたという致富長者説話、複数の求婚者へ難題を課していずれも失敗する求婚難題説話、帝の求婚を拒否する帝求婚説話、かぐや姫が月へ戻るという昇天説話（羽衣説話）、最後に富士山の地名由来を説き明かす地名起源説話など、非常に多様な要素が含まれている。 - Wikipedia日英京都関連文書対訳コーパス

Saiichi MARUYA deepened this supposition in a conversation with Sususmu ONO, and argued the following two points:(1) Group b is centered on Utsusemi, Yugao, Suetsumuhana and Tamakazura, and it has a commonality in that these chapters depict the failure of Genji's love;(2) Its writing style is more sophisticated than that of group a, and it has more deepened descriptions, which means after the first part of the group a gained a reputation, group b was written this time to describe the human touch of Hikaru Genji, who was like a perfect hero in the fairy tale (Genji in group a was described as such). 例文帳に追加

丸谷才一は大野晋との対談でこの説をさらに深め、(1)b系は空蝉、夕顔、末摘花、玉鬘を中心に源氏の恋の失敗を描いた帖であることが共通している事、(2)筆がa系よりもこなれており叙述に深みがある事などの点から、a系第一部の評価が高くなったのちに、今度は御伽噺の主人公のように完璧な光源氏（実際にa系の源氏はそう描かれている）の人間味を描くために書かれたのがb系ではないかと述べている。 - Wikipedia日英京都関連文書対訳コーパス

There are questions as to why, as a main character, "The Tale of Genji" set the Genji clan, which was once made to have fallen from power by the Fujiwara clan in the Anna no Hen Conspiracy (after the reign of Emperor Suzaku there was no empress from the Genji clan but always from the Norther House of the Fujiwara clan, during the height of the Fujiwara clan (the author Murasaki Shikibu was also of the Fujiwara clan, and the commentary of "Japanese Various Families' Trees" says 'A court lady Murasaki Shikibu,... mistress of Michinaga,'), why Genji won the romance and why it described Genji's succession to the Imperial Throne (including the question of why, in all the dynasty tales, the Genji clan always wins (for example, Sagoromo Chujo in "The Tale of Sagoromo"). 例文帳に追加

『源氏物語』は、なぜ藤原氏全盛の時代（作者の紫式部も藤原氏で、その上『尊卑分脈』注に「紫式部是也（中略）御堂関白道長妾」とあるなど藤原道長の愛人とされる）に、かつて藤原一族が安和の変で失脚させた源氏（朱雀天皇以降、皇后に源氏がなったことはなく、常に藤原北家からの皇后である）を主人公にし、源氏が恋愛に常に勝ち、源氏の帝位継承をテーマとして描いた（王朝物語の全てが源氏が勝利する（例えば『狭衣物語』の狭衣中将）ことを含む）のか。 - Wikipedia日英京都関連文書対訳コーパス

Masaruko was in Emperor Nijo's favor, but she sorrowed that she didn't become a priest when Emperor Konoe died, and the reentry into the inner palace was not according to her will; she wrote a poem `I have had so many difficulties, yet came back to the palace and view the moon that used to be the moon I once viewed' ("Heike Monogatari" (The Tale of the Heike)). 例文帳に追加

多子は二条天皇の寵愛深かったが、この再入内は多子の望みではなく近衛天皇が崩御したとき出家しなかったことを嘆き、「おもひきや、うき身ながらにめぐりきて、をなじ雲井の月を見んとは（憂き身の上ながら、また再び宮中に戻ってきて昔ながらの月を眺めようとは…）」と歌を詠んだ（『平家物語』）。 - Wikipedia日英京都関連文書対訳コーパス

In "Konjaku Monogatari (Shu)" (The Tale of Times Now Past) Volume 24, Chapter 22 and "Uji Shui Monogatari" (a collection of the Tales from Uji) Episode 185, a younger brother of Nyudo Toshihira TAKASHINA controlled human life and death with Sando, and people feared it, calling it 'terrible Sando,' which mirrored the actual condition that arithmetic and mathematics were no longer considered learning, much less science, and were feared and detested as magic (spells). 例文帳に追加

『今昔物語集』巻24第22及び『宇治拾遺物語』185話に登場する高階俊平入道の弟が算道で人の生死を操って、人々から「おそろしき算の道」と恐れられたとされる話は最早、算術・数学が科学どころか学問ではなく、呪術として人々に怖れ嫌悪されていった実情を示していた。 - Wikipedia日英京都関連文書対訳コーパス

