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「にとものがたり」に関連した英語例文の一覧と使い方(45ページ目) - Weblio英語例文検索


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にとものがたりの部分一致の例文一覧と使い方

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例文

『平家物語』ではここで義仲が朝日の将軍という称号を得て、義仲と行家が任国を嫌ったので義仲が源氏総領家にゆかりのある伊予国守に、行家が備前国守に移されたとしているが、義仲と差があるとして不満を示したのは行家のみで、義仲が忌諱した記録は見られない(『玉葉』8月11日条)。例文帳に追加

In "Tale of the Heike" it is said that Yoshinaka won the title of Asahi no Shogun then, and since Yoshinaka and Yukiie did not like the fact they shared their assigned territory with each other Yoshinaka was transferred to Iyo Kokushu, land related with Genji head family, and Yukiie was transferred to Bizen Kokushu; however, it was only Yukiie who showed his dissatisfaction at the difference between him and Yoshinaka, and there is no record of Yoshinaka's dissatisfaction ("Gyokuyo" Entry of August 11).  - Wikipedia日英京都関連文書対訳コーパス

本発明のペルソナ作成支援装置は、ペルソナの構成要素を入力する構成要素入力手段14と、構成要素を階層構造に分類する分類手段11と、前記階層構造に分類された構成要素から、人物写真、プロファイルおよび物語を生成するペルソナ生成手段11とを含むことを特徴とする。例文帳に追加

The persona creation support device includes a component input means 14 for inputting a component of the persona, a classifying means 11 classifying the component into a hierarchical structure and a persona creating means 11 creating a figure photograph, a profile and a story from the component classified into the hierarchical structure. - 特許庁

形成されるページの多少に関係なく掲載する物語内容に対応したページ数を設定し、背表紙部分と各ページで構成される本体部分の厚さが同一で、幼児でも安全かつ楽に取り扱うことができ、その形態も、本として紙製のものと同様の布製絵本の実現を目的としている。例文帳に追加

To provide a picture book made of cloth, allowing the number of pages to be set according to the content of a written tale regardless of the number of formed pages, allowing the thickness of a backbone portion to be the same as that of a body portion comprising the respective pages, safely and easily handled even by an infant, and having a form as a book similar to that of a book made of paper. - 特許庁

体裁で違うところといえば、題名のつけかたで、庭鐘が『英草子』第一篇「後醍醐帝三たび藤房の諫を折くこと話」とか『繁野話』第一篇「雲魂雲情を語つて久しきを誓ふ話」とか長くつけるのに対し、『雨月物語』の方は第一篇「白峯」や第二篇「菊花の約」のようにすっきりとした題がついている。例文帳に追加

Regarding the difference in style, the expression of titles is different; Teisho put a long title such as 'The story of Emperor Godaigo, who rejected the fujifusa's advice three times' as the first story in "Hanabusa Soshi," and 'The story of talking about souls and the scene of clouds that promise long-lasting relationships' as the first story in "Shigeshige Yawa," while "Ugetsu Monogatari" has short titles like 'Shiramine,' which is the first story, and 'The Chrysanthemum Vow,' which is the second.  - Wikipedia日英京都関連文書対訳コーパス

例文

後に頼通の娘藤原寛子入内に際して、内親王がこのまま中宮でよいと言ったという話が『栄花物語』に見えるが、これは先帝後朱雀天皇の後宮で同じく中宮であった禎子内親王(章子内親王には母方の従姉妹にあたる)が頼通の養女藤原嫄子の立后で皇后に押し上げられ、宮中入りもままならなかった状況を見ていたためでもあるだろう。例文帳に追加

When FUJIWARA no Kanshi (Hiroko), a daughter of Yorimichi, made her bridal entry into the court in later times, "Eiga monogatari" (Tale of Flowering Fortunes) described that the Princess said she would continue to be the second consort of an emperor, but it was because she saw the situation where Princess Teishi (Yoshiko/Sadako - maternal cousin of Imperial Princess Shoshi (Akiko)), the second consort of the former Emperor Gosuzaku at the inner palace, was forced to become an empress by the order from FUJIWARA no Genshi, adopted daughter of Yorimichi, and barely entered the Imperial Court.  - Wikipedia日英京都関連文書対訳コーパス


例文

喜八郎の祖父は長崎番十人組頭をし彼の孫の松雄が第二次世界大戦前夜の上海で特務機関員をしていた時にドイツ軍の親衛隊から迫害されていたユダヤ人の一団を三菱から徴用した船で米国へ逃がしたが、そのことは如何にもキリシタン大名を輩出した大村藩と開明的長崎港の歴史的縁を偲ぶ物語と言えよう。例文帳に追加

Kihachiro's grandfather was Nagasaki-ban Junin-gumi kashira, head of an autonomous group of 10 families, and is known for helping a group of Jews who were being persecuted by the Schutzstaffel (SS) to escape to the U.S. on a ship conscripted from Mitsubishi when Matsuo, his grandson was serving as in Special Service Agency in Shanghai on the eve of the Second World War; a story which reminds us of the historical bond between the domain of Omura that produced Christian daimyos and the open and liberal port of Nagasaki.  - Wikipedia日英京都関連文書対訳コーパス

これは、『栄華物語』月の宴の巻に、「むかし高野の女帝の御代、天平勝宝5年には左大臣橘卿諸兄諸卿大夫等集りて万葉集をえらび給」とあり、これが元暦校本の裏書に、またある種の古写本の奥書にもはいったことが、一定の信憑性をもつものである。例文帳に追加

A certain level of reliability of the supposition is ensured by the fact that there is a description in "Eiga monogatari" (A Tale of Flowering Fortunes), Volume of Tsuki no Utage (party of the moon), saying 'in 753, TACHIBANA no Moroe the Sadaijin and others gathered to select Manyoshu poems in the era of the Empress of Koya' and that this description was included in the book-end notes of Genryaku Kohon (Genryaku Collated Text) and in the postscript of a certain old manuscript.  - Wikipedia日英京都関連文書対訳コーパス

その創作活動は1967年から1970年にピークを迎え、藤純子主演の『緋牡丹博徒』ではシリーズ中屈指の傑作である『お竜参上』を監督し、安藤昇を主演に迎え『男の顔は履歴書』や『懲役十八年』などのアクション映画を成功させ、大映の任侠スターだった江波杏子を東映に迎えて一種異様な怨念に彩られた復讐物語『昭和おんな博徒』を手掛けた。例文帳に追加

