「時代」に関連した英語例文の一覧と使い方(513ページ目) - Weblio英語例文検索

一方で刀は売買の対象でもあり、特に明治時代以後現代にいたるまで、骨董品として、美術品として、刀に商品としての性格、趣味の物としての性格が強くなると、商品価値を上げるための客観性を欠いた表記や宣伝的な表記、所有欲をくすぐる表記、自分が好きな刀への思い入れたっぷりの表記、などがある。例文帳に追加

On the other hand, swords are traded for money, and especially from the Meiji period to the modern times, when swords, as antiques and art objects, came to have character as commodities or hobby objects, there are descriptions without objectivity, promotional descriptions to increase commercial value, descriptions to stimulate desires for possession and descriptions full of feelings toward a favorite sword.  - Wikipedia日英京都関連文書対訳コーパス

日本で発明された扇子は、コンパクトに折り畳めるという利点が高く評価され、大航海時代には中国を経由して西洋にまで輸出されて独自の発展を遂げ、17世紀のパリには扇を扱う店が150軒を数えるほど、上流階級の女性のコミュニケーションの道具として大流行した。例文帳に追加

Sensu invented in Japan were exported through China to the West in the age of discovery, and because of its convenient folding into a compact size it developed in a unique way, becoming very popular among high-class women of the times, as a communication tool when there were about 150 shops handling Sensu in Paris during the 17th century.  - Wikipedia日英京都関連文書対訳コーパス

しかし、東山文化がいつ始まりいつまで続いたか区分が明確でないことや、義持・義教の時代が無視されてしまうことへの批判、禅宗の影響や公家文化と武家文化の融合など共通性が多いことから、今日の歴史学では両者を合わせて「室町文化」として論じるのが一般的であるという。例文帳に追加

However, today it is said that both cultures are generally discussed together as 'Muromachi culture' according to the following reasons; when Higashiyama culture began and ended is not clear, there is criticism that the era of Yoshimochi and Yoshinori are ignored and both have many points in common such as the influence of the Zen sect and the fusion of the culture of the nobility and the culture of the samurai class.  - Wikipedia日英京都関連文書対訳コーパス

その組織力や情報の得やすさなどから、室町時代には、一揆の中心にもなり、正長の土一揆や嘉吉の徳政一揆などが知られているが、後者では一揆の攻撃対象となった比叡山延暦寺の保護を受けていた近江国の馬借が一揆から離反して、馬借勢力そのものが分裂している。例文帳に追加

In the Muromachi Period because of its organizational power and the ease-of-getting information the Bashaku played the central role at the riots in which the Tsuchi-ikki in Shocho era and the Tokusei-ikki in Kakitsu era were famous for, and in the latter the Bashaku in Omi Province who were taken under Hieizan Enryaku-ji Temple that was attacked by the riot seceded from the riot force so that the Bashaku power itself was split.  - Wikipedia日英京都関連文書対訳コーパス

また、仮に需要があったとしてもそもそも銅の生産量が絶対的に少なかった当時の日本では実物貨幣に代わるだけの銅銭の製造は始めから困難であった（銅鉱の発見を機に元号を「和銅」と改めてしまう程当時銅は貴重であり、また後述のように時代が下るにつれて急速に品質が悪化している）。例文帳に追加

Also, even if there had been enough demand, the volume of copper production had been absolutely small, which made it impossible, from the beginning, to supply sufficient copper coins and substitute material money then-current in Japan (copper was so precious then in Japan that its era was renamed 'Wado (literally, Japanese copper),' upon discovery of copper ore mines, and, as described afterward, the quality of copper coins had rapidly deteriorated as time went on.)  - Wikipedia日英京都関連文書対訳コーパス

またここで記されている「枯山水」は庭園のなかの1区画に置く石、景石の置き方の様式を指していると考えられ、これを「平安時代式枯山水」「前期式枯山水」と呼び後世の「平庭枯山水」と別のものと把握しようとする意見と、同じ流れであり分ける必要はないとする意見がある。例文帳に追加

It is thought that 'karesansui' written here refers to the style of how to put the stones or ornamental garden rocks in the corner of a garden, which is called 'the Heian period style of dry landscape' or 'the early style of dry landscape' as to distinguish it from the 'Hiraniwa karesansui' (a style of dry landscape in a flat Japanese garden without hills), at the same time, there is the opinion that there is no need to distinguish them because they are all the same style.  - Wikipedia日英京都関連文書対訳コーパス

当時の首都東京では江戸時代の大名屋敷とそれに付随する庭園が次々と壊され、この現状を目の前にして小沢圭次郎は職務の余暇として古い庭園の記録と資料収集を行っており、退職してからはさらに庭園研究に励み、1915(大正4)年『明治庭園記』を発表するに至る。例文帳に追加