According to "Heiji Monogatari" (The tale of the Heiji), in the Heiji Disturbance, 'Tada kurodo dayu Yorinori (maybe a misunderstanding of Yorimori)' supported the Nobuyori FUJIWARA and Yoshitomo MINAMOTO side to attack Sanjo Palace together, so that he was appointed as governor of Settsu Province as a reward after the war, while it is unclear about the clan at that time as other historical materials do not mention Tada-Genji. 例文帳に追加

続く平治の乱では、「多田蔵人大夫頼範」（頼盛の誤伝か）なる人物が藤原信頼・源義朝方として三条殿襲撃に加わり、戦後恩賞として摂津守に任官されたことが『平治物語』にみえているが、その他の史料における所見はなく、多田源氏の動向は詳らかではない。 - Wikipedia日英京都関連文書対訳コーパス

Akiko YOSANO divided "The Tale of Genji" into two parts as before, but she proposed that the former part should be from 'Kiritsubo' to 'Fuji no Uraba,' which has a positive atmosphere mainly describing the success and advancement of Hikaru Genji, while the latter part should be from 'Wakana' to 'Yume no Ukihashi,' which has a negative atmosphere focusing on the agony of Genji and his offspring. 例文帳に追加

与謝野晶子は、それまでと同様に『源氏物語』全体を2つに分けたが、光源氏の成功・栄達を描くことが中心の陽の性格を持った「桐壺」から「藤裏葉」までを前半とし、源氏やその子孫たちの苦悩を描くことが中心の陰の性格を持った「若菜」から「夢浮橋」までを後半とする二分法を提唱した。 - Wikipedia日英京都関連文書対訳コーパス

During the late Edo period, contrary to the popular Chinese literature in those days, cheap novels such as "Nise Murasaki Inaka Genji (The tale of Genji in the Muromachi period)" (by Tanehiko RYUTEI) were written, which was turned into Kabuki, and a lot of 'Genjie paintings' (a kind of ukiyoe) were made, thus triggering the boom, but they soon disappeared with the emergence of the Tempo reforms. 例文帳に追加

江戸時代後期には、当時の中国文学の流行に逆らう形で、設定を室町時代に置き換えた通俗小説ともいうべき『偐紫田舎源氏』（柳亭種彦著）が書き起こされ、「源氏絵」（浮世絵の一ジャンル）が数多く作られたり歌舞伎化されるなど世に一大ブームを起こしたが、天保の改革であえなく断絶した。 - Wikipedia日英京都関連文書対訳コーパス

He also had recorded the differences of the text by bringing a small printed book of The Tale of Genji circulating in those days into the place where the manuscripts were preserved, comparing them on the spot, and writing down the differences on the book, because he 'had to finish investigation in quite a short time and he was not allowed to see the manuscripts again for the owner's convenience.' 例文帳に追加

「所蔵者ノ都合ニヨツテ極メテ短時間ノ内ニ調査シ、再調ノ機会ヲ許サレナカツタ」として当時出版されていた源氏物語の小型の印刷本を写本を所蔵している場所に持ち込んで本文の異同をその場で目で確認しながらその本に書き込むという方法によって本文異同を採録したような写本も存在する。 - Wikipedia日英京都関連文書対訳コーパス

Though patterns are roughly demarcated to two types; one is yusoku-monyo (traditional design motifs, used either in single units or repeated to create patterns, based on designs from Heian courtly decorations) that are scattered over the whole of kimono between the embroidery of the beauty of nature, and another is that the motif are taken from traditional literature such as the Tale of Genji or scenery of a noh play called 'goshoge,' compared to the kimono of the court nobles and common folks as described later, it seems that the design lacks boldness and there is a tendency to avoid blank space. 例文帳に追加

文様は花鳥風月の刺繍の間に有職文様がまんべんなく全体に散らされている物、また源氏物語などの古典文学や能の風景から画題をとった「御所解」に大分されるが、後述する公家や庶民の着物に対して柄行きの大胆さにかけ、余白を嫌う傾向が挙げられる。 - Wikipedia日英京都関連文書対訳コーパス

Considering that the Gojo-ohashi Bridge in the era of Ushiwakamaru and Benkei was located on the former Gojo-oji Street (the present-day Matsubara-dori Street), the historical evidence may not be properly examined, but the encounter of Ushiwakamaru with Benkei on Gojo-ohashi Bridge, which in fact occurred in a different place, may have been a contrived tale. 例文帳に追加