His creative activities reached a peak from 1967 to 1970; he directed the masterpiece "Oryu sanjo" (The Appearance of Oryu), part of the "Hibotanbakuto" series, starring Junko FUJI; made successful action movies such as "By a Man's Face Shall You Know Him" and "The Eighteen-year Sentence" which starred Noboru ANDO; and directed "Showa onna bakuto" (A Showa Lady Gambler), a revenge story featuring a strange curse in which Kyoko ENAMI, a star of yakuza films who had moved from Daiei to Toei, played the lead.  - Wikipedia日英京都関連文書対訳コーパス

これらのさまざまな別作者論に対して、ジェンダー論の立場から、『源氏物語』は紫式部ひとりで全て書き上げたのではなく別人の手が加わっているとする考え方は、すべて「紫式部ひとりであれほどのものを書き上げられたはずはない」とする女性蔑視の考え方に基づくものであるとするとした。例文帳に追加

An opinion from the viewpoint of gender studies was raised against such conjectures about different authors:'The idea that "The Tale of Genji " was not written by Murasaki Shikibu alone but was augmented by someone else is based on sexism; it suggests that 'it can't be true that Murasaki Shikibu wrote such a masterpiece by herself.'  - Wikipedia日英京都関連文書対訳コーパス

例文

その後の何人かの学者はこのはこの2つの二分法をともに評価し、玉上琢弥は第一部を「桐壺」から「藤裏葉」までの前半部と、「若菜」から「幻」までの後半部に分け、池田亀鑑は、この2つを組み合わせて『源氏物語』を「桐壺」から「藤裏葉」までの第一部、「若菜」から「幻」までの第二部、「匂兵部卿」から「夢浮橋」までの第三部の3つに分ける三部構成説を唱えた。例文帳に追加

Later some scholars accepted the dichotomy positively, and Takuya TAMAGAMI divided the first part into two groups: the former group is from 'Kiritsubo' to 'Fuji no Uraba,' and the latter group is from 'Wakana' to 'Maboroshi'; Kikan IKEDA took these two ideas into consideration and claimed a new theory of a three-part structure in which the first part is from 'Kiritsubo' to 'Fuji no Uraba,' the second part is from 'Wakana' to 'Maboroshi' and the third part is from 'Niou Hyobukyo' to 'Yume no Ukihashi.'  - Wikipedia日英京都関連文書対訳コーパス

例文

紫式部学会とは、1932年(昭和7年)6月4日に、東京帝国大学文学部国文学科主任教授であった藤村作(会長)、東京帝国大学文学部国文学科教授であった久松潜一(副会長)、東京帝国大学文学部国文学研究室副手であった池田亀鑑(理事長)らによって源氏物語に代表される古典文学の啓蒙を目的として設立された学会である。例文帳に追加

The purpose of the Academy of Murasaki Shikibu is to promote classical literature as represented by "The Tale of Genji"; the academy was established on June 4, 1932 by Tsukuru FUJIMURA (president), who was the head of the Department of Japanese Literature, Faculty of Letters at Tokyo Imperial University; Senichi HISAMATSU (vice-president), a professor of Japanese literature at Tokyo Imperial University; and Kikan IKEDA (chairperson), a junior assistant of the Japanese literature study room at Tokyo Imperial University.  - Wikipedia日英京都関連文書対訳コーパス

『平家物語』にも昔関白藤原師通が延暦寺の大衆(仏教)を攻撃したために日吉大社の神罰を受けて死亡したという説話を載せている(神仏習合が定着しつつあった当時は、延暦寺と麓の日吉大社は一体のものとしてとらえられ、僧侶を攻撃した仏罰が日吉大社の神罰の形式で下されたと解された)。例文帳に追加

In "Heike Monogatari" (The tale of the Heike), there is a tale that FUJIWARA no Moromichi, chief adviser to the Emperor, died of punishment from the God of the Hiyoshi-taisha Shrine because he had attacked Daishu (The monks residing in the zendo) of the Enryaku-ji Temple in ancient times (in those days when syncretism of Shinto and Buddhism was being established, the Enryaku-ji Temple on Mt.Hiei and the Hiyoshi-taisha Shrine on its foot were regarded as the same entity and the Butsubachi caused by his attack against priests was given in the form of punishment from the god of the Hiyoshi-taisha Shrine).  - Wikipedia日英京都関連文書対訳コーパス

酒で腐った衣をまとい、髪を剃り上げて鬘にすることで屈強の武士から逃れたサホビメの物語は伝説だとしても、壇ノ浦の戦いの際、入水した女性達が長い髪を熊手で絡め取られて捕虜となった様に、髪を捕まえられると逃走や抵抗が難しくなってしまう。例文帳に追加

The story about Sahobime who escaped from strong samurai by being clad in a dress rotten by alcohol and wearing a wig after shaving her head might be a legend; however, women indeed had difficulty in running away and fighting back when grabbed by the hair as shown in the scene in the Battle of Dannoura that women who tried to commit suicide by drowning were captured by their hair's being entangled with a rake and were held captive.  - Wikipedia日英京都関連文書対訳コーパス

あるいは、「もし青表紙本がそれ以前に存在したどれか一つの本文を忠実に伝えたのであれば、河内本が新しく作られた混成本文であるのに対し青表紙本とは別本の中の一つであり、源氏物語の本文系統は青表紙本・河内本・別本の3分類で考えるべきではなく別本と河内本の2分類で考えるべきである。」といったものがある。例文帳に追加

There is also an opinion that 'if the Aobyoshibon were true to the text that had existed before, Aobyoshibon would be one of the Beppon, in contrast to Kawachibon, which is a mixed text newly made; therefore, the lines of the text of The Tale of Genji shouldn't be divided into the three of Aobyoshibon, Kawachibon and Beppon, but instead into the two groups of Beppon and Kawachibon.'  - Wikipedia日英京都関連文書対訳コーパス

