該当件数 : 51件
|同義語（エイリアス）||MGC131729; SLC6A6; MGC10619; Sodium- and chloride-dependent taurine transporter|
|同義語（エイリアス）||AA589629; C80501; Slc6a6|
The adjective is derived from Middle English taught [and other forms], Early Middle English tohte, towehte (“strained, stretched; distended; tight; firm”), probably from tough, touth, touʒth, toʒt (“powerful, strong; fierce, violent; not tender, tough; hardy, resilient; steadfast, stout; difficult to do または endure”) and possibly influenced by togen, towen, past participle of ten (“to extend, stretch out; to drag, haul, pull, tow, tug”) (modern English tee (“(廃れた用法) to draw, lead; to draw away; to go, proceed”)), or directly from its etymon 古期英語 tēon (“to drag, draw, pull”) (ultimately from Proto-Indo-European *dewk- (“to draw, pull”)) The word may be related to thight (“(dialectal) compact, dense; close-fitting, tight”) and tight; and is cognate with Scots tacht, taght (“taut”).
- (also figuratively) Under tension, like a stretched bowstring, rope, or sail; tight.
- Synonyms: nonslack, stretched, tense, tensioned; see also Thesaurus:taut
- Antonyms: untaut; see also Thesaurus:loose
- 1881–1882, Robert Louis Stevenson, “The Ebb-tide Runs”, in Treasure Island, London; Paris: Cassell & Company, Limited, published 14 November 1883, OCLC 702939134, part V (My Sea Adventure), page 185:
- 1912, Roald Amundsen, “The End of the Winter”, in A. G. Chater, transl., The South Pole: An Account of the Norwegian Antarctic Expedition in the “Fram,” 1910–1912 [...] Translated from the Norwegian [...] In Two Volumes, volume I, London: John Murray, […], OCLC 557852685, page 350:
- 1914, Constance Lytton and Jane Warton [pseudonym; Lady Constance Bulwer-Lytton], “My Conversion”, in Prisons & Prisoners: Some Personal Experiences, London: William Heinemann, OCLC 1067081057, page 19:
- 1971, Yoram Kaniuk, “The Barking”, in [Lazarre] Seymour Simckes, transl., Adam Resurrected: Translated from the Hebrew, New York, N.Y.: Atheneum Books, OCLC 142778; republished New York, N.Y.: Grove Press, 2008, →ISBN, page 105:
- 2007, Anthony Neilson, The Wonderful World of Dissocia, London: Methuen Drama, →ISBN; republished London; New York, N.Y.: Bloomsbury Methuen Drama, Bloomsbury Publishing, 2015, →ISBN, Act I, page 25:
- Lisa Jones – a woman in her thirties – sits cross-legged onstage, absent-mindedly tuning the high E-string on an acoustic guitar. She tunes the string up and up until it reaches the correct note – and then continues on past it. [...] Higher and higher the note, the string growing ever more taut, the fretboard beginning to tremble under the strain, the tension rising – but she still winds the tuning peg, up and up and up and up until … … the string snaps!
- (of a body, muscles, etc.) Not flabby; firm, toned; (of a person) having a lean, strong body.
- 2014 July, Miles J. Unger, “The Giant”, in Michelangelo: A Life in Six Masterpieces, New York, N.Y.: Simon & Schuster, →ISBN, page 108:
- In a sense, Michelangelo's David is everything his Bacchus was not: firmly in control of himself while the god of wine was teetering on the brink of dissolution; his senses heightened while Bacchus's are dulled. Where one is taut, the other is flaccid. David's toned, athletic body contrasts with Bacchus's effeminate form, illustrating the dichotomy in Michelangelo's mind between the active masculine force and the passive feminine.
- 2015, Lindsay McKenna, “[Hidden Heart] Chapter 7”, in Lindsay McKenna; Merline Lovelace; Patience Bloom, editor, Course of Action: Crossfire (Harlequin Romantic Suspense; 1853), Don Mills, Ont.: Harlequin Books, →ISBN, page 111:
- (of music, writing, etc.) Containing only relevant parts; brief and controlled.