なお、牛若丸と弁慶の時代の五条大橋は、元の五条大路である松原通の方に架かる橋にあたるため、時代考証上の不備のように思われるが、牛若丸と弁慶の出会いはもともと五条大橋とは別の場所であったものを、後年作り話として「五条の橋の上」と設定したものに過ぎない。 - Wikipedia日英京都関連文書対訳コーパス

In "The Tale of Heiji," Muneko is depicted as having made every effort to spare Yoritomo's life, because Yoritomo was the very image of Iemori; however, in reality, it can be surmised that Muneko was acting in response to appeals made by Princess Muneko (a daughter of Taikenmonin, and an elder sister of Goshirakawa's born to the same mother) to whom Yoritomo had been in the service of, and the family of Atsuta Guji (chief of those who serves shrine, controls festivals and general affairs of the Atsuta Shinto Shrine) which was the In no Kinshin (vassal attending on a retired emperor) family of Taikenmonin (a family to which Yoritomo was related on his mother side). 例文帳に追加

『平治物語』では、頼朝が家盛に生き写しだったことから宗子が助命に奔走したとするが、実際には頼朝が仕えていた統子内親王（待賢門院の娘、後白河の同母姉）や同じ待賢門院近臣家の熱田宮司家（頼朝の母方の親族）の働きかけによるものと推測される。 - Wikipedia日英京都関連文書対訳コーパス

Additionally, "Various Japanese Family Trees" ("New Compilation of Various Japanese Family Trees Analogy") says that 'a court lady of Jotomonin, a poet, Murasaki Shikibu, an author of The Tale of Genji, or Masatada's granddaughter, Tametoki's daughter, mistress of Michinaga, the chief adviser to the Emperor,' which clearly shows that she was a mistress of Michinaga, but the true relationship between them is unknown. 例文帳に追加

鎌倉時代の公家系譜の集大成である『尊卑分脈』（『新編纂図本朝尊卑分脉系譜雑類要集』）になると、「上東門院女房　歌人　紫式部是也　源氏物語作者　或本雅正女云々　為時妹也云々　御堂関白道長妾」と紫式部の項にはっきり道長妾との註記が付くようになるが、彼女と道長の関係は不明である。 - Wikipedia日英京都関連文書対訳コーパス

However, according to Professor Shin'ichi MACHII of Sagami Women's University, "It should be appreciated that it writes history in a 'story' style using kana (also called 'woman's hand'), and that it was revolutionary in terms of being a history to be read by women, in making a historical tale by women and for women, combining history and literature to make history familiar." 例文帳に追加

しかし相模女子大学の待井新一教授によれば、「評価すべきは、女手（おんなて）といわれる仮名で物語風に歴史を書いている事で、女性にも読んでもらう史書を目指し女性による女性のための歴史物語を完成させた点、はじめて歴史と文学とを結合させ歴史を身近なものにした点では画期的な事」、として挙げられる。 - Wikipedia日英京都関連文書対訳コーパス

For example, even if the source used for a tale begins with 'Once upon a time, there was an old man and an old woman,' and the exact names are unknown, when that source is included in "The Collection of Tales of Times Now Past," it is written 'At a time now past, there was a man named [BLANK] from the country of [BLANK],' so that if in the future the information becomes clear, it can be added immediately. 例文帳に追加

例えば、典拠となった文献で「昔々、あるところにおじいさんとおばあさんがいました」という書き出しから始まる説話があり、その人名が具体的には伝わっていない場合であっても、その話を『今昔物語集』に収録する際には「今ハ昔、　ノ国ニ　トイフ人アリケリ」との形で記述され、後日それらの情報が明らかになった場合には直ちに加筆できる仕様になっている。 - Wikipedia日英京都関連文書対訳コーパス

The armor which 2-year-old Yoshiie wore, 'Genta ga Ubuginu' (the baby clothes of Genta), and the katana (Japanese sword) called 'Hige kiri' (beard cutter) that was named for cutting off the bearded heads of a thousand prisoners, became treasures passed down to the Kawachi-Genji clan heir, and there is an anecdote in the "Heiji Monogatari" (The Tale of Heiji) that Yoritomo MINAMOTO used it during the Heiji no ran (Heiji Rebellion). 例文帳に追加

義家が2歳のときに用いた「源太が産衣」という鎧と、生け捕った敵千人の首を髭ごと切ったことから「髭切」と名付けられた刀は、河内源氏嫡子に伝えられる宝となり、後の平治の乱では源頼朝が用いたという逸話が鎌倉時代初期の『平治物語』にある。 - Wikipedia日英京都関連文書対訳コーパス