In the capital at the time, Tokyo, many daimyo-residences and attached gardens were destroyed one after another, and Keijiro OZAWA seeing this, collected records and data of these old gardens in his spare time outside his duties, and after his retirement, he researched these teiens and published Meiji Teien-ki (A Record of Gardens during the Meiji period) in 1915.  - Wikipedia日英京都関連文書対訳コーパス

明治時代に入っての東京の楽水紙の評価が高まるにつれ、長い伝統に誇りを持つ越前でも一枚貼りの大判のふすま紙の開発に関心が高まり、明治18年（1885年）に福井県今立町新在家（現越前市新在家町）の高野製紙場で、手漉襖張大紙を漉くことに成功している。例文帳に追加

During the Meiji period, as the rakusui-shi in Tokyo had been highly estimated, the development of large-size fusuma paper was very popular even in the Echizen region which took pride in the long tradition, and the tesuki-fusumabari-taishi (handmade large paper for fusuma) was invented at the Takano paper mill in Shinzaike, Imadate-cho, Fukui Prefecture (present Shinzaike-cho, Echizen City) in 1885.  - Wikipedia日英京都関連文書対訳コーパス

南北朝時代(日本)から室町初期に完成した『庭訓往来』には、「城下に招き居えべき輩」として多くの商人、職人の名を列挙しており、襖障子に関係するものとして唐紙師、経師、紙漉き、塗師、金銀細工師などが挙げられており、襖建具が分業化された職人を必要とするほどに、武士階級に相当普及していた事とが知れる。例文帳に追加

In the "Teikin-orai" (Epistolary for Home Instruction) completed from the period of the Northern and Southern Courts (Japan) to the Muromachi period, many names of merchants and workmen are described as 'people who should stay in the castle town' including masters of fusuma-shoji such as kami-shi, kyo-ji, paper making, craftsmen of lacquer ware and handiworks, and craftsmen of gold and silver handiworks, which shows that fusuma-shoji was widespread in the samurai class and they required specialized craftsmen.  - Wikipedia日英京都関連文書対訳コーパス

『源氏物語』の「絵合（えあわせ）」の巻などを参照すると、日本では平安時代前期～中期にも多くの物語絵が制作されたことが推測されるが、9世紀～11世紀までの絵巻物作品の現存するものは皆無であり、この間、絵巻物の画風がどのような発展過程を経たのかは定かでない。例文帳に追加

According to such descriptions written in a volume captioned 'Eawase' (picture contest) in "Genji Monogatari,' many scrolls of illustrated tales may be assumed to have been produced during the beginning and middle Heian period in Japan, but since none of such scrolls are now existing that were produced between the 9th and 11th centuries, we are unable to trace clearly how the styles of illustrated scrolls, of that period, had developed.  - Wikipedia日英京都関連文書対訳コーパス

5月15日には平安時代の衣装を身にまとった人々が牛車とともに京都御所から下鴨神社を経て上賀茂神社まで、近衛使と、警備のための「検非違使尉」と「検非違使志」といった検非違使庁の官吏と、山城使と、馬寮使、内蔵使による本列として行進する。例文帳に追加

On May 15, people dressed in Heian period costumes march with a gissha (cow carriage) from Kyoto Imperial Palace via Shimogamo-jinja Shrine to Kamigamo-jinja Shrine and Konoe no tsukai (Imperial Guard delegate), and as guards, officers from Kebiishicho (Office of Police and Judicial Chief) such as 'Kebiishi jo' (second officer of the imperial police bureau), 'Kebiishi shi' (third officer of the imperial police bureau), Yamashiro no tsukai (delegate of the Yamashiro Province), Maryo no tsukai (delegate of Maryo (the section taking care of imperial horses)), and Kura no tsukai (delegate of Kuraryo (the Inner Treasury Office)), and make a main march.  - Wikipedia日英京都関連文書対訳コーパス

本来は高価な唐物名物を用いた茶の湯への反抗であり、楽茶碗や竹製の花生、量産の漆塗り茶入である棗(茶器)といった安価な道具を用いるものであったが、江戸時代に家元が権威化すると、箱書や伝来、命銘などによってこれらの道具も名物へと転化してしまった。例文帳に追加

Originally, they started wabicha to oppose the use of expensive karamono such as Meibutsu and, instead, were using inexpensive utensils including rakujawan, bamboo vases and lacquered tea container natsume (tea utensil), but as the head family of the school was taking power in the Edo period, such inexpensive tea utensils became Meibutsu because of hakogaki (description written on tea utensil's case), records of history and naming.  - Wikipedia日英京都関連文書対訳コーパス

