「The Dance」に関連した英語例文の一覧と使い方(27ページ目) - Weblio英語例文検索

A sieve 6 is provided with screen meshes 6a, 6b, and 6c, allows powder flocculated by the sonic waves to dance to disperse, and screens the powder with the screen meshes 6a, 6b, and 6c by a synergetic effect with a lateral oscillation given from a mechanical pulse generator 6d to recover the screened powder 7 with a storage bag 8.例文帳に追加

篩い器６は、篩い網６ａ，６ｂ，６ｃを備え、音波によって凝集している粉体を踊らせて分散させ、機械的パルス発生器６ｄから与えられる横方向の振動との相乗効果により、篩い網６ａ，６ｂ，６ｃで篩い、篩った粉体７を収納バック８で回収する。 - 特許庁

Afterwards, shrine maidens traveled on foot to propagate religion and performed the dance, then it changed gradually to the performing arts of prostitutes who were influenced by the tradition of a shrine maiden disguising as a man, who excelled in dancing like a man were generally called shirabyoshi. 例文帳に追加

このうち、巫女が布教の行脚中において舞を披露していく中で、次第に芸能を主としていく遊女へと転化していき、そのうちに遊女が巫以来の伝統の影響を受けて男装し、男舞に長けた者を一般に白拍子とも言うようになった。 - Wikipedia日英京都関連文書対訳コーパス

Mitsuyoshi TOMITA and others from Kasuga Taisha Shrine later appealed to the importance of shrine maidens in Shinto religion and pleaded for continuation of mikomai, and also contributed to the restoration of shrine maidens and mikomai by refining the original mikomai dance performed by 'Yaotome' to boost its artistic quality. 例文帳に追加

後、春日大社の富田光美らが、巫女の神道における重要性を唱えて巫女舞の存続を訴えると同時に同社ゆかりの「八乙女」による舞をより洗練させて芸術性を高める事によって巫女及び巫女舞の復興に尽くしたのである。 - Wikipedia日英京都関連文書対訳コーパス

In ancient times, imitating the costume of "bugaku" (court dance and music), tayu put on "torikabuto" (ornamental hat in bugaku), but in the Muromachi period tayu seems to have put on "samurai-eboshi" (formal headwear for court nobles), "suo" (ceremonial dress of lower-class samurai) and "hirabakama" (man's formal divided skirt) and saizo put on something like "daikokuzukin" (hood like the god of good luck) and normally shouldered a big bag. 例文帳に追加

古くは舞楽の装束をまね、太夫は鳥兜（とりかぶと）をかぶっていたが、室町時代になると烏帽子（さむらいえぼし）をかぶり、素襖（すおう）に平袴（ひらばかま）姿に、才蔵は大黒頭巾風のものをかぶり、大袋を背負う格好が普通であったようである。 - Wikipedia日英京都関連文書対訳コーパス

In seeing the traditional perfuming arts from a religious point of view, Yoshuku Geino refers to various performing arts for celebrating the New Year such as Manzai (a traditional celebratory chant-like song) or Harukoma (a dance in which a performer carries a wooden horse's head), and Ta asobi or Onda, a performance mimicking the processes of rice production to pray for a good harvest before farm work starts. 例文帳に追加

予祝芸能（よしゅくげいのう）とは、伝統芸能を信仰の面からとらえたときの、萬歳や春駒など新春をことほぐ芸能や、農作業のあらましをあらかじめ一通り演じて順調に稲が実るように祈願する田遊び・御田などを指す。 - Wikipedia日英京都関連文書対訳コーパス

Another characteristic of Noh is that performers move in a circular pattern on a square stage in consideration for audiences on three sides, while Kabuki (traditional Japanese drama performed by male actors) and Classical Japanese dance derived from Kabuki are performed on a rectangular stage on the premise for showing the performance to audiences in the front. 例文帳に追加

また能は、歌舞伎やそこから発生した日本舞踏が横長の舞台において正面の客に向って舞踏を見せることを前提とするのに対して、正方形の舞台の上で三方からの観客を意識しながら、円を描くようにして動く点にも特徴がある。 - Wikipedia日英京都関連文書対訳コーパス

Today young girls' hairstyles such as shimada-mage, momoware (literally, split peach; female hair style in kimono that the bun is split and a red fabric woven in the center) and so on can be often seen at the weddings, programs of dance performances by students, Jidai Gyoretsu (a procession of people in historical costumes) in festivals and so on, but married women's hairstyles such as marumage, sakko, ryowa and so on are seldom to be seen except for in Kabuki (traditional performing art), Bunraku (Japanese puppet theater) and period dramas. 例文帳に追加