The Chiba clan, which is mentioned later, was also famous for owning meiba and Sueshige HIRAYAMA boasted in the "Tale of Heike" that his horse was bought from the Chiba clan and donated a horse to associates of MINAMOTO no Yoritomo in the early Kamakura period, and gave the impression of managing good quality 'maki.' 例文帳に追加

また後で登場する千葉氏も名馬の保有で有名であり、『平家物語』の中で平山季重が自分の馬は千葉氏から手に入れたものだと自慢したり、鎌倉時代初期に源頼朝周辺に何度も献馬したりするなど、良質な「牧」を管理しているというイメージがあったようである。 - Wikipedia日英京都関連文書対訳コーパス

When they were trying to figure out the date when Kira Kozuke no Suke would be home, Oishi received information through his friend KADA no Azumaro, who was a scholar of Japanese classical literature, that the tea ceremony would be held on January 30 at Kira's residence since Azumaro was often invited to Kira's place to teach how to compose poetry and give lectures on "Genji Monogatari" (The Tale of Genji) as well as "Ise Monogatari" (The Tales of Ise). 例文帳に追加

吉良上野介在邸確実の日を探る必要もあったため、しばしば吉良邸に招かれて、『源氏物語』や『伊勢物語』を進講したり、歌の指導をしていた国学者荷田春満が、大石の友人であったので春満を通じて吉良邸茶会が12月14日にあるという情報を入手。 - Wikipedia日英京都関連文書対訳コーパス

Emperor Ichijo, who had listened to recitations of The Tale of Genji, praised the author to the court, saying that the author must be greatly talented to be conversant with Nihongi. The Minister of the Left, who heard this, started a rumor that the author wanted to be named Otsubone, Court Lady of Nihongi. "Unbelievable," said Shikibu on hearing about this. "I never displayed my knowledge in the Palace, nor did I in front of the maid."' 例文帳に追加

「内裏の上の源氏の物語人に読ませたまひつつ聞こしめしけるにこの人は日本紀をこそよみたまへけれまことに才あるべしとのたまはせけるをふと推しはかりにいみじうなむさえかあると殿上人などに言ひ散らして日本紀の御局ぞつけたりけるいとをかしくぞはべる」 - Wikipedia日英京都関連文書対訳コーパス

An opinion from the viewpoint of gender studies was raised against such conjectures about different authors:'The idea that "The Tale of Genji " was not written by Murasaki Shikibu alone but was augmented by someone else is based on sexism; it suggests that 'it can't be true that Murasaki Shikibu wrote such a masterpiece by herself.' 例文帳に追加

これらのさまざまな別作者論に対して、ジェンダー論の立場から、『源氏物語』は紫式部ひとりで全て書き上げたのではなく別人の手が加わっているとする考え方は、すべて「紫式部ひとりであれほどのものを書き上げられたはずはない」とする女性蔑視の考え方に基づくものであるとするとした。 - Wikipedia日英京都関連文書対訳コーパス

Many tales composed from the eleventh to twelfth centuries clearly discarded the tradition before "Utsuho monogatari" and depended instead on "The Tale of Genji," in that they had careful narration, excellent psychological descriptions, detailed descriptions rather than eventful stories, and a tendency toward lyricism and refinement. 例文帳に追加

11世紀より12世紀にかけて成立した数々の物語は、その丁寧な叙述と心理描写のたくみさ、話の波乱万丈ぶりよりも決めこまやかな描写と叙情性や風雅を追求しようとする性向において、あきらかに『宇津保物語』以前の系譜を断ちきり、『源氏物語』に拠っている。 - Wikipedia日英京都関連文書対訳コーパス

His thought that an indulgence in the Tale of Genji made him unhappy had already appeared in Sarashina Nikki (Sarashina Diary), written around 1060; his concrete actions are recognized in "Hobutsushu" (A Collection of Treasures) and the Genji Kuyo, which is thought to have been started between 1177 and 1180 and between 1185 and 1189, was actually held several times in medieval times. 例文帳に追加

源氏物語に耽溺したために自身が不幸になったとする思想は1060年ころ著された更級日記の中にすでに現れているが、具体的な行動としては『宝物集』などに現れており、治承（1177年から1180年）・文治（1185年から1189年）のころに始まったとされており、中世には実際に何度か行われている。 - Wikipedia日英京都関連文書対訳コーパス

