「詩だ」に関連した英語例文の一覧と使い方(19ページ目) - Weblio英語例文検索

蓮華寺の造営にあたって、詩人・書家で詩仙堂を造営した石川丈山、朱子学者の木下順庵、狩野派画家の狩野探幽、黄檗宗の開祖である隠元隆き禅師や第二世の木庵性トウ禅師らが協力したことが、1681年（延宝9年）に蓮華寺を訪れた黒川道祐の訪問記（『東北歴覧之記』所収）に記され、1786年（天明6年）の「拾遺都名所図会」には境内図が描かれている。例文帳に追加

The journal of Doyu KUROKAWA's visit Renge-ji Temple in 1681 (included in "Tohoku Rekiran no Ki" (Records of looking around Tohoku region)) says that the Renge-ji's construction was carried out with the cooperation between the poet and calligrapher Jozan ISHIKAWA who built the Shisen-do hall, the scholar of Neo-Confucianism Junan KINOSHITA, the Kano School artist Tanyu KANO, Obaku Sect founder Ingen Ryuki Zenshi, and the 2nd chief priest Mokuan Seito Zenshi; and the 1786 publication "Shui Miyako Meisho Zue" (Images of Famous Places in Kyoto) includes an image of the temple precinct.  - Wikipedia日英京都関連文書対訳コーパス

24歳で儒教・道教・仏教の比較思想論でもある『聾瞽指帰（ろうごしいき）』を著して俗世の教えが真実でないことを示した（「聾瞽指帰」は、後に序文と巻末の十韻詩を改定、『三教指帰』（さんごうしいき）と改題されている）。例文帳に追加

At the age of 24, he wrote "Rogoshiki," where the thought of Confucianism, that of Taoism, and that of Buddhism were comparatively discussed, showing that what was taught popularly was not true (the title of "Rogoshiki" was later changed into "Sango shiiki," with the ten rhyme-based poems in the preface and at the end of the book revised).  - Wikipedia日英京都関連文書対訳コーパス

『枕草子』には、「ものはづくし」（歌枕などの類聚）、詩歌秀句、日常の観察、個人のことや人々の噂、記録の性質を持つ回想など、彼女が平安の宮廷ですごした間に興味を持ったものすべてがまとめられている。例文帳に追加

In "The Pillow Book," she wrote about everything of interest to her during her life in the Imperial Court of the Heian period, and it includes 'Monowazukushi' (listing items like Utamakura (a place famed in poetry)), excellent poems, observations on daily life, comments on people, and reminiscences, so it also seems to be a record, etc.  - Wikipedia日英京都関連文書対訳コーパス

道長が大堰川に漢詩の舟、管絃の舟、和歌の舟を出し、それぞれの分野の名人を乗せた際、乗る舟を尋ねられた公任は和歌の舟を選び、「小倉山嵐の風の寒ければもみぢの錦きぬ人ぞなき」と詠んで賞賛された。例文帳に追加

Once, at the Oigawa River, when Michinaga had set up boats of Chinese poetry, music and waka poetry, with the masters of each field aboard, and Kinto was asked which boat he would ride, he chose the boat of waka poetry and was praised for his composition, "As the wind blowing down Mt. Arashiyama is cold, there is no one who won't wear the fine dress of colored leaves."  - Wikipedia日英京都関連文書対訳コーパス

15世紀前半に制作された詩画軸の代表作としては他に『渓陰小築図』、『竹斎読書図』、『水色巒光図』（すいしょくらんこうず）などがあり、絵の筆者は『渓陰小築図』が明兆（みんちょう）、『竹斎読書図』、『水色巒光図』が周文との伝えもあるが、確証はない。例文帳に追加

The other representative works of Shigajiku made in the early part of the 15th centuries are "Kein-shochiku-zu (painting of a building in the valley)," "Chikusai Dokusho-zu (painting of Chikusai reading a book)," and "Suishoku-ranko-zu;" the painter of "Kein-shochiku-zu" is said to be Mincho and the one of "Chikusai Dokusho-zu," and "Suishoku-ranko-zu" are said to be Shubun, which have no clear evidence.  - Wikipedia日英京都関連文書対訳コーパス

粽を食べるのは、中国戦国時代(中国)の楚の愛国詩人屈原の命日である5月5日に彼を慕う人々が彼が身を投げた汨羅江（べきらこう）に粽を投げ入れて供養したこと、また、屈原の亡骸を魚が食らわないよう魚の餌としたものがちまきの由来とされる。例文帳に追加

It is said that the custom to eat chimaki on that day is originated from the fact that the patriot poet Qu Yuan of the Chu dynasty in the Warring states period (China) died on May 5 and people who loved and respected him threw chimaki into the Miluo river where he jumped into, in order to calm down his soul and as bait for fish so the fish would not eat his body.  - Wikipedia日英京都関連文書対訳コーパス