東映においても社会派映画を次々と製作、1957年、霞ヶ浦を舞台に農村の貧困を描いた、今井の初のカラー作品『米(映画)』や、原爆症の少女と不良少年の恋を描く『純愛物語』、1961年、李承晩ラインをめぐる日韓関係の悪化を、在日朝鮮人の若い漁師を通して描く『あれが港の灯だ』など話題を呼んだ。例文帳に追加

Also in Toei, Imai created a series of social films: in 1957, the two movies, "Kome" (The Rice People), his first color film depicting poverty in a farming village set in Kasumigaura, and "Junai monogatari" (The Story of Pure Love), a story of love between a girl suffering from radiation sickness and a delinquent boy, became popular; in 1961, "Arega minato no hi da" (That Is the Port Light), a film depicting through young Korean fishermen in Japan the deteriorated relationship between Japan and Korea caused by the dispute of the Syngman Rhee Line, became a hit.  - Wikipedia日英京都関連文書対訳コーパス

「所蔵者ノ都合ニヨツテ極メテ短時間ノ内ニ調査シ、再調ノ機会ヲ許サレナカツタ」として当時出版されていた源氏物語の小型の印刷本を写本を所蔵している場所に持ち込んで本文の異同をその場で目で確認しながらその本に書き込むという方法によって本文異同を採録したような写本も存在する。例文帳に追加

He also had recorded the differences of the text by bringing a small printed book of The Tale of Genji circulating in those days into the place where the manuscripts were preserved, comparing them on the spot, and writing down the differences on the book, because he 'had to finish investigation in quite a short time and he was not allowed to see the manuscripts again for the owner's convenience.'  - Wikipedia日英京都関連文書対訳コーパス

韓国での同シリーズの人気について,韓国の出版社幹部は,「『深夜食堂』は20代の女性に特に人気が高い。この漫画シリーズは,典型的なサクセスストーリーではなく,恵まれない人たちの心温まる物語で構成されている。作りやすい日本食もこのシリーズの魅力の1つだろう。」と語った。例文帳に追加

Regarding the popularity of the series in South Korea, a Korean publishing executive said, "‘Shinya Shokudo' is especially popular with women in their 20s. This manga series consists of heartwarming stories about somewhat unhappy people rather than of typical success stories. Easy-to-make Japanese dishes may also be part of the appeal of the series."  - 浜島書店 Catch a Wave

与謝野晶子は、それまでと同様に『源氏物語』全体を2つに分けたが、光源氏の成功・栄達を描くことが中心の陽の性格を持った「桐壺」から「藤裏葉」までを前半とし、源氏やその子孫たちの苦悩を描くことが中心の陰の性格を持った「若菜」から「夢浮橋」までを後半とする二分法を提唱した。例文帳に追加

Akiko YOSANO divided "The Tale of Genji" into two parts as before, but she proposed that the former part should be from 'Kiritsubo' to 'Fuji no Uraba,' which has a positive atmosphere mainly describing the success and advancement of Hikaru Genji, while the latter part should be from 'Wakana' to 'Yume no Ukihashi,' which has a negative atmosphere focusing on the agony of Genji and his offspring.  - Wikipedia日英京都関連文書対訳コーパス

多子は二条天皇の寵愛深かったが、この再入内は多子の望みではなく近衛天皇が崩御したとき出家しなかったことを嘆き、「おもひきや、うき身ながらにめぐりきて、をなじ雲井の月を見んとは(憂き身の上ながら、また再び宮中に戻ってきて昔ながらの月を眺めようとは…)」と歌を詠んだ(『平家物語』)。例文帳に追加

Masaruko was in Emperor Nijo's favor, but she sorrowed that she didn't become a priest when Emperor Konoe died, and the reentry into the inner palace was not according to her will; she wrote a poem `I have had so many difficulties, yet came back to the palace and view the moon that used to be the moon I once viewed' ("Heike Monogatari" (The Tale of the Heike)).  - Wikipedia日英京都関連文書対訳コーパス

が、志方正和は公家が残した日記や源氏物語を研究した結果、藤原隆家の下で大宰少弐であった則隆の父藤原政則が、肥後国住人と記述されていることから、政則と則隆の代1070年ころ菊池周辺に土着したとする説を発表、この説が現在まで有力とされている。例文帳に追加

However, in his study on the diaries left by nobles and The Tale of Genji, Masakazu SHIKATA found that Noritaka's father, FUJIWARA no Masanori, who was Dazai no shoni (junior assistant governor of Dazaifu, local government office in Kyushu region) under FUJIWARA no Takaie, was mentioned as a resident of Higo Province, and on this finding, Shikata presented a theory that the family was settled in the vicinity of Kikuchi around 1070, during the generations of Masanori and Noritaka, and since then, this is considered as a theory with high credibility.  - Wikipedia日英京都関連文書対訳コーパス

義経伝説の中でも特に有名な武蔵坊弁慶との五条大橋での出会い、陰陽師鬼一法眼の娘と通じて伝家の兵書『六韜』『三略』を盗み出して学んだ話、衣川合戦での武蔵坊弁慶弁慶の立ち往生伝説などは、死後200年後の室町時代初期の頃に成立したといわれる『義経記』を通じて世上に広まった物語である。例文帳に追加

Among the Yoshitsune legends, especially famous stories is the story of his encounter with Musashibo Benkei at Gojo-ohashi Bridge, the anecdote that he learned strategy by stealing ancient Chinese strategy books, "Rikuto" and "Sanraku" owned by Onmyoji (diviner) Hogen KIICHI, making use of a love affair with his daughter, and the legend of Musashibo Benkei's Standing Death in the Battle of Koromogawa, and they were extended widely through "Gikeiki," which is said to have been written in the early Muromachi period, 200 years after Yoshitsune's death.  - Wikipedia日英京都関連文書対訳コーパス

『平治物語』では重盛と義平が待賢門で一騎打ちを繰り広げ、御所の右近の橘・左近の桜の間を7度も義平が重盛を追い回した、頼盛が退却中に敵に追いつかれそうになり重代の名刀「抜丸」で辛くも撃退した、というエピソードが出てくるがこれらは話を盛り上げるための創作と思われる。例文帳に追加

The "Heiji monogatari" describes a scene in which Shigemori and Yoshihira fought in single combat at the Taikenmon gate, Yoshihira driving Shigemori back seven times in an area of the palace between the tachibana on the right and the cherry tree on the left, and meanwhile, Yorimori was staging a fighting withdrawal, but when he came under danger of being overrun by his foes he furiously struck all around him with 'Nukimaru,' his famous and ancient sword; needless to say, this episode is considered to be a literary embellishment to create a stirring climactic scene.  - Wikipedia日英京都関連文書対訳コーパス