When data are tabulated, the copy password, the FAX password and the printer password are read with the discrimination data in the corresponding tale as an index, and the processed number executed by each function, a time and the like are read from the copy memory 8, the FAX memory 9 and the printer memory 10.例文帳に追加

データを集計する場合は、対応テーブルの識別データをインデックスとして、コピー用パスワード、ＦＡＸ用パスワードおよびプリンタ用パスワードを読出し、さらに読出した各パスワードをインデックスとして、コピーメモリ８、ＦＡＸメモリ９およびプリンタメモリ１０からそれぞれの機能により実行された処理枚数や時間等が読出される。 - 特許庁

A common dream of the Himegimi (daughters of persons of high rank) in those days was to enter the Kokyu (a section of the Imperial Palace where the Imperial family and court ladies lived) and gain the love of the Mikado (Emperor), thus being elevated to Empress; accordingly, "The Tale of Genji" satisfied such ladies as it had as its protagonist a member of the Genji clan who was a direct descendant of the emperor that lived in a kind of pseudo-Kokyu and loved all women without distinction. The work was also welcomed by court nobles as an appealing work that offered a close observation of human psychology, love, and aesthetics. 例文帳に追加

当時の一般的な上流貴族の姫君の夢は、後宮に入り帝の寵愛を受け皇后の位に上ることであったが、『源氏物語』は、帝直系の源氏の者を主人公にし彼の住まいを擬似後宮にしたて女君たちを分け隔てなく寵愛するという内容で彼女たちを満足させ、あるいは人間の心理や恋愛、美意識に対する深い観察や情趣を書きこんだ作品として貴族たちにもてはやされたのである。 - Wikipedia日英京都関連文書対訳コーパス

Since according to "Eiga monogatari" (A Tale of Flowering Fortunes), FUJIWARA no Morosuke is evaluated as being compared with Saneyori by writing 'Ichi (Saneyori) Kurushiki Ni no hito (Morosuke)' (literally, 'as the top person (Saneyori) has little power, the second (Morosuke) comes'), it is believed that Saneyori did not have full control of government, Morosuke controlled the administration during the reign of Emperor Murakami, and that during the reigns of Emperor Reizei and Enyu, children of Morosuke, who was a maternal relative to both emperors, including FUJIWARA no Koretada and FUJIWARA no Kaneie, had actual control of the government. 例文帳に追加

また、『栄花物語』が、藤原師輔を、「一（実頼）苦しき二の人（師輔）」と実頼とを比較して評していることから、実頼の政治的実権が乏しく、村上天皇朝においては師輔、冷泉天皇・円融天皇朝においては両天皇と外戚関係にあった師輔の子藤原伊尹・藤原兼家等が実権を掌握したと捉えられている。 - Wikipedia日英京都関連文書対訳コーパス

He gained a reputation for roles such as Okaru, Enya hangan and Oishi of "Kanadehon Chushingura," Shizuka Gozen of "Yoshitsune Senbonzakura" (Yoshitsune and One Thousand Cherry Trees), Omiwa of "Imoseyama (Mt. Imose) Onna Teikin" (An Exemplary Tale of Womanly Virtue), Omitsu of "Shinpan Utazaimon" (The Love of Osome and Hisamatsu) (Nozaki Village), Tamate-Gozen of "Sesshu Gappo ga Tsuji" (A Kabuki Drama of Unfettered Evil) (Gappo Anjitsu [hermitage of Gappo]), Sakuramaru of "Sugawara Denju Tenarai Kagami" (Sugawara's secrets of calligraphy) and Yoshitsune of "Kanjincho" (The Subscription List) and "Jinya KUMAGAI, Ichi no Tani Futabagunki" (Chronicle of the Battle of Ichinotani) in the area of maruhonmono (Kabuki drama of joruri [puppet-play] origin). 例文帳に追加

丸本物では『仮名手本忠臣蔵』のお軽、塩冶判官、お石、『義経千本櫻』の静御前、『妹背山婦女庭訓』お三輪、『新版歌祭文』（野崎村）のお光、『攝州合邦辻』（合邦庵室）の玉手御前、『菅原伝授手習鑑』の桜丸、『勧進帳』や『一谷嫩軍記・熊谷陣屋』の義経などが当たり役であった。 - Wikipedia日英京都関連文書対訳コーパス

A war tale which seems to be 'Jokyuki' first appeared in the entry dated April 21 1374 of 'Record of Minister Kinsada' by Kinsada TOIN, and you can see that 'Hogen Monogatari,' 'Heiji Monogatari' 'Heike Monogatari,' and 'Jokyuki' were called 'Shibu Gassenjo' (four war tales) (or 'Shibu no Gassensho') in the several historical materials like 'Heike kanmonroku.' 例文帳に追加