お寺の花まつり（誕生会、灌仏会、釈尊の誕生日）や観世音菩薩、不動明王、等の縁日、法然、日蓮、等の宗祖の命日（お会式）、本堂落慶法要や晋山式といった、数十年～数百年に一度の大法会に行われる他、神社の祭りにも巫女と共に登場、また、時代行列の中で登場する場合もある。例文帳に追加

They appear not only in the shrine festivals accompanied by a shrine maiden and a historic pageant, but also in a flower festival at a temple (birthday ceremony, kanbutsue (the Buddha's birthday festival), Shakyamuni's birthday ceremony), days consecrated to the Bodhisattva of Compassion and Fudo Myoo, the anniversary of the death (memorial service) of the founders, such as Honen and Nichiren, grand Buddhist memorial services held once in decades or hundreds of years such as a celebration of completion of a main hall or the inauguration ceremony for the head priest of a temple.  - Wikipedia日英京都関連文書対訳コーパス

しかし、南北朝時代(日本)初め（14世紀中葉）頃に成立したとされる『神護寺略記』に、「神護寺には後白河院、平重盛、源頼朝、藤原光能、平業房等の肖像があり、それらは藤原隆信の作品である」との内容の記述があり、これが、三幅の像主を平重盛、源頼朝、藤原光能に比定する根拠となった。例文帳に追加

However, "Jingo-ji Temple ryakki" (a journal of Jingo-ji Temple), written around the period of the Northern and Southern Courts (in the middle of the 14th century) described that Jingo-ji Temple had the portraits including Goshirakawain, TAIRA no Shigemori, MINAMOTO no Yoritomo, FUJIWARA no Mitsuyoshi, and TAIRA no Narifusa and they were drawn by FUJIWARA no Takanobu; this was the clue to judge the figures as TAIRA no Shigemori, MINAMOTO no Yoritomo, and FUJIWARA no Mitsuyoshi.  - Wikipedia日英京都関連文書対訳コーパス

糾法とは弓と馬を意味し、七代目の小笠原貞宗は南北朝時代(日本)に後醍醐天皇に仕え「弓馬の妙蘊に達し、かつ礼法を新定して、武家の定式とするなり」という御手判を賜り、このとき「弓・馬・礼」の三法をもって小笠原流とする武家作法としてのその位置づけが確立。例文帳に追加

"Kyuho" was defined as archery and horsemanship, and the 7th head of the clan, Sadamune OGASAWARA, who served Emperor Godaigo during the period of the Northern and Southern Courts, was asked by the Emperor 'to improve archery and horsemanship skills and to set new standards for manners, which samurai families should follow'; it was at this time that the Ogasawara school's three arts of 'archery, horsemanship and courtesy' were established as samurai manners.  - Wikipedia日英京都関連文書対訳コーパス

平安時代末期の藤原明衡の著である『新猿楽記』には、巫女に必要な4要素として「占い・神遊・寄絃・口寄」が挙げられており、彼が実際に目撃したという巫女の神遊（神楽）はまさしく神と舞い遊ぶ仙人のようだったと、記している。例文帳に追加

According to the "Shin-sarugoki" (a textbook written about lives and cultures of the people of Kyoto in the Heian period) by FUJIWARA no Akihira in the late Heian period, the four elements shrine maidens were required to master were the abilities of uranai (fortune-telling,) kami-asobi (playing music and dancing in front of gods,) yotsura (beating out strings of Japanese bows as a ritual to ward off evil spirits) and kuchiyose (mediumship or technique to communicate with spirits), and in this book Akihira described his actual experience of witnessing a shrine maiden playing kami-asobi (Kagura), which to him appeared as if an immortal mountain wizard was enjoying dancing with a god.  - Wikipedia日英京都関連文書対訳コーパス

朝賀自体が一条朝には断絶し、例年の行事には用いられなくなったが、即位式には孝明天皇の即位まで使われてきた（女子の礼服は後柏原天皇即位以後断絶し、裳唐衣が使用された―ただし江戸時代の女帝は白綾無文の礼服で、仕立ては男帝に準じた）。例文帳に追加

The New Year's court ceremony itself was discontinued during the reign of the Emperor Ichijo, and clothes were no longer worn at the annual event but were worn until the enthronement ceremony of the Emperor Komei (Raifuku for women after the enthronement of the Emperor Gokashiwabara, and mokaraginu (a short coat for noblewomen with a train) was worn instead; however, the Empress during the Edo period wore the raifuku of white twill with no pattern and a style of tailoring following that of the Emperor).  - Wikipedia日英京都関連文書対訳コーパス