現代においては島田髷、桃割れ、等、娘の髪型は結婚式や舞踊発表会、祭りの時代行列等で見る機会が多いが、丸髷や先笄、両輪等の既婚女性の髪型は歌舞伎や文楽、時代劇以外では見る機会が少ない。 - Wikipedia日英京都関連文書対訳コーパス

There have only been a few historical materials introducing Yorimasa and Nakatsuna's behavior under the Taira administration, and one of them was a report written by Nakatsuna in 1168 saying that he could not afford to hire dancers for Gosechi-mai (dance performance as part of a harvest festival) to be held at the Imperial Court due to the poor rice harvest in Izu Province. 例文帳に追加

平氏政権下での仲綱の動向としては仁安(日本)3年（1168年）、伊豆守だった仲綱が伊豆が不作なため朝廷に献じる五節舞の舞姫の費用を弁じることができない旨の請文が現存しており、頼政・仲綱の動向を知る数少ない史料になっている。 - Wikipedia日英京都関連文書対訳コーパス

Even though Tokiie was a member to the Taira family, he found favor with Yoritomo because he was skilled in kemari (a game played by aristocrats in the Heian period), Kangen (gagaku piece without dance) and court manners, and since Tokiie himself also held a grudge because of the earlier incident, he decided to faithfully serve Yoritomo, who should have been his enemy. 例文帳に追加

平家一門とはいえ蹴鞠や管弦、礼儀にも通じていたことから、頼朝から気に入られ、また時家自身も先の一件から一族に恨みを抱いていたため、本来であれば敵である頼朝に忠節を尽くすことになった。 - Wikipedia日英京都関連文書対訳コーパス

Among events of Yoshuku Geino (Preliminary Celebration), Taasobi (ritual Shinto performance to pray for a good rice-crop for the year) handed down in Itabashi Ward, Tokyo and Hanazono no Ondamai (the rice field dance in Hanazono) performed in Hanazono, Katsuragi-cho, Wakayama Prefecture (both being designated as Important Intangible Property of Folk Culture) retain the old forms as an event held at New Year or Lunar New Year. 例文帳に追加

予祝芸能行事としては、東京都板橋区にのこる板橋の田遊びや和歌山県かつらぎ町花園の花園の御田舞（ともに重要無形民俗文化財）が、年頭や小正月におこなわれるものとしては古い形態をよくとどめている。 - Wikipedia日英京都関連文書対訳コーパス

With having authority over foreign affairs, family registers (related to the family names), and the whole field of ceremonies, Jibu-sho also managed lawsuits over troubles related to the family names, engaged in several affairs and lawsuits relating to marriage and family registers, supervised monks and nuns and Buddhist rites, administered Gagaku (ancient Japanese court dance and music), watched imperial mausoleums, and entertained overseas envoys. 例文帳に追加

外事・戸籍（姓名関係）・儀礼全般を管轄し姓氏に関する訴訟や、結婚、戸籍関係の管理および訴訟、僧尼、仏事に対する監督、雅楽の監督、山陵の監督、および外国からの使節の接待などを職掌としていた。 - Wikipedia日英京都関連文書対訳コーパス

When it is detected in a detection means that a player dances corresponding to the display contents of the monitor 3 and fetched from a dance operation monitoring part 111, a score corresponding to timing deviation is calculated in a deviation amount detection/integration part 106 and then evaluation is performed in the rhythm setting part 107.例文帳に追加

プレーヤがモニタ３の表示内容に従ってダンスを行ったことが検知手段で検出され、ダンス動作監視部１１１から取り込まれると、ずれ量検出／積算部１０６でタイミングずれに応じた得点が算出され、次いでリズム設定部１０７で評価が行われる。 - 特許庁

This dance posture supporter for men is provided with a belt part which connects a thigh portion holder part worn on a man's left leg thigh portion to a shoulder part worn on the man's right shoulder from the back side, and a rubber elastic part is provided in a part of the belt part.例文帳に追加

男性用として、男性の左足大腿部に装着する大腿部ホルダー部と、男性の右肩に装着するショルダー部を、背中側から繋ぐベルト部を有し、このベルト部の一部にゴム状の弾性部を備えたダンス姿勢サポータとした。 - 特許庁

A plurality of clapper rods for generating sound or vibration are fitted to both surfaces of a plate shape which is held in a hand to keep time to a dance, so the sensor responds to sound or vibration generated when the clapper rods strikes on the plate-shape surfaces or ambient light, so that light is automatically emitted.例文帳に追加