現在の論点は、統一前の秦のどの時代に作られたか、に絞られており、襄公(秦)・文公(秦)・穆公(秦)のいずれかが有力視されており、献公(秦)の紀元前374年頃の巡狩の際の詩文とも考えられている。例文帳に追加

The current controversial point is narrowed to the point as to which period sekkobun was made in before the character standardization, and any one of Lord Ran (Qin), Lord Wen (Qin), and Lord Mu (Qin) is very probable and it is also considered that sekkobun was a poem made when Lord Xian (Qin) enjoyed hunting in B.C. 374.  - Wikipedia日英京都関連文書対訳コーパス

およそ20年間にわたり日本禅林の振興に力を注ぎ，後の五山文学(鎌倉末期～室町時代の京都五山の禅僧の手になる漢詩文)興隆の基礎を築いた中国・元の禅僧である竺仙梵僊（じくせんぼんせん）の墨蹟である。例文帳に追加

Calligraphy by Chinese Yuan Dynasty Zen monk Zhuxian Fanxian ('Jikusen Bonsen' in Japanese) who worked for around 20 years to promote the Japan Zenrin temple and the later Gozan literature (Chinese poetry composed by Zen monks of the five great Zen temples of Kyoto from end of the Kamakura period to the Muromachi period).  - Wikipedia日英京都関連文書対訳コーパス

そのため、開設当初は平穏な詩会の場に過ぎなかったのが、塾の噂が各地に広がるにつれ、多くの若者が集まって内外の時事問題を議論する場へと変化、ついには校舎を増築する程までに成長している（木村毅編『西園寺公望自伝』）。例文帳に追加

Therefore, although it only offered opportunities for peaceful poem meetings when it was established, as talk of the academy spread nationwide, many young people gathered, and it became to offer opportunities to discuss domestic and international current events, and eventually grew, adding an additional building ("Autobiography of Kinmochi SAIONJI" edited by Ki KIMURA).  - Wikipedia日英京都関連文書対訳コーパス

川端康成の蒐集品として著名な「十便十宜図」は、中国・清の李漁の「十便十宜詩」に基づき、山荘での隠遁生活の便宜（便利さ、よろしさ）を画題に大雅と蕪村が共作した画帖である（大雅は「十便図」を担当）。例文帳に追加

Yasunari KAWABATA's famous collection 'Juben Jugi-zu (Ten Advantages and Ten Pleasures of Country Life)' is a book jointly created by Taiga and Buson which depicts the convenience of secluded life in mountains, based on Rigyo's (Qing dynasty, China) 'Juben Jugi-zu' (Taiga drew the Ten Advantages).  - Wikipedia日英京都関連文書対訳コーパス

伊藤左千夫・平野万里・上田敏・佐佐木信綱等が参加し、「新詩社」系の北原白秋・吉井勇・石川啄木・木下杢太郎、「根岸」派の斉藤茂吉・古泉千樫等の新進歌人も参加した（与謝野晶子を含めて延べ22名）。例文帳に追加

As well as Sachio ITO, Banri HIRANO, Bin UEDA, and Nobutsuna SASAKI, Hakushu KITAHARA, Isamu YOSHII, Takuboku ISHIKAWA and Mokutaro KINOSHITA from the 'Shinshisha' school and the new poets from 'Negishi' School such as Mokichi SAITO and Chikashi KOIZUMI also took park (twenty-two people in total including Akiko YOSANO).  - Wikipedia日英京都関連文書対訳コーパス

「神奈川沖浪裏」は、後世、それを見たフィンセント・ファン・ゴッホが画家仲間宛ての手紙の中で賞賛する、発想を得たクロード・ドビュッシーが交響詩『海(ドビュッシー)』を作曲するなど、西欧の芸術家に多大な影響を与えることとなった。例文帳に追加

Kanagawa oki nami ura' had a great impact on Western artists such as Vincent VAN GOGH, who saw it and later praised it in a letter to a fellow painter; and Claude Debussy, who got an idea and composed the symphonic poem "La Mer (The Sea)."  - Wikipedia日英京都関連文書対訳コーパス

なお、同詔では漢詩などの文学材料としても用いられていた孔安国の注釈に関しては、天皇及び皇族の教育以外の場では引き続き使用が認められており、この導入が大学寮全体の支持すら得られていなかった政治的なものであったことを裏付けている。例文帳に追加

However, in the Mikotonori, the commentaries by Ko Ankoku that were used as a literary reference, such as in Chinese poetry, were permitted to be continually used in education other than that of Emperors and the Imperial Family, which supports the fact that this adoption was only to seek political advantage and did not even gain support of the whole Daigakuryo (Bureau of Education under the Ritsuryo system).  - Wikipedia日英京都関連文書対訳コーパス