最も一般的な説では江戸時代のももんじ屋などでひっそり続いていた焼肉文化が明治維新後に西欧のバーベキューの影響を受けて変化し、更に世界各国に存在する肉を焼く料理（ヨーロッパのステーキ、北米のバーベキューなど）の影響をも受けて変化したのが現在の日本料理の焼肉であるとされている。例文帳に追加

The most generally accepted theory is that the yakiniku culture that had revolved around establishments such as the Edo period restaurant Momonji-ya underwent changes due to the influence of Western European barbeque following the Meiji Restoration, and developed further as a result of exposure to grilled meat dishes from around the world (European steak, North American barbeque, etc.) to become modern Japanese yakiniku.  - Wikipedia日英京都関連文書対訳コーパス

和琴とは別に、奈良時代に渡来した「琴」（きんのこと）は中国宮廷内の祭祀にまつわる楽器として、弦楽器（古代日本では、人間が息を吹き込まねば演奏できない管楽器よりも高尚なものとされた。当時弦楽器はすべて「○○のこと」と呼び習わされる）の中でも重要視されていたらしい。例文帳に追加

Apart from 和琴 (Wagon), 'Kin (琴) no Koto,' which was also introduced in the Nara period, was apparently regarded as an important stringed instrument because it related to the religious services of the Chinese court: stringed instruments, all of which were called 'OO no Koto' in those days, were regarded as superior to wind instruments, because wind instruments would not make sound unless human beings breathed into them.  - Wikipedia日英京都関連文書対訳コーパス

元々は日本刀とほぼ同じ長さであったが、江戸時代末期に試合に有利なため4尺を超える竹刀を使用する者が多く現れ（5尺3寸≒161cmの長大な竹刀を使用した大石進が代表的である）、その対抗上、竹刀の長さは刀より長いものを使用するようになったといわれている。例文帳に追加

Although originally the same length as Japanese swords, towards the end of the Edo period, many people started using shinai over 1.2 meters long since it gave them an advantage in tournaments (the famous Susumu OISHI used a very long shinai of 5 shaku 3 zun, or about 161 cm), and due to the above situation it is said that people began to use shinai longer than swords.  - Wikipedia日英京都関連文書対訳コーパス

鎌倉時代以降、専門分化して、研究が盛んとなり、儀式については順徳天皇の『禁秘抄』、後醍醐天皇の『建武年中行事』、一条兼良の『公事根源』、官職制度については北畠親房の『職源抄』、服飾については源雅亮の『雅亮装束抄』などの有職故実書が著された。例文帳に追加

After the Kamakura period, yusoku kojitsu became as specialist field and the subject of active research, leading to the authorship of books including those on ceremonies such as "Kinpisho" written by Emperor Juntoku, "Kemmu Nenchu Gyoji" written by Emperor Godaigo, and "Kuji kongen" (the Rules of Court) written by Kaneyoshi ICHIJO; those on the government system such as "Shokugensho" written by Chikafusa KITABATAKE; and those on clothing such as "Masasuke Shozoku Sho" (Masasuke's rule book on costumes) written by MINAMOTO no Masasuke.  - Wikipedia日英京都関連文書対訳コーパス

かつて江戸時代初期のように四季醸造という生産体制が、人々の年中サイクルの中に組み込まれ息づいていたころには、ちょうど今でいう「季節もの」や「天然もの」の野菜や魚のように、寒造りされた酒はその他の酒と区別され「寒酒」として味わわれたようであるが、そうした習慣は、現在は一般的には消滅してしまっているといえる。例文帳に追加

The shikijozo production system was incorporated in the annual cycle of people of the early Edo Period similar to the 'seasonal' or 'natural' vegetables or fish of nowadays, and the sake that was made with kanzukuri process was treated apart from other sake, but the custom has disappeared now.  - Wikipedia日英京都関連文書対訳コーパス

一方では、元酒類審議会委員であった上原浩によれば、精米歩合を高めることができなかった時代には、醪末期（日本酒醪の醗酵の最後の段階）で日本酒醗酵が急に進み、酒が薄辛くなることがあったので、それを補正するために甘酒などを四段目に仕込んでいたという（甘酒四段）。例文帳に追加

On the other hand, Hiroshi UEHAEA, who was the former judge of the alcoholic beverages advisory council, stated that the fermentation becomes more rapid at the last stage of fermenting unfiltered Japanese sake, and sake became less stringent during the period when the rice-polishing ratio techniques was not refined and amazake (Japanese sweet rice wine) was poured in at the fourth stage (amazake yondan) to adjust it.  - Wikipedia日英京都関連文書対訳コーパス