『伊勢物語』第五段によると在原業平と順子の姪である藤原高子が密かに恋に落ちたのは、高子が入内前、この邸にいた時で、門からは入れない業平は、子どもが踏みあけておいた塀の崩れから忍び込んだらしい(「…門よりもえ入らで、童べの踏みあけたる築地のくづれより通ひけり」)。例文帳に追加

According to Act 5 of "Tales of Ise," the time when ARIWARA no Narihira and a niece of Nobuko, FUJIWARA no Takaiko fell in love in secrecy was when Takaiko lived in this residence and before she was sent to court to marry the emperor, so as Narihira could not enter the house from the main gate, it seems that he crept into the house from a the torn wall or a hole a kid kicked down and made (...as he could not enter the house from the gate, he sneaked in from part of a collapsed wall made by a child).  - Wikipedia日英京都関連文書対訳コーパス

『尊卑分脈』の桓武平氏系図で清盛の娘の一人に常盤を母とする廊御方が記されているが、この書物の成立自体が南北朝時代(日本)末期であり、室町時代以降にも多くの加筆が加えられているので、後代の人が物語に見える説を取り入れ書き加えた可能性がある。例文帳に追加

Although a Lady Ro is mentioned in the genealogy of the Kanmu-Heishi (Taira clan) in the "Sonpi Bunmyaku" (Lineage Sects of Noble and Humble) as the daughter of Kiyomori by Tokiwa, this book was written at the end of the period of the Northern and Southern Courts (Japan) with further information being added from the Muromachi period onwards, and it is possible that this information was a late addition.  - Wikipedia日英京都関連文書対訳コーパス

貴族の着装の機会は、院政から鎌倉時代に、太上天皇が宇治などの遠所に御幸するときに供奉の貴族が用いた例などを挙げることができ、鎌倉時代後期の「春日権現験記絵」や「なよ竹物語絵巻」では貴族が家庭内での略装として黄色い無文水干を用いている図が見られる。例文帳に追加

From the cloistered government period to the Kamakura period, the aristocracy wore suikan when accompanying the retired Emperor on long journeys to places such as Uji, and the 'Kasuga Gongen Kenkie' (picture scrolls of the origins of Kasuga Shrine) and 'Nayotake Monogatari Emaki' (picture scrolls of the Tales of Nayotake) from the late Kamakura period have pictures of aristocrats wearing yellow mumon suikan (unpatterned suikan) as informal wear at home.  - Wikipedia日英京都関連文書対訳コーパス

武田家伝統の赤備えで編成した真田信繁隊は、天王寺・岡山の戦い天王寺口の戦いで家康本陣を攻撃し、三方ヶ原の戦い以来と言われる本陣突き崩しを成し遂げ、『真田日本一の兵古よりの物語にもこれなき由』と薩摩旧記(島津家)に賞賛される活躍を見せた。例文帳に追加

Nobushige SANADA's troop formed in the Takeda Family's traditional Akazonae attacked the headquarters of Ieyasu in the battle of Tenno-ji and the battle of Tenno-ji-guchi, in which they achieved the breaking of headquarters which was said to be for the first time since the Battle of Mikatagahara, and showed the performance as praised in the Satsuma Nikki (Journal of Satsuma Domain) (Shimazu Family) which tells, "Sanada is the best troop in Japan. Even an old story has never told such a strong troop."  - Wikipedia日英京都関連文書対訳コーパス

実際、『三河物語』によると、同行しながらかなりの金品を持っていて家康従者に強奪されるのではと恐れて距離を置いていた穴山信君一行は、山城国綴喜郡の現在の木津川河畔(現在の京都府京田辺市の山城大橋近く)の渡しで、落ち武者狩りの土民に追いつかれ襲撃されて死んでいる。例文帳に追加

In fact, according to "Mikawa Monogatari," the group of Nobukimi ANAYAMA, who accompanied Ieyasu but kept a certain distance because he had a considerable amount of money and goods and was afraid of being robbed of them by Ieyasu's valets was caught up and killed by natives who were looking for fleeing defeated warriors at the ferry on the bank of the present Kizu River (in the vicinity of the present Yamashiro-Ohashi in Kyotanabe City, Kyoto Province) in Tsuzuki County, Yamashiro Province.  - Wikipedia日英京都関連文書対訳コーパス

主なヒット曲には「雨の慕情」「おまえとふたり」「大阪しぐれ」「みちのくひとり旅」「奥飛騨慕情」「さざんかの宿」「兄弟船」「氷雨」「娘よ」「北酒場」「矢切の渡し(細川たかし)」「長良川艶歌」「つぐない」「時の流れに身をまかせ」「すずめの涙」「夢おんな」「雪國」「酒よ」「雪椿」「命くれない」「恋歌綴り」「むらさき雨情」「こころ酒」「夜桜お七」「蜩」「珍島物語」など。例文帳に追加

Major hits included 'Ame no Bojo' (Longing in the Rain), 'Omae to Futari' (Together with You), 'Osaka Shigure,' 'Michinoku Hitoritabi' (Solitary Journey to Michinoku), 'Okuhida Bojo' (Longing in Okuhida), 'Sazanka no Yado,' 'Kyodai Bune,' 'Hisame' (Chilly Rain), 'Musume Yo,' 'Kitasakaba,' 'Yagiri no Watashi (Takashi HOSOKAWA)' (Yagiri Ferry), 'Nagaragawa Enka' (Nagara-gawa River Song), 'Tsugunai' (Compensation), 'Toki no Nagare ni Mi wo Makase' (Yielding Myself to the Flow of Time), 'Suzume no Namida' (Tears of Sparrow), 'Yume Onna' (Dreaming Woman), 'Yuki Guni' (Snow Country), 'Sake Yo,' 'Yuki Tsubaki' (Snow Camellia), 'Inochi Kurenai' (Crimson Life of Passion), 'Koi Uta Tsuzuri' (Writing a Love Song), 'Murasaki Ujo'(Purple Rain), 'Kokoro Zake' (Sake of the Heart), 'Yozakura Oshichi' (Oshichi under the Cherry Blossoms in the Night), 'Higurashi' (An Evening Cicada), 'Chindo Monogatari' (A Story of Jindo).  - Wikipedia日英京都関連文書対訳コーパス