池に屋形船をうかべはなやかな様子が描かれているが二郎は宮廷の女房を妻にもらい、詩歌管弦の遊戯を好んでいたらしく、広大な敷地内には池を築き釣殿を建て、庭園には紅梅や桜、松などの趣ある植栽がなされている様子がわかる。例文帳に追加

The painting depicts a gorgeous atmosphere with a houseboat floating in a pond showing that Jiro, who married a nyobo (lady-in-waiting) from the imperial court and enjoyed entertainment such as poems and music, made a pond and had a tsuridono built within the vast premises and had graceful trees, such as red Japanese plum, cherry and pine trees, planted in the garden.  - Wikipedia日英京都関連文書対訳コーパス

この頃までに『大日本野史』の編纂を終え、嘉永4年に全291巻の清書が完成、同年5月29日(旧暦)（1851年6月28日）、豊島茂文とともに親交のあった人々を招待して「野史竟宴」と題した宴の席、今日で言うところの出版記念パーティーのようなものを催し、出席者はおのおの『大日本野史』の登場人物を選び、その人物を題材にした和歌や漢詩を詠んだ。例文帳に追加

By this time he had finished compiling "Dai Nihon Yashi," and a fair copy of all 291 volumes had been complete; on June 28, 1851 he organized a banquet titled 'Yashi Kyoen' (Banquet on Completion of Yashi), which would today be something like a publication party, and to which he and Shigefumi TOYOSHIMA invited their friends; everyone who attended the party selected a character from "Dai Nihon Yashi" and read waka (modern Japanese poetry) and kanshi (Chinese-style poem) about the characters.  - Wikipedia日英京都関連文書対訳コーパス

女流漢詩人として著名な初代有智子内親王に始まり、『枕草子』『紫式部日記』にもその名が登場する大斎院選子内親王、数多い歌合を主催した六条斎院ばい子内親王、新古今和歌集を代表する歌人式子内親王など、歴代の斎院は文雅で名を馳せた人物が多い。例文帳に追加

Many successive Saiin Priestesses were well known for literary works: the first Saio Priestess, Imperial Princess Uchiko, who was a distinguished composer of Chinese style poetry; the Great Saiin Priestess, Imperial Princess Senshi, whose name appeared in "The Pillow Book" and "The Murasaki Shikibu Diary"; the Rokujo Saiin, Imperial Princess Baishi, who held many tanka poetry contests; and Imperial Princess Shikishi, who became an accomplished poet of the Shin Kokinwakashu (the New Collection of Ancient and Modern Japanese Poetry).  - Wikipedia日英京都関連文書対訳コーパス

やがて天皇宿舎付近へ迫るも、それまでの警備とは段違いな警護の前に天皇の奪還を断念、傍にあった桜の木へ「天莫空勾践　時非無范蠡」（天は古代中国の越王・勾践に対するように、決して帝をお見捨てにはなりません。きっと范蠡の如き忠臣が現れ、必ずや帝をお助けする事でしょう）という漢詩を彫り書き入れ、その意志と共に天皇を勇気付けたという。例文帳に追加

Although he got close to the room where the Emperor was, he had to give up his plan of the recapture because of heavier guard and so he carved a message of a Chinese poem '天莫空勾践 時非無范蠡' (which means 'as gods saved King Goujian of Yue, so they will never give up on you, and some faithful retainers like Fan Li shall come to save you' in English) on a nearby cherry tree to deliver his will and to encourage the Emperor.  - Wikipedia日英京都関連文書対訳コーパス

大江匡房が康和2年（1100年）に、安楽寺（大宰府にあった菅原道真を弔う寺）に「安楽寺に参ず」（『本朝続文粋』所収）という詩を作り、その中で「累葉廊下の末葉たり」とあることから、少なくても平安時代後期までは菅原氏代々の文章博士によって継続されていたと考えられている。例文帳に追加

As a couplet in a poem titled 'Anraku-ji ni sanzu' (Visited Anraku-ji Temple) (contained in "Honcho zoku monzui" (Further Anthology of waka poems and prose written in classical Chinese) composed by OE no Masafusa in 1100 to Anraku-ji Temple (SUGAWARA no Michizane's mortuary temple located in Dazaifu) had it 'Ruiyo roka no matsuyo tari' (I was the last leaf in a heap of leaves in the hallway), it could be estimated that the school had been kept by generations of the Monjo hakase of the Sugawara clan and at least until the late Heian period.  - Wikipedia日英京都関連文書対訳コーパス