なぜなら、明治時代前期の欧化政策以来、政府は数々の優遇措置をもって国民に洋酒を紹介し、国産洋酒の生産や消費を促してきたわけだが、その延長線上にやってきたのは結局「そろそろ舌になじんだころだろうから本場、外国産の洋酒をどんどん買ってくれ」というべき状況だったからである。例文帳に追加

This was because the government had introduced foreign liquors with various preferential treatments and promoted to produce and consume foreign liquors made in Japan since the Westernization policy in the early part of the Meiji period, which finally resulted in the situation that 'buy foreign liquors made in foreign countries because you have already gotten used to the taste.'  - Wikipedia日英京都関連文書対訳コーパス

かつて明治時代後期には、酒が一升瓶で流通するようになったために、日本人の酒の消費の仕方が、年に数回だけハレの日に振る舞い酒をとことん泥酔するまで飲む様式から、ほとんど毎日ケの日に自分の好みの酒を晩酌や独酌としてほどほどに酔う（なま酔い）様式へ変化した（参照：「流通と消費の形態変化」）。例文帳に追加

In the latter part of the Meiji period, since sake came to be distributed in 1.8 liter bottles, the way of consuming sake of the Japanese changed from a style in which they drank sake as a treat heavily only a few special days in a year to one in which they drank their favorite sake for dinner or individually almost every normal day and got drunk to some extent (namayoi) (see the section of 'The change of distribution and consumption forms').  - Wikipedia日英京都関連文書対訳コーパス

古くは祭事などの折に年に数回、泥酔するほど飲むが、日常生活には徳利の影も見当たらないような明治時代前期以前の酒のありようから、食卓に晩酌がなじんできたそれ以降の酒のありようへの変化も、その境界線を曖昧にしていく歴史作用であったが、その延長線上にあるものである。例文帳に追加

The change from the style of dead drinks several times a year at the time of special events such as festivals and having no sake bottle in daily life before the early part of the Meiji period to the style of drinking with dinner after that, also made that border ambiguous historically, which was seen as an extension of the trend toward low-alcohol drinks.  - Wikipedia日英京都関連文書対訳コーパス

本館内部の構造は豪華で、一階には、英国室、支那室、アラビア室、英国封建時代式の大室、純洋式の浴室と便所、事務室、二階にはインド室、廻廊式書庫、エジプト室、洋式客室、門主寝室、地下には調理室などがあり、建築様式や家具、調度類で各国の雰囲気を醸し出している。例文帳に追加

The internal construction was gorgeous and each room created each country's atmosphere with the architectural style, furniture and fixtures: British room, Chinese room, Arabian room, British large room of the feudal period style, western style bathroom and toilet, and office on the first floor and Indian room, book room with corridor, Egyptian room, western guest room, bed room of the chief priest on the second floor and kitchen and others on the basement.  - Wikipedia日英京都関連文書対訳コーパス

古くは宮廷で公家が薬事効果を期待し食していたが、戦国時代(日本)には鯨呑が「国を飲み込んで併合・吸収合併する」と言う意味や鯨波の声｛鬨の声（ときのこえ）と読み意味も同じ｝が「戦いに勝つ」という意味や鯨吼が「轟き渡る」という意味などから武将に好まれ武家の間でも珍重された。例文帳に追加

In ancient times, people from imperial families ate whale meat in the Imperial Court, expecting medical effects, but later in the Sengoku Period (Period of Warring States) (Japan) whale meat was loved by busho (Japanese military commander) and highly valued by samurai families, for geidon (a swallow by a whale) means 'annexation of another country,' toki no koe (toki can be expressed by a pair of kanji meaning, a whale's wave, and toki (鯨波) sometimes written as 鬨 in Chinese character) is associated with a victory, and geiko (a whale's outcry) means 'booming out.'  - Wikipedia日英京都関連文書対訳コーパス

明治時代初期までは恵方詣りの風習が残っていたようだが、京阪神において鉄道事業者が沿線の神社仏閣をてんでんばらばらに「今年の恵方は○○だ」と宣伝し始めたために、本来の恵方ではない神社仏閣にも詣でるようになり、恵方の意味が薄れ、有名な神社仏閣にお参りするようになったといわれている。例文帳に追加

It is said that, up until the early Meiji period, some still practiced the custom of ehomairi; however, as each railway company in the Keihanshin region (namely, Osaka, Kyoto, and Kobe) started to advertise the shrines and temples of their choice along their own railway lines, by saying that 'the eho for the year is XX,' people became to visit those in other than the actual eho direction which leads the meaning of eho fade away and people visit well-known shrines and temples.  - Wikipedia日英京都関連文書対訳コーパス