『平家物語』でも、兵糧不足で停滞していた頃の範頼の遠征軍が、遊女と戯れ進軍を怠っている事になっており、宇治川合戦後の後白河法皇の御所への参院で範頼がいなかった事にされるなど、義経の武勲を引き立てるために範頼の活躍を矮小化している傾向がある。例文帳に追加

About the period when Noriyori was forced to stop because of army provisions shortage, "The Tale of the Heike" describes it as if Noriyori stayed there to play with yujo (prostitutes) and neglected his duties, in addition to this according to "The Tale of the Heike" only Yoshitsune came to gosho of Cloistered Emperor Goshirakawa, so this seems to overrate Yoshitsune's Bukun (deeds of arms) by making light of Noriyori's activities.  - Wikipedia日英京都関連文書対訳コーパス

教利は『源氏物語』の光源氏を想起させる「天下無双」の美男子で、その髪型や帯の結び方が「猪熊様(いのくまよう)」と称されて京都の流行になるほど評判であったが、かねてから女癖の悪さにも定評があり、「公家衆乱行随一」と称されていたとされる。例文帳に追加

Noritoshi was 'more handsome than any other man under the sun,' reminding everyone of Hikaru Genji in "Genji Monogatari" (The Tale of Genji), and so highly-reputed for his beauty that his hair style and his way of knotting obi (a sash for traditional Japanese garment) were called 'Inokuma style' and became a major trend in Kyoto, but he was also notorious for messing around with women and it is said that he was also called 'the most immoral man of court nobles.'  - Wikipedia日英京都関連文書対訳コーパス

この国から遠く離れたところで今夜を見つめているみなさん。外国の議会や宮殿で見ているみなさん、忘れ去られた世界の片隅でひとつのラジオの周りに身を寄せ合っているみなさん、私たちの物語はそれぞれ異なります。けれども私たちはみな、ひとつの運命を共有しているのです。アメリカのリーダーシップはもうすぐ、新たな夜明けを迎えます。例文帳に追加

And all those watching tonight from beyond our shores, from parliaments and palaces, to those who are huddled around radios in the forgotten corners of the world, our stories are singular, but our destiny is shared, and a new dawn of American leadership is at hand. - Tatoeba例文

文様は花鳥風月の刺繍の間に有職文様がまんべんなく全体に散らされている物、また源氏物語などの古典文学や能の風景から画題をとった「御所解」に大分されるが、後述する公家や庶民の着物に対して柄行きの大胆さにかけ、余白を嫌う傾向が挙げられる。例文帳に追加

Though patterns are roughly demarcated to two types; one is yusoku-monyo (traditional design motifs, used either in single units or repeated to create patterns, based on designs from Heian courtly decorations) that are scattered over the whole of kimono between the embroidery of the beauty of nature, and another is that the motif are taken from traditional literature such as the Tale of Genji or scenery of a noh play called 'goshoge,' compared to the kimono of the court nobles and common folks as described later, it seems that the design lacks boldness and there is a tendency to avoid blank space.  - Wikipedia日英京都関連文書対訳コーパス

中でも宣長との「夢中対面図」をはじめ、「高根神の尊図」仙境異聞の中で寅吉から異界の模様を聞き糺し、仙境の模様を精密に筆写描写して絵図に描いた「七生舞の記」や「仙境図」・「霊宝五嶽真形図」などの他「稲生平太郎物語」や「おのころ島の図」「氣吹舎日記」などの貴重な資料集を写真公開している。例文帳に追加

Photographs of valuable material collections, especially 'Description of an encounter in the dream' with Norinaga and 'treasured figure of the god of the lofty peak', and 'Shichishomai no Ki' (The Dance of Seven Lifetimes), 'Senkyo-zu' (Enchanted Land) and 'Reiho Gogaku Shinkei-zu' (sacred treasure of the genuine map of five sacred mountains) that describe details of Senkyo in painting by ascertaining the truth of the different world's scenery by asking Torakichi in Senkyo Ibun, as well as 'Ino Heitaro Monogatari' (The Story of Heitaro INO), 'Onokoro-jima no zu' (the picture of Onokoro Island) and 'Ibukinoya Nikki' (Diary of Ibukinoya) were revealed.  - Wikipedia日英京都関連文書対訳コーパス

全40巻で、南北朝時代(日本)を舞台に、後醍醐天皇の即位から、鎌倉幕府の滅亡、建武の新政とその崩壊後の南北朝分裂、観応の擾乱、2代将軍足利義詮の死去と細川頼之の管領就任まで(1318年(文保2年)-1368年(貞治6年)頃までの約50年間)を書く軍記物語。例文帳に追加

It is a war chronicle in 40 volumes that describes the period of the Northern and Southern Courts (Japan) from 1318 through 1368 (for about 50 years), starting from Emperor Godaigo's ascension to the throne and continuing through the fall of the Kamakura shogunate, the Kemmu Restoration and the split into northern and southern courts that followed its collapse; the Kanno disturbance, and the death of the second shogun, Yoshiakira ASHIKAGA, and ending with the assumption of the office of kanrei (deputy shogun) by Yoriyuki HOSOKAWA.  - Wikipedia日英京都関連文書対訳コーパス

物語は、母系制が色濃い平安朝中期を舞台にして、天皇の皇子として生まれながら臣籍降下して源氏姓となった光源氏が数多の恋愛遍歴をくりひろげながら人臣最高の栄誉を極め(第1部)、晩年にさしかかって愛情生活の破綻による無常を覚えるさままでを描く(第2部)。例文帳に追加

The story takes place in the mid-Heian period, when matriarchy was dominant, and describes Hikaru Genji, who, demoted in rank and given the family name of Genji despite his birth as a son of the Emperor, has many love affairs and achieves great glory (Part 1), and ultimately experiences the impermanence of worldly things caused by the collapse of his love life (Part 2).  - Wikipedia日英京都関連文書対訳コーパス