本発明によれば、著者名は、製本した後に印字付与されるため、何も印刷されていない空白の頁に、個人が自由に詩や文章などを書き込んだ後、その著者として、自分の氏名等を奥付１中の著者の欄に印字付与することができ、最終的には、通常の書籍と比較して何等遜色のない奥付１を有する自分だけの書籍が完成することとなる。例文帳に追加

Since the name of the writer is printed after the bookbinding, it is possible for the individual to write arbitrarily a poem, sentences or the like in a blank page wherein nothing is printed and then to print his name or the like as the writer to the space of the writer in the colophon 1, and finally the book only for the individual which has the colophon 1 standing comparison with any ordinary book is completed. - 特許庁

しかし、そのころはまだ文語文の作品も多く書かれ、和歌の塾に通い、古典の教養を持っていた樋口一葉は古文の呼吸をつかった雅文体で「にごりえ」「たけくらべ」などの作品を書き、翻訳で言文一致を試みた森鴎外も、「舞姫」や「即興詩人」では文語にもどし、評論の分野では北村透谷や幸徳秋水は、漢文書き下しの文体を使って論文を書いていた。例文帳に追加

However, at that time a lot of works were written in literary style Japanese: HIGUCHI Ichiyo, who learned at "Waka School" and was versed in Japanese classics, wrote "Nigorie", "Takekurabe" and so on in the gabuntai style, using the breathing of the classics, MORI Ogai, who challenged a genbinicchi style in his translations, adopted literal style Japanese, and in the field of critical essays Tokoku KITAMURA and Shusui KOTOKU wrote essays in "kanbun-kakikudashi-bun (semi-Chinese style Japanese)".  - Wikipedia日英京都関連文書対訳コーパス

勧学会（かんがくえ）とは、平安時代中期・後期に大学寮紀伝道の学生（文章生）と比叡山延暦寺の僧侶が、3月15日(旧暦)あるいは9月15日(旧暦)に比叡山西麓あるいは平安京内外の寺院に集まって『法華経』をテーマとして講義・念仏・漢詩を行った法会。例文帳に追加

Kangakue was a Buddhist meeting held to conduct teaching, nenbutsu (Buddhist invocation), and create Chinese-style poems themed after "Hokekyo" (Lotus Sutra), and was held by the scholars of Kidendo (the study of the histories) in Daigakuryo (Bureau of Education) and the priests of Enryaku-ji Temple on Mt. Hiei, on March 15 (in old lunar calendar) or September 15 (in old lunar calendar) at the western foot of Mt. Hiei or at the temples in and around Heian-kyo (ancient Kyoto), in the mid through latter period of the Heian period.  - Wikipedia日英京都関連文書対訳コーパス

その内容は、室町時代の末期の応仁元年（1467年）から文明(日本)9年（1477年）の10年余りにわたり、都とその周辺で争われ、荒廃させた戦乱を描き、梁の宝誌和尚作と伝えられている『野馬台詩』末六句に予言された「修羅闘諍」の世界を描写する意図があったと考えられる。例文帳に追加

The contents cover a span of more than ten years at the end of the Muromachi period from 1467 to 1477, and describe the wars fought in and around Kyoto that devastated the capital, perhaps with the intention of describing the world of 'pandemonium and fighting' prophesied in the last six lines of the "Yamatai shi" (Poem on Japan), said be the work of the Liang monk Baozhi.  - Wikipedia日英京都関連文書対訳コーパス

この騒動のため晶子は「嫌戦の歌人」という印象が強いが、明治43年（1910年）に発生した第六潜水艇の沈没事故の際には、「海底の　水の明りにしたためし　永き別れの　ますら男の文」等約十篇の歌を詠み、第一次世界大戦の折は『戦争』という詩のなかで、「いまは戦ふ時である　戦嫌ひのわたしさへ　今日此頃は気が昂る」と極めて励戦的な戦争賛美の歌を作っている。例文帳に追加

Although this dispute left her image as an anti-war poet, when Submarine No.6 sunk in 1910, she wrote about ten poems including 'At the bottom of the sea; writing under the light of water; for farewell; the letters from Japanese men;' and during World War I, she wrote a poem entitled "War" that encourages and praises the war: 'This is the time to fight; even I, who usually detests war; feel excited these days.'  - Wikipedia日英京都関連文書対訳コーパス

「日本刀歌」が歌いたいことは日本刀のことではなく、中国では既に散逸してしまった書物が日本には存在しているということを嘆いた詩ではあるが、日本刀の美しさが、平安時代後期－鎌倉時代初期に既に海外の好事家などにも認められており、輸出品の一つとされていたことを示している。例文帳に追加