手に持って踊りに合わせ拍子をとる板状の両面に、音又は振動を出すためのナルコ棒を複数本取り付けたもので、そのナルコ棒が板状の面に当たる時の音又は振動或いは周りの明るさにセンサーが反応し自動的に光りを発すること。 - 特許庁

This Gozagae Shinji (also known as Sata Shinnoh (a kind of Noh plays dedicated to Sata-jinja Shrine)), is composed by such as torimono-mai dance to purify newly placed mats for gods, and Shinnoh adopting various Japanese myths and legends of shrines, and in this school, the kagura has become more dramatic and spread all over the country, especially in Chugoku region. 例文帳に追加

この神事（佐陀神能）は取り替えた御座を清めるための採物舞と日本神話や神社縁起を劇化した神能などから成り、この流れを汲んだうえで演劇性を高めた神楽が中国地方中心に全国へ広がっている。 - Wikipedia日英京都関連文書対訳コーパス

There was no fixed melody since it was originally sung by ordinary people, but fu (musical notes, note symbols) were chosen several times after it was introduced to the court as Outa (song), and incorporated into gagaku (ancient Japanese court dance and music), and two kinds of senpo, Japanese seven-tone gagaku scale (corresponding to: so, la, ti. do, re, mi, fa) ritsu and ryo were established in the mid Heian period. 例文帳に追加

元々一般庶民で歌われていたものであることから、特に旋律は定まっていなかったが、大歌として宮廷に取り入れられ、雅楽に組み込まれてから何度か符の選定が行われ、平安時代中期には律・呂という2種類の旋法が定まった。 - Wikipedia日英京都関連文書対訳コーパス

They wear hokan (crown) (in gagaku [ancient Japanese court dance and music]), it refers to a metal band for hair with a mountain-like ornament on the front and two sword-like ornaments on each side of the band), with arabesque, plated with gold, guilt on their head, and clip two yamabuki (bright yellow) branches, and lower ring of their hair was often set in mizura, tsunogami style. 例文帳に追加

頭に鍍金した唐草模様の宝冠（雅楽では、山形の額飾りと側頭部に二本の剣形の飾りを備えた金属製のヘッドバンドを指す）をつけて二本の山吹の枝をはさみ、図画資料では髪は下の輪のみの角髪に結うことが多い。 - Wikipedia日英京都関連文書対訳コーパス

In many matsuri, although there are exceptions due to a difference of tradition, shrine parishioners often participate in the rites and festivals by putting on an artful and beautiful costume, and makeup or heavy makeup, as chigo (beautifully dressed children parading at festivals), miko (a shrine maiden), performers of tekomai (float leading dance), dancers, performers of festival music, participants in the parade and so on. 例文帳に追加

また、伝統などの違いにより例外もあるが、多くの祭りにおいては工夫を凝らした美しい衣装や化粧、厚化粧を施して稚児、巫女、手古舞、踊り子、祭囃子、行列等により氏子が祭礼に参加することも多い。 - Wikipedia日英京都関連文書対訳コーパス

It is customary that dancers selected for the Hono-mai (a Shinto dance for dedication) in the Kamo no rinjisai (Kamo Special Festival) and Iwashimizu-rinji-matsuri (Iwashimizu Special Festival) always use sekitai with agate, and although only shosho usually use an agate sash (an imperial envoy for special festivals was selected from among chujo and shosho), they are permitted to put on a rhinoceros horn sash on this occasion. 例文帳に追加

ちなみに、賀茂臨時祭・石清水臨時祭の奉納舞に選ばれた舞手は必ず瑪瑙の石帯を使うのが慣例であって、本来瑪瑙の帯を使うのは少将だが（臨時祭勅使は中・少将から選ばれる）この時だけは犀角の帯をつける。 - Wikipedia日英京都関連文書対訳コーパス

Also at his time he created many masterpieces: with the help of Mokuami KAWATAKE a Kabuki playwright, he completed "Hojo Kudai Meika no Isaoshi" (Takatoki), "Kiwametsuki Banzui" (Chobei in a bathroom), "Kumonimagou Ueno no Hatsuhana" (ouchiyama), "Funabenkei," "Hikoshichi OMORI" and so on, and, together with Ochi FUKUCH, he created "Kagamijishi" (The Lion Dance), "Sukeroku" and so on. 例文帳に追加

またこの時期に作者河竹黙阿弥を得て『北条九代名家功』（高時）、『極付幡随長兵衛』（湯殿の長兵衛）、『天紛衣上野初花』（河内山）、『船弁慶』、『大森彦七』などを完成し、また福地桜痴と組んで『鏡獅子』『助六』などを創り上げるなど、数多くの名作を残した。 - Wikipedia日英京都関連文書対訳コーパス