「典籍」は経典、物語、和歌集、歴史書などの著作物のことでこの中には高野切本(こうやぎれぼん)古今和歌集のように書道史上貴重な遺品も含まれるが、書道史上の価値よりも文学作品・歴史書などの古伝本・テキストとしての価値が評価されて指定されたものも多い。例文帳に追加

Books' refers to various written works like sutras, monogatari (tales), waka poetry anthologies, and history books; among all these books, some works, like for example the Koyagire-bon (copied manuscript) of the "Kokin wakashu" (A Collection of Ancient and Modern Japanese Poetry), are by past calligraphy masters and are considered historically valuable as calligraphy pieces but are still included in the Books sub-category, yet most of the items designated national treasures as books are more highly regarded for their value as ko denpon (ancient books transcribed and still extant) texts of literature or history rather than for their value as calligraphy works.  - Wikipedia日英京都関連文書対訳コーパス

本作以前にこの赤穂事件を扱った歌舞伎や人形浄瑠璃の演目としては、事件後間もない元禄十四〜五年(1702–03年)の『東山榮華舞台』(江戸山村座)、『曙曽我夜討』(江戸中村座)や、宝永六年(1710年)の、『太平記さざれ石』、『鬼鹿毛無佐志鐙』、そして近松門左衛門作の『碁盤太平記』などがあり、その世界も「小栗判官物」、「曽我物語」、「太平記物」などさまざまだった。例文帳に追加

Other kabuki or ningyo joruri plays based on the Ako Incident that existed before this program include "Higashiyama eiga no butai" (Edo Yamamura-za theater) and "Akemono Soga yauchi" (Edo Nakamura-za theater) performed from 1902 and 1703, shortly after the incident, "Taiheiki Sazareishi" and "Onikage Musashiabumi" performed in 1710, and "Goban Taiheiki" written by Monzaemon CHIKAMATSU; their stories vary from 'Oguri Hoganmono' (Oguri Hogan-style), 'Soga monogatari' (the tale of Soga) to 'Taiheikimono' (Taiheiki-style).  - Wikipedia日英京都関連文書対訳コーパス

この主従関係は騎士道物語などのイメージから誠実で奉仕的な物と考えられがちだが、実際にはお互いの契約を前提とした現実的なもので、また両者の関係が双務的であった事もあり、主君が臣下の保護を怠ったりした場合は短期間で両者の関係が解消されるケースも珍しくなかった。例文帳に追加

This relationship of master and servant is often connected with the image of chivalric tales and seen as faithful and self-sacrificing, but it is in fact, a realistic relationship based on a mutual agreement, and the relationship was reciprocal and sometimes dissolved in shortly when the lord failed to protect his retainer.  - Wikipedia日英京都関連文書対訳コーパス

また歴史物語である『増鏡』では、弘安4年の勅使の記事について、経任に随従した二条為氏が帰途の際に元王朝敗退の報を聞いて詠んだとされている「勅として祈るしるしの神風によせくる浪はかつくだけつつ」という和歌の記事しか記載されていないが、一説にはこの歌は経任が詠んだにも関わらず、忠義と愛国の情に満ちたこの歌を変節漢の経任が詠んだという事実そのものに不満を持つ『増鏡』著者の手によって著者を為氏にと書き改められたのではという説が唱えられている程である。例文帳に追加

In "Masukagami" ("The Clear Mirror"), which is a book of historical stories, only an article on a waka (=tanka; a traditional Japanese poem of thirty-one syllables), 'By virtue of the kamikaze that was the result of our pray by an imperial order, surging waves were broken,' which was reportedly composed by Tameuji NIJO, who accompanied Tsunetada, on the occasion he heard about the defeat of the Yuan Dynasty, was recorded with respect to an Imperial envoy in 1281; however, there is a view that, although Tsunetada composed this waka but the author of "Masukagami" who was not satisfied with the fact that such a waka, which was filled with loyalty and patriotism, was composed by an apostate like Tsunetada, changed the composer of the waka to Tameuji.  - Wikipedia日英京都関連文書対訳コーパス

阿部秋生により唱えられたもので、「もし青表紙本が藤原定家の目の前にあったある写本(当然これは古伝本系の別本の一つである)の中の一つを忠実に写し取ったものであるならば、青表紙本とは実は古伝本系別本の一つであるということになる。」という考え方をもとに、青表紙本を別本に含めて考えることにより、源氏物語の本文を河内本と別本の二系統に分類する考え方である。例文帳に追加

This is a theory advocated by Akio ABE that Aobyoshi-bon could be included in the Beppon group, so the texts of The Tale of Genji are divided into two groups, Kawachi-bon and Beppon lines, which was based on the idea that 'if Aobyoshi-bon had been a manuscript faithfully transcribed from the manuscript (one of the Beppon of the old traditional line in those days) which had been right in front of FUJIWARA no Teika, the Aobyoshi-bon, in fact, would be one of the Beppon of the old traditional line.'  - Wikipedia日英京都関連文書対訳コーパス

『平家物語』によれば、この時、義盛は「父が死に、子孫が死んでも、頼朝公のお姿を見ればこれに過ぎる悦びはない。どうか本懐を遂げて天下をお取りください。その暁には私を侍所の別当に任じてください。上総国だった藤原忠清が平家から八カ国の侍所別当に任じられ、その威勢をうらやましく思い、いつか自分もと八幡大菩薩に祈願いたしたのです」と願ったという。例文帳に追加

According to "Heike Monogatari" (The tale of the Taira clan), Yoshimori said 'Even if my father dies and my descendants die, nothing makes me happier than seeing Lord Yoritomo. Please pursue your original dream and take the country. When it happens, please appoint me as the Samurai-dokoro betto. After FUJIWARA no Tadakiyo who used to be the Kazusa no suke (Assistant Governor of Kazusa Province) was appointed to the Samurai-dokoro betto for eight provinces by the Taira family, I envied his power and I have always prayed to the Hachiman Daibosatsu (Great Bodhisattava Hachiman) that one day I would like to become one'.  - Wikipedia日英京都関連文書対訳コーパス

薫が本当に柏木の子であるかどうかについては、光源氏や夕霧(源氏物語)が幼い薫を見て目元が似ていると感じており(「柏木」「横笛」)、また冷泉帝ら光源氏の血筋は絵画(「絵合」)、柏木ら頭中将の血筋は音楽に秀でているといった描写が常々なされているのに対し、薫は柏木が得意とした琴や、横笛を演奏して頭中将の血筋に近いとされている(「竹河」「宿木」)ことから、間違いないようである。例文帳に追加