「承久記」と思われる軍記物の初見は洞院公定の「公定公記」応永7年(1374年)4月21日条に見え、「平家勘門録」（へいけかもんろく）などの複数の史料に「保元物語」「平治物語」「平家物語」「承久記」の四つを「四部合戦状」（しぶがっせんじょう）（あるいは「四部之合戦書」）と呼んでいたことを見ることができる。 - Wikipedia日英京都関連文書対訳コーパス

In 1956 he moved to Toei Kyoto Movie Studios, directing many masterpieces featuring Toei star Kinnosuke YOROZUYA, such as "Kaze to onna to tabigarasu" (The Wind, a Woman and a Traveling Crow), in which the main characters daringly appeared with no makeup on in an age when stars generally wore white Shironuri makeup; "Mabuta no haha" (Mother of My Dreams), a reworking of Shin HASEGAWA's novel; and the unique "Sanada fuunroku" (Tale of the Sanada Family), a highly regarded example of the 'New Wave of Toei Jidaigeki,' which encompassed musicals, science fiction and social criticism. 例文帳に追加

1956年、東映京都撮影所に移籍し、白塗りのスターが活躍するのが主流だった時代に、あえて主要キャストがノーメイクで出演する『風と女と旅鴉』、長谷川伸の名作を甦らせた『瞼の母』、そしてミュージカルやSF、リアルタイムの時代批判などさまざまな要素を詰め込んで「東映時代劇のヌーヴェルヴァーグ」と絶賛された異色作『真田風雲録』など、東映の看板スターだった萬屋錦之介と組んで数々の傑作を監督する。 - Wikipedia日英京都関連文書対訳コーパス

"Ryori Monogatari" (tale of food) records that 'Irizake is made by putting 15-20 umeboshi, 2 sho (approx. 1.8 liters) of old sake, a little water, and a little tamari (rich soy sauce) into 1 sho of dried bonito before reducing it down to 1 sho, filtering it and cooling it, while there are some people who add 2 sho of sake and 1 sho of water before reducing it down to 2 sho; Nidashizake (extracted sake) is made by adding a little salt to dried bonito and boiling it for a while with new sake, filtering it and cooling it; and shojin irizake is made by putting chopped umeboshi and hoshi kabura (dried turnips) into grilled tofu with size of dengaku, and boiling it with old sake.' 例文帳に追加

『料理物語』によれば、「熬酒は鰹一升に梅干十五乃至二十、古酒二升、水少々、溜り少々を入れて一升に煎じ、漉し冷してよし、また酒二升、水一升入れて二升に煎じ使ふ人もある。煮出酒は、鰹に塩少々加へ、新酒で一泡二泡煎じ、漉し冷してよろし、精進の熬酒は、豆腐を田楽ほどに切り、炙つて、梅干、干蕪など刻み入れ、古酒で煎じてよし」という。 - Wikipedia日英京都関連文書対訳コーパス

To the criticism that says Yoshitsune won the battle by employing mean tactics, there are those who oppose to this criticism advocating that in the first place there were no established battle rules at that time (strictly speaking, "Konjaku Monogatari" (The Tale of Times Now Past) and other documents confirm that some rules including the place of battle for one-on-one fight and collective battle was established in several cases, such as when warriors (samurai) had a private reason or a problem concerning their territories or honor and both parties whished to solve the problems by themselves by way of a duel. 例文帳に追加

そもそも当時の合戦にルールは存在せず（厳密に言うならば、武士が私的な理由、所領問題や名誉に関わる問題で、自力・当事者間で解決しようとして合戦に及ぶ場合には一騎打ちや合戦を行う場所の指定などがあったことが『今昔物語集』などで確認できる）、義経の勝因を当時としては卑怯な戦法にある、と非難することに対する反論もある。 - Wikipedia日英京都関連文書対訳コーパス

In the "Heiji monogatari" (The tale of the Heiji), which recorded the above story, described that Muneko (Ike no Zenni) desperately beg for Yoritomo's life because he was the living image of her son Iemori, who had died young; but in fact, it was assumed that it was caused by the approaches of the Imperial Princess Muneko (a daughter of Taikenmonin, a maternal older half-sister of Goshirakawa) and the Atsuta-guji family (the family of Yoritomo's mother), which was the family of a trusted vassal of the Taikenmonin (Yasuo MOTOKI, "Hogen Heiji no ran o yominaosu"(Rereading the Hogen and Heiji Disturbances)). 例文帳に追加