Some say that Izumo no okuni, who originated kabuki odori (kabuki dance), which gave birth to kabuki, was a miko of Izumo Taisha Shrine; this reveals how the magic rituals of ancient times have been refined and propagated as the art of public entertainment. 例文帳に追加

歌舞伎の元である「かぶきおどり」を生み出したとされる出雲阿国（いずものおくに）は出雲大社の巫女であったという説もあり、古代の呪術的な動作が神事芸能として洗練され、一般芸能として民間に広く伝播していった経過を伺い知る例として捉えられる。 - Wikipedia日英京都関連文書対訳コーパス

In addition to "Osozakura Teniha no Nanamoji" ("Echigo-Jishi"), which can be seen as a documentary film, buyo dances that perfectly demonstrated his specialty included "Yamato Gana Tamuke no Itsumoji" ("Komori"), the "Kisen" dance of "Rokkasen Sugata no Irodori," "Kagurauta Kumoi no Kyokumari" ("Dontsuku"), "Kairaishi" (buyo), "Mata Kuru Haru Suzuna no Tanemaki" ("Shitadashi Sanba"), "Miyama no Hana to Dokanu Edaburi" ("Yasuna") and "Mitsumen Komori," among many other productions. 例文帳に追加

本領を発揮した舞踊では、記録映画に残された『遅櫻手爾葉七文字』（越後獅子）のほか、『大和い手向五字』（子守）、『六歌仙容彩・喜撰』、『神楽諷雲井曲毬』（どんつく）、『傀儡師(舞踊)』、『再春菘種蒔』（舌出し三番）、『深山櫻及兼樹振』（保名）、『三つ面子守』、その他多数に至芸を見せた。 - Wikipedia日英京都関連文書対訳コーパス

Since he was hidden behind his great father and younger brother, and further experienced a sluggish period of Kansai Kabuki, he had been obscure all his life without achieving any success as an actor, however, he showed an antique and skillful taste when acting Manjiro in "Ise Ondo" (Ise Dance), and a wakashu (a teenage kabuki apprentice and also male prostitute) such as Chube in "Meido no hikyaku" (From The Courier for Hell), etc. 例文帳に追加

偉大な父や弟の陰に隠れ、さらには、関西歌舞伎の不振期にも出くわすなど役者として大成せぬままに終わり不遇であったが、『伊勢音頭』の万次郎、『冥途の飛脚』の忠兵衛などの若衆を演じるときは、古風な好い味を見せていた。 - Wikipedia日英京都関連文書対訳コーパス

The part of Kanjincho, 'Ennen no mai' (Ennen dance), is said to have been performed with Yoshijiro's choreography, so that was an exceptional promotion for a newcomer of twenty years old (however, later Jusuke's disciple, Yoshizo HANAZAWA, thought it was impossible for Yoshijiro, who was an assistant). 例文帳に追加

勧進帳の一節「延年の舞」は芳次郎の振り付けといわれており、わずか20歳の新人としては異例の抜擢であった（ただし後の壽輔の直弟子・花柳芳三は、助手の身であった芳次郎に振り付けは無理ではないかと見ている）。 - Wikipedia日英京都関連文書対訳コーパス

To provide a method and a system for commodity same which pro mote consumers' will to purchase and realize spread of commodities by provid ing commodities or services through a network and setting a discount in accor dance with the number of commodities to be purchased by groups.例文帳に追加

ネットワークを通じて商品またはサービスの提供を行い、グループ別に購入する商品の数に応じて割引率を設定することによって、消費者の購買意欲を促進し、商品の普及を実現できる商品販売システム及びその方法を提供する。 - 特許庁

This Noh pieces contains many interesting essences, including the dynamic change from the ranbyoshi (dancer takes measured steps in triangular formation to match the beat of the kotsuzumi [shoulder drum] – the lengthy pauses have caused radio broadcasting incidents, due to the maximum time of silence allowed being exceeded) which is a contest of nerves with the kotsuzumi to the kyu no mai (high-tempo dance), the superb timing for the koken (stagehands) to drop the bell after the shite jumps into it, and the shite changing costume inside the bell unassisted to appear as the nochi-jite (lead role of latter half). 例文帳に追加