-寺社の造営、修繕や維持管理を目的としたもので、具体的には参道や境内、門前町において祭りや縁日を開催し、出店者から売り上げの一部を、場所代として提供してもらう事や、宝くじの元となった富くじの収益や、庶民が自ら行う賭博が合法であった時代には、賭博開帳の場所代としての寺銭などが挙げられる。例文帳に追加

Jisha fushin aimed to construct, repair and manage jisha (temples and shrines) and specifically, it included holding festivals or fairs along the sando (the road approaching a temple), inside the precincts, or in the temple town; they also collected a portion of the sales from street vendors as rent for their stalls, proceeds from tomikuji (lottery), precursor to today's takarakuji, and terasen (fee charged to a gambling salon) as rent from gambling halls in the days when gambling held by common people was legal.  - Wikipedia日英京都関連文書対訳コーパス

中国では北斉時代（550-577）の菩薩像２体（山東省・青州博物館蔵）に截金が見られ、一方は二重の亀甲文の中に亀を描いたものと、裳裾に縦長の亀甲文の中に３枚の葉をもった植物文を上下に重ねた文様に、もう一方は裳に緑と赤に白い丸文を描いた文様の区画の境界線に截金が使われている。例文帳に追加

In China, the kirikane technique is found in two statues of Bosatsu (bodhisattva) in Northern Qi period (550 to 577) (owned by Qingzhou Museum in Shandong Province): For one of them, it is used in the motif of a double-line kikkomon (hexagonal pattern) in which a tortoise is drawn, and the motif which two patterns of plant with three leaves are arranged one above the other in a vertically long kikkomon in its mosuso (hem of pants), and for the other, in the boundary line between green pattern with white circle and red pattern with white circle in its mo (long pleated skirts).  - Wikipedia日英京都関連文書対訳コーパス

江戸時代までは統一名称は無く地方により呼び方が異なり、「乱破（らっぱ）」「素破（すっぱ、“スッパ抜き”という俗語の語源）」「水破（すっぱ）」「出抜（すっぱ）」「突破（とっぱ）」「透破（とっぱ）」「伺見（うかがみ）」「奪口（だっこう）」「草」「軒猿」「郷導（きょうどう）」「郷談（きょうだん）」「物見」「間士（かんし）」「聞者役（ききものやく）」「歩き巫女」「かまり」「早道の者」などがある。例文帳に追加

Until the Edo period, there was no standardized name for ninja and it varied in each region, for example, there were name such as "Rappa", "Suppa (素破) (the origin of a slang word "Suppanuki" meaning divulgation)", "Suppa (水破)", "Suppa (出抜)", "Toppa (突破)", "Toppa (透破)", "Ukagami", "Dakko", "Kusa", "Nokizaru", "Kyodo", "Kyodan", "Monomi", "Kanshi", "Kikimonoyaku", "Arukimiko", "Kamari" and "Hayamichi no mono".  - Wikipedia日英京都関連文書対訳コーパス

しかし江戸時代後期を中心に生じたものには実用性が必ずしも高くないものも少なくなく、一流派ですべての水勢に対して必要な泳法を備えるものはないとされ、1932年、文部省の指示によって日本水上競技連盟は在来の泳法のうち重要なものを採択し、スピードを主とした競技泳法を加えて「標準泳法」とし、国民必修のものとした。例文帳に追加

However, those started in the late Edo period were not always practical, and considered that a school could not cope with all the different forces of water, and so in 1932, Japan Aquatic Competition Federation (forerunner of Japan Swimming Federation) selected important ones from the conventional styles, designating them to be 'standard styles of swimming' including competitive styles focused on speed, setting them as a compulsory subject at schools.  - Wikipedia日英京都関連文書対訳コーパス

日本で和服という言葉が生まれる明治時代よりもずっと前の16世紀の時点で、日本人が衣服のことを指して呼んだ着物(Kimono)が、現在で言う和服を表す語としてヨーロッパ人に知られるようになり、現在ではヨーロッパに限らず世界の多くの言語で日本で和服と呼んでいる物をKimonoと呼んでいる。例文帳に追加

The Japanese people used the word Kimono to indicate clothing in general during the sixteenth century which was long before the Meiji period when the word Wafuku was coined in Japan--The word Kimono was recognized by the European people as the word to indicate Japanese clothing like the word Wafuku in the modern Japanese sense, and the word Kimono with that sense have prevailed in the world so that what the Japanese people call Wafuku is called Kimono in the world.  - Wikipedia日英京都関連文書対訳コーパス

また、上野-青森間を走行していた急行十和田（のちに八甲田に替わる）が定期運行されていた時代は、下り列車（上野発）では後続の電車寝台特急に抜かれるのを待つため、朝の6時50分～7時間に盛岡駅で停車時間を長めに取るダイヤになっており、多客時には朝ご飯として買い求める乗客で売り切れることもあった。例文帳に追加