Although the main point of 'A poem About the Japanese Sword' is to lament that books already lost in China still exist in Japan, and not about Japanese swords, it shows that the beauty of Japanese swords was already recognized by overseas curiosos from the late Heian period to the early Kamakura period as one of Japan's exports.  - Wikipedia日英京都関連文書対訳コーパス

また『詩経』『書経』『儀礼』『楽経』『易経』『春秋』といった周の書物を六経として儒家の経典とし、その儒家的な解釈学の立場から『礼記』や『易伝』『春秋左氏伝』『春秋公羊伝』『春秋穀梁伝』といった注釈書や論文集である伝が整理された（完成は漢代）。例文帳に追加

Additionally, the Rikkei (six documents) books from Zhou, "Shikyo" (Chinese Poetry book), "Shujing" (Book of History), "Girai" (Yili), "Gakkei," "I Ching" (The Book of Changes), and "Shunju" (Spring and Autumn Annals) were specified as Ju-kyo scriptures, and from their Ju-ka-style interpretation learning perspective, "Classic of Rites" and den, or commentaries and collected papers, such as "Ekiden," "Chunqiu Zuoshi Zhuan" (Master Zuo's Commentary to the Spring and Autumns), "Shunju Kuyo-den" (Annotation of Gongyang on Spring and Autumn Annals), and "Shunju Kokuryo-den" (Annotation of Guliang on Spring and Autumn Annals) were organized.  - Wikipedia日英京都関連文書対訳コーパス

平成15年（2003年）には第16回・東京国際映画祭協賛企画「映画をデザインした先駆的監督・中平康レトロスペクティヴ」として『闇の中の魑魅魍魎』と『変奏曲』を除く国内の映画全作品に加えて、日本初公開となる『狂恋詩』、『猟人』の2本の香港作品まで上映させるという大規模な回顧上映が渋谷ユーロスペース他、全国で開催され多くの注目を集めた。例文帳に追加

In 2003, a large memorial screening titled 'Ko NAKAHIRA Retrospective, a pioneer director who designed films' that was supported by the 16th Tokyo International Film Festival was held in various places throughout Japan, including Shibuya Eurospace; this screening, which attracted a lot of attention, included not only all the films he made in Japan except for "Yami no naka no Chimimoryo" and "Hensokyoku," but also the two films he produced in Hong Kong, "Kyorenshi" and "Karyudo."  - Wikipedia日英京都関連文書対訳コーパス

それでも、文治元年（1185年）10月24日に行われた勝長寿院堂供養に参列を許された京吏は広元と邦通の2人だけで、広元と同格あるいはそれに次ぐ地位を認められており、翌文治2年（1186年）9月9日、頼朝に菊の花と絶句詩を献じたところ、そのみごとさにうたれた頼朝は毎年献じるように命じたということから、頼朝の厚い信任を受け続けていたようである。例文帳に追加

Kyori who were permitted to participate in the memorial service held in Shochojuin on October 24, 1185, were only two, Hiromoto and Kunimichi, who were recognized to have the same position or the next position to Hiromoto, and when he presented chrysanthemum and zekku (a form of Chinese poem) to Yoritomo on September 9, 1186, Yoritomo was impressed by its fineness and ordered him to present his poem every year, which indicates that he was trusted by Yoritomo.  - Wikipedia日英京都関連文書対訳コーパス

『続日本後紀』嘉祥元年7月丙戌（29日）条（848年8月31日）に平安京内で落雷があり破損した建物の中に弘文院が含まれていること、仁和元年（885年）に菅原道真が弘文院を訪問した時に詠んだとされる漢詩（「秋夜宿弘文院」）が『菅家文章』に残されていることから、少なくても弘文院設置から80年間は存在していたものと考えられている。例文帳に追加

Since the entry for August 31, 848 in "Shoku Nihon Koki" (Later Chronicle of Japan Continued) contains the description that lightning struck in Heiankyo and damaged some buildings, which included the Kobunin, and since a Chinese poem ('秋夜宿弘文院') supposedly composed by SUGAWARA no Michizane when he visited the Kobunin in 885 was contained in "Kanke bunso" (an anthology of Chinese-style poetry by SUGAWARA no Michizane) in 885, it was estimated that the Kobunin had existed at least for 80 years after it was founded.  - Wikipedia日英京都関連文書対訳コーパス

延宝4年（1676年）6月には神武天皇から後醍醐天皇までの本紀が清書され、天和(日本)年間には『新撰紀伝』104巻として完成するが、光圀は南北朝合一の後亀山天皇期まで扱う必要性と内容上の不備を感じ、同年には彰孝館に総裁を置いて機構を改革し、新館を新築して史館員も増員させ、国史以外にも詩文集など編纂事業が拡大していった。例文帳に追加