小鼓との神経戦である乱拍子（間をはかりながら小鼓に合わせ一歩ずつ三角に回る；大きな間をとるので、ラジオ放送では放送事故-無音時間過長-になったこともある）から一転急ノ舞になる迫力、シテが鐘の中に飛び込むや鐘後見が鐘を落とすタイミング、鐘の中で単身装束を替え後ジテの姿となる変わり身と興趣が尽きない能である。 - Wikipedia日英京都関連文書対訳コーパス

Photographs of valuable material collections, especially 'Description of an encounter in the dream' with Norinaga and 'treasured figure of the god of the lofty peak', and 'Shichishomai no Ki' (The Dance of Seven Lifetimes), 'Senkyo-zu' (Enchanted Land) and 'Reiho Gogaku Shinkei-zu' (sacred treasure of the genuine map of five sacred mountains) that describe details of Senkyo in painting by ascertaining the truth of the different world's scenery by asking Torakichi in Senkyo Ibun, as well as 'Ino Heitaro Monogatari' (The Story of Heitaro INO), 'Onokoro-jima no zu' (the picture of Onokoro Island) and 'Ibukinoya Nikki' (Diary of Ibukinoya) were revealed. 例文帳に追加

中でも宣長との「夢中対面図」をはじめ、「高根神の尊図」仙境異聞の中で寅吉から異界の模様を聞き糺し、仙境の模様を精密に筆写描写して絵図に描いた「七生舞の記」や「仙境図」・「霊宝五嶽真形図」などの他「稲生平太郎物語」や「おのころ島の図」「氣吹舎日記」などの貴重な資料集を写真公開している。 - Wikipedia日英京都関連文書対訳コーパス

In addition, even a rumor went around that government officials sexually assaulted women in the fancy ball (according to the record of Michitsune MISHIMA) because they were accused of holding a costume ball in the prime minister's official residence on April 20 despite the death of Imperial Princess Shizuko HISANOMIYA on April 4, 1887, (in fact, they merely let a venue for the dance at the request of the minister to Britain), and were also accused of taking place Tenran Kabuki (Kabuki the royal family attend to watch) in the house of Kaoru INOUE on April 26. 例文帳に追加

更に1887年4月4日に久宮静子内親王が亡くなったにも関わらず、4月20日に首相官邸で仮装舞踏会を開催（ただし、実際は駐英公使の依頼により会場を貸しただけであった）し、4月26日に井上馨邸で天覧歌舞伎が行われた事に対する非難から、仮装舞踏会では政府高官による婦女暴行が行われているという風説（三島通庸の記録より）まで飛んだのである。 - Wikipedia日英京都関連文書対訳コーパス

Based on this interpretation, a number of people assert that Emperor Tenmu invented the Gosechi no mai with the aim of introducing Reiraku philosophy (ancient Chinese philosophy emphasizing propriety and music) (Incidentally, when Emperor Shomu got Empress Koken to dance in a Gosechi no mai for the Retired Empress Gensho, the Emperor said to the Retired Empress, 'Emperor Tenmu invented Gosechi no mai with the intention to govern the nation and in order to make rei (propriety) and raku (music) take root among the people' ("Shoku Nihongi" - June 3, 743)). 例文帳に追加

このため、天武天皇は大陸の礼楽思想を取り入れる意図をもって五節舞を考案したとする見方もある（なお、聖武天皇が元正上皇のために孝謙天皇（孝謙天皇）に五節舞を舞わせた際に、天皇が上皇に対して「天武天皇が天下統治のために礼と楽を整備するために五節舞を考え出された」と述べている（『続日本紀』天平15年5月辛丑条））。 - Wikipedia日英京都関連文書対訳コーパス

The Shaku byoshi was used to keep the beat using Shaku (a plate shaped like a scepter) in ancient gagaku (ancient Japanese court dance and music), and as evidenced by the fact that old Joruri (dramatic narrative chanted in accompaniment to a samisen) also had the same kind of Ogi byoshi (fan rhythm), slapping the palm with a handheld instrument was the most widely and easily used way to use an instrument to keep rhythm before early-modern times in Japan. 例文帳に追加

古く雅楽において笏によって拍子をとる笏拍子なる役掌が見られ、古浄瑠璃にも同様の扇拍子と呼ばれるものがあったことを見てもわかるように、拍子楽器として近世以前の日本でもっとも広くかつ簡便に用いられたのは、手に持つ道具によって手のひらを打つことであった。 - Wikipedia日英京都関連文書対訳コーパス