Furthermore, during the time when the Limited Express "Towada" (later replaced by "Hakkoda"), which ran from Ueno Station to Aomori Station, was in regular service, the timetable was set to give a rather long standing time for the downtrain (departing from Ueno Station) at Morioka Station during 6:50 and 7:00 in the morning to wait to be overtaken by the successive train, an overnight train service; accordingly, harakomeshi was sometimes sold out when there were many passengers buying the ekiben for breakfast.  - Wikipedia日英京都関連文書対訳コーパス

歌舞伎・文楽・日本舞踊等、江戸時代に盛んになった伝統芸能、特に庶民階級を対象にして劇場や屋外の舞台で演じられたものには、「浄瑠璃」（じょうるり）のような「語り」あるいは「唄」と三味線によって、旋律と緩急がはっきりした大衆的な音楽をつけることが一般的であった。例文帳に追加

It was common that popular music like joruri (dramatic narrative chanted to a shamisen accompaniment), which contained narration or songs with a distinct melody played by shamisen, composed of up-tempo tunes and slow-tempo tunes, was used for traditional performing arts that became popular during the Edo period such as kabuki (traditional drama performed by male actors), bunraku (Japanese puppet theater), and classical Japanese dance, especially for performances for the common people in a theater or on an outdoor stage.  - Wikipedia日英京都関連文書対訳コーパス

しかしここでは珠光が能阿弥（応永4年・1397年-文明3年・1471年）を通じて東山時代の足利義政（永享8年・1436年-延徳2年・1490年）に茶の湯を教えたとしているものの、義政が小川御所を出て東山に隠棲したのは能阿弥没後の文明7年（1475年）であるから、この部分に関しては信頼するに足らない。例文帳に追加

However, the part stating that Juko instructed the Way of Tea to Yoshimasa ASHIKAGA (1436 to 1490) in the Higashiyama period (cultural and artistic period of the mid-Muromachi period) via Noami (1397 to 1471) lacks credibility, because it was in 1475 and after Noami's death that Yoshimasa left Ogawagosho Palace and went into seclusion in Higashiyama.  - Wikipedia日英京都関連文書対訳コーパス

ただし、御会始そのものは室町時代に中絶しており、『晴和歌御会作法故実』（著者不明であるが、霊元上皇書写の国立歴史民俗博物館所蔵本がある）という書物によれば、後円融天皇の永和(日本)年間の和歌御会始を模範として後柏原天皇が明応10年（文亀元年/1501年）正月の月次歌会を独立した儀式として執り行ったことが記されている。例文帳に追加

Although Gokaihajime itself ceased to be held in the Muromachi period, Emperor Gokashiwabara held a monthly poetry reading as an independent ceremony on New Year's Day in 1501 on the model of waka gokaihajime during the Eiwa era of the Emperor Goenyu's reign, according to "seiwa utagokai saho kojitsu" (Ancient Practices of New Year Imperial Poetry Reading Party Manner.) (Its author is unknown, but a copy of the book hand written by the Retired Emperor Reigen is possessed by National Museum of Japanese History.)  - Wikipedia日英京都関連文書対訳コーパス

恰幅のいい体つきと、明るく豪放磊落な仁で、『勧進帳』の弁慶、『暫』鎌倉権五郎、『毛抜』の粂寺弾正のような荒事や、『義経千本桜』の権太、『髪結新三』、『盲長屋梅加賀鳶』、『魚屋宗五郎』といった世話物、『仮名手本忠臣蔵』の大星由良助、寺岡平右衛門、『熊谷陣屋』の熊谷直実、『義経千本桜』の知盛、狐忠信などの時代物にも定評があった。例文帳に追加

With his imposing stature and bright and open hearted benevolence, he won acclaim in roles in domestic dramas including Benkei in "Kanjincho," Gongoro KAMAKURA in "Shibaraku," aragoto style such as Kumedera Danjo in "Kenuki," Gonta in "Yoshitsune Senbon-zakura," "Kamiyuishinzo," "Mekuranagaya-umega-kagatobi," "Sakana Sogoro," and historical plays including Yuranosuke OBOSHI in "Kanadehon Chushingura," Heiemon TERAOKA and Naozane KUMAGAI in "Kumagai Jinya," Tomomori and Tadanobu KITSUNE in "Yoshitsune Senbon-zakura."  - Wikipedia日英京都関連文書対訳コーパス

座内の分業が定着する室町時代後期ごろからは、親子間の世襲が多くなり、『四座役者目録』などに多くの逸話を残す三世勝氏（豊氏の子）、金春禅鳳・氏照らの舞台につきあい権守に任せられた四世氏重（勝氏の子）の二代は際だった名人として知られる。例文帳に追加