Honki from the Emperor Jinmu to Go-Daigo was written in June, 1676 and the book was completed as "Shinsenkiden," the 104 volumes, between 1681 and 1683 but Mitsukuni felt it was necessity to cover the reign of the Emperor Go-Kameyama and he was dissatisfied with its insufficient contents, so he reformed the compiling organization, created a post for president in Shokokan, built a new building, increased the number of staff and expanded its work to compiling collections of poems.  - Wikipedia日英京都関連文書対訳コーパス

保津川に面した公園の南の入り口に中華人民共和国の国務院総理を務めた周恩来が、京都留学中に嵐山で作ったと言われる「雨中嵐山」の詩を刻んだ石碑があり、中国の要人が関西を訪問した際にこの碑を訪れることが多く、中国人観光客の訪問も多い。例文帳に追加

At its south entrance facing the Hozu-gawa River there is a stone monument with an inscription of a poem called 'Uchu Ranzan' (literally, "rainy Arashiyama") written by Enlai ZHOU, the former Premier of the State Council of the People's Republic of China, when he was studying in Kyoto so Chinese dignitaries often visit this monument when they come to the Kansai area, and many Chinese tourists visit here.  - Wikipedia日英京都関連文書対訳コーパス

しかし、「いずれの御時にか」で始まる『源氏物語』と違い、「少年の春は惜しめども留まらぬものなりければ、弥生の二十日余になりぬ」（有朋堂文庫）と始まる書き出しは、白居易の漢詩や『古今和歌集』の名歌を踏まえ、従妹源氏の宮への遂げられぬ恋に起因する狭衣の煩悶を描き、現実を意識したものとなっている。例文帳に追加

However, unlike "Genji Monogatari" which begins 'in a certain era,' "Sagoromo Monogatari" begins with 'The springtime of youth does not stop, for it is already around the 20th day of the third month' (Yuhodo Bunko), which is based on a Chinese poem and a famous poem from "Kokin Wakashu" (A Collection of Ancient and Modern Japanese Poetry) and depicts Sagoromo's anguish caused by his unrequited love for his younger female cousin Genji no Miya while being true to reality.  - Wikipedia日英京都関連文書対訳コーパス

戦前には娯楽が少ない中で映画がその中心を占め、活動弁士もその状況に応じて活躍するようになり、西村楽天、徳川夢声、大蔵貢、生駒雷遊、國井紫香、静田錦波、谷天郎、山野一郎、牧野周一、伍東宏郎、泉詩郎、里見義郎、松田春翠、大辻司郎のような人気弁士も現れるようになった。例文帳に追加

With few forms of entertainment available before World War Ⅱ, movies played a central role, so katsudo benshi became active and some popular ones emerged including Rakuten NISHIMURA, Musei TOKUGAWA, Mitsugu OKURA, Raiyu IKOMA, Shiko KUNII, Kinpa SHIZUTA, Tenro TANI, Ichiro YAMANO, Shuichi MAKINO, Koro GOTO, Shiro IZUMI, Yoshiro SATOMI, Shunsui MATSUDA, and Shiro OTSUJI.  - Wikipedia日英京都関連文書対訳コーパス

一方『秋風の曲』は、白居易の詩「長恨歌」に取材、やはり江戸初期の楽曲形式である箏組歌と段物のスタイルによって作られた箏と歌のための曲で、そのために新たな箏の調弦法「秋風調子」を考案したが、当時流行していた明清楽の旋法が取り入れられているという。例文帳に追加

On the other hand, "Akikaze no kyoku" (a song for the autumn wind), composed by researching the poem 'The Song of Everlasting Sorrow' by Bai Juyi, was a work for koto and song by the compositional style of koto kumiuta (koto suites of songs) and danmono (most important type in shirabemono (the koto solo instrumental music)) during the early Edo period and for this he invented a new method of tuning koto called 'Akikaze-joshi tuning' where he incorporated the mode of Ming and Xing-era Chinese music (as popularized in Japan before the First Sino-Japanese war) that had been popular in those days.  - Wikipedia日英京都関連文書対訳コーパス

時朝は、身の丈が当時としては高く178cmもあり、その恵まれた体格から武勇に優れていたが、文化人としても名が高く、宇都宮新和歌集には、宇都宮頼綱に次ぐ51首もの歌が収録されており、時朝の詩集である『前長門守時朝入京四舎打聞集』の写本が現在、宮内庁書陵部に秘蔵されている。例文帳に追加

Tokitomo was 178 cm tall and taller than average in those days, skilled in martial arts due to his privileged body, famous as a cultured person so that his 51 poems whose number was next to Yoritsuna UTSUNOMIYA were contained in "Utsunomiya Shin Wakashu"(the second collection of Utsunomiya group's poetry), and a copy of Tokitomo's poems "Collection of Poetry Written by Tokitomo KASAMA" is stored in Imperial Household Archives.  - Wikipedia日英京都関連文書対訳コーパス