While he performed Renjishi (a string of lions) called 'Shakkyo' (Stone Bridge, Noh Play) for contributing money at Japanese-Russo War in 1904, Einen no mai (dance of longevity) called 'Ataka' (the Ataka Barrier, Noh play) at retirement Noh by Kuro HOSHO in 1906, Noh play (performed) with the Emperor Meiji in attendance in 1910 and Noh play for enthronement ceremony of the Emperor Taisho in 1905, he was actively engaged in the Hayashikata (people who play hayashi, or the musical accompaniment) educating activity at the Nohgakukai of Kimoiri IKEUCHI, and nurtured his best pupils, such as Yoshiki YOSHIMI and Toshio KAMEI. 例文帳に追加

以後、1904年、日露戦争献金能で「石橋(能)」連獅子、1906年、宝生九郎引退能で「安宅」延年之舞、1910年、明治天皇天覧能、1915年、大正天皇即位式能などの舞台を勤める一方で、池内肝煎の能楽会において囃子方育成事業に積極的にかかわり、吉見嘉樹、亀井俊雄らの高弟を育てた。 - Wikipedia日英京都関連文書対訳コーパス

They were dismissed from office because Yasumori had failed each time to carry out Goshirakawa's instructions in performing his duties in relation to the maihimesannyu (entrance of the dancers) and goran (watching the dance) ceremonies that were part of the gosetsu no sechie, and that Yorimori failed to be in attendance at Shigeko's first entry at Court as an Imperial Consort (daihajime) on May 12, without having submitted an application for leave, even though he had visited Itsukushima-jinja Shrine on a pilgrimage, and also because he had failed to perform allocated works related to the Daijoe, though he was obliged to do so in his capacity as Controller of Chinzei (Kyushu). 例文帳に追加

解官の理由は、保盛については五節の節会で舞姫参入・御覧の儀式の勤めを、後白河の指示に従わず毎度怠ったこと、頼盛については、3月26日の滋子の代始めの入内に奉仕しなかったこと、休暇願いを出さずに無断で厳島神社に参詣したこと、鎮西を知行していたにも関わらず大嘗会関係の課役を勤めなかったことだった。 - Wikipedia日英京都関連文書対訳コーパス

Other geisha include: Taka ISODA who was a geisha and the proprietress of the teahouse "Daitomo," known by the tanka poem "Kanikakuya" (meaning somehow) by Isamu YOSHII; Sata MATSUMOTO who was an excellent performer of the Inoue School of Dance and engaged in nurturing junior geisha and apprentice geisha; and many more geisha such as Haruyu HAYASAKI, Komame MIYAKE, Satoharu TAMAKI, Takeha FUJIMOTO, Takako ANDO (whose geisha name was Takachiyo when active and appeared on a TV program called "11 PM"), Mineko IWASAKI, Machiko TAKADA (高田真知子), and Katsuno, all of whom have enlivened not only Kyoto but also the world outside Kyoto. 例文帳に追加

吉井勇の『かにかくに』の歌で有名なお茶屋『大友』の女将で芸妓である磯田多佳や、井上流の名手として、また後輩の育成に努めた松本佐多、ほかに早崎春勇、三宅小まめ、玉木里春、藤本竹葉、安藤孝子（現役当時の芸名は孝千代、後に11PMに出演）、岩崎究香、高田真知子、佳つ乃など京都のみならず、世間に花を添えてきた芸妓が数多くいる。 - Wikipedia日英京都関連文書対訳コーパス

Basically they wear makeup called 'kuraihoshi' putting black or red circles on their faces and painting the bridges of their noses with white, but there are many variations of their makeup: the light makeup like just putting some lipstick, the makeup as thick as adult's formal makeup, stage makeup like an actor in the kabuki dance (very rarely, chigo stain their teeth black or paint eyebrows), thick makeup like a ballerina, and so on. 例文帳に追加

化粧は額に「位星（くらいほし）」と呼ばれる丸を黒、または赤で入れ、鼻筋を白く塗るのが基本だが、それ以外は、殆ど素顔、口紅を塗るだけの場合から、大人のフォーマルと同様の厚化粧、歌舞伎舞踊と同様の舞台化粧（極稀にお歯黒を付ける場合や引眉する場合がある）、バレエと同様な洋風の厚化粧、と結構様々である。 - Wikipedia日英京都関連文書対訳コーパス

It was decided that a new kagura should be made for the special festivals that were to be held as part of 'the 2,600th anniversary of Imperial rule' on November 10, 1940, and Tadatomo ONO, head of the Imperial Household Ministry's Music Department, composed the dance and music based on traditional Kuniburi no utamai songs and dances. 例文帳に追加