上記内容を記している『平治物語』では、頼朝が早世した我が子家盛に生き写しだったことから宗子が助命に奔走したとするが、実際には頼朝が仕えていた統子内親王（待賢門院の娘、後白河の同母姉）や同じ待賢門院近臣家の熱田宮司家（頼朝の母方の親族）の働きかけによるものと推測される(元木泰雄『保元・平治の乱を読み直す』)。 - Wikipedia日英京都関連文書対訳コーパス

As depicted in the Tale of Genji set in the Heian period, the initial form was thought to be the shrine visits that the nobility made, which further transformed into Junrei to wish for a peaceful death through Jodo Shinko (belief of a pure land after death) such as the Kumano Sanzan (three shrines in Kumano) visits of the Cloistered Emperor Goshirakawa due to the spread of pessimism in a decadent age, and in the middle ages, Junrei were done by the ordinary public during the age of war and poverty. 例文帳に追加

平安時代の源氏物語に見られるような、貴族階級による願掛けを中心とした神社参詣がその初期形態ではないかとされ、その後仏教の末法思想の流行により、後白河法皇の熊野三山詣でなど浄土信仰を背景とした極楽往生を願う巡礼へと変化し、中世に入ると、戦乱や貧困の中で一般階級による巡礼も行なわれるようになった。 - Wikipedia日英京都関連文書対訳コーパス

Foremost classical stories include the following: among those without point are long continuous stories such as "Botan Doro (A Tale of the Peony Lamp" (this is usually regarded as Kaidan-banashi), "The Story of Tasuke SHIOBARA", "The Spine-Chiller in Kasanegafuchi", "The Story of Soza ANNAKA", "Futatsu Chocho (literally, two butterflies): Chobe and Chokichi", "Chikiri Iseya", "Bunji NARIHARA", "The Vendetta under a Nursing Hackberry Tree", "Otomi Yosaburo"; short stories such as "Bunshichi's Motoyui Shop", "Mitsui's Daikoku"; stories with points include "Dream of a Leather Wallet", "Parting with Son" (and "Children Hold a Marriage Together" is the latter part), "A Dyer and Courtesan Takao", "The Pumpkin Vendor", "Onaoshi (Extension Surcharge", "Rat Hole", "Kyuzo's Lottery", "Kaji Musuko (My Son is a Firefighter)", "Kakunoshin YANAGIDA", "Kajikazawa Precipice", "Dying Incense". 例文帳に追加

代表的な演目には、サゲのないものでは、続き物の長編が『牡丹灯籠』（一般には怪談噺に位置付けられる）、『塩原多助一代記』、『真景累ヶ淵』、『安中草三』、『双蝶々』、『ちきり伊勢屋』、『業平文治』、『怪談乳房榎』、『お富与三郎』、一席物は『文七元結』、『三井の大黒』、サゲのあるものでは『芝浜』、『子別れ』（『子は鎹』はその後編）、『紺屋高尾』、『唐茄子屋政談』（上方の『南京屋政談』）、『お直し』、『鼠穴』、『富久』、『火事息子』、『柳田格之進』、『鰍沢』、『立ち切れ線香』などがある。 - Wikipedia日英京都関連文書対訳コーパス

Therefore, Kikan IKEDA considers the folklore to be an untruth, as 'a bizarre rumor that doesn't deserve to be taken seriously'; however, Tetsuro WATSUJI states, 'The Tale of Genji has mysterious parts that readers can't understand until they have noticed the existence of some other tales on Hikaru Genji, which the present readers don't know about but once existed,' adding, 'This is not a supposition that should be immediately rejected.' 例文帳に追加

そのため池田亀鑑などはこの伝承を「とりあげるに足りない奇怪な説」に過ぎないとして事実ではないとしているが、和辻哲郎は、「現在の源氏物語には読者が現在知られていない光源氏についての何らかの周知の物語が存在することを前提として初めて理解できる部分が存在する。」として「これはいきなり斥くべき説ではなかろうと思う」と述べている。 - Wikipedia日英京都関連文書対訳コーパス

The existence of the apparent missing part in "The Tale of Genji" is not because of the complicated compositional process as TAKEDA claims, but it is due to the construction of a rich world by intentionally having 'an undescribed part' instead of describing everything in detail. 例文帳に追加