1870年、広瀬青邨が西園寺の詩文会に招かれたとき同席していた者には、尊攘運動に加わって岩倉具視の知遇をえていた山中静逸、江馬天功の実兄で、池田屋事件で投獄される板倉槐堂（淡海竹洲）、本草学者山本亡羊の子で漢方医だった山本秀五郎（秀夫）や浜崎廉太郎（直全）らがあったほか谷口靄山らも参加していたとされるから、この中にも賓師として迎えられたものがあったと思われる（「青邨公手沢日記」）。例文帳に追加

In 1870, when Seison HIROSE was invited to a poem meeting by Saionji, Aizan TANIGUCHI was also present as well as Seiitsu YAMANAKA who joined movement of Sonno Joi (slogan advocating reverence for the Emperor and the expulsion of foreigners) and enjoyed Tomomi IWAKURA's favor, Kaido ITAKURA (Chikushu OMI) who was a real brother of Tenko EMA and would be put in prison for the Ikedaya Incident, Hidegoro (Hideo) YAMAMOTO who was a son of a scholar of herbalism Boyo YAMAMOTO and a Chinese medicine doctor, and Rentaro (Chokuzen) HAMASAKI, so it is considered that some of these were also invited as guest teachers ("Seison-ko Shutaku Nikki" (Cherised Diary of Prince Seison)).  - Wikipedia日英京都関連文書対訳コーパス

当時の日本人には朝鮮人の肉食文化が野蛮なものに見えたことが原因であるとし、その根拠として『画図入（えずいり）朝鮮来聘記全』内の狂詩における「通信使が寺の中に魚や肉を持ち込んで食い散らかしている」という表現、及び淀藩の資料『朝鮮人来聘記』内の朝鮮聘礼使淀城着来図の絵に描かれたうちの一部（右図）を「通信使一行が町人の飼っている鶏を盗んで逃げようとし、日本人と喧嘩になっている」様子だとしたうえで挙げている。例文帳に追加

It is said that the meat-eating culture of the Koreans looked barbaric to the Japanese at that time and this was one cause of the conflicts, and as grounds for this, the following are listed: There is the expression of 'Tsushinshi brought fish and meat into a temple and ate them littering the place' in a comical poem in "Ezuiri Chosenraiheikizen" (Descriptions of Korean visits, with pictures), and part of the picture depicting the arrival of Chosen envoy at Yodo Castle in "Chosenjin Raiheiki" (see the picture on the right), a document in the Yodo province: It is said that this picture depicted the scene where an officer of Tsushinshi who stole a chicken kept by a townspeople was fighting with Japanese while escaping with the chicken.  - Wikipedia日英京都関連文書対訳コーパス

さらに、草合わせをする2人の少女（法華経巻七扇8）、小鳥捕りをする少年（法華経巻七扇9）、柿もぎのようす（法華経巻六扇11）など子どもの遊戯や風物詩も画題となっており、紅葉を愛でる女房と栗拾いの婢女を描いた場面（法華経巻一扇10）、文を読む公卿と童女（法華経巻一扇9）、遊女と傀儡子（または男巫）が今様を歌って道祖神に報宴し、神霊を慰めているのではないかと推定される場面などを描いたものもある。例文帳に追加

Furthermore, the subjects of the paintings include children's play and seasonal images, such as two girls comparing grasses they have gathered in a game of kusa-awase (the eighth fan of "hokekyo" vol. 7), a boy trying to catch a little bird (the ninth fan of "hokkekyo" vol. 7) and the persimmon harvest (the 11th fan of "hokkekyo" vol. 6), as well as a scene of a court lady admiring the autumn leaves and a serving girl collecting chestnuts (the 10th fan of "hokkekyo" vol. 1), a little girl and a court official reading a letter (the ninth fan of "hokkekyo" vol. 1) and even a scene of a prostitute and a puppet player (or sorcerer) singing Imayo (a popular style of song in the Heian period) as offerings to guardian deity of travelers, Doso-jin, probably to comfort the spirit.  - Wikipedia日英京都関連文書対訳コーパス