1940年（昭和15年）11月10日に開かれる「皇紀皇紀二千六百年奉祝会」に合わせ、全国の神社で奉祝臨時祭を行うに当たり、祭典中に奉奏する神楽を新たに作ることが立案され、当時の宮内省楽部の楽長である多忠朝が国風歌舞を下地に作曲作舞した神楽舞である。 - Wikipedia日英京都関連文書対訳コーパス

At the beginning of the mid-18th century, Kabuki was revived with completion of shosagoto (dance in Kabuki) by star actors for female roles such as Kikunojo SEGAWA I (shodai) and Tomijuro NAKAMURA I (shodai), the restoration of forgotten wagoto performances by Kichitaro OGAWA and the creation of excellent scripts and improvement of stage installations by Shozo NAMIKI I in cooperation with Utaemon NAKAMURA I (shodai). 例文帳に追加

18世紀中期初には初代瀬川菊之丞(初代)、初代中村富十郎(初代)ら名女形が所作事を大成し、初代小川吉太郎は途絶えていた和事芸を再興し、初代並木正三は初代中村歌右衛門(初代)と提携して優れた脚本を作り舞台装置の改良をするなどして歌舞伎は息を吹き返した。 - Wikipedia日英京都関連文書対訳コーパス

In the Edo period, "Bokuyo Kyokashu" (Bokuyo Collection of Comic Tanka) described a song as 'a popular tojinuta singing about のんせんふらんらん露の情なや' (in "Matsu no ochiba" [a book on Shinto, the history and the language by Takanao FUJII], '浮世のんせんふんらんらん' was compiled as the song for Otsu Oiwake-e odori dance), and also "Kefukigusa" (a book for haikai including manners and selection of works) described a song as 'a kouta song has a line, ふうらいふらいふる妻いとし軒の雪, from tojinuta.' 例文帳に追加

江戸時代では、『卜養狂歌集』に「その頃世にはやる唐人歌とて、のんせんふらんらん露の情なやといふ事を歌ひける」（『松の落葉』には大津追分絵踊に「浮世のんせんふんらんらん」とある）、『毛吹草』に「小歌の中の句に、ふうらいふらいふる妻いとし軒の雪、此句唐人歌歟」とある。 - Wikipedia日英京都関連文書対訳コーパス

On the other hand, none of the noh composed by him remained, unlike Kanami, Zeami, and Motomasa who excelled as noh writers (there is a piece of music supposedly composed by 伝音阿弥 but not publicly confirmed), and no densho (books handed down from ancestors) are present (Noyusuchi (能優須知) claimed that he was the author of "Kabuzuinoki" (The Essence of Dance and Song), but this was written by people of current days). 例文帳に追加

一方で、能作者としても傑出した存在であった観阿弥、世阿弥、元雅とは対照的に、彼の作になる能は残っておらず（伝音阿弥作とする曲もあるが、一般的には認められていない）、また伝書の類も存在しない（『能優須知』が『歌舞髄脳記』の著者とするが、近世の偽書である）。 - Wikipedia日英京都関連文書対訳コーパス

Besides priests, fukuotoko (the luckiest man); fukumusume (the luckiest girl); people involved in Shinto rituals (such as the arrow gatherer of a bow and arrow performance at a festival); performers and promoters at a festival (including sumo wrestlers, daikagura lion dance performers, and stall keepers) as well as their sources (such as the medieval sarugaku form of theater and kugutsu puppet theater) are all 'kannagi' and have long been thought to have special power to bring good luck. 例文帳に追加

神職だけでなく福男や福娘や神事に携わる庶民（祭り弓矢の矢取りなど）や祭りの興行者（相撲の力士や太神楽の芸人あるいは、縁日の露天商なども）その源流（猿楽・くぐつなど）は「かんなぎ」であり、良い縁起を齎すものとして、特別な力があると考えられてきた。 - Wikipedia日英京都関連文書対訳コーパス

While school members hold events such as "The gathering of Kyomai Shinozuka school" at Gion Kobu Kaburenjo Theater and Kyoto Prefectural Art Center, etc., and "The gathering to appreciate Kyo dance in a tatami room" at Rokasensui-sho Manor (Important Cultural Property) and at Noguchi-tei Estate and Sugimoto-tei Estate (Tangible Cultural Asset Designated by Kyoto City) to develop their own school, they also devoted themselves in playing an active role in the cultural field by presenting classical "Shimabara san banso" (Shimabara third boat) at Kyoto Shimabara Sumiya (Important Cultural Property). 例文帳に追加