Handing down methods from father to son had increased since the late Muromachi period, when the members' roles inside the troupe became traditional, and two of the heads are known as striking masters: the third head Katsuuji (the son of Toyouji) about whom a lot of anecdotes are seen in "Yoza yakusha mokuroku (Catalog of Actors of the Four Noh Troupes)", and the fourth head Ujishige (the son of Katsuuji) who accompanied Zenpo and Ujiaki KONPARU on their stage and was appointed to Gon no kami.  - Wikipedia日英京都関連文書対訳コーパス

室町初期の熊野速玉大社摂社であった阿須賀神社神宝の石帯では、石の側面から裏面にむけて斜めに目立たぬようにあけられた穴三つに糸を通して綴じられるが、室町中期頃より石の上から糸でかがりつける方法がみられるようになり、江戸時代にはもっぱらこの方法のみとなる。例文帳に追加

The sekitai that was a secret treasure of Asuka-jinja Shrine, an auxiliary shrine of Kumano-hayatama-taisha Shrine in the early Muromachi Period, was tied by passing a thread through three holes made diagonally and inconspicuously from the side to the back of the precious stones, but from the middle of the Muromachi Period there was another method of sewing the stones with threads from the top, and this came to be the sole method in the Edo Period.  - Wikipedia日英京都関連文書対訳コーパス

これは、日本古来の民族信仰の基盤の上に、自然風土の中で培われた年中行事や、祭礼などを通じて、多くの日本人が七五三や初詣、あるいは季節の祭りを神社で行い、江戸時代の寺請制度の影響で、葬式や盆などを仏教式で行うなど、複数の宗教にまたがって儀礼に参加しているためである。例文帳に追加

This is because many Japanese people engage in rituals of multiple religions, holding the seven-five-three festival and other seasonal festivals at shrines and visiting shrines at the beginning of the New Year based on annual events and rituals developed in the natural climate from ancient ethnic religions of Japan, and by the influence of the temple guarantee system in the Edo period, holding funerals and bon festivals (a festival of the dead or Buddhist all soul's day) with Buddhist rites.  - Wikipedia日英京都関連文書対訳コーパス

明治に入ると、坪内逍遥が『小説神髄』において、八犬士を「仁義八行の化物にて決して人間とはいひ難かり」と断じ、近代文学が乗り越えるべき旧時代の戯作文学の代表として『八犬伝』を批判しているが、このことは、当時『八犬伝』が持っていた影響力の大きさを示している。例文帳に追加

During the Meiji period Shoyo TSUBOUCHI, in "Shosetsu shinzui" (The essence of the novel), criticized "Hakkenden" as the typical gesaku literature from another age which must be overcome by early-modern literature, insisting that 'the eight dog warriors were monsters of Jingi-hachigyo instead of being human beings,' but such criticism gives evidence of the major impact that "Hakkenden" had in those days.  - Wikipedia日英京都関連文書対訳コーパス

代表的なものに金銀鈿荘唐大刀（きんぎんでんそうのからたち）があり、白鮫（白いままの鮫皮）を巻いた柄、唐鐔、精緻な透かし彫を施した長金物（鞘に嵌める筒状の金具）、山形金物が付く足金物（吊り金具）などの特徴は、後の時代の飾剣（かざりたち）と共通のもので、その祖形であると思われる。例文帳に追加

One example that represents such items is Kingindenso-no-Karatachi, featuring a hilt covered with white shark skin, karatsuba (Chinese-style sword guard), elaborately pierced nagakanamono (cylindrical fittings mounted around the scabbard), and hanging fittings (ashikanamono) with yamagata-kanamono (mountain-shaped fittings), all of which are found in ornamental swords in later periods, which makes the sword deemed as their forerunner.  - Wikipedia日英京都関連文書対訳コーパス

日本におけるどぶろく作りの歴史は米作とほぼ同起源であると云われるが、明治時代においては政府の主要な税収源であった酒造税（1940年以後、酒税）の収入を減らす要因であるとして、農家などで自家生産・自家消費されていたどぶろく作りが酒税法により禁止され、現在に至っている。例文帳に追加

It is said that in Japan, the origin of the history of Doburoku production is almost the same as that of rice production, but the production of Doburoku, which used to be made in farm houses, etc. for personal consumption, was forbidden by the Liquor Tax Act as a factor for reducing brewery tax (liquor tax before 1940) revenues, which were major tax revenues for the government in the Meiji period and is still forbidden to the present date.  - Wikipedia日英京都関連文書対訳コーパス