Regarding the question whether or not Kaoru was really the son of Kashiwagi, it seems to be true that Hikaru Genji and Yugiri (Genji Monogatari) felt that his eyes were similar when they saw Kaoru as a small boy ('Kashiwagi,' 'Yokobue') and it was repeatedly described that, while Genji's lineage including Emperor Reizei were good at painting ('Eawase'), the To no Chujo's lineage including Kashiwagi were good at music, and Kaoru played the koto and flute, which Kashiwagi was also good at this shows him to be close to the lineage of To no Chujo ('Takekawa,' 'Yadorigi').  - Wikipedia日英京都関連文書対訳コーパス

東映が集団抗争時代劇から任侠路線へと移行する時期には、タイトルが加藤泰自身の代名詞ともなる最高傑作『沓掛時次郎遊侠一匹』をものにし、新選組内部の抗争を描いたリアリズム時代劇『幕末残酷物語』などを撮り、そして、やくざの生きざまを独特の美意識と叙情で描いてその後の任侠映画に多大な影響を与えた『明治侠客伝三代目襲名』を監督する。例文帳に追加

During a period in which Toei shifted from mass vendetta period dramas to yakuza films, Kato directed "Kutsukake Tokijiro yukyo ippiki," his masterpiece whose title became a byword for Tai KATO; "Brutal Tales from the End of the Edo Period" a realistic period drama about internal conflict in the Shinsengumi (a special police force at the end of the Tokugawa Shogunate); and "Meiji kyokakuden sandaime shumei" (The Story of a Meiji Knight, the Third Generation), which presented life in the Japanese Mafia with a unique sense of beauty and lyricism and greatly influenced later yakuza films.  - Wikipedia日英京都関連文書対訳コーパス

『料理物語』によれば、「熬酒は鰹一升に梅干十五乃至二十、古酒二升、水少々、溜り少々を入れて一升に煎じ、漉し冷してよし、また酒二升、水一升入れて二升に煎じ使ふ人もある。煮出酒は、鰹に塩少々加へ、新酒で一泡二泡煎じ、漉し冷してよろし、精進の熬酒は、豆腐を田楽ほどに切り、炙つて、梅干、干蕪など刻み入れ、古酒で煎じてよし」という。例文帳に追加

"Ryori Monogatari" (tale of food) records that 'Irizake is made by putting 15-20 umeboshi, 2 sho (approx. 1.8 liters) of old sake, a little water, and a little tamari (rich soy sauce) into 1 sho of dried bonito before reducing it down to 1 sho, filtering it and cooling it, while there are some people who add 2 sho of sake and 1 sho of water before reducing it down to 2 sho; Nidashizake (extracted sake) is made by adding a little salt to dried bonito and boiling it for a while with new sake, filtering it and cooling it; and shojin irizake is made by putting chopped umeboshi and hoshi kabura (dried turnips) into grilled tofu with size of dengaku, and boiling it with old sake.'  - Wikipedia日英京都関連文書対訳コーパス

物語の登場事物を示し且つその登場に則して順序性を備えた複数の装飾指定データ51を記憶する装飾指定データ記憶手段と、複数の装飾指定データ51の中から順序性に従って1の装飾指定データ51を選択する装飾指定データ選択手段と、装飾指定データ選択手段によって選択された1の装飾指定データ51による指定に従って装飾された装飾画像50を被印刷媒体Tに印刷する印刷手段と、を備えたものである。例文帳に追加

The printer comprises means for storing a plurality of decoration designating data 51 indicating objects appearing in a story and having an appearing sequence, means for selecting one of the plurality of decoration designating data 51 according to the appearing sequence, and means for printing an image 50 decorated according to designation of one decoration designating data 51 selected by the decoration designating data selecting means onto a print medium T. - 特許庁

当時の一般的な上流貴族の姫君の夢は、後宮に入り帝の寵愛を受け皇后の位に上ることであったが、『源氏物語』は、帝直系の源氏の者を主人公にし彼の住まいを擬似後宮にしたて女君たちを分け隔てなく寵愛するという内容で彼女たちを満足させ、あるいは人間の心理や恋愛、美意識に対する深い観察や情趣を書きこんだ作品として貴族たちにもてはやされたのである。例文帳に追加

A common dream of the Himegimi (daughters of persons of high rank) in those days was to enter the Kokyu (a section of the Imperial Palace where the Imperial family and court ladies lived) and gain the love of the Mikado (Emperor), thus being elevated to Empress; accordingly, "The Tale of Genji" satisfied such ladies as it had as its protagonist a member of the Genji clan who was a direct descendant of the emperor that lived in a kind of pseudo-Kokyu and loved all women without distinction. The work was also welcomed by court nobles as an appealing work that offered a close observation of human psychology, love, and aesthetics.  - Wikipedia日英京都関連文書対訳コーパス

悪源太義平・中宮大夫進(源朝長)・右兵衛佐(源頼朝)・三郎先生(源義憲)・十郎蔵人義盛・陸奥六郎(源義隆)・平賀四郎(源義信)・鎌田兵衛(鎌田政清)・後藤兵衛(後藤実基)・子息新兵衛(後藤基清)・三浦荒次郎(三浦義澄)・片桐小八郎大夫(源景重)・上総介八郎(上総広常)・佐々木三郎(佐々木秀義)・平山武者所(藤原季重)・長井斎藤別当実盛(斎藤実盛)をはじめとして廿余騎、六波羅に押し寄せ云々」(『平治物語』より)。例文帳に追加