祇園甲部歌舞練場、京都府立芸術会館などで、「京舞篠塚流の会」を開催したり、重要文化財・芦花浅水荘、京都市指定有形文化財・野口邸、同じく杉本邸などで「座敷で見る京舞」を開催するなど、流派の発展に尽力するかたわら、重文・京都島原角屋で『島原三番艘』を披露するなど文化面での活動にも余念がない。 - Wikipedia日英京都関連文書対訳コーパス

The contents are classified into 30 sections, including sections of Ten (gods of the heavens), Saiji (events throughout the year), Chi (earthy section), Jingi (gods of heaven and earth), Teio (emperors), Kani (official ranks), Horoku (stipend), Seiji (politics), Horitsu (law), Senka (currency), Syoryo (measurement), Gaiko (diplomacy), Heiji (military), Bugi (martial arts), Hougi (technology), Shukyo (religion), Bungaku (literary), Reishiki (code of etiquette), Gaku (dance and music), Jin (personnel), Seimei (surname), Sangyo (industry), Fukushoku (garment), Inshoku (eat and drink), Kyosho (living home), Kiyo (art), Yugi (amusement), Dobutsu (animal), Shokubutsu (plant), and Kanaishi (metal). 例文帳に追加

内容は大きく分けて、天部、歳時部、地部、神祇部、帝王部、官位部、封禄部、政治部、法律部、泉貨部、称量部、外交部、兵事部、武技部、方技部、宗教部、文学部、礼式部、楽舞部、人部、姓名部、産業部、服飾部、飲食部、居処部、器用部、遊戯部、動物部、植物部、金石部の30部門からなる。 - Wikipedia日英京都関連文書対訳コーパス

To provide a light, safe and durable fan to be used for rhythmical and modish Bon festival dance, cheering for sports such as a baseball or football game, or as a toy for a sightseeing souvenir, having both the functions of fanning to enjoy the cool, and also of providing a noisemaker for issuing hit sound from a fan main body by allowing hit members to collide with the fan body.例文帳に追加

リズミカルな現代風の盆踊りや、野球、サッカー等のスポーツ応援用又は観光みやげ用のおもちゃとして使用され、納涼のため扇いで風を送る機能と、うちわ本体に打撃部材が衝突することにより、うちわ本体から打撃音を発する鳴り物としての両方の機能を有し、軽量で安全性及び耐久性を有するうちわとする。 - 特許庁

Employees are provided with opportunities to grow through activities in which "individuals plan, execute, report, and evaluate on their own," with the aim of developing into information independent persons. This is facilitated through the establishment of "committee activities" (activities in which teams are formed to consider environmental issues and work improvement, etc.) and "Japan's longest morning assembly" (held for about an hour each day, it is a opportunity for people to report the results of committee activities, perform skits, dance, and make other announcements from teams with no specific agenda).例文帳に追加

情報自立人になるために、「委員会活動」（チームを組んで環境問題や業務改善等について検討する活動）、「日本一長い朝礼」（毎日1時間程度行われる、委員会活動結果の報告や寸劇、ダンス等シナリオのないチームによる発表の場）の設置により、「一人一人が自ら企画し、実行・発表し、評価する」活動を通して成長する機会が提供されている。 - 経済産業省

Organisation Environmental Footprint studies int ended to support comparative assertions (i.e. claims about the environmental superiority or equivalence of organisations compared to other organisati ons) cannot be made on the basis of studies using only the OEF gui de but rather shall be based both on this OEF gui dance AND relat ed Organisation Footprint Sector Rules (OFSRs). 例文帳に追加

組織の環境フットプリント調査の目的が比較表明（ある組織が他の組織より環境的に優位または同等という主張）の支援である場合、OEF一般規則のみによる調査を根拠に行うことはできず、本OEFガイダンスおよび関連する組織のフットプリントセクタールール（OFSR）の両方に基づいて行う。 - 経済産業省

It was common that popular music like joruri (dramatic narrative chanted to a shamisen accompaniment), which contained narration or songs with a distinct melody played by shamisen, composed of up-tempo tunes and slow-tempo tunes, was used for traditional performing arts that became popular during the Edo period such as kabuki (traditional drama performed by male actors), bunraku (Japanese puppet theater), and classical Japanese dance, especially for performances for the common people in a theater or on an outdoor stage. 例文帳に追加

歌舞伎・文楽・日本舞踊等、江戸時代に盛んになった伝統芸能、特に庶民階級を対象にして劇場や屋外の舞台で演じられたものには、「浄瑠璃」（じょうるり）のような「語り」あるいは「唄」と三味線によって、旋律と緩急がはっきりした大衆的な音楽をつけることが一般的であった。 - Wikipedia日英京都関連文書対訳コーパス