また『源氏物語』に一見すると欠落している部分が存在するように見えたりするのは武田説が主張するような複雑な成立の経緯が存在するために起きた現象なのではなく、物語の中に意図的に「描かれていない部分」を設けることによって全てを具体的に描くより豊かな世界を構成しようとする構想上の理由が原因であるとするもの。 - Wikipedia日英京都関連文書対訳コーパス

There is also an opinion that 'if the Aobyoshibon were true to the text that had existed before, Aobyoshibon would be one of the Beppon, in contrast to Kawachibon, which is a mixed text newly made; therefore, the lines of the text of The Tale of Genji shouldn't be divided into the three of Aobyoshibon, Kawachibon and Beppon, but instead into the two groups of Beppon and Kawachibon.' 例文帳に追加

あるいは、「もし青表紙本がそれ以前に存在したどれか一つの本文を忠実に伝えたのであれば、河内本が新しく作られた混成本文であるのに対し青表紙本とは別本の中の一つであり、源氏物語の本文系統は青表紙本・河内本・別本の3分類で考えるべきではなく別本と河内本の2分類で考えるべきである。」といったものがある。 - Wikipedia日英京都関連文書対訳コーパス

There are two opinions about this Sumori Monogatari: one is that it was complementally written by posterity based on Uji Jujo (The Ten Quires of Uji), and the other is that Sumori Monogatari including 'Chapter of Sumori' was once written by the same author who made the original story as a tale which took place after the death of Hikaru Genji, but for some reasons, it was thrown away, and later the present Uji Jujo which focuses on Ukifune was rewritten. 例文帳に追加

この巣守物語については、宇治十帖を踏まえた後人の補作であるという説と、本編と同じ作者により光源氏死後の物語として「すもりの巻」を含む巣守物語が一度書かれたが、何らかの理由で破棄され、その後改めて浮舟を中心とした現在の宇治十帖が書かれたのではないかとする説が存在する。 - Wikipedia日英京都関連文書対訳コーパス

Then, he changed his plan again into one for making a variorum which could be used for academic study as a first step of his work because there was no full-scale variorum of The Tale of Genji in those days and also because he thought that 'it is nonsense to simply compare old annotations which were made for the different texts, so I need to make it clear the differences among the annotated texts first in order to make a collection of old annotations.' 例文帳に追加

そして、「それぞれ異なった本文に対して注釈を加えているそれぞれの古注のそれだけをただ集め並べても比較することは出来ない。古注集成を作るためには先に注釈の対象となっている本文の異同を明らかにする必要がある。」として、当時まだ源氏物語の本格的な校本がなかったこともあり、再度計画を変更し、第1段階の作業として源氏物語の学術研究に耐えうる校本を作ることになった。 - Wikipedia日英京都関連文書対訳コーパス

The purpose of the Academy of Murasaki Shikibu is to promote classical literature as represented by "The Tale of Genji"; the academy was established on June 4, 1932 by Tsukuru FUJIMURA (president), who was the head of the Department of Japanese Literature, Faculty of Letters at Tokyo Imperial University; Senichi HISAMATSU (vice-president), a professor of Japanese literature at Tokyo Imperial University; and Kikan IKEDA (chairperson), a junior assistant of the Japanese literature study room at Tokyo Imperial University. 例文帳に追加

紫式部学会とは、1932年（昭和7年）6月4日に、東京帝国大学文学部国文学科主任教授であった藤村作（会長）、東京帝国大学文学部国文学科教授であった久松潜一（副会長）、東京帝国大学文学部国文学研究室副手であった池田亀鑑（理事長）らによって源氏物語に代表される古典文学の啓蒙を目的として設立された学会である。 - Wikipedia日英京都関連文書対訳コーパス

According to "Murasaki Shikibu Diary," when the author was writing the original text there existed certain lines of manuscript such as Sokobon (draft) and Seishobon (clean copy), and each of these was brought into circulation, which includes an unexpected case of Michinaga's taking the Sokobon (which the author had) without permission; therefore, the text of "The Tale of Genji" was passed down through a complicated process from the beginning. 例文帳に追加

『紫式部日記』の記述によると、そもそも作者の自筆の原本の段階で草稿本、清書本など複数の系統の本が存在し、作者の手元にあった草稿本が道長の手によって勝手に持ち出されるといった意図しないケースを含めてそれぞれが外部に流出するなど、『源氏物語』の本文は当初から非常に複雑な伝幡経路をたどっていたことが分かる。 - Wikipedia日英京都関連文書対訳コーパス