More than 20 cavalry advanced on Rokuhara, etc., beginning with: Aku (evil) Yoshihira GENTA, Empress' Grand Master (MINAMOTO no Tomonaga), Uyoe no suke (Assistant Captain of the Right Watch) (MINAMOTO no Yoritomo), teacher Saburo (MINAMOTO no Yoshinori), Yoshimori the Juro Korodo (A secretary to the emperor' s Juro), Rokuro MUTSU (MINAMOTO no Yoshitaka), Shirohei Hiraga (MINAMOTO no Yoshinobu), Kamada hyoe (KAMADA, who was an official the Headquarters of the Middle Palace Guard) (Masakiyo KAMADA), Goto hyoe (GOTO, who was an official the Headquarters of the Middle Palace Guard) (Sanemoto GOTO), child and new hyoe (Motokiyo GOTO), Kojiro MIURA (Yoshisumi MIURA), Master, Kohachiro KATAGIRI (MINAMOTO no Kageshige), Kaihachiro KAZUSA (Hirotsune KAZUSA), Saburo SASAKI (Hideyoshi SASAKI), Hirayama Mushadokoro (FUJIWARA no Sueshige), Nagai Saito steward Sanemori (Sanemori SAITO), (From "Heiji Monogatari").  - Wikipedia日英京都関連文書対訳コーパス

第2次は隆盛をきわめ、1900年(明治33年)に泉鏡花『高野聖』、1901年(明治34年)5月号に国木田独歩『帰去来』、1906年(明治39年)9月号に夏目漱石『草枕』、1907年(明治40年)8月号に田山花袋『蒲団(小説)』、1910年(明治43年)に泉鏡花『歌行燈』、1913年(大正2年)6月号に森鴎外訳『病院横町の殺人犯』(エドガー・アラン・ポー『モルグ街の殺人』)、1914年(大正3年)2月号に森鴎外『堺事件』、1916年(大正5年)1月号に森鴎外『寒山拾得』、1917年(大正6年)に泉鏡花『天守物語』、1921年(大正10年)4月号に高群逸枝の長篇詩『日月の上に』、1923年(大正12年)5月号に横光利一『日輪』、1925年(大正14年)9月号に『一人二役(江戸川乱歩)』、1926年(大正15年)7月号に江戸川乱歩『モノグラム(江戸川乱歩)』をそれぞれ掲載、多くの名作を生み出した。例文帳に追加

During the second phase of its publication, Shinshosetsu published to bring out numerous masterpieces such as Koya Hijiri by Kyoka IZUMI in 1900, Kikyorai by Doppo KUNIKIDA in May 1901 issue, Kusamakura by Soseki NATSUME in September 1906 issue, Futon (fiction) by Katai TAYAMA in August 1907 issue, Uta Andon by Kyoka IZUMI in 1910, Byoin Yokocho no Satsujinhan translated by Ogai MORI (The Murders in the Rue Morgue by Edgar Allan Poe) in June 1913 issue, Sakai Jiken by Ogai MORI in February 1914 issue, Kanzan Jittoku by Ogai MORI in January 1916 issue, Tenshu Monogatari by Kyoka IZUMI in 1917, the long poem Nichigetsu no Ue ni by Itsue TAKAMURE in April 1921 issue, Nichirin by Riichi YOKOMITSU in May 1923 issue, Hitori Futayaku (Ranpo EDOGAWA) in September 1925 issue and Monogram (Ranpo EDOGAWA) by Ranpo EDOGAWA in July 1926 issue whereby the magazine reached new heights of prosperity.  - Wikipedia日英京都関連文書対訳コーパス

藤原有陰に招かれて近江に赴いた際、穀蔵院の使者である伴世継と行き会い、悪夢を見たと言う伴世継が弓削是雄に占ってもらい対策をしてもらって九死に一生を得たという話(今昔物語「天文博士弓削是雄、夢を占ふ語」)や、陰陽頭在任時に、60歳を過ぎてもいまだに試験に合格せず僧侶の位がなかなか得られない修行者を憐れんで、何とか試験に合格させてやろうと呪術を用いて立会の試験官を排除してしまい、仲の良かった三善清行の一存でその高齢修行者を合格させてやったという話(善家異説)などが知られている。例文帳に追加

A story where, at the invitation of FUJIWARA no Arikage, YUGE no Koreo visited Omi where he met an emissary of Kokuzoin TOMO no Yotsugi, and YUGE no Koreo saved the life of TOMO by performing divination and taking countermeasures against a nightmare TOMO had ('Tenmon Hakase YUGE no Koreo divined a dream,' Konjaku Monogatari) and another story where, out of compassion for a trainee monk, over 60 years old, who had yet to pass an exam to become a monk, YUGE no Koreo eliminated the observing examiner by using magic in an attempt to help the trainee monk pass the exam and the trainee monk passed the exam at the discretion of Kiyoyuki MIYOSHI who was a good friend of YUGE no Koreo (Zenke isetsu); these stories are well known.  - Wikipedia日英京都関連文書対訳コーパス

例文

松川の戦い(まつかわのたたかい)は、『改正三河後風土記』(第42巻:上杉・伊達合戦の事)、『常山紀談』(巻之16:伊達上杉陸奥国松川合戦の事 附永井善左衛門 岡左内が事)、『東国太平記』(巻第15:松川合戦政宗福島ノ城ヲ攻ムル事)、『会津陣物語』(第4巻:松川合戦に政宗、福島城を攻める事、井せて須田大炊介、政宗と逢隈川合戦(陣幕を切り取る)事)によれば、慶長6年(1601年)4月26日に、現在の福島県福島市の中心部で伊達政宗と上杉景勝麾下の本庄繁長・須田長義が戦った合戦だとされる。例文帳に追加

The Battle of Matsukawa is said to be the battle where Shigenaga HONJO and Nagayoshi SUDA under the command of Kagekatsu UESUGI fought against Masamune DATE in the central area of the present Fukushima City, Fukushima Prefecture on April 26, 1601, according to "Kaisei Mikawago Fudoki (Foundation of the Tokugawa clan)" (Vol. 42: The battle between Uesugi and Date), "Jozenkidan (a collection of anecdotes compiled in the Edo period)" (Vol. 16: The Battle of Matsukawa between Date and Uesugi in Mutsu Province with the episode of Zenzaemon NAGAI and Sanai OKA), "Togoku Taiheiki (the battle chronicle on the eastern Japan)" (Vol. 15: Attack to the Fukushima-jo Castle by Masamune in the Battle of Matsukawa), "Aizujin Monogatari (stories on the Battle in Aizu)" (Vol. 4: Attack to the Fukushima-jo Castle by Masamune in the Battle of Matsukawa and the episode of Oiinosuke SUDA cutting off the camp enclosure during the Battle of Abukuma-gawa River against Masamune).  - Wikipedia日英京都関連文書対訳コーパス

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