- 1991 February 14, Peter Travers, “The Silence of the Lambs [film review]”, in Rolling Stone, New York, N.Y.: Wenner Media, ISSN 0035-791X, OCLC 1057982905, archived from the original on 5 December 2017:
- 1997, “Minty: A Story of a Young Harriet Tubman (written by Alan Schroeder, 1996) [book review]”, in Linda R. Andres, editor, Children’s Literature Review, volume 43, Detroit, Mich.: Gale Research, →ISBN, page 174, column 2; quoted in Milton C. Sernett, “‘Minty’”, in Harriet Tubman: Myth, Memory and History, Durham, N.C.: Duke University Press, 2007, →ISBN, page 35:
- 2017 January 20, Annie Zaleski, “AFI Sounds Refreshed and Rejuvenated on Its 10th Album, AFI (The Blood Album)”, in The A.V. Club, archived from the original on 3 November 2019:
- (figuratively) Experiencing anxiety or stress.
- (nautical, of a sailor, a ship, etc.) Neat and well-disciplined; (by extension) efficient and in order.
- 1832 September, John Wilson; W[illia]m Maginn; J[ohn] G[ibson] Lockhart; James Hogg [et al.], Noctes Ambrosianæ […], volume V, number LXII, New York, N.Y.: Redfield […], published 1854, OCLC 4533369, page 76:
- 1863, Anne Bowman, “The Adventures of Clever Jack”, in Edmund Routledge, editor, Routledge’s Every Boy’s Annual. An Original Miscellany of Entertaining Literature, London; New York, N.Y.: Routledge, Warne, & Routledge, […], OCLC 517518744, chapter I (Jack Determines to be His Own Master), page 109:
- [T]he astonished boy looked round him, and wondered if this could really be the trim, taut ship he had read of. The deck was so encumbered with foul-smelling casks, coils of rope, and masses of rubbish, that there was no room to move; and Jack felt at a loss where to fly to be out of the way of the busy, swearing crew.
- 2004, Allan Kozinn, “Béla Bartók: Concerto for Orchestra; Music for Strings, Percussion, and Celesta, and Hungarian Sketches: Chicago Symphony Orchestra, Fritz Reiner, Conducting […]”, in Classical Music: A Critic’s Guide to the 100 Most Important Recordings (The New York Times Essential Library), New York, N.Y.: Times Books; Henry Holt and Company, →ISBN, page 259:
- (oenology) Strong; uncompromising.
- (transitive) To make taut; to tauten, to tighten.
- 1917 August, The Road-maker, volume 2, number 5, Port Huron, Mich.: [s.n.], OCLC 781682117, page 18, column 2:
- The machine is operated by a double friction drum hoist. From the rear drum a steel cable, called the tension cable, leads to a set of fall blocks attached to the mast pole. These blocks afford a means for slackening and tauting the track cable, one end of which is supported by the fall blocks and the other fastened to a "dead man" or other suitable anchorage planted in the bank of the pit opposite the dumping point.
- 1920 May, F[rancis] Scott Fitzgerald, “The Cut-Glass Bowl”, in Flappers and Philosophers, New York, N.Y.: Charles Scribner’s Sons, OCLC 623621399, part IV, page 153:
- The cold wind blew in again through the front door, and with a desperate, frantic energy Evelyn stretched both her arms around the bowl. She must be quick—she must be strong. She tightened her arms until they ached, tauted the thin strips of muscle under her soft flesh, and with a mighty effort raised it and held it.
- 2016, J. Vogelsang; G. Huber; T[heodoros] Triantafyllidis; T. Bender, “Interpretation of Vibratory Pile Penetration Based on Digital Image Correlation”, in Theodoros Triantafyllidis, editor, Holistic Simulation of Geotechnical Installation Processes: Benchmarks and Simulations (Lecture Notes in Applied かつ Computational Mechanics; 80), Cham, Switzerland; Heidelberg: Springer International Publishing, DOI:10.1007/978-3-319-23159-4, →ISBN, ISSN 1613-7736, section 2.3 (Instrumentation かつ Data Acquisition), pages 35–36:
該当件数 : 51件
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