第2次は隆盛をきわめ、1900年（明治33年）に泉鏡花『高野聖』、1901年（明治34年）5月号に国木田独歩『帰去来』、1906年（明治39年）9月号に夏目漱石『草枕』、1907年（明治40年）8月号に田山花袋『蒲団(小説)』、1910年（明治43年）に泉鏡花『歌行燈』、1913年（大正2年）6月号に森鴎外訳『病院横町の殺人犯』（エドガー・アラン・ポー『モルグ街の殺人』）、1914年（大正3年）2月号に森鴎外『堺事件』、1916年（大正5年）1月号に森鴎外『寒山拾得』、1917年（大正6年）に泉鏡花『天守物語』、1921年（大正10年）4月号に高群逸枝の長篇詩『日月の上に』、1923年（大正12年）5月号に横光利一『日輪』、1925年（大正14年）9月号に『一人二役(江戸川乱歩)』、1926年（大正15年）7月号に江戸川乱歩『モノグラム(江戸川乱歩)』をそれぞれ掲載、多くの名作を生み出した。例文帳に追加

During the second phase of its publication, Shinshosetsu published to bring out numerous masterpieces such as Koya Hijiri by Kyoka IZUMI in 1900, Kikyorai by Doppo KUNIKIDA in May 1901 issue, Kusamakura by Soseki NATSUME in September 1906 issue, Futon (fiction) by Katai TAYAMA in August 1907 issue, Uta Andon by Kyoka IZUMI in 1910, Byoin Yokocho no Satsujinhan translated by Ogai MORI (The Murders in the Rue Morgue by Edgar Allan Poe) in June 1913 issue, Sakai Jiken by Ogai MORI in February 1914 issue, Kanzan Jittoku by Ogai MORI in January 1916 issue, Tenshu Monogatari by Kyoka IZUMI in 1917, the long poem Nichigetsu no Ue ni by Itsue TAKAMURE in April 1921 issue, Nichirin by Riichi YOKOMITSU in May 1923 issue, Hitori Futayaku (Ranpo EDOGAWA) in September 1925 issue and Monogram (Ranpo EDOGAWA) by Ranpo EDOGAWA in July 1926 issue whereby the magazine reached new heights of prosperity.  - Wikipedia日英京都関連文書対訳コーパス

パーネルは死んだ残忍な偽善者どもの手にかかり僕らの無冠の王は死んだ嘆く、嘆く、悲しみのエリン泥沼から引き上げてやった臆病な犬どもに彼は殺されたエリンの希望もエリンの夢もその君主の積みまきの上に滅びた御殿にあろうとも、小屋にあろうとも悲しみにひしがれるアイルランドの心その運命をもたらすはずの彼が逝ってしまったから彼あらば世界にエリンの名を知らしめ栄光の緑の旗をはためかせ政治家たち、詩人たち、戦士たちの立ち上がったものを彼は自由を夢見た悲しいかな、夢にすぎなかった偶像をつかもうとしたその時裏切りが彼と愛するものを引き離した恥を知れ、臆病者彼らの君主を襲い媚を売る聖職者衆に売り渡した卑劣漢ども永遠の恥辱よ、焼き尽くせ誇りをもって彼らをはねつけた人の高貴の名を汚し傷つけた者どもの記憶を最後まで気高く屈せずに倒れた強き人死が彼を今は亡きエリンの英雄たちと一つにした彼の眠りを乱す争いはなし！静かに彼は休む彼を栄光へと駆り立てる人としての苦悩も大望も今はない彼らは思い通り彼を殺したしかしエリンは望む、彼の魂よ炎から不死鳥のように舞い上がれとその日の夜の明ける時自由の御代が僕らにもたらされるその日、エリンよ、挙げよ喜びの杯を悲しみのためにパーネルの思い出のために例文帳に追加

O, Erin, mourn with grief and woeFor he lies dead whom the fell gangOf modern hypocrites laid low.He lies slain by the coward houndsHe raised to glory from the mire;And Erin's hopes and Erin's dreamsPerish upon her monarch's pyre.In palace, cabin or in cotThe Irish heart where'er it beIs bowed with woe--for he is goneWho would have wrought her destiny.He would have had his Erin famed,The green flag gloriously unfurled,Her statesmen, bards and warriors raisedBefore the nations of the World.He dreamed (alas, 'twas but a dream!)Of Liberty: but as he stroveTo clutch that idol, treacherySundered him from the thing he loved.Shame on the coward, caitiff handsThat smote their Lord or with a kissBetrayed him to the rabble-routOf fawning priests--no friends of his.May everlasting shame consumeThe memory of those who triedTo befoul and smear the exalted nameOf one who spurned them in his pride.He fell as fall the mighty ones,Nobly undaunted to the last,And death has now united himWith Erin's heroes of the past.No sound of strife disturb his sleep!Calmly he rests: no human painOr high ambition spurs him nowThe peaks of glory to attain.They had their way: they laid him low.But Erin, list, his spirit mayRise, like the Phoenix from the flames,When breaks the dawning of the day,The day that brings us Freedom's reign.And on that day may Erin wellPledge in the cup she lifts to JoyOne grief--the memory of Parnell.  - James Joyce『アイビーデイの